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itV£ OcO CH 19 : BEGINNING WORDS
3 B28BXX&E// -a
«f*/=WS4 fta/TAKE
EBi' -
yOU'RF RIOHT THAT IT'S My FAULT,
I'M SORRy FOR
WHEN yOU'RE HONEST LIKE
THAT, IT ALMOST
SOUNPS LIKE
yOU'RE BRAOOINO ABOUT IT.
IT'S My FAULT
THAT HIMERAOI
KEEPS OETTINO INVOLVEP IN ALL
THIS TROUBLE.
FOR THAT
STUFF WITH THE COMBAT PEACON ANP
NOW THE TE¬ RRORISTS.
\ .A
BUT SAY1N0 THAT SHE'S A GOOD PERSON
POESNT SOUNP LIKE MUCH OP A /
COMPLIMENT, / y^^ITH0U5HT
/rmy you WERE A HOPELESS ouy,
' f THEN \ / WHAT SHOULP \
I say? r
\ )f
/-si have some / \* \ PERSPECTIVE. y
H V_A V ,
SFX: NOP
YOU WERE PRETTY-,.
EVEN FROM THAT
AOE, HUH?
SFX: BURN
I'LL KILL YOU
AFTER ALL/
WHY?/
SFX: SPARKLE
SFX: BOOM
SFX: BOOM
XT HAP TO BE A \ ’ / TO TAKE SURFACE-TO-AIR \ vy\ ,, POWNA
^euc0PTBR MISSILE OR A SIMMILIAR WEAPON. BUT TO USE THAT 1 \ SHOT TYPE OF WEAPON
IN THE CITY...
THAT DIRECTION IS NEAR WHERE THE SUBFLOAT
EXPANSION CON¬ STRUCTION IS 8EINO PONE/
SFX: SLOW MOVEMENT
C7 • t7 •
SPX: GULP
SFX: FWOOSH
SFX: OUSH
UY IMP t>CIUN UY THE YAZE FA-
Miuy. THAT'S QUITE
AN UNUSUAL ABILITY... SOUNP
CONTROL.
NO WAY... WHY ARE
YOU HERE?
)J «=»***1
SFX: SLOW MOVEMENT
SFX: WHOOSH
WHEN I SAW NAOISA SO SCAREP
BACK THERE, X THOUGHT THAT X
HAP TO OET IT TOGETHER.
by the way THERE WERE
TALKING, THEY SEEM TO HAVE
SOMETHING THEY WANT ME TO PO
FOR THEM.
I OOT US CAUOHT UP IN
SOMETHING TROUBLESOME,
PIPN'T X?
UGH/ WHERE ARE
WE// IT SEEMS LIKE SOME
KINP OF WARE- , HOUSE.
PO YOU KNOW WHAT'S
OOINO ON?
I'M THE .ONE WHO S^IULP BE APOLOGIZING...
BUT IT PROBABLY HAS TO PO
SOMETHING WITH MY JOB.
SFX: DOOR OPENS
Z*h^-T?-t7'03u/F
X SEE, WITH THIS, YOU
WANT ME TO ANALYZE THE
CONTROL COMMANDS FOR THE ANCIENT
WEAPON NALAKUVERA,
SFX: SLOW MOVEMENT TO SHOW PICTURE
rrs the STONE THAT HAS NALAKUVERA'S
ACTIVATION COMMANDS
WRITTEN ON IT.
BXACTLY. WE CAN ONLY
ACTIVATE UAL A-
KUVERA.
WE CAWT CONTROL
WHETHER IT GOBS WILP
ANP VBSWOYS THE CITY.
SO WHAT ABOUT IT/ EVEN IF
YOU ACTIVATE? IT, IF YOU CAN'T CONTROL
IT,,,
SFX: £RINP
) JPJni^l
m EE
BUT SOMETHING POWERFUL IfsieiPE
HER 15 KEEPING HER BARELY ALIVE.
X RBTRIVEP THE BULLET, BUT THE BLBSPINO 15
BAP,
IF 5HE WERE A NORMAL HUMAN
5HE WOULPVE PIEP
H-HEV/ WHAT ARE
YOU POINO/?
IT'S
JUST A MATTER OF TIME NOW.
X HAVE TO STOP THE BLEEPINO/
RHOPO- PAPTY- LOS?
WHILE LEAVINO THE
MINIMUM necessity FOR LIFE SUPPORT
PON'T WORRY, XT'S LIKE ACU¬
PUNCTURE.
XT'S GO INC- TO PUT HER
IN A STATE OF PEATH
IT SHOULP
MINIMIZE THE EFFECTS OF
THE 8LEEPIN0.
KIRASAKA.
I HAVE TO OIVE MY BEST TO BE ABLE TO SAVE
HER.
IT POESN'T
SEEM LIKE AN AMBULANCE HAS
COME TO THE HELICOPTER CRASH SITE
yET,
0 i5
E3nnrs
^q:>
li^»tJ
,ii>
^^
HUH/? you OUIY TOOK OFF YOUR
VEST,
WHAT THE HECK ARB YOU DOING
OPENLY WATCHING MB CHANGE! DIB!
www.SAIKOSCANS.ml
TRANSLATORMAJI TYPESETTER: ANONYMOUS RAW SOURCE: COMIC-WALKER (VULGRIM)
CLEANER,REDRAWER,QCSCAWYKID PROOF READERKUROKICHI
