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ISMN 979-0-9016796-2-7 “Amor Real” original vocal version * * * * in Spanish * * * * with English translation Op.2 FULL SCORE

ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

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Page 1: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ISMN 979-0-9016796-2-7

“Amor Real”original vocal version

* * * * in Spanish * * * *

with English translation

Op.2

FULL SCORE

Page 2: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

a) The drum kit includes 3 cymbals (2 crash, 1 ride), 1 hi-hat (with pedal), 3 tom-toms (small, medium and large), 2 snare

drums (the regular one and a little one), 1 bass drum (with pedal) and 1 bell tree.

The parts of the hi-hat, tom-toms and snare drums have been written on the same 5-line staff as follows: 1st line: snare

drums, 2nd line: large tom-tom, 3rd line: medium tom-tom, 4th line: small tom-tom, and 5th line: hi-hat. The bell tree part

has been written on the cymbals line.

The hi-hat is often struck in closed position; an "O" indicates that it is struck in open position, and a "P" indicates that

sound is produced by playing the pedal.

The snare drum generally used is the regular one; an "L" indicates the use of a little one.

b) The synthesizer uses the following timbres: "electric guitar with distortion", "cabasa" and "harpsichord". Written pitches are

the sounding ones. If a real cabasa is available, one musician may play both the synth and the latin percussion instrument.

c) The electric guitar, electric bass and double basses sound a perfect octave lower than written.

d) The electric guitar uses the following effects: "reverb", "overdrive", "octave doubling" and "acoustic guitar-like sound".

e) The vocal part must be performed by a contralto or mezzo-soprano.

f) The alto saxophone sounds a major sixth lower than written.

g) If there is no string ensemble available, it may be emulated by a second synthesizer.

TEMPLATE

Drum Kita

Piano (Pno.)

Synthesizer (Synth)b

Electric Guitar (E.G.)c-d

Electric Bass (E.B.)c

VOICEe

Alto Saxophone (A.S.)f

Violins Ig

Violins IIg

Violasg

Cellosg

Double Bassesc-g

Page 3: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

ã

?

&

?

&

&

&

&

B

?

#

#

#

#

#

#

####

#

#

#

#

c

c

c

c

c

c

c

c

c

c

c

c

c

c

c

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

Cymbals

Hi-hatTom-toms

Snare Drums

Bass

Drum

Electric

Guitar

Electric

Bass

VOICE

Alto

Saxophone

I

II

Violas

Cellos and

Double Basses

Piano

Synthesizer

Violins

2nd Xonly

2nd Xonly

2nd Xonly

2nd X

only

p

p

p

p

p

Ballad tempo

Ballad tempo

Ballad tempo

∑∑

œœ œ œ

w

w

w

w

∑∑

œ œ œ# .˙

w#

w

w#

w

∑∑

..˙n jœ

wn

w

wn

w

∑∑

œ jœ‹ œ .˙

w

w

w

w

p

p

p

p

(,)

1

1

1

no effects

‹> Œ Ó

∑∑

œ Œ Ó

p

œœœ

œœœ

œœœ

œœœ

œœ

œœ

œœ

œœ

œ Œ Ó

rœ r

œ .˙Fal -

Gran

Pho -

Strong

soIa -

e -

ny

mis -

mor

rror

love,

take:

œ Œ Ó

w

w

w

w

(,)

∑∑

œœœ#

#œœœ

œœœœœœ

œœ

œœ

œœ

œœ

jœr

œ rœ œ .œ j

œpa -

con -

pas -

wrong -

sio -

cep -

sion -

lyII

nal,

tual,

al,

set

un

pen -

like

our

w#

w

w#

w

AMOR REAL

original vocal version

* * * * in Spanish * * * *

with English translation

© 2009, 2015 by Ana Leira Carnero(1/11)

Op.2

ANA LEIRA CARNEROMusic and Arrangement by

Lyrics, Translation,

Full Score

Page 4: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

ã

?

&

?

&

&

&

&

B

?

#

#

#

#

#

#

####

#

#

#

#

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

∑∑

œœœnn œœœ œœœ œœœ

œœ

œœ

œœ

œœ

.jœ#r

œ ˙3

‰ jœjœn

sue -

sa -

dream-

lov -

ño...

ba...

ing...

ing

só-

que

like

cat -

loIun

meIa -

just

e -

wn

wn

w

w

cresc.

cresc.

cresc.

cresc.

p cresc.

‹P

‹P

‹P

‹P

‹P

‹P

‹P

‹P

Ó œ œ œ œ œ œ

Œ ‰ .Rœ œ œ œ œ

œœœ#n3

cresc.

œœœœ-

4

œœœœœ## -

œœœœœ-

œœ

œœ

œœ

œœ

˙˙

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œ .˙sue -

ma -

dream-

go -

ño.

bas.

ing.

ry.

w#

wn

w

w

2

2

2

f

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ ‹P

‹P

‹P

Œ .œ œL

JœL

3

œ œ œ

3

œ œ œ

3

œ œ œ

œ œ œ œ œ Œ

œœœœœn-

4

{1

œœœœœ-˙̇˙˙̇#>

œœ

œœ

3

œœ> œ

œbb

> œœ>

Ó

electric guitar with distortion

3œ œb œ

˙3

œ-

œb-

œ-

Œ ‰ jœ# .œ jœBri -

E -

Your

But

llan - - -

rror

act - - -

e - - -

te

a -

ing:

ven

wn

w

˙ ˙#

˙

3

œ> œb > œ>

f

f

f

f

f

f

f(,)

slight reverb ON

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ ‹ ‹ ‹Œ œ Œ œ

œ œ .œ .œ œ œ œ

f

œœœœn

b nn>

œœœœ-œœœœ

nn -

œœœœ-

ww

bb

>

wb

≈œ œb œ> œ œn -

œ ≈œ œ œ> œ œ- œ

œb- œb >

.œ .œ œœ>

œ

jœr

œb rœn .˙

ac -

ún

bril -

great -

tua -

ma -

liant

er

ción,

yor:

job;

was

˙n -̇

w

wn

wn

wb >

(2/11) Amor Real, Op.2 Ana Leira Carnero

Page 5: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

ã

?

&

?

&

&

&

&

B

?

#

#

#

#

#

#

####

#

#

#

#

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

~~~~~~

~

edge edge edgecup cup

rim

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ ‹ ‹ ‹Œ œ Œ œ

œ œ .œ .œ œ œ œ

œœœœb> œœœœ

b - œœœœ- œœœœ

-

ww>

w

≈œ œ œn > œ œb - œ ≈

œ œ œ> œ œ- œ

œ-œ>

.œ .œ œœ>

œ

jœnr

œ rœb ˙

3

‰ jœjœ

buen

tu

but

your

gui -

e -

this

mis -

ón;

rror

show

take

mal

(no

went

(not

fi -

a -

too

to

˙ ˙n>

w

wb

w

w>

dim.

dim.

dim.

dim.

dim.

(,)

vol. knob to 0

vol. knob to 0

poco dim.

‹> Œ Bell Tree XXXX�

∑∑

œ Œ Ó

wwww>

{1

ww>

w

≈............

˙̇˙̇#>

œ-

3

‰œb œn œ œ œ œ œb œ œ œ œ#

wnal.

mar).

bad.

love).

w

w

w

w

w>

3

3

3

p(,)

cabasa

reverb OFF

≈ ‹ ‹ ≈ ‹ ‹ ‹ ≈ ‹ ‹ ‹ ‹

Œ ‹P

Œ ‹P

p

œ. œ.

œ. œ.

œœ-

œ.œ. œ.

œ. œ. œ. œ. œ. œ. œ. œ.

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

‰ Jœ.

‰ Jœ.

‰ Jœ.

‰ Jœ.

3

jœ# œ ˙3

jœjœ jœ

Cer -

Cuer-

So

Bod-

ca,

po,

close,

y

to -

so -

your

in -

do

bre

fi -

side

tu

mi

re

my

pjœ.

‰ jœ.‰ œ-

jœ.‰

(,)

Ó ≈ .J‹ ‰ ‹ ‹

‰ j‹ ‹ ‹ ‹ .‹ ‹O

‹ ‹Œ œhhhh Œ œhhhh

œ. œ# .

œ. œ.

œœ- œ.

œœ-

œ.

œ. œ# . œ. œ. œ. œ. œ. œ.

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

‰ Jœ# .‰ Jœ

.‰ Jœ

.‰ Jœ

.

3

jœ œ .˙fue -

ca -

flam-

bed -

go;

ma;

ing;

room,

jœ.

‰ jœ.

‰ jœ‹ ˙

>

Amor Real, Op.2 (3/11)Ana Leira Carnero

Page 6: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

ã

?

&

?

&

&

&

&

B

?

#

#

#

#

#

#

####

#

#

#

#

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

edge edgecup edge

rim

cresc.

(,)

≈ ‹ ‹ ≈ ‹ ‹ ‹ ≈ ‹ ‹ ‹ ‹

Œ ‹P

Œ ‹P

cresc.

œ. œ.

œ. œ.

œœ-

œ.œ. œ.

œ. œ. œ. œ. œ. œ. œ. œ.

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

‰ Jœ.

‰ Jœ.

‰ Jœ.

‰ Jœ.

3

jœ# œ ˙3

jœjœ jœ#

le -

al -

so

spir -

jos,

ma,

far,

it

tu

en

your

ran

co -

un

hid -

out

ra -

rin -

den

the

cresc.

jœ# .‰ jœ.

‰ œ-jœ.

f

(,)

Ó ≈ .J‹ Œ

‰ j‹ ‹ ‹ ‹ ‹ ‹P

‹P

‹P

Œ œhhhh ‰œ œ

≈ œ œL

œL

œ# .œ#. œ# .

œ. œ

œ-

œ. œ

œ# -

œ.

œ# . œ# . œ# . œ. œ. œ. œ. œ.

! ! ! ! ! ! ! ! ! ! ‰ Œ

Ó ‰electric guitar with distortion

œ jœ

‰ Jœ# .‰ Jœ

.‰ œ

- jœ-

wzón.

cón.

heart.

door.

jœ.‰ jœ.

‰ jœ‹ ˙#>

f

f

f

f

4

4

4

f

f

(,)

F

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ .‹O

.‹O

Œ œ ≈ .Jœ .œ œ

œ œ .œ .œ œ œ œ

≈œ œ œ# > œ œ- œ ≈

œ œ œ> œ œ- œfwww>

w

Œclean

œ. œ.

œ. œ.

œ. œ.

œ- œ>

.œ .œ œœ>

œ

Jœ Rœ# r

œ .˙¡Soy

¡Soy

You

You

me -

me -

should

should

jor

jor

know

know

Œ jœ.

‰ jœ# .‰ jœ

.‰

w

w

w

w

(,)

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ .‹O

.‹O

Œ œ ≈ .Jœ .œ œ

œ œ .œ .œ œ œ œ

≈œ œ# œ‹ > œ œn -

œ ≈œ œ œ‹ > œ œn -

œ

www# >

w#

Œ œ. œ# .

œ. œ.

œ. œ.

œ#- œ# >

.œ .œ œœ>

œ

Jœ Rœ# r

œ# ˙ œ#por-

por-

how

how

que

que

to

to

doy

doy

deal

deal

a -

a -

with

with

Œ jœ.

‰ jœ# .‰ jœ

.‰

w#

w

w

w#

(4/11) Amor Real, Op.2 Ana Leira Carnero

Page 7: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

ã

?

&

?

&

&

&

&

B

?

#

#

#

#

#

#

####

#

#

#

#

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

####

####

####

####

####

####

nnnn bbbbb

####

####

####

####

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

edge edgecup

√ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~

‹> Œ Ó

‰ ‹ ‹ ‹O

‹ ‹ ‹ ‹Œ œ Œ œ

œ œ .œ .œ œ œ œ

≈œ# œ# œ> œ œ# œ œ# > œ œ œ œ# œ œ œ

>

www##>

w

Œ œ# . œ. œ. œ. œ. œ.

œ- œ>

.œ .œ œœ>

œ

Jœ Rœ# r

œ# .˙

mor

mor

re -

re -

re -

re -

al

al

al!

al!

love!

love!

Œ jœ# .‰ jœ

.‰ jœ.

w

w#

w#

w

dim.

dim.

dim.

dim.

dim.

f

cabasa

overdrive ON

≈ ‹ ‹ ≈ ‹ ‹ ‹ ≈ ‹ ‹ ‹ ‹

∑Œ œ Œ œ

œ œ œ œ œ

œ œ .œ .œ œ Œ

dim.

œ# . œ. œ. œ. œ. œ. œ. œ.

œ# . œ. œ. œ. œ. œ. œ. œ.

! ! ! ! ! ! ! ! ! ! ! ! !

œ# œ# œ œ œ œ œ# œ œ œ œ œ œ œ œ# œ# œ- œ œ> œ

‰ Jœ.

‰ Jœ.

‰ Jœ.

≈ œ- œ- œ-

dim.

jœ.

‰ jœ# .‰ jœ

.‰ jœ.

w#

w

w#

w

%

%

%

5

5

5

p

p

p

p

p

(,)

P subito

sempre overdrive ON

‹> Œ Ó

∑∑

œ Œ Ó

Œ&IIII jœ.

‰ jœ# .‰ jœ.

pharpsichord

œœ

##

> œ# .œ# . œ. œ. œ. œ.

.œ‹ œ# .˙

œ# Œ Ó

jœr

œ rœ# .˙

Tan

Tan

It's

It's

re -

re -

so

so

al

al

real

real,

œ# Œ Ó

œ# Œ Ó

œ Œ Ó

œ# Œ Ó

(,)

∑∑

Œ jœ# .‰ j

œ‹ .‰ jœ.

œœ

‹‹

> œ‹ .œ. œ. œ

. œ. œ.

.œ# œ œ .œJœ#

jœ#r

œ rœ œ .œ

jœqueIal

queIal

I

I'll

que -

to -

could

be -

mar

mar

feel

come

tu

tu

the

a

Amor Real, Op.2 (5/11)Ana Leira Carnero

Page 8: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

&

?

&

?

&

?

&

&

&

&

B

?

####

####

####

####

####

####

####

bbbbb

####

####

####

####

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

(√) ~~~~~~~~~~~~~~~~~~ ~~~~~

∑∑

Œ jœ.‰ jœ# .

‰ jœ.‰

œœ

##

> œ# . œ# . œ. œ. œ. œ.

.œ œ# ˙3

œ œ œ

.jœ

rœ# ˙

3

‰ jœ jœfo -

ma -

fi -

sea -

to,

no,

re,

gull,

me

a -

when

if

sen -

ve

I

I

(,)

∑Ó ‰ Jœ

Ÿ œ œ3

œ œ œ

∑ ?

œ# -j

œ.‰

˙# -

œœ

‹‹

> œ‹ .œ.

œœ

> œœ.> œ

œ.>

3

œ# œ# - œn ˙

œ œ ˙#tí

voy

burned

hold

ar -

a

your

your

der.

ser.

pic.

hand.

ƒ

ƒ

6

6

6

(,)

palm muting

‹> Œ Ó

∑œ Œ Ó

Œ œ œ œ

Sf

œ Œ Ó

œœ

Œ Ó

ƒ

œœ>

jœœ.

‰ jœœ

## .

‰jœ

œ.‰

œœ

> œ. œ. œ. œ

. œ. œ.

8ve doubling ONœœ

}>

Jœœ.}

‰ Jœœ.}

‰ Jœœ.}

jœr

œn rœ .˙

Tan

Tan

It's

It's

re -

re -

so

so

al

al

real

real,

w

ƒ

ƒ

ƒ

(,)

simile

∑∑

Œ œ œ œ

Sf

œ# Œ Ó

œœ

##

Œ Ó

œœ>

jœœ

## .

‰ jœœ

‹‹ .

‰ jœœ.

œœ

##

> œ. œ. œ. œ

. œ. œ.

œœ

}>

Jœœ.}

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‹‹

.}‰ J

œœ.}

jœr

œ rœ œ .œ

queIa

queIal

I

if

pe -

be -

ap -

we

sar

sar

peal

kneel

de

tus

by

and

Ó Œ ‰ Jœ≤

Ó Œ ‰ Jœ≤

Ó Œ ‰ Jœ≤

w#

(6/11) Amor Real, Op.2 Ana Leira Carnero

Page 9: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

ã

?

?

&

?

&

?

&

&

&

&

B

?

####

####

####

####

####

####

####

bbbbb

####

####

####

####

Cym.

H-h.

T-t.

S.D.

B.D.

E.G.

E.B.

A.S.

Pno.

Synth

(√)

2nd X only

1st X only

(◊)

(,)

∑∑

Œ œ œ œ

Sf

œn Œ Ó

œœ

nn

Œ Ó

Œ jœœ

nn .

‰ jœœ.

‰ jœœ.

œœ

nn

> œ. œ. œ. œ

. œ. œ.

Œ Jœœ.}

‰ Jœœ.}

‰ Jœœ.}

.jœ

rœ .˙

to -

la -

phone

lip

do,

bios,

call,

kiss,

.œ- œ .˙

.œ- œ .˙

.œ- œ .˙

wn

to Coda

to Coda

to Coda

f

poco dim.

(,)

overdrive & 8ve doubling OFF

Ó ‹P

‹P

‹P

‹P

Ó œL

œ œ œœ œœ

Œ œ œ œ œ œ

Sfœ# Œ ‰ œ œ œ‹ œn œ œ œ œ œ œ‹ œ œ

&

œœ

##

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Amor Real, Op.2 (7/11)Ana Leira Carnero

Page 10: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

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(8/11) Amor Real, Op.2 Ana Leira Carnero

Page 11: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

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Amor Real, Op.2 (9/11)Ana Leira Carnero

D.S. % al fi Coda

D.S. % al fi Coda

D.S. % al fi Coda

Page 12: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

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(10/11) Amor Real, Op.2 Ana Leira Carnero

Page 13: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

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Amor Real, Op.2 (11/11)Ana Leira Carnero

Page 14: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

I II

Falso amor Gran error

pasional, conceptual,

un sueño... pensaba...

sólo un sueño. que me amabas.

Brillante actuación, Error aún mayor:

buen guión; tu error

mal final. (no amar).

Cerca, Cuerpo,

todo tu fuego; sobre mi cama;

lejos, alma,

tu corazón. en un rincón.

¡Soy mejor ¡Soy mejor

porque doy porque doy

amor real! amor real!

III IV

Tan real Tan real

que al quemar que al tomar

tu foto, tu mano,

me sentí arder. ave voy a ser.

Tan real Tan real

que a pesar que al besar

de todo, tus labios,

te llamé: volaré.

Ven, juguemos al amor... Ven, hoy necesito por favor

¡que se vuelva realidad! que... me mientas.

Ven, hoy necesito por favor

que... me mientas.

original text in Spanish by

ANA LEIRA CARNERO

AMOR REAL

Page 15: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

I II

Phony love, Strong mistake:

passional, wrongly I set

like dreaming... our loving

like just dreaming. category.

Your acting: brilliant job; But even greater was

but this show your mistake

went too bad. (not to love).

So close, Body

your fire flaming; inside my bedroom,

so far, spirit

your hidden heart. ran out the door.

You should know You should know

how to deal how to deal

with real love! with real love!

III IV

It's so real It's so real,

I could feel I'll become

the fire, a seagull,

when I burned your pic. if I hold your hand.

It's so real It's so real,

I appeal if we kneel

by phone call, and lip kiss,

here's my speech: I'll take flight.

Hey! Let's play the game of love... Please, restart your amatory joke,

We can make it reality! say your lies.

Please, restart your amatory joke,

say your lies.

free translation to English by

ANA LEIRA CARNERO

REAL LOVE

original text in Spanish and

Page 16: ISMN 979-0-9016796-2-7 “Amor Real”...b)The synthesizerusesthe followingtimbres: "electric guitar with distortion", "cabasa"and "harpsichord".Writtenpitches are the sounding ones

Title “Amor Real”

Version original vocal version in Spanish

with English translation

Lyricist / Translator Ana Leira Carnero

Composer / Arranger Ana Leira Carnero

Opus 2

Key E minor

Approx. Duration 4 minutes

Copyright © 2009, 2015 by Ana Leira Carnero

U.S. Copyright Office # PA0001961359

ISWC T-037374831-2

Audio Demo ISRC ARSV70902000

Play-Along ISRC ARSV70902002

Video ISRC ARH9L1202000

WORK INFORMATION

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