INTERNATIONAL FAIR OFCONTEMPORARY ART

6 – 8 NOVEMBER 201512 - 8 PMOVAL, LINGOTTO FIERETORINO

WWW.ARTISSIMA.IT

ARTISSIMA 2015 22ND EDITION 5 November 2015: Press Preview, Preview, Opening 6, 7, 8 November 2015: Open to the public

In 2015, Artissima, the International Fair of Contemporary Art, in Turin, opens its 22nd edition to the public. Directed for the fourth time by Sarah Cosulich Canarutto, it features 207 galleries from 31 countries the worldover.

Since its establishment in 1994, Artissima has combined presence in the international market with careful attention to experimentation, research and the curatorial framework of its choices and proposals. Three of the fair’s six sections are helmed by boards composed ofcurators and museum directors from all over the world. The formats of these special sections – with a focus spanning performance art to the rediscovery of the avant-garde – have become standards in the international art fair scene.

Its precise identity ensures Artissima’s impact is felt beyond its venue, the Oval glass pavilion, and reverberates throughout the entire city of Torino. In the words of Le Monde, during Artissima ‘the city transforms into a giant happening’, drawing in a very high-profile public with exhibitions and special events in its museums and foundations, and the network of food and wine culture for which the city is famous.

The fair is organised by Artissima srl, a company owned by the

Fondazione Torino Musei.

Figures: 207 galleries from 31 countries 67% overseas exhibitors 20,000 m2 of exhibition space More than 2,000 artworks Over 50 curators and museum directors on its juries €50,000 in prizes for artists and galleries €400,000 in institutional acquisitions (2014) More than 50,000 visitors (2014) Partners & Friends Main Partner: UniCredit Partner: Aon, CTA, Girard-Perregaux, GTT, illycaffè,

K-Way, Lancia, Lauretana, Leica, Reda, Fondazione Sardi per l’Arte, Promos Scalo Milano

In-kind sponsor: Artsy, CarloAngela, FR Costruzioni, GL Events Italia – Lingotto Fiere, Sagat, Zaini Milano

Official Carrier: Gondrand Media Partner: La Stampa

WHAT’S NEW IN 2015 Opium Den, a fully fledged curatorial project turning the VIP Lounge

into an eclectic and sumptuous space; a visual essay on collecting and the border between art object and decoration.

Ypsilon St’Art Percorsi in Fiera, a free programme of themed visits

through the fair, conceived in parallel with the Walkie Talkies and Zonarte workshops, to consolidate Artissima’s commitment to attracting the general public to contemporary art.

Art Advisory, UniCredit Art Advisory, a free, independent art advisory

service within the fair – the first of its kind in Italy – conceived to encourage and assist new Italian collectors.

In Mostra, a special exhibition project within Artissima. Created to

provide a showcase for the contemporary art collections and artistic institutions of Piedmont, in 2015 In Mostra is reinvented as an independent project, spanning 700 square metres of exhibition space atthe fair.

Artissima is a fair which stands out and challenges major international art events.

We were the first contemporary art fair to introduce a focus on the historical avant-garde and the first to give a commercial stage to performance art. We were also the first fair to reward young artists with a museum exhibition, the first fair to transform talks into itinerant conversations throughout the booths, the first fair to include an exhibition of exceptional institutional collections, and – starting this year – the first fair to have a VIP Lounge conceived as a curatorial project.

Artissima acts as a catalyst for Torino’s artistic network of museums and institutions, an unmissable point of attraction for the international art scene. More than a metropolis, Torino is an undisputed capital of contemporary art, with three museums, three art foundations, new institutions being established, large private collections and important public art projects such as Luci d'Artista.

If quality is a key ingredient in Artissima’s growth, acquisitions within the fair are the recipe for continuing to improve quality: spurring artistic research and the city. With this in mind, this year we have worked on a project to encourage new collecting, attracting ever more collectors from all over the world. More than in any other previous edition, they will be the true protagonists of the fair.

We are proud to be the fair of ‘firsts’ and we hope to continue to create new paths.

Sarah Cosulich Canarutto, director

THE SECTIONS Three of Artissima’s six sections are selected by a committee of

international galleries participating in the fair. The Main Section brings together the most established galleries

representative of the global art scene. This year, 133 have been selected (of which two thirds are from abroad).

New Entries is a section reserved for the most interesting young galleries on the international scene, active for less than five years and attending Artissima for the first time. The section hosts 24 galleries, of which 21 are foreign.

Art Editions, inaugurated in 2012, hosts publications, prints and multiples by contemporary artists from seven galleries.

An international jury awards the Promos Scalo Milano New Entries

Prize of €5,000 to the gallery deemed most deserving in seeking out and promoting the young artists in this section. One artist from the winning gallery will be commissioned to make a site specific installation in Scalo Milano’s exhibition space, currently under construction within the Piazze d’Artista project, which combines retail and art for the first time in Italy.

The Reda Prize is a new international award open to artists under 35

who are exhibiting at Artissima. It is inaugerated this year with the aim of supporting a new generation of artists who work with photography. The winner is given the opportunity to realise a publication with a major international publisher.

The Fondazione Ettore Fico Prize is awarded to an artist chosen from

all of those participating in Artissima. Established in 2009 by Fondazione Ettore Fico to promote the work of young practitioners, it supports the creation of a publication or exhibition by the winner.

Committee for the Main Section, New Entries and Art Editions

Isabella Bortolozzi, Berlin Paola Capata (Monitor), Roma Guido Costa, Torino Peter Kilchmann, Zurich Pedro Mendes (Mendes Wood DM), São Paulo Gregor Podnar, Berlin Jocelyn Wolff, Paris Jury for the Promos Scalo Milano New Entries Prize Pierre Bal Blanc, Documenta 14, Kassel Jacopo Crivelli Visconti, critic and curator, São Paulo Abaseh Mirvali, independent curator, Berlin/Mexico City Patrizia Sandretto Re Rebaudengo, collector, Torino Jury for the Reda Prize Florian Ebner, Museum Folkwang, Essen Cristiano Raimondi, NMNM, Munich Francesco Zanot, Camera – Centro Italiano per la Fotografia,

Torino Philip and Rosella Rolla, collectors, Rolla Foundation,

Switzerland Jury for the Fondazione Ettore Fico Prize Andrea Busto, MEF – Museo Ettore Fico, Torino Letizia Ragaglia, Museion, Bolzano Alberto Salvadori, Museo Marino Marini, Firenze Andrea Viliani, MADRE, Napoli Renato Alpegiani, collector, Torino

PRESENT FUTURE Present Future is the section of Artissima dedicated to emerging talent,

selected by a board of young international curators. Artists are presented by the galleries in a central area of the fair, in a specifically designed exhibition. Works by the selected artists include new proposals created ad hoc and projects displayed for the first time in a European and Italian context.

In 2015 Present Future presents projects by 20 artists presented by 19 foreign galleries and one Italian gallery.

The illy Present Future Prize, supported by illycaffè since 2001, is

awarded to an artist whose work is considered the most interesting, by aninternational jury. Since 2012, Artissima and Castello di Rivoli Museo d’Arte Contemporanea have offered the winner the exceptional opportunity of presenting a solo exhibition at the museum. The exhibition coincides with the subsequent edition of the fair.

Thanks to illycaffè’s receptiveness and the active collaboration with Castello di Rivoli, the illy Present Future Prize gives significant support to emerging artists, and confirms the innovative role of the museum as anartistic institution of international repute.

This year the exhibition features the work of Rachel Rose, winner of the 14th edition of the illy Present Future Prize.

Committee for Present Future Luigi Fassi, steirischer herbst, Graz Fatima Hellberg, Künstlerhaus Stuttgart Lara Khaldi, independent curator, Ramallah and Amsterdam Natalia Sielewicz, Museum of Modern Art in Warsaw Fatos Üstek, independent curator and writer, London Jury for the illy Present Future Prize Daniel Baumann, Kunsthalle Zürich Dieter Roelstraete, Documenta 14, Kassel Maurizio Morra Greco, collector, Napoli

Present Future 2015 is an exploration of the global art scene, focusing on figures who are active mainly in Europe, North America and the Middle East. Its field research saw a curatorial team seeking out innovative, complex and multiform artistic proposals over many months.

The section is not structured according to a theme or narrative, and its nature is not defined by any ideological focal points or pre-established conceptual models. Instead, its architecture is formed by the strength of the projects presented, which do not only bear witness to an uncompromising critical urgency but also raise questions and inspire reflections on the current state of geopolitics worldwide.

Luigi Fassi, coordinator of Present Future

BACK TO THE FUTURE

Back to the Future is the section of Artissima dedicated to the rediscovery of historic artworks, featuring solo exhibitions by great pioneers of contemporary art. Created with a focus on the 1960s, 70s and 80s, in 2015 for the first time it is concentrating on the decade 1975–85.

The section, now in its sixth year, aims to highlight international artists who played a key role in the history of art and whose work has influenced contemporary practice. Back to the Future offers the public at large a unique opportunity to view significant works from those years in dialogue with contemporary experimentation.

In 2015, 25 artists participate in Back to the Future, presented by 28 galleries (8 Italian, 20 from abroad).

During Artissima, an international jury awards the Sardi per l’Arte Back

to the Future Prize, run in partnership with Fondazione Sardi per l’Arte and at a value of €5,000, to the gallery with the most deserving project in terms of historical relevance and booth presentation.

Committee for Back to the Future Eva Fabbris, independent curator, Milano João Fernandes, Museo Nacional Centro de Arte Reina Sofìa,

Madrid Elena Filipovic, Kunsthalle Basel Beatrix Ruf, Stedelijk Museum, Amsterdam Jury for the Sardi per L’Arte Back to the Future Prize Sabine Breitwieser, Museum der Moderne Salzburg Christine Macel, Musée National d’Art Moderne, Centre

Pompidou, Paris María Inés Rodríguez, CAPC, Bordeaux Lorenzo Paini, Collezione Enea Righi, Bologna

Back to the Future has reconfirmed its position as a research-driven section this year by presenting a very clear chronological focus.

The decade 1975–85 was chosen because it represents a true creative environment in a state of transition. In Back to the Future this year, significant movements and practices of the first half of the 1970s, such as Conceptual Art and the performative body, are radicalised; painting comes both to contain and re-launch its seemingly pop heritage, blending it with the possible stimuli of a culture about to become globalised and globalising; photography’s ability to represent diverse power structures is explored, alongside its relation to the field of fashion, its reinvention of the theme of portraiture and its becoming the driving force for a new awareness of gender representation.

Back to the Future 1975–85 represents strong core themes and particular sensibilities that preluded the art to come, from a vital moment that is yet to be historicised.

Eva Fabbris, coordinator of Back to the Future

PER4M

Launched by Artissima in 2014, Per4m is the first ever section on the international art fair scene devoted exclusively to performance art. It is both an artistic and commercial showcase, in which performance art is considered as a medium alongside the others presented in the fair, taking full advantage of the framework dedicated to it.

The 2015 edition of Per4m hosts works by 12 artists represented by 13 galleries (four Italian, nine foreign), and presented on a dedicated stage within the fair and in shared locations throughout the Oval.

Per4m is accompanied by the Prix K-Way Per4m of €10,000, which will

be given to the most significant artwork presented in the section. The award reflects not only the importance of Per4m, but also the special attention paid to this form of experimentation by our partner K-Way.

Committee for Per4m Simone Menegoi, independent curator, Milano Sophie Goltz, Stadtkuratorin, Hamburg Chris Sharp, independent curator, Mexico DF Jury for the Prix K-Way Per4m Marie de Brugerolle, independent curator and writer, Lyon Silvia Fanti, Xing, Bologna Ana Janevski, Department of Media and Performance Art,

MoMA, New York Giorgio Fasol, collector, Verona

Now in its second year, Per4m continues to offer compelling insight into current performance art in all its variety and complexity, starting from its relationship with time, space and the public.

Some actions gather spectators together in the space dedicated to Per4m at Artissima, while others take them by surprise, happening unannounced in the shared spaces of the fair. Short performance pieces with a beginning, a middle and an end are countered by a static ‘installation with figures’, which can be visited at any time. Some performances will invite the audience to interact, and others offer them a theatrical relationship to the event taking place before them.

In contrast to last year, less weight is given to the spoken word in favour of gesture, music and the image. Furthermore, the emphasis on emerging artists, many of whom have never exhibited in Italy before, is even stronger.

Simone Menegoi, coordinator of Per4m

OTHER INITIATIVES WITHIN THE FAIR VIP Lounge For the 2015 edition, Artissima has redesigned the VIP Lounge,

transforming it from a purely functional space into an art installation. Opium Den, a project conceived and curated by Maurizio Vetrugno, is a welcoming space that is eclectic and sumptuous, immersive and engaging.

The balcony overlooking the Oval becomes stage set bedecked with textiles inspired by the Orientalist style of Torino’s Villa della Regina,furniture from Sumatra and Java and collections of ceramics and enamelled metal. The floors are covered in rugs, designed by artist Scarlett Rouge, in which eclectic symbologies reference the history of Torino.

The contrast between ancient craftsmanship and the practice of appropriation art, between Piedmont Orientalism and Chinese enamelled works depicting European Arcadian scenes, brings into crisis any notion of this as a purely decorative space. Opium Den welcomes guests of the fair like an organic sculpture. It is a visual essay that probes the boundaries between artwork and object, inhabited space and installation.

Opium Den is created in collaboration with MAO Museo d’Arte Orientale di Torino.

Ypilon St’Art Itineraries 2015 sees the inauguration of the Ypilon St’Art Itineraries, a

programme of guided tours through the booths and the special sections, designed to offer the general public insights and new interpretations and bringing them into the world of contemporary art.

The Itineraries will be led by young mediators, and will concentrate on specific works, techniques, themes and expressive languages. Participation in the tours is free, but reservations are required.

Walkie Talkies One of the most successful public events at Artissima, the

Walkie Talkies feature a series of informal conversations that move freely through the spaces of the fair.

Pairs of exceptional guides accompany visitors on themed explorations of the gallery booths, discovering works, artists or specific themes. The Walkie Talkies are short dialogues: interludes that provide the opportunity to get to know and discuss the various artistic aspects covered by Artissima. This year, as part of a wider effort to frame the role of collecting as a driving force in artistic research, each conversation features a curator in discussion with a collector.

The programme is composed of 12 visits, four per day, led by 24 curators and international collectors. The programme is available at the fair and on www.artissima.it.

Unicredit Art Advisory Collecting is one of the main themes of Artissima 2015. While its

important contribution to Italy’s economic and cultural life is rarely acknowledged, collecting in the country often reaches international standards of excellence .

Unicredit Art Advisory is a free, independent advisory service, offered to collectors as well as to visitors who are passionate about art but who would like guidance with navigating the fair, or with the legal, tax and insurance aspects of collecting. Expert advisors are available, by appointment, in the UniCredit space at the fair.

Con/TEXT Con/TEXT, a section introduced in 2012, is a large and welcoming

area of the pavilion for reading, discovering unusual art magazines and books, and discussing and sharing ideas.

Con/TEXT is home to the Artissima Bookshop, by Librerie Corraini, containing the most important magazines in the sector as well as Art Editions. It also contains the Book Corner, a space dedicated to presenting books, catalogues and special projects by institutions, galleries and publishers. The Book Corner programme involves artists, museum directors, curators, critics and collectors from all over the world.

Starting in 2015, Con/TEXT will host the new Artissima Live space, a live editorial process where online contemporary art publications dialogue and collaborate, creating content linked to the weekend of the fair. Artissima Live is coordinated by Elena Bordignon, founder of ATP Diary.

Artissima.it In parallel with Artissima Live, the fair has also launched a new version

of its website – www.artissima.it – which has been redesigned to accompany visitors to Artissima via social media and smartphones(design by Eggers 2.0).

Meeting Point by La Stampa A special area within the fair dedicated to the presentation of

projects, events, conversations and debates relating to the fundamental topics of contemporary art. The talks are promoted and curated by museums, institutions and art professionals and provide a unique opportunity for encountering and exchanging ideas with some of the leading figures on the contemporary art scene.

Zonarte Once again, in 2015 the Education Departments of the Zonarte

network offer visitors to Artissima a key to accessing the world of contemporary art, featuring workshops, laboratories, meetings and discussions – all of which are open to young people, families and professionals.

The workshop programme is available on www.artissima.it.

In Mostra

In Mostra is a special exhibition taking place within Artissima. A section of the fair inspired originally by the desire to showcase Piedmont’s contemporary art collections and artistic institutions, in 2015 Artissima called on Stefano Collicelli Cagol to reinvent In Mostra as an independent show, with works by 30 artists displayed across 700 square metres of exhibition space.

The exhibition, titled ‘Inclinazioni’, revolves around the concept of ‘inclination’: an internal tendency towards something (we speak of artistic, political and personal inclination, for example), but the metaphor implicit in the term seems to suggest an alternative and oblique geometry in contrasts with the traditional static condition of orthogonality.

Exploring the theme with a gaze that is sometimes ironic and sometime grotesque – unlike the orthogonal nature of the ‘straightest city in Italy’ – ‘Inclinazioni’ inhabits a contradictory space, further emphasisedby the commercial role of the fair in relation to non-profit institutions and associations.

Artists / Participating Institutions:

Anonimous / Accademia Albertina di Belle Arti Lupo Borgonovo / Cripta747 Brouly Bouabrè / ArteGiovane James Lee Byars, Maria Nordman / Castello di Rivoli Museo

d’Arte Contemporanea Felice Casorati, Bruno Munari, Tancredi / GAM Galleria Civica

d’Arte Moderna e Contemporanea Gianni Colombo / Fondazione per l’Arte Moderna e

Contemporanea CRT Giorgio Cugno / Resò Andrea De Stefani / Fondazione Spinola Banna per l’Arte Elmgreen&Dragset, David Hammons, Monica Sosnowska /

Collezione La Gaia Hans Peter Feldmann, Urs Fischer, Andro Wekua / Fondazione

Sandretto Re Rebaudengo Piero Gilardi, Ugo La Pietra / PAV Parco d’Arte Vivente Daniella Isamit Morales / CeSAC Centro Sperimentale per le

Arti Contemporanee Jack Kerouac illustrated by Ed Ruscha / Pinacoteca Giovanni e

Marella Agnelli Marisa Merz, Mario Merz. Laurence Weiner / Fondazione Merz Photographic Material – Centro Italiano per la Fotografia Gyan Panchal / FRAC Dino Pedriali / Fondazione 107 Michelangelo Pistoletto / cittadellarte/Fondazione Pistoletto Carol Rama / Fondazione Sardi per l’Arte Philipp Timischl / Barriera

Sarah Cosulich Canarutto

Sarah Cosulich Canarutto (b.1974) has been the director of Artissima since 2012.

She started her career alongside Francesco Bonami at the 50th Venice Biennale, working with artists such as Fischli/Weiss, Matthew Barney and Rudolf Stingel.

She was later curator of the Villa Manin Centre for Contemporary Art, working on shows and special projects by Carsten Hoeller, Pawel Althamer, Rirkrit Tiravanija, Gabriel Orozco, Damian Ortega and Tomas Saraceno, among others.

While att Cardi Black Box gallery she curated a major exhibition by Thomas Bayrle. Her writing includes monographs on Jeff Koons (2006) and Gabriel Orozco (2008).

In her three years at Artissima, the fair has widened both its international scope as well as its experimental identity, pioneering new ways to involve curators and collectors and adding a new innovative performance section. In 2014 she invited Maurizio Cattelan to curate the acclaimed exhibition ‘SHIT AND DIE’ as part of Artissima’s cultural programme.

Oval

Created in 2006 as the ice stadium for the Torino Winter Olympics, the Oval is a glass pavilion in the heart of Lingotto, the historical industrial district reconverted for the city by Renzo Piano. The Oval, with its naturally illuminated 20,000 square metres of space, has hosted Artissima since 2010.

Artissima srl

Artissima is a brand of Regione Piemonte, Provincia di Torino and Città di Torino. On behalf of these three authorities, it is promoted by Fondazione Torino Musei. The 22nd edition of Artissima is being held with the support of the three brand-owning authorities, jointly with Fondazione per l’Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and Camera di commercio di Torino. The organisation of Artissima is overseen by Artissima srl, a company formed in 2008 to manage the fair’s artistic and commercial relations.

Fondazione Torino Musei Fondazione Torino Musei curates and manages the historic and

artistic heritage of the city of Torino. Its mission is to protect this heritage, carry out research, and exhibit and communicate its art collections and historical monuments in order to make them more accessible to the public, thereby serving the community and its development.

The museums that comprise the foundation are GAM - Galleria Civica d'Arte Moderna e Contemporanea, Palazzo Madama-Museo Civico d'Arte Antica, MAO - Museo d'Arte Orientale and Rocca e il Borgo Medievale.

Eva Fabbris Coordinator of Back to the Future Eva Fabbris is an independent curator and art historian. She lives in

Milano. In 2015, together with Cristiano Raimondi, she co-curated an exhibition by Fausto Melotti at the Nouveau Musée National de Monaco.She is currently curating two projects by Alessandro Pessoli and Paul Sietsema at the same museum.

Fabbris was part of the research team for ‘Arts&Foods’, curated by Germano Celant at the Triennale di Milano during EXPO 2015. She is curating the ‘Pre-post Alphabet’ series of exhibitions at Fondazione Morra in Napoli, 2015–16.

Simone Menegoi Coordinator of Per4m Simone Menegoi is a critic and curator who lives in Milano and Verona.

He teaches at the Istituto Europeo del Design, in Roma, and regularly writes for the website artforum.com. From 2012 to 2014, together with Cecilia Canziani, he curated contemporary art projects for the Ermenegildo Zegna Group; in 2012–13 he was a curator at CSAV –Artists’ Research Laboratory by the Fondazione Ratti (Como), collaborating visiting artists Matt Mullican and Tacita Dean.

Maurizio Vetrugno Curator of Opium Den

Maurizio Vetrugno, an artist and writer, lives and works in Torino and Bali. He has had solo exhibitions at Blum & Poe, in Los Angeles, Fondazione Merz and the Accademia delle Belle Arti, both in Torino. His most recent group exhibitions include: ‘SHIT AND DIE’, Palazzo Cavour, Torino; ‘Relax The Brain’, Nature Morte Gallery, New Delhi – Berlin; ‘Il racconto del filo: Ricamo e cucito nell’arte contemporanea’, MART, Trento and Rovereto; ‘Soggetto Soggetto’, Castello di Rivoli, Torino.

Luigi Fassi Coordinator of Present Future Since 2012, Luigi Fassi has been the curator of visual arts at the

steirischer herbst festival in Graz, Austria. A Helena Rubinstein Curatorial Fellow at the Whitney Museum ISP in New York in 2009, he was director of the ar/ge kunst Galerie Museum in Bolzano (2009–12), where he organised group and solo exhibitions for artists including Runo Lagomarsino, Chto Delat?, Katarina Zdjelar, Alejandro Cesarco and William E. Jones.

Together with G. Di Salvatore, he is the author of Clement Greenberg. L’avventura del modernismo (Johan & Levi, 2011) and Time Out of Joint: Recall and Evocation in Recent Art (Yale University Press, 2009).

Stefano Collicelli Cagol Curator of In Mostra Stefano Collicelli Cagol is curator at large at the Trondheim

Kunstmuseum, Trondheim, Norway. In 2014 he completed a PhD in Curating Contemporary Art at the Royal College of Art, London. He has collaborated with various Italian institutions such as Fondazione Sandretto Re Rebaudengo, Torino; GAM – Galleria d'Arte Moderna e Contemporanea, Torino and Museo Marino Marini, Firenze.

PRACTICAL INFORMATION Opening: 5 November 2015 Press preview starting at 12 pm Collector preview starting at 12 pm (by invitation) Inauguration from 6 to 9.30 pm (by invitation) Open to the public: 6, 7, 8 November 2015 Hours 12–8 pm Tickets: Full price: € 15.00 Reduced: € 10.00 * Three-day pass: € 30.00 * Children aged 12–18. Over 65s. University students, upon

presentation of a university ID. Soldiers in uniform. Free ticket with Torino Musei membership card and the Torino Card from 6 to 8 November. Free entry for disabled people with assistance.

Artissima www.artissima.it info@artissima.it Facebook: Artissima Fair Twitter: @ArtissimaFair Instagram: ARTISSIMAFAIR Pinterest: Artissima Youtube: Artissima Fair Artissima’s image and graphic design are provided by the studio

Tassinari/Vetta.

Press Contacts

PCM Studio Via Carlo Goldoni, 38 | 20129 Milano press@paolamanfredi.com | T. +39 393 4695107 Paola C. Manfredi | paola.manfredi@paolamanfredi.com M. +39 335 54 55 539 Rhiannon Pickles PR Maria Cristina Giusti cristina@picklespr.com | T. +44(0)7925810607

GALLERIES Main section 11R Eleven Rivington, New York; 22,48m2, Paris; 3+1, Lisbon; 401contemporary, Berlin; A Gentil Carioca, Rio De Janeiro; Samy Abraham, Paris; ADN, Barcelona; Sabrina Amrani, Madrid; Analix Forever, Geneva; APalazzo, Brescia; Arroniz, Mexico City; Artericambi, Verona; Alfonso Artiaco, Naples; Enrico Astuni, Bologna; Balice Hertling, Paris; Baril, Cluj-Napoca; Anne Barrault, Paris; Bendana | Pinel, Paris; Isabella Bortolozzi, Berlin; Thomas Brambilla, Bergamo; Brand New Gallery, Milan; Braverman, Tel Aviv; Bugada & Cargnel, Paris; CAR DRDE, Bologna; Luciana Caravello, Rio De Janeiro; Chert, Berlin; Hezi Cohen, Tel Aviv; collicaligreggi, Catania; Continua, San Gimignano, Beijing, Les Moulins, La Habana; Copperfield, London; Raffaella Cortese, Milan; Guido Costa Projects, Turin; Curro y Poncho, Guadalajara; Monica de Cardenas, Milan, Zuoz, Lugano; de' Foscherari, Bologna; Tiziana di Caro, Naples; Umberto Di Marino, Naples; Gallery em, Seoul; Ex Elettrofonica, Rome; Marie Laure Fleisch, Rome; Frutta, Rome; Christophe Gaillard, Paris; Bruce Haines Mayfair, London; Emmanuel Hervé, Paris; Andreas Huber, Vienna; Ibid., London, Los Angeles; In Arco, Turin; Martin Janda, Vienna; Antonia Jannone, Milan; Rodolphe Janssen, Brussels; Jeanroch Dard, Brussels, Paris; Kalfayan, Athens, Thessaloniki; Georg Kargl, Vienna; Peter Kilchmann, Zurich; Eleni Koroneou, Athens; KOW, Berlin; Last Resort, Copenhagen; Laveronica, Modica; Emanuel Layr, Vienna; Le Guern, Warsaw; Antoine Levi, Paris; Josh Lilley, London; MA2gallery, Tokyo; Magazzino, Rome; Norma Mangione, Turin; Primo Marella, Milan; Marso, Mexico City; massimodeluca, Mestre-Venezia; Gabrielle Maubrie, Paris; Mazzoleni, Turin, London; Mario Mazzoli, Berlin; Mazzoli, Modena; Mendes Wood DM, Sao Paulo; Eva Meyer, Paris; Mind Set Art Center, Taipei; Francesca Minini, Milan; Massimo Minini, Brescia; Mitterrand, Paris; Monitor, Rome, New York; mother's

tankstation, Dublin; Franco Noero, Turin; On the Move, Tirana; Lorcan O'Neill, Rome; Otto Zoo, Milan; P420, Bologna; Alberta Pane, Paris; Alberto Peola, Turin; Peres Projects, Berlin; Rafael Pérez Hernando, Madrid; Giorgio Persano, Turin; Photo&Contemporary, Turin; Pinksummer, Genova; PM8, Vigo; Podbielski Contemporary, Berlin; Gregor Podnar, Berlin; Jérôme Poggi, Paris; Polansky, Prague; Anca Poterasu, Bucharest; Produzentengalerie Hamburg, Hamburg; Profile, Warsaw; prometeogallery, Milan, Lucca; Proyectos Monclova, Mexico City; PSM, Berlin; Repetto, London; Rizomi_art brut, Turin; Rotwand, Zurich; Lia Rumma, Milan, Naples; Studio Sales di Norberto Ruggeri, Rome; Richard Saltoun, London; Side 2, Tokyo; SMAC, Stellenbosch, Cape Town; Sommer, Tel Aviv; SpazioA, Pistoia; Sprovieri, London; Michaela Stock, Vienna; Sultana, Paris; Svit, Prague; Taik Persons, Berlin; Joseph Tang, Paris; Timothy Taylor, London; The Gallery Apart, Rome; Elisabeth & Klaus Thoman, Innsbruck; Caterina Tognon, Venice; Torri, Paris; Tucci Russo, Torre Pellice; Vartai, Vilnius; Federico Vavassori, Milan; Vistamare, Pescara; Waldburger Wouters, Brussels; Wilkinson, London; Jocelyn Wolff, Paris; Leo Xu, Shanghai; Zak | Branicka, Berlin New Entries Allen, Paris; Rolando Anselmi, Berlin; Piero Atchugarry, Pueblo Garzon; Balzer Projects, Basel; Laurence Bernard, Geneva; Central, Sao Paulo; Cinnnamon, Rotterdam; Bianca D'Alessandro, Copenhagen; Eastwards Prospectus, Bucharest; Daniel Faria, Toronto; Feuer/Mesler, New York; Giorgio Galotti, Turin; Hester, New York; Michael Jon, Miami, Detroit; knoerle & baettig, Winterthur; Alexander Levy, Berlin; Laurent Mueller, Paris; Operativa, Rome; Ornis A., Amsterdam; Berthold Pott, Cologne; Proyecto Paralelo, Mexico City; Rizzutogallery, Palermo; Deborah Schamoni, Munich; Tomorrow, New York

Present Future Basel Abbas & Ruanne Abou-Rahme: Carroll/Fletcher, London; Rachal Bradley: Gregor Staiger, Zurich; Adam Broomberg & Oliver Chanarin: Lisson, London, Milan, New York; Alina Chaiderov: Antoine Levi, Paris; Danilo Correale: Raucci/Santamaria, Naples; Kit Craig: Arcade, London; Daiga Grantina: Joseph Tang, Paris; Hazem Harb: Athr, Jeddah; Ewa Juszkiewicz: lokal_30, Warsaw; Hayv Kahraman: The Third Line, Dubai; Yazan Khalili: Lawrie Shabibi, Dubai; Ingrid Luche: Air De Paris, Paris; Elena Nemkova: Galerie Sisso, Paris; Marzena Nowak: Gregor Podnar, Berlin; Katie Paterson: Parafin, London; Hannah Perry: Seventeen, London; Rodel Tapaya: Arndt, Berlin, Singapore; Iza Tarasewicz: BWA Warszawa, Warsaw; Dena Yago: High Art, Paris; Nate Young: moniquemeloche, Chicago Back to the Future 3NOS3: Jaqueline Martins, Sao Paulo; Vincenzo Agnetti: Zero..., Milan; Josef Bauer: unttld, Vienna; Chu Enoki: White Rainbow, London; Clegg & Guttmann: Mirko Mayer, Cologne; Raymundo Colares: Bergamin & Gomide, Sao Paulo; Peter Dreher: Koenig & Clinton, New York; Lili Dujourie: Micheline Szwajcer, Brussels; Concha Jerez: Aural, Alicante; Richard Kern: Guidi&Schoen, Genova; Pierre Klossowski: Isabella Bortolozzi, Berlin + Cabinet, London; Július Koller: gb agency, Paris; Maurizio Mochetti: Furini, Arezzo + Giovanni Bonelli, Milan; Alice Neel: Aurel Scheibler, Berlin; Leticia Parente: Jaqueline Martins, Sao Paulo; Maria Pininska-Beres: Monopol, Warsaw; Vettor Pisani: Cardelli & Fontana, Sarzana; Hassan Sharif: Isabelle van den Eynde, Dubai;

Michael Smith: Ellen De Bruijne Projects, Amsterdam + Dan Gunn, Berlin; Aldo Spoldi: Antonio Battaglia, Milan; Supports/Surfaces: Bernard Ceysson, Luxembourg, Paris, Geneva, Saint-Etienne; Amikam Toren: Anthony Reynolds, London; Nanda Vigo: Cà Di Frà, Milan / Allegra Ravizza, Lugano; Franco Vimercati: Raffaella Cortese, Milan; Alison Wilding: Karsten Schubert, London Per4m Julie Béna: Joseph Tang, Paris; Julien Bismuth: Emanuel Layr, Vienna; Christian Falsnaes: PSM, Berlin; Flavio Favelli: Francesca Minini, Milan + Studio Sales di Norberto Ruggeri, Rome; Kasia Fudakowski: Chert, Berlin; Chiara Fumai: APalazzo, Brescia; Massimo Grimaldi: Zero…, Milan; William Hunt: Rotwand, Zurich; Annika Kahrs: Produzentengalerie Hamburg, Hamburg; Francesco Pedraglio: Norma Mangione, Turin; Oscar Santillan: Copperfield, London; Iza Tarasewicz: Bwa Warszawa, Warsaw Art editions Colophonarte, Belluno; Editalia, Rome; El Astillero, Barcelona; L'Arengario S.B., Gussago; Giorgio Maffei, Turin; Danilo Montanari, Ravenna; s.t. Foto Libreria Galleria, Rome