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Introducing Digital Rights Management Willms Buhse [email protected] October 2002, Vilnius

Introducing Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

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Introducing Digital Rights Management Willms Buhse [email protected] October 2002, Vilnius. Overview. The Context Descriptive Overview: Technical Protection Measures (TPM) vs. Digital Rights Management (DRM) DRM Infrastructure Selected Business Models - PowerPoint PPT Presentation

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Page 1: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Introducing

Digital Rights Management

Willms Buhse

[email protected]

October 2002, Vilnius

Page 2: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

The Context

Descriptive Overview: Technical Protection Measures (TPM) vs.

Digital Rights Management (DRM)

DRM Infrastructure

Selected Business Models

DRM-based Product Offering for the Media Industries

Overview

Page 3: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Digital Products

entertainment: music files, movies etc.

publishing: documents, patient records, school books

Piracy

of physical representations, e.g. CDs (over 50%)

on the Internet via filesharing networks, e.g. Napster, Gnutella

Security

integrity of data and privacy protection

The Context

Page 4: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Definitions:

Technical Protection Measures (TPMs)A technology that offers entertainment and publishing companies to secure and protect content such as text, audio and video from unauthorized use. They work by impeding copying e.g. by marking digital files for identification (Watermarking or Fingerprinting) or by encrypting.

Digital Rights Management (DRM)The management of rights to digital products for content providers and content users including time- and usage-based business models such as renting, subscription and promotion.

Definitions and Context between TPM and DRM

Page 5: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Digital Rights Management Cycle

Page 6: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Industry Trends

CONTENT SUPPLIERS-Demanding DRM- infrastructure in place-Licenses to digital content become available

CONSUMERS-Demanding access to rich media content-Increasing access to bandwith.

CLOSED NETWORKS- DRM only as billing tool

OPEN INTERNET- Uncontrolled- Awash with illegal content

ENVIRONMENT- Growing political support for IP protection. - Legal frameworks emerging

TECHNOLOGY- Complex, developing- Networked authentication- Trusted Computing- Security updates online

WALLED GARDENS- Ideal environment for DRM

- Opening up to the digital world- Increasing need for DRM

- Becoming more controlled and secure- Authenticable via Liberty Alliance, Passport etc.

Market Penetration and

Acceptance of DRMs

Page 7: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

DRM Infrastructure Concept

ADo2RA

Mobile phonesCDs

DVDs

MusicPublishing-

productsSoftware &

GamesVideo

Set-top Boxes

PCsPortals PDAs

Preparation

Packaging

Distribution

Licensing

Rightslocker

Page 8: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Business Models for the Private and Public Sector

SubscriptionDistributionPromotion

B2B

Protected Radio Promotion

Collecting Business Contactswith superdistributed Whitepapers

Market Reports

Manuals

Documentation

Digital course material

eLearning/eUniversities

Research Center

B2C

Promotional MMS

Tokenbased Branding (on-offline)

Data Mining: User Infos for free content

Time out content with link to Purchase

Content via websites and retail

Pre-installed content on CDs and Harddrives

Artist FanZones

Branded Clubs

Digital Libraries

Page 9: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Artist Subscription: BeFANattic

Using BeFANattic, Arista artists BoyzIIMen make exclusive content and services available only to their fans at www.boyzIImen.com:

Secure audio and video files, studio clips and access to unreleased music tracks.

Branded instant messaging, message boards, chats with the artist, exclusive merchandise, advanced ticketing.

BoyzIIMen‘s objectives:

Build a community of fans to test / buy music.

Promote new album “Full Circle”.

Create a new revenue stream.

Page 10: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Mobile Content

Combination of Content Application (Java) Service

Business Models Subscription Super-Distribution (MMS) Streaming and Download Text, Music, Games, etc.

Mobile Solutions with DRM

Page 11: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Copy-protected and DRM-enabled CD

Two sessions: one plays on CD players, the other on PCs and any DRM enabled

devices.

Cross-promotion of artists/authors, bonus tracks, video clips, biographies, games, or interviews.

Protected multimedia content for commercial or promotional purposes.

Content can be consumed based on business rules.

Page 12: Introducing  Digital Rights Management Willms Buhse Willms.Buhse@DWSCO October 2002, Vilnius

Thank you!

Willms Buhse

Hamburg / New York Tel: 040 8222 10 506Tel: 001 212 782 7693 [email protected]