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Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate ntroduction to Video Communications.ppt

Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

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Page 1: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Introduction to Video Communications:

Working With Video Cameras

TGJ 2OIBluevale Collegiate

5a Introduction to Video Communications.ppt

Page 2: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

By following some of the following useful camera tips, you can

dramatically improve the quality of a video

production . . .

Intro to Shot Composition

Page 3: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Intro to Video Cameras

A few simple techniques can set a professional looking video apart from a “bad” home movie.

1. Learn how to properly handle the camera.2. Know how to use camera features (read the

manual).3. Learn how to choose the best shots to convey

ideas.4. Understand specific camera moves and angles.

Page 4: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

1. Don’t film everything at eye-level.

Too many shots at the same height are boring.

Try different angles and heights to create visual interest & show subjects in ways your audience isn’t used to.

Intro to Shot Composition

Page 5: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

2. Work with your scenery.

Use elements of your surroundings to help frame shots (trees, windows, buildings, etc.).

This is called NATURAL FRAMING.

Intro to Video Production

Page 6: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Natural framing makes the audience feel like they are part of the scene (as if they are looking through part of the environment while watching the action).

The trees frame the scene..

Page 7: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

3. Follow the RULE OF THIRDS.

When filming, you should place subjects at specific points on the screen creates powerful visual interest.

Intro to Video Production

Page 8: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Our eyes map out visual space in thirds. We follow a path through the scene by moving to

intersection points of the third lines.

44

3322

11Most Most

important important visual pointvisual point

Rule of Thirds

Page 9: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Objects placed at the dead centre on the screen tend to look boring.

Rule of Thirds

Page 10: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Move subjects a little off centre and things start to look good!

Rule of Thirds

Page 11: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Try to place subjects on the third lines.

This also gives the

subject room to move.

Rule of Thirds

Page 12: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

This rule also applies to photography, art and desktop publishing/advertising.

Any good designer or producer will follow this rule! Sometimes the rule can be broken . . .

Centring a subject can work well when the subject is powerful or unusual.

Rule of Thirds

Page 13: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

4.4. Know how to handle the Know how to handle the camera.camera.

Use extra support to avoid the “shakes”, especially when filming close-ups.

Too much camera wobble will make your audience dizzy (ie. “CLOVERFIELD” or “BLAIR WITCH PROJECT”).

Stability can be created by using your body, a wall, furniture or a tripod.

Intro to Video Production

Page 14: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

A tripod is a 3-legged base used to maintain steady camera shots and prevent fatigue when filming.

It also allows filming at different heights & angles.

To create smooth camera To create smooth camera movements, you can use a movements, you can use a rolling baserolling base (called a dolly). (called a dolly).

Basic Camera Handling

Page 15: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

Here are a few camera techniques you should know:

1. PANNING Camera swivels from side

to side. This move is similar to

standing in one place and turning your head.

If possible, use a tripod for a steady shot

Basic Camera Handling

Page 16: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

2.2. TRUCKINGTRUCKING Camera sits on a tripod and rolls from

side to side. Good movement to use when following

alongside someone walking or running.

Basic Camera Handling

Page 17: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

3. DOLLYING Camera rolls towards or away from

subject (on tripod).

Gives the impression of the viewer as if he/she is walking nearer or farther from subject.

Basic Camera Handling

Page 18: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

4. ZOOMING Change the camera’s lens

setting to make an object appear closer or farther away from the camera.

Basic Camera Handling

Page 19: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

4. ZOOMING (contd.)

Zoom-in(close-up)“T” = tight

angle

Zoom-out(long shot)“W” = wide

angle

Basic Camera Handling

Page 20: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

4.4. ZOOMINGZOOMING When zooming, the camera does not

move. Effective for focusing attention on

details (zoom-in) or establishing location (zoom-out).

Use with care – avoid zooming in and out too quickly.

Basic Camera Handling

Page 21: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

DETAIL SHOT DETAIL SHOT or Extreme Close-or Extreme Close-UpUp

Used for isolating detail in a scene

Types of Camera Shots

Page 22: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

CLOSE-UP CLOSE-UP

Shot: from above head to upper chest

Focus detail on expressions

Most commonly used shot type

Types of Camera Shots

Page 23: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

MEDIUM SHOTMEDIUM SHOT

Shot: from waist to above head

Allows focus on character and surroundings

Types of Camera Shots

Page 24: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

LONG SHOT LONG SHOT (L.S.)(L.S.)

Subject is (occupies) ½ to ¼ of screen height.

Good to use when establishing immediate surroundings

Types of Camera Shots

Page 25: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

EXTREME LONG SHOT EXTREME LONG SHOT (E.L.S.)(E.L.S.)

Sometimes called an Establishing Shot

This shot helps to establish entire scene or environment

Types of Camera Shots

Page 26: Introduction to Video Communications: Working With Video Cameras TGJ 2OI Bluevale Collegiate 5a Introduction to Video Communications.ppt

There’s plenty more to learn about video

production . . .but you’ll do that while working on

your projects!

Any questions?Any questions?