J.A.N.U.B. Portfolio 2010

janub

J.A.N.U.B. is an idea that starts from

the need of sharing knowledge. It’s a

digital platform that develops into an

interpretative container of information.

It deals with exchanging looks able to

keep track of different themes through

a multidisciplinary approach. The first

scope is to develop analysis capable of

interpret contemporary matters on a global

scale. Than to apply that observations to

the “Southern part” of the World.

The second and main scope is to carry

out and focus the results of the analysis

process experimenting and developing

real projects, artworks or exhibitions as

well as archiving, communicating, and

contextualizing our work.

The projects become authentic holder of

otherwise ideological concepts.

multidisciplinary

rail road to janub2009

purpose taking part to KUBLAI project

(Italian Department of Economic

Development)

Lecce, Italy

team

Afro C. Carpentieri

Enrico Clerici

Claudia Mollese

Piero Maruccia

The Sud Est Railways nowadays are no

longer functional and comfortable. In

spite of that for J.A.N.U.B. they continue

to have their fundamental importance in

the process of decrypting Salento and

its landscape, in each one of its parts.

They represent an historic binder that

links different identities. In our idea,

the rail cars should become vehicle of

information, some kind of blog interface,

wagon of a new urban development. Slow

vehicles (50kmh) that reflect a slow way

of living. A new type of vanguard where

chaos and congestion takes their time to

become former values. Our scope is to

create activities inside Sud Est rail cars

in order to extend the catchment area

of the railways, reducing directly the

environmental impact (more trains, less

cars) and transforming the commuter train

users into active actors of this change.

arti-gianub2010

purpose taking part to PRINCIPI ATTIVI

project (Regione Puglia)

Lecce, Italy

team

Afro C. Carpentieri

Claudia Mollese

J.A.N.U.B. (south, in Arabic) wants itself

to be an urban research laboratory, that

faces the matters of contemporary cities

with a multidisciplinary approach.

After a social-economic analysis of the

city of Lecce, J.A.N.U.B. starts up a

relation system between the work market

(and its matters), the actual problems

coming from migrations, the capability of

art-crafts, specially if applied to public

spaces. The project idea is to enhance

the historical workers ability and the

traditional hand-crafted techniques.

The scope is to hand down traditional

techniques to young generations,

including the ethnic minorities as to

lead them to a real social inclusion. In a

second time the project plans an urban

yard that will realize two catalyst artworks,

looking glass for the citizens’ hope.

multidisciplinary

architecture

ashesios/house2010

competition

Cape Cost, Ghana

designed by

Afro C. Carpentieri

Enrico Clerici

The starting point of the project is that

the endogenous development is a process

generated from the existing connections

between two macro areas: the environment

sustainability and the integration between

urban politics and the economic fabric of

society. The architectural project is the

result of research of raw local materials

and hand crafted techniques in relation

to the analysis of costs. The adopted

typology is an interpretation of the

‘courtyard house’ in which the vital spaces

are transformed places of socialisation

and of economic production through the

dialogic relationship between the internal

and the external dimensions. These nuclei

foresee an expansion through an ‘A-B’

relationship, related to the economic

concept of Bataille that projects a

utilisation of the land without the need of

building.

architecture

architecture

odradek v/zoo2009

competition

Buenos Aires, Argentina

designed by

Afro C. Carpentieri

Enrico Clerici

Puerto Madero. The prosperous area of

Buenos Aires has become a metropolitan

battlefield: here within the speculative

schizophrenia of the contemporary

market economy, capital vices are clearly

conveyed in architectural terms.

As a parody, it may appear as a suggestion

for Post-Humanity: “Roll up! Roll

up! All creatures great and small, the

cities need you”. Like an Architekton,

our project explores gravity’s force

transforming the three bio-zones into

artificial planets meeting by chance on

earth’s surface, having the ability to be

conquered in a programmed manner by

a future civilisation that is perhaps more

deserving inhabitants of this terrestrial

globe. A succession of “dialectic” rooms

for living, naturally powered by sun, and

sanitised, creating a healthy refuge for the

characters of the comedy: the animals.

architecture

architecture

benetton Mall2009

competition

Teheran, Iran

designed by

Afro C. Carpentieri

Enrico Clerici

The image of a metropolis spilled over its

territory extend itself below the ancient

plateau: the result is a tangled urban

diversity, hard to be defined because of its

fluid structure.

From this point on starts the challenge

of Architecture: how can you foresee and

form a place, or a spatial organization,

sometimes even a cultural mood, without

putting everything into a concrete form.

Plug in the node, the articulation, the

woof able to encourage the dialogue

between pre-existing non-homogeneous

parts becomes now the main spot.

Building up new possible universes,

our architecture structures the plot

through geometrical harmonies, based

on synchronized forms and dimensional

rhythms able to generate volumetric

complexity and a multiplicity of views.

architecture

This represents a neutral linguistic choice,

at least an abstract one, that melts itself

with an opposite concept: the will of

express symbolical meanings through the

geometry built.

The shapes of the residential roof,

representing some parasitic splinters

that try to join themselves to the main

volumes, become some kind of molecules,

as much as the dried crack designed

at the ground level, that symbolize the

arid urban patterns typical of the urban

structure of middle-eastern cities, are

clear samples of our design process.

architecture

archeo-logicalMuseM2008

thesis

Cremona, Italy

designed by

Amir Samara

architecture

urban

giocoso poi2010

competition

Lecce, Italy

designed by

Afro C. Carpentieri

Enrico Clerici

The architect, like a traveler getting off

the new train below the new station,

decide to go out towards the new

complexity, free from the smell of

baroque, hanging all over him. Coming

out from the new terminal, he want to

uncover the constitutional elements of the

history of that places: the stone, with its

hardness and its color, light, porosity has

been revalued from the old garbage dump

to the new architectonic front.

The stones, one by one, steel over steel,

glass and ceramics, every material joined

to the rest into a sort of “jam session”,

expressing the rhythm of the architectonic

recover. Multifaceted forms anchor

themselves to the crag border; sometimes

they become pure volumes, sometimes

they will appear carved with small

crossings of light, that dilate into the open

space of the new park and the new city.

urban

urban

Mediter-ranean ecotones2008

thesis

Al Iskandariya, Egypt

Istanbul, Turkey

designed by

Afro C. Carpentieri

Enrico Clerici

Our work takes as test cities Istanbul and

Alexandria of Egypt, two metropolis in the

Eastern Mediterranean with a legendary

background, nowadays about to face a

reorganization of the rail network that

will involve the construction of a new rail

terminal.

The comparative approach we used made

much of our thesis: both the future train

stations will vest their crucial areas with

new functions, because of their proximity

to the present terminal but also for the

closeness to the historical heritage of

Istanbul (Topkapi Imperial Palace) and

Alexandria (archeological venues).

We think that designing a new rail station

in Istanbul and Alexandria of Egypt will

be a matter that goes over some purely

technical aspects, involving different

scales: first of all, we obviously need to

consider the regional network plugged in

with the new railway service, on the other

side we also have to foresee the urban

and functional structure due to the new

conditions of accessibility.

Consistently with all this premises,

the thesis carries on a project over the

new railway terminal of Al Iskandariya,

in Egypt, starting from the hypothesis

to lay underground the tracks coming

from Il Cairo, essential to let the train

to pass through the city and reach the

new settlements in the western side of

Alexandria.

After designing the technical architecture

of the excavation for the rail track and

the platforms, our project set up a

general reorganization of the ground

level, increasing the public facilities of

the whole area. The intervention grows

mainly under the ground level as to set

direct connections between the new

underground station, the old rail terminal

and the archeological area of the theater

and the forum. We suggest through our

project an access tunnel that will lead

to the archeological excavations. The

rhythm is measured thanks to a sequence

of different spaces that, as a real public

gallery, will receive modern artworks

besides the historic memorabilia.

urban

urban

ex falckM/plan2007

competition

Sesto San Giovanni (MI), Italy

designed by

Afro C. Carpentieri

Enrico Clerici

Imagine now to pass through the wall of

the brownfield land of the ex “Acciaierie

Falck”, where the production line was

used to time and limit every kind of

action. In this empty space, nowadays

we can lose the meaning of our behavior.

Right here new landscapes appears, more

similar to some kind of a new logical

sequence, than the ones that we knew

before.

We perceive the need to imagine there a

project, never stiff into old pattern, but

able to slough off following the infinite

changes of the context. This feature find

its direct representation thanks to the

concept of the fold.

The park we designed becomes, through

its concave and convex shapes, an unique

element able to build up new hierarchies

between the focal points of the project.

urban

We believe that, coping with the matters

of a certain city or region, we should try

to get through all the different scales that

represent the spatial phenomenon we are

facing. Right for this reason we look for

every architectonic chance taken in our

project, investigating their ability to solve

social and urban problems.

filmmaking

sukh devMay 2010

Lecce, Italy

a film by

Giuseppe Frisino

Afro Carpentieri

Video footage by

Luisa Lapacciana

Production

Muud Produzioni

with Sukhdev Singh

The daily life of an Indian man, shown

through his slow walk and his still look,

is set against one of the old gate of Lecce

and the passing movement of the facing

square.

Sukdev get everyday started in the shadow

of a narrow street in the historical center

of Lecce. Just accompanied with his

squeaky stand, he get till his square ready

for another workday. Lights and shadows

all over this man’s face, still ornament

to the transitory, stand like echoes of a

different South, told through the eager

wait for the comeback to India.

filmmaking

encan-tadoJune 2009

Venezia, Italy

a film by

Giuseppe Frisino

Ana Laura Pascale

Sara Poli

Audio Editing by

Roberta D’Angelo

Video footage by

C.A.L.A. /

A.P.C.L.A.I.

with Rodrigo Diaz

An audio-visual archive starts up from an

occasional encounter with a film: the need

of self safeguard is mixed up with the

politic demand of information.

During the early eighties, Rodrigo Diaz

take on own the film over El Salvador, a

documentary on the politic situation in

Central America. It’s a film shoot by a

Dutch troupe in 1980, with a voice over in

Spanish.

Rodrigo takes with him all around Italy

this 16mm copy, translating every time

the text. This particular experience

takes him to collect more and more

material, until he could build up the

foot of the archive of the “Associazione

per la Promozione della Cultura Latino

Americana in Italia”.

industrial design

penrosedesk2009

for Carpentieri e Architetti

designed by

Afro C. Carpentieri

Enrico Clerici

industrial design

nihonMirrors2010

for Carpentieri e Architetti

designed by

Afro C. Carpentieri

Enrico Clerici

exposed at

Salone del Mobile 2010

Milan, Italy

industrial design

graphic design

sotto-boscopostersOctober 2009

for Sottobosco Art Collective

7 photocopied posters

designed by

Giuseppe Frisino

Rodeo n#10 plans Sottobosco to follow a

personal exhibition of a no-contemporary

artist, that doesn’t necessary need to show

off. Blauer Hase give the links of four

eligible persons.

The graphic concept of the publishing

“You need an artist to make an exhibition”

has been made specially for Sottobosco,

together with seven analogical posters.

“You need an artist to make an exhibition”

is a self product by Sottobosco, published

in 50 special copies, that contains a text

compilation over the concept of artist,

curator and exhibition, partially written by

Sottobosco and partially photocopied.

II I I

Fondazione Bevilacqua La MasaAtelier 7 Palazzo Carminati Santa Croce, 1882 A29 ottobre 2009, ore 18.30

II I I


II I I


II I I


II I I


II I I


II I I


graphic design

II I I


bioritMo / biorithM2010

graphic communication developed

using waste paper and drilling tools

BioRitmo/EcoFestival

Circolo Arci Lamaserena

Minervino Murge (BT), Italy

designed by

Maria Rosaria Digregorio

Vincenzo Ruta

Ana Laura Pascale

Bioritmo is a festival that has brought

eco-friendly. The communications

project proposal pushed further by using

waste paper and a process that involved

the press but drilling support. The

communication including postcards and

posters, whose final form was developed

after a series of practical tests on the

materials being drilled and drilling tools.

The example of Biorhythm is a significant

desire for communication that goes

beyond the classic printing industry, to

bring nearer ecological requirements and

communication process, maximizing the

potential of the different resources out of

the mainstream press, paying attention a

issues related not only to environment but

to human and social context, using tools

and items that can be found at hand.

A visual communication that can used

printing systems self dependent.

graphic design

interaction design

cube MappingSeptember 2008

3D mapping video projection

IUAV, Venezia, Italy

designed by


Hyperbasic! workshop

cube > 100x100x100 cm

programming language > Processing

professor > Andreas Gysin

interaction design

visualkeyboard

Each uppercase letter key in the computer

keyboard turns on or off a different

visualization, simple shapes that change

their formal features according to the

sound in the environment captured by

a microphone.

Each visualization can be layered with

one or more other visualizations, allowing

several combinations.

programming language > Processing

April 2009

interactive video projection

Venezia, Italy

designed by


visual art

painting /portraitSelfportrait

2006

painting

acrylic on paper

artist

Amir Samara

She

2005

painting

acrylic on paper

artist

Amir Samara

visual art

tra sè2010

Tra sè / Within herself

16 illustrations

black china

handmade paper 12 cm X 15 cm

artist

Chiara Dellerba

curricula

“Since each of us was several, there was already quite a crowd.”A thousand plateaus, Deleuze and Guattari

curriculum vitae

afro c. carpentieri

architect at C.A. | Carpentieri e Architetti | Laboratorio degli Errori

7, via Zanardelli, I-73100 Lecce

landscape and urban studies over Lecce – New Lecce Urban Plan

a film over south-est coast of Salento

documentary workshop “Città Invisibili”

Muud Produzioni – Principi Attivi – Regione Puglia

documentary realization: “Sukh Dev”

international documentary workshop of music and landscape “

Musiki”

Cinema del Reale – master teacher: Paolo Pisanelli

international workshop “Alexandria”

Bibliotheca Alexandrina – Politecnico di Milano

international workshop “Taorminaland”

Politecnico di Milano, Dipartimento di Architettura e Pianificazione

– Lab AIP

scholarship UE “Socrates-Erasmus”

Universitat Politecnica de Valencia

trainee at Arch. Umberto Riva

I-20100 Milano

ongoing

ongoing

ongoing

2010

2010

2007

2006

2005

2005

27.02.1983 in Nardò (LE) - Italy

7, via zanardelli, I-73100 Lecce

(0039) 333 258 32 28

[email protected]

Italian

personal data

last education degree

Master of Civil Architecture - grading 110/110

Politecnico di Milano - Facoltà di Architettura Civile

10, via Durando, I-20158 Milano

“Mediterranean Eco-tones. New infrastructural sceneries for

Istanbul and Alexandria of Egypt”

April 2008

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

advanced

linguistic skills

Italian

English

Spanish

MS-DOS, Windows (95/98, 2000, XP, Vista, 7) MAC OS X

Excel, Word, PowerPoint, Publisher, OpenOffice

AutoCAD, ReVit, 3d Studio Max, Sketch Up

AutoCAD, ReVit, ArchiCAD

Adobe Photoshop, Illustrator

computer skills

op. system

office suite

3D modelling

cad drawing

graphic

professional and formative experiences

architect at C.A. | Carpentieri e Architetti | Laboratorio degli Errori

7, via Zanardelli, I-73100 Lecce

trainee at Arch. Stelvio Carpentieri

2A, via Giuseppe Giusti, I-73100 Lecce

international workshop “Alexandria”

Bibliotheca Alexandrina – Politecnico di Milano

international workshop “Taorminaland”


– Lab AIP


Universitat Politecnica de Catalunya, ETSAValles

trainee at Arch. Alberto Novati / Arch. Franco Pagani

10, via Cermenate Giovanni, I-22063 Cantù (COMO)

ongoing

2008

2007

2006

2005

2005

curriculum vitae

enrico clerici

31.08.1983 in Como (CO) - Italy

87, via XX settembre, I-22075 Lurate Caccivio (CO)

(0039) 338 580 44 30

[email protected]

Italian

personal data


Master of Civil Architecture - grading 110/110



“Mediterranean Eco-tones. New infrastructural sceneries for

Istanbul and Alexandria of Egypt”

April 2008

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

good

basic

linguistic skills

Italian

English

Spanish

French



EditPlus, Dreamweaver, Flash, Fireworks, HomeSite, Apache

AutoCAD, ReVit, 3d Studio Max (basic), Sketch Up

AutoCAD, ReVit, ArchiCAD

Adobe Photoshop, Illustrator, InDesign

computer skills

op. system

office suite

web editors

3D modelling

cad drawing

graphic


working for a documentary ¬film commissioned

by Studio Calcogra¬co Urbino of Pescara

presentation of the video “Istanbul a colori”

at the exhibition “Tra-In between-Arada”,

Istanbul


Musiki”


sound editing of the spot “Festival Castel dei Mondi”,

Andria (BAT)


Hochschule fuer Kuenste Bremen

workshop “Teach me fast forward, the video issue”

Venice

workshop “Sound Atmoshere” with Carsten Nicolai aka Alva Noto

Venice

ongoing

2010

2010

2009

2009

2008

2005

curriculum vitae

roberta d’angelo

27.04.1984 in Atri (TE) - Italy

6, via Piana di Voltigno, I-65125 Pescara (PE)

(0039) 320 884 31 99

[email protected]

Italian

personal data


Master in Visual Art - grading 110/110 et lode

University IUAV of Venice, Design and Art department

I-30135 Venezia

“Archival voices. Project for a sound documentary”

March 2010

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

basic

linguistic skills

Italian

English

German

Windows (95/98, 2000, XP, Vista, 7) MAC OS X


Adobe Photoshop, Illustrator, InDesign, Fontlab

Final Cut, Adobe Premiere

Logic pro 8, Audacity, Reason Propellerhead, Cubase SX Steinberg

computer skills

op. system

office suite

graphic

video editing

audio editing


Archive curator

Alessandra Bonomo Gallery, Rome

Artist drawer of Wall Drawing “No stright lined from end lines.

1973”, Sol Lewitt in cooperation with Nicolai Angelov

Galleria Alessandra Bonomo, Rome

Cooperation for the show “The real thing”, Juliao Sarmento

Galleria Alessandra Bonomo, Rome

Artist of Galleria Bonomo Bari

Artefiera, Bologna

Collective show for “GAP, giovani artisti pugliesi”, curator Lia De

Venere, Antonella Marino, Marilena Tursi

Bari, Sala Murat

Collective show for “Biennale off del Mediterraneo”, curator

Marilena Bonomo

Bari, Spazio Tre R

Collective show “H20”, curator Marilena Bonomo

Galleria Bonomo, Bari

Collective show “Segni”, curator Giuseppe Apicella

Galleria Dueffe, Bari

ongoing

2010

2010

2010

2009

2009

2008

2007

curriculum vitae

chiara dellerba

06.01.1984 in Carbonara (BA) - Italy

17, via F. Turati, Capurso (BA)

(0039) 347 304 67 20

[email protected]

Italian

personal data


Master of Industrial Design, grading 110/110

IUAV - Facoltà di Design e Arti

I-30135 Venezia

“Zilo sport: l’occhiale in plastica fra le due guerre”

November 2009

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

good

linguistic skills

Italian

English




Rhinoceros

computer skills

op. system

office suite

graphic

3D modelling


graphic designer freelance

I-70029 Santeramo in Colle

Hyperbasic!, workshop about video projections – master teacher:

Andreas Gysin

I-30135 Venezia


Hochschule für künste Bremen

Observatoire européen de l’Objet OO.3

Moving in Paris, workshop for european schools about urban space

analysis

international workshop about urban space analysis

I-25121 Brescia

GARBa workshop for young european artists and designers

I-75024 Montescaglioso (MT)

Typography on a solitary beach, workshop about environmental

typography

master teacher: Luciano Perondi

trainee at InsideOut, graphic design studio

I-10121 Torino

ongoing

2008

2008

2008

2007

2005

2005

2005

curriculum vitae

Maria r. digregorio

05.09.1983 in Bari (BA) - Italy

37, via f. s. mercadante, I-70029 Santeramo in Colle

(0039) 347 138 26 43

[email protected]

Italian

personal data


Master of Interaction and Communication Design

IUAV - Facoltà di Design e Arti

I-30135 Venezia

March 2010

at

year

birth

address

telephone

email

nationality

mother tongue

advanced

advanced

good

basic

linguistic skills

Italian

English

French

German

Spanish




Processing, Arduino

computer skills

op. system

office suite

graphic

interaction


curriculum vitae

giuseppe frisino

01.06.1983 in Gioia Del Colle (BA) - Italy

2, via Niccolini, I-74019 Palagano (TA)

(0039) 349 75 64 669

[email protected]

Italian

personal data


Master of Visual Arts - grading 110/110

Università Iuav di Venezia - Facoltà di Design e Arti

2206, Dorsoduro, I-30123 Venezia

“Tempi di raccolta. Il lavoro contadino in tre documentari sull’Altra

Italia (1955-1967)”

March 2010

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

linguistic skills

Italian

English

MS-DOS, MAC OS X, Windows (95/98, 2000, XP, Vista)


Adobe Illustrator, InDesign, Photoshop

Adobe AfterEffects, Flash

Cinema 4D

FinalCut

Adobe AfterEffect

computer skills

op. system

office suite

graphic

2D animation

3D animation

video editing

video postproduction


filmmaker and graphic designer freelance

I-73100 Lecce

a film over south-est coast of Salento


Musiki”


documentary workshop “Città Invisibili”

Muud Produzioni – Principi Attivi – Regione Puglia

documentary realization: “Sukh Dev”

partnership with the art collective “Sottobosco”

graphic design works

layout of the periodical “Just for culture not for profit”

digitally edited on teknemedia.net

workshop “Musikì - Filmare la musica e il territorio” (Sternatia)

directored by Paolo Pisanelli.

international workshop “Follie d’archivio” - master teacher: Marco

Bertozzi

documentary realization: “Encantado”

interview of the artists taking part to the 52nd Biennale d’Arte in

Venice editing activity for A.S.A.C. - Fondazione La Biennale di

Venezia. supervisor: Massimo Magrì

ongoing

ongoing

2010

2010

2009

2009

2009

2007

architect at STUDIO TECNICO Ing. Marangio

36, via Imbriani, I-73100 Lecce

landscape and urban studies over Lecce – New Lecce Urban Plan

trainee at Netconsulting s.r.l consulting and market analysis ICT

applications of ICT technology to land, study of digital cities

International workshop “Urban development for competitiveness

and cohesion – The Expo 98 Urban Project in Lisbon”


Workshop “International Summer School” at Ivrea (To) Urban

Project and Landscape transformations


trainee at Milan City offices SIT 39, via Pirelli, I 20125 MIlan

Cataloguing of documents, study of maps and mapping in digital.

Preparation of a website. Training and research.

ongoing

ongoing

2008

2007

2007

2006

curriculum vitae

benedetta Marangio

19.09.1984 in Maglie (LE) - Italy

1, via Tasselli, I-73100 Lecce

(0039) 338 716 43 06

[email protected]

Italian

personal data


Master of Urban Planning - grading 104/110

Politecnico di Milano - Facoltà di Architettura

2, via Ampere, I-20131 Milano

“Expo 2015 the the effects of major events on the urban

transformation and development of host cities”

October 2008

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

linguistic skills

Italian

English



AutoCAD, ReVit

AutoCAD, ReVit

ArcGis, AutocadMap

Adobe Photoshop, Illustrator, InDesign

computer skills

op. system

office suite

3D modelling

cad drawing

georeferencing

graphic


studies Biologic Sciences - Ecology

Università del Salento – Lecce

“Resistenza Funk” sound project

“ex-qualcosificio party”

Roma

“Terra Bruciata” reggae crew soul outta salento

“Indie & Soul connection”

with Alan Wichers

promoter for RedBullMusic Academy

Salento “Ultrabeat djs”

Several djset and cooperations

founder of “Esportazione Senza Filtro”

Cultural Association that deals with migrations matters

“International reggae night”

With MeiWentiSound - Roma

ongoing

ongoing

2009

2008

2007

2006

2005

2005

2003

curriculum vitae

piero Maruccia

05.11.1983 in Lecce (LE) - Italy

30, via milizia, I-73100 Lecce

(0039) 349 421 42 22

[email protected]

Italian

personal data

artistic profile

Soulfiero (Lecce,1983) is basically a dj selector operating

all around Italy in the last decade, cooperating with different

independent music channels.

His selections space out from new and rare funk to soul and reggae,

till more modern electronic sound works.

His eclectic style makes him to be a kind of alchemist of sounds,

able to investigate into retro atmospheres mixing them with more

contemporary sounds.

birth

address

telephone

email

nationality

mother tongue

good

good

linguistic skills

Italian

English

French



Logic pro 8, Audacity, Reason Propellerhead, Cubase SX Steinberg

computer skills

op. system

office suite

audio editing


Freelance Graphic Designer

“Retype” workshop of typography composition. Altamura. (BA)

“Musiki” International documentary workshop of music and landscape.

Master teacher: Paolo Pisanelli.

“Bioritmo EcoFestival” Graphic communication developed using waste

paper and drilling tools. Minervino Murge. (BT)

“Encantado” documentary produced at “Follie d’archivio” documentary

workshop. Master teacher: Marco Bertozzi. Università IUAV di Venezia.

“Intervals” short documentary on the homonymous by Peter Greenaway.

Master teacher: Lewis Baltz. Università IUAV di Venezia.

“23 Latin American Film Festival of Trieste” short documentary

screened in the final evening of the Festival, Trieste. (TS)

“Summer School Delta del Po” International workshop about construction

of scenarios in fragile areas. Università IUAV, Porto Viro. (VE)

“Theory of Communication Design” postgraduate course. Facultad

de Arquitectura, Diseño y Urbanismo. University of Buenos Aires.

Furniture design for Steel & Glass. Buenos Aires.

2nd Prize at the Regional Fair Industry and Trade (FISA) for the Design

of the city institutional stand. Bahía Blanca, Argentina.

ongoing

2010

2009

2008

2007

2006

CURRICULUM VITAE

ANA LAURA PASCALE

28.07.1978 in Bahía Blanca (Bs.As.) - Argentina

207 A, Santa Croce, 30135 Venezia (VE)

(0039) 346 475 22 32

[email protected]

Argentinian

PERSONAL DATA

LAST EDUCATION DEGREE

Master in Visual Communications and Multimedia Design

Università IUAV di Venezia - Facoltà di Design e Arti

“Archival graphic cinema. The Latin American Audiovisual Center,

between personal memories and public stories”.

April 2010

at

thesis

year

birth

address

telephone

email

nationality

mother tongue

advanced

advanced

basic

LINGUISTIC SKILLS

Spanish

Italian

English

French

MS-DOS, Windows (95/98, 2000, XP, Vista) MAC OS X

Excel, Word, PowerPoint, OpenOffice

FinalCut

AutoCAD (basic), Cinema 4D

AutoCAD (basic)

Adobe Illustrator, InDesign, Photoshop

COMPUTER SKILLS

op. system

video editing

3D modelling

cad drawing

graphic

PROFESSIONAL AND FORMATIVE EXPERIENCES

curriculum vitae

aMir saMaraprofessional and formative experiences

designer at Bellagamba s.r.l.

I-20100 Milano

designer at Itai lewin architects

Tel Aviv – Israel

cultural mediator

I-92010 Lampedusa

designer and illustrator at “Esterni - Milano”

I-20100 Milano

internship at Arch. Carmelo Bagalà

I-20100 Milano

trainee at Arch. Caterina Mantegna

I-20100 Milano

teacher of painting

Municipality of Tira- Israel

ongoing

2008

2007

2006

2005

2005

2000

16.07.1982 in Tira – Israel

13, via Giulio Romano, I-20135 Milano

(0039) 345 449 52 16

[email protected]

Israeli

personal data


Bachelor of Architecture - grading 110/110



April 2008

at

year

birth

address

telephone

email

nationality

mother tongue

advanced

advanced

advanced

linguistic skills

Arabic

Hebrew

English

Italian

MS-DOS, Windows (95/98, 2000, XP, Vista, 7)


AutoCAD, Sketch Up

AutoCAD

Adobe Photoshop, Illustrator

computer skills

op. system

office suite

3D modelling

cad drawing

graphic

janub.wordpress.comwww.carpentieriarchitetti.itwww.zabar.itprogettokublai.ning.comwww.os-house.orgwww.sottobosco.netwww.muud.itamirsamara.blogspot.comhttp://www.bioritmo.org/

Documents

J.A.N.U.B. Portfolio 2010