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In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde.
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Jean Rhys - Good Morning, Midnight
PART ONE
Quite like old times,' the room says
'!es" No"'
There are t#o $eds, a $ig one %or me and a smaller one on the o&&osite side %or monsieur The#ash-$asin is shut o%% $y a urtain (t is a large room, the smell o% hea& hotels %aint, almost
im&ere&ti$le The street outside is narro#, o$$le-stoned, going shar&ly u&hill and ending in a
%light o% ste&s )hat they all an im&asse
( ha*e $een here %i*e days ( ha*e deided on a &lae to eat in at midday, a &lae to eat in
at night, a &lae to ha*e my drink in a%ter dinner ( ha*e arranged my little li%e
The &lae to ha*e my drink in a%ter dinner)ait, ( must $e are%ul a$out that These things are
*ery im&ortant
+ast night, %or instane +ast night #as a atastro&heThe #oman at the net ta$le started
talking to me - a dark, thin #oman o% a$out %orty, *ery #ell made u& he had the sore o% a song
#ith her and she had $een humming it under her $reath, ta&&ing the aom&animent #ithher %ingers
'( like that song'
'Ah, yes, $ut it's a sad song Gloomy unday' he giggled 'A little sad'
he #as #aiting %or her %riend, she told me
The %riend arri*ed - an Amerian .e stood me another $randy and soda and #hile ( #as drinking
it ( started to ry
( said/ '(t #as something ( remem$ered'
The dark #oman sat u& *ery straight and thre# her hest out
'( understand,' she said, '( understand All the same ometimes ('m 0ust as unha&&y as you are1ut that's not to say that ( let e*ery$ody see it'
2na$le to sto& rying, ( #ent do#n into the la*a$o A %amiliar la*a$o, and lukily em&ty The olddame #as out ide near the tele&hone, talking to a girl
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( stayed there, staring at mysel% in the glass )hat do ( #ant to ry a$out" On the ontrary, it's
#hen l am 3uite sane like this, #hen ( ha*e had a ou&le o% etra drinks and am 3uite sane, that (
reali4e ho# luky ( am
a*ed, resued, %ished-u&, hal% dro#ned, out o% the dee&, dark ri*er, dry lothes, hair sham&ooed
and set No$ody #ould kno# ( had e*er $een in it Ee&t, o% ourse, that there al#ays remainssomething !es, there al#ays remains something
Ne*er mind, here ( am, sane and dry, #ith my &lae to hide in )hat more do ( #ant" ('m a $ito% an automaton, $ut sane, surely - dry, old and sane No# ( ha*e %orgotten a$out dark streets,
dark ri*ers, the &ain, the struggle and the dro#ning Mind you, ('m not talking a$out the
struggle #hen you are strong and a good s#immer and there are #illing and eager %riends on the
$ank #aiting to &ull you out at the %irst sign o% distress ( mean the real thing !ou 0um& in #ithno #illing and eager %riends around, and #hen you sink you sink to the aom&animent o% loud
laughter
+a*a$os)hat a$out that monogra&h on la*a$os - toilets - ladies"A +ondon la*a$o in $lak
and #hite mar$le, %i%teen #omen in a 3ueue, eah luthing her &enny, not one $old s&irit daringto dash out o% her turn &ast the stern %aed attendant That's #hat ( all disi&lineThe la*a$o in5lorene and the *ery &retty, %antastially dressed girl #ho rushed in, hugged and kissed the
old dame tenderly and %ed her #ith akes out o% a &a&er $ag The daner - daughter" That
osy little Paris la*a$o, #here the attendant &eddled drugs - something to heala #ounded heart
)hen ( got u&stairs the Amerian and his %riend had gone '(t #as something ( remem$ered,' (
told the #aiter, and he looked at me $lankly, not e*en $othering to laugh at me .is %ae #as
unsur&rised, $lank
That #as last night
( lie a#ake, thinking a$out it, and a$out the money idonie lent me and the #ay she said/ '( an't $ear to see you like this' .al% shutting her eyes and smiling the smile #hih means/ 'he's
getting to look old he drinks'
')e'*e kno#n eah other too long, asha,' she said, 'to stand on eremony #ith eah other'
( had 0ust ome in %rom my little health stroll round Meklen$urgh 3uare and along the Gray's(nn Road ( had looked at this, ( had looked at that, ( had looked at the &eo&le &assing in
the street and at a sho& #indo# %ull o% arti%iial lim$s ( ame in to some$ody #ho said/ '( an't
$ear to see you looking like this'
'+ike #hat"' ( said
'( think you need a hange )hy don't you go $ak to Paris %or a $it"!ou ould get yoursel%
some ne# lothes - you ertainly need them('ll lend you the money,' she said '('ll $e o*er there
net #eek and ( ould %ind a room %or you i% you like 'Etetera, etetera
( had not seen this #oman %or months and then she s#oo&ed do#n on me )ell, here ( am
)hen you'*e $een made *ery old and *ery sane you'*e also $een made *ery &assi*e 6)hy
#orry, #hy #orry"7 ( an't slee& Rolling %rom side to side )as it in 89:; or 89:< that #e
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li*ed round the orner, in the Rue =itor->ousin, and Enno $ought me that >ossak a& and the
imitation astrakhan oat" (t #as then that ( started alling mysel% asha ( thought it might
hange my luk i% ( hanged my name ?id it $ring me any luk, ( #onder, alling mysel% asha"
)as it in 89:@ or 89:"
( &ut the light on The $ottle o% E*ian on the $ed ta$le, the tu$e o% luminal, the t#o $ooks, thelok tiking on the ledge, the red urtains
( an see idonie are%ully looking round %or an hotel 0ust like this one he imagines that it's my
atmos&here God, it's an insult #hen you ome to think a$out itB More dark rooms, more
red urtains
1ut one mustn't &ut e*erything on the same &lane That's her great &hrase And one mustn't &ut
e*ery$ody on the same &lane, either O% ourse not And this is my &lane
Quatrieme a gauhe, and mind you don't tri& o*er the hole in the ar&et That's me
There are some $lak s&eks on the #all ( stare at them, ertain they are mo*ing )ell, ( oughtto $e a$le to ignore a %e# $ugs $y this time '(( ne %aut &as mettre tout sur le meme &lan'
( get u& and look losely Only s&lashes o% dirt (t's not the time o% year %or $ugs, any#ay
( take some more luminal, &ut the light out and slee& at one
( am in the &assage o% a tu$e station in +ondon Many &eo&le are in %ront o% meC many &eo&le are $ehind me E*ery#here there are &laards &rinted in red letters/ This )ay to the Ehi$ition, This
)ay to the Ehi$ition 1ut ( don't #ant the #ay to the ehi$ition -( #ant the #ay out There are
&assages to the right and &assages to the le%t, $ut no eit sign E*ery#here the %ingers &oint andthe &laards read/ This )ay to the Ehi$ition( touh the shoulder o% the man #alking in %ront
o% me ( say/ '( #ant the #ay out' 1ut he &oints to the &laards and his hand is made o% steel( #alk along #ith my head $ent, *ery ashamed, thinking/ 'Just like me - al#ays #anting to $edi%%erent %rom other &eo&le' The steel %inger &oints along a long stone &assage This )ay - This
)ay - This )ay to the Ehi$ition
No# a little man, $earded, #ith a snu$ nose, dressed in a long #hite nightshirt, is talkingearnestly to me '( am your %ather,' he says 'Remem$er that ( am your %ather' 1ut $lood is
streaming %rom a #ound in his %orehead 'Murder,' he shouts, 'murder, murder' .el&lessly (
#ath the $lood streaming At last my *oie tears itsel% loose %rom my hest ( too shout/'Murder, murder, hel&, hel&,' and the sound %ills the room ( #ake u& and a man in the street
outside is singing the #alt4 %rom +es alim-$an3ues '>'est ('amour 3ui %lotte dans l'air a la
ronde,' he sings
( $elie*e it's a %ine day, $ut the light in this room is so $ad that you an't $e sure Outside on the
landing you an't see at all unless the eletri light is on (t's a large landing, luttered u& %rommorning to night #ith $rooms, &ails, &iles o% dirty sheets and so %orth - the #rekage o% the
s&etaular %loors $elo#
The man #ho has the room net to mine is &arading a$out as usual in his #hite dressing go#n.anging around .e is like the ghost o% the landing ( am al#ays running into him
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.e is as thin as a skeleton .e has a $ird-like %ae and sunken, dark eyes #itha &euliar
e&ression, ringing, ingratiating, kno#ing )hat's he #ant to look at me like that %or" .e is
al#ays #earing a dressing go#n - a $lue one #ith $lak s&ots or the %amous #hite one ( an'timagine him in street lothes
'1on0our'
'1on0our,' ( mutter ( don't like this damned man)hen ( get do#nstairs the &atron tells me that
he #ants to see my &ass&ort ( ha*en't &ut the num$er o% the &ass&ort on the %ihe, he says
This &atron is eatly like one o% the assistants #ho used to $e in the &a#nsho& in the Rue
de Rennes - the one #ho so#led at you and took your stu%% a#ay to $e *alued A %ish, lording it
in his o#n &artiular tank, staring at the #orld outside #ith a glassy and un$elie*ing eye
)hat's #rong #ith the %ihe" ('*e %illed it u& all right, ha*en't (" Name o-and-so, nationality o-
and-so Nationality - that's #hat has &u44led him ( ought to ha*e &ut nationality $y marriage( tell him ( #ill let him ha*e the &ass&ort in the a%ternoon and he gi*es my hat a gloomy,
disa&&ro*ing look ( don't $lame him (t shouts 'Anglaise', my hat And my dress etinguishes
me And then this damned old %ur oat slung on to& o% e*erything else - the last idioy, the lastinongruity
Ne*er mind, ( ha*e some money no# ( may $e a$le to do something a$out it T#el*e o'lok ona %ine autumn day, and nothing to #orry a$out ome money to s&end and nothing to #orry
a$out
1ut are%ul, are%ulB ?on't get eited !ou kno# #hat ha&&ens #hen you get
eited and ealted, don't you" !es And then, you kno# ho# you olla&se
like a &riked $alloon, don't you" .a*ing no staying &o#er !es, eatly o,
no eitement This is going to $e a 3uiet, sane %ortnight Not too muh drinking,a*oidane o% ertain a%es, o% ertain streets, o% ertain s&ots, and e*erything #ill
go o%% $eauti%ully The thing is to ha*e a &rogram me, not to lea*e anything to
hane - no ga&s No trailing around aimlessly #ith hea& gramo&hone reords
starting u& in your head, no '.ere this ha&&ened, here that ha&&ened' A$o*e all, no
rying in &u$li, no rying at all i% ( an hel& it
Thinking all this, ( &ass the eat &lae %or my a%ter dinner drink (t's a a%e on the
A*enue de l'O$ser*atoire, #hih al#ays seems to $e em&ty ( remem$er it like this
$e%ore
('ll go in and ha*e a Pernod Just one, 0ust one, %or luk.ere's to the Mirale, ('llsay, to the Mirale
A man #ho looks like an Ara$ omes in, aom&anied $y a melanholy girl
#earing s&etales
'+i%e is di%%iult,' the Ara$ says
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'!es, li%e isn't easy,' the girl says
+ong &ause
'One needs a lot o% ourage, to li*e,' the Ara$ says
'Ah, ( $elie*e you,' the girl says, shaking her head and liking her tongue
They %inish their *ermouth and go out and ( sit alone in a large, lean, em&ty room
and #ath mysel% in the long glass o&&osite, turning o*er the &ages o% an old
num$er o% ('llustration, thinking that ( ha*en't got a are in the #orld, ee&t that
tomorro#'s unday - a di%%iult day any#here om$re ?imanhe
Planning it all out Eating A mo*ie Eating again One drink A long #alk $ak to
the hotel 1ed +uminal lee& Just slee& - no dreams
At %our o'lok net a%ternoon ( am in a inema on the >ham&s Elysees,aording to &rogramm +aughing heartily in the right &laes
(t's a *ery good sho# and ( see it through t#ie )hen ( ome out o% the inema it's
night and the street lam&s are lit ('m glad o% that (% you'*e got to #alk around $y
yoursel%, it's easier #hen the lam&s are lit
Paris is looking *ery nie tonight!ou are looking *ery nie tonight, my
$eauti%ul, my darling, and oh #hat a $ith you an $eB 1ut you didn't kill me a%ter
all, did you" And they ouldn't kill me either
Just a$out here #e #aited %or a ou&le o% hours to see Anatole 5rane's %uneral &ass, $eause, Enno said, #e mustn't let suh a great literary %igure disa&&ear
#ithout &aying him the tri$ute o% a last salute
There #e #ere, hatting a#ay a%%a$ly, &aying Anatole 5rane the tri$ute o% a last
salute, and most o% the &eo&le #ho &assed in the &roession #ere hatting
a#ay a%%a$ly too, looking as i% they #ere making dates %or lunhes and dinners,
and #e #ere all &aying Anatole 5rane the tri$ute o% a last salute
( #alk along, remem$ering this, remem$ering that, trying to %ind a hea& &lae to
eat - not so easy round here The gramo&hone reord is going strong in my head/'.ere this ha&&ened, here that ha&&ened'
( used to #ork in a sho& 0ust o%% this street
( an see mysel% oming out o% the Metro station at the Rond-Point e*ery
morning at hal% &ast eight, #alking along the A*enue Marigny, turning to the le%t
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and then to the right, &utting my oat and hat into the loak-room, going along a
&assage and starting in #ith/ 'Good morning, madame .as madame a *endeuse"'
(t #as a large #hite and gold room #ith a dark &olished %loor (mitation +ouis
Quin4e hairs, &ainted sreens, three or %our elongated dolls, $eauti%ully dressed,
#ith harming and maliious o*al %aes
E*ery time a ustomer arri*ed, the ommissionaire touhed a $ell #hih rang
0ust o*er my head ( #ould ad*ane to#ards the three ste&s leading do#n to the
street door and stand there, smiling a small, disreet smile ( #ould say 'Good
a%ternoon, madame - >ertainly, madame,' or 'Good a%ternoon, madame
Mademoiselle Meredes has had your tele&hone message and e*erything is ready,'
or '>ertainly, madame .as madame a *endeuse"
Then ( #ould ondut the ustomer to the %loor a$o*e, #here the real ati*ities o% the sho& #ere
arried on, and all %or Mademoiselle Meredes or Mademoiselle .enriette or Madame Perron,as the ase might $e (% ( %orgot a %ae or allotted a ne# ustomer to a sales#oman out o% her turn, there #as a ro#
There #as no li%t in this sho& That's #hy ( #as there (t #as one o% those dress houses still #ith a
ertain &restige - anyho# among the 5renh - $ut its ustomers #ere getting %e#er and %e#er
( had had the 0o$ %or three #eeks (t #as dreary !ou ouldn't readC they didn't like it ( #ould
%eel as i% ( #ere drugged, sitting there, #athing those damned dolls, thinking #hat a suessthey #ould ha*e made o% their li*es i% they had $een #omen atin skin, silk hair, *el*et
eyes, sa# dust heart - all om&lete ( used to en*y the ommissionaire, $eause at least he ould
#ath the &eo&le &assing in the street On the other hand, he had to stand u& all the time !es,
&erha&s ( had rather $e mysel% than the ommissionaire
There #as al#ays a *ery strong smell o% sent ( #ould &retend that ( ould reogni4e the *arioussents Today it's +'.eure 1leueC yesterday it #as Nuits de >hineThe &lae also smelt o% the
&olish on the %loor, the old %urniture, the dolls' lothes
The sho& had a $ranh in +ondon, and the $oss o% the +ondon $ranh had $ought u& the #holesho# E*ery three months or so he ame o*er to the 5renh &lae and it #as rumoured that he
#as due to arri*e on a ertain day
)hat's he like" Oh, he's the real English ty&e =ery nie, *ery, *ery hi, there al English ty&e, le
$usiness man( thought/ 'Oh, my God, ( kno# no# #hat these &eo&le mean #hen they say the
real English ty&e'
.e arri*es 1o#ler hat, ma0esti trousers, oh-my-God e&ression, ha-ha eyes D ( kno# him at
one .e omes u& the ste&s #ith al*atini $ehind him, looking *ery #orried 6al*atini is the
$oss o% our sho&7 ?on't let him to notie me, don't let him look at me (sn't there something youan do so that no$ody looks at you or sees you" O% ourse, you must make your mind *aant,
neutral, then your %ae also $eomes *aant, neutral - you are in*isi$le
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No use .e omes u& to my ta$le
'Good morning, good morning, Miss-'
'Mrs Jansen,' al*atini says
hall ( stand u& or not stand u&" tand u&, o% ourse ( stand u&
'Good morning' ( smile at him
'And ho# many languages do you s&eak"'
.e seems 3uite &leased .e smiles $ak at me A%%a$le, that's the #ord ( su&&ose that's #hy (think it's a 0oke
'One,' ( say, and go on smiling
No#, #hat's ha&&ened"Oh, o% ourse
'( understand 5renh 3uite #ell'
.e %idgets #ith the $uttons on his oat
'( #as told that the ree&tionist s&oke 5renh and German %luently,' he says to al*atini
'he s&eaks 5renh,' al*atini says 'Asse4 $ien, asse4 $ien'
Mr 1lank looks at me #ith li%ted eye$ro#s
'ometimes,' ( say idiotially O% ourse, sometimes, #hen ( am a $it drunk and am talking to
some$ody ( like and kno#, ( s&eak 5renh *ery %luently indeed At other times ( 0ust s&eak it
And as to that, my dear sir, you'*e got e*erything all #rong ('m here $eause ( ha*e a %riend #hokno#s Mr al*atini's mistress, and Mr al*atini's mistress s&oke to Mr al*atini a$out me,
and the day that he sa# me ( #asn't looking too $ad and he #as in a good mood Nothing at all to
do #ith %luent 5renh and German, dear sir, nothing at all ('m here $eause ('m here $eause ('mhere And 0ust to &ro*e to you that ( s&eak 5renh, ('ll sing youa little song a$out it/ 'i
*ous sa*ie4, si *ous sa*ie4, si *ous sa*ie4 ommenta se%ait'
5or God's sake, ( think, &ull yoursel% together
( say/ '( s&eak 5renh %airly #ell ('*e $een li*ing in Paris %or eight years'
No, he's sus&iious no# Questions short and shar&
'.o# long ha*e you $een #orking here"'
'A$out three #eeks'
')hat #as your last 0o$"'
'( #orked at the Maison >hose in the Plae =endeme
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'Oh, really, you #orked %or >hose, did you" !ou #orked %or >hose' .is *oie is more res&et%ul
')ere you ree&tionist there"'
'No,' ( say '( #orked as a manne3uin'
'!ou #orked as a manne3uin"'
?o#n and u& his eyes go, u& and do#n '.o# long ago #as this"' he says
.o# long ago #as it" No#, e*erything is a $lank in my head - years, days, hours, e*erything is a
$lank in my head .o# long ago #as it" ( don't kno#
'5our, nearly %i*e, years ago'
'.o# long did you stay there"'
'A$out three months,' ( say
.e seems to $e #aiting %or %urther in%ormation
'And then ( le%t,' ( say in a high *oie 6?eidedly this is one o% my good days This is one o%
the days #hen ( say e*erything right7
'Oh, you le%t"'
'!es, +e%t'
!es, my dear sir, ( le%t ( got $ored and ( #alked out on them 1ut that #as %our, nearly %i*e, years
ago and a lot an ha&&en in %i*e years ( ha*en't the slightest intention o% #alking out on you,( an assure you o% that And ( ho&e you ha*en't the slightest intention o% - And 0ust the thought
that you may ha*e this lightest intention o% - makes my hands go old and my heart $eat
'.a*e you #orked any#here else sine then"'
')ell, no No, ( ha*en't'
'( see,' he says .e #a*es $ak#ards and %or#ards like a tall tree that is going to %all on me Then
he makes a sound like '.ah', and goes o%% into a room at the $ak, %ollo#ed $y al*atini
)ell, this has gone $adly, there's no disguising it (t has gone as $adly as &ossi$le (t ouldn't
ha*e gone #orse 1ut it's o*er No# he'll ne*er notie me againC he'll %orget a$out me
An old English#oman and her daughter ome into the sho& ( esort them u&stairs and then
%idget a$out arranging the sho#ases at the $ak o% the room (n an hour or so they omedo#n again They #alk u& to the sho#ases, the old lady eager, the daughter *ery relutant
'>an you sho# me some o% these &retty things "' the old lady says '( #ant something to #ear in
my hair in the e*ening'
he takes o%% her hat and she is &er%etly $ald on to& - a #hite, $ald skull #ith a %ringe o% grey
hair The daughter stays in the $akground he is &ast shame, detahed, grim
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'>ome along, mother, do let's go ?on't $e silly, mother !ou #on't %ind anything here'
There is a long glass $et#een the t#o #indo#s The old lady om&laently tries things on her $ald head
The daughter's eyes meet mine in the mirror ?amned old hag, isn't she %unny" ( stare $ak at
her oldly
( #ill say %or the old lady that she doesn't are a damn a$out all this he &oints to *arious thingsand says/ 'ho# me that - sho# me that' A sturdy old lady #ith gay, $old eyes
he tried on a hair-$and, a &anish om$, a %lo#er A green %eather #a*es o*er her $ald head
he is alm and om&letely unonerned he #as like a Roman em&eror in that last thing shetried on
'Mother, &lease ome a#ay ?o let's go'
The old lady doesn't take the slightest notie, and she has e*erything out o% $oth o% the ases
$e%ore she goes Then/ ')ell,' she says, '('m *ery sorry ('m so sorry to ha*e gi*en you so muhtrou$le'
'(t's no trou$le at all, madame'
As they go to#ards the door the daughter $ursts out A loud, %iere hiss/ ')ell, you made a
&er%et %ool o% yoursel%, as usual !ou'*e had e*ery$ody in the sho& sniggering (% you #ant to
do this again, you'll ha*e to do it $y yoursel% ( re%use, ( re%use'
The old lady does not ans#er ( an see her %ae re%leted in a mirror, her eyes still undaunted $ut
something a$out her mouth and hin olla&sing Oh, $ut #hy not $uy her a #ig, se*eral deentdresses, as muh ham&agne as she an drink, all the things she likes to eat and oughtn't to, a
gigolo i% she #ants one" One last %lare-u&, and she'll $e dead in si months at the outside That'sall you're #aiting %or, isn't it" 1ut no, you must ha*e the slo# death, the $lood less killing thatlea*es no stain on your onsiene
( &ut the ornaments $ak in the ases slo#ly, are%ully, 0ust as they #ere
That $rings me u& to de0euner ( go u&stairs One long ta$le here, the manne3uins and
sales#omen all mied u&
There is, o% ourse, an English manne3uin 'ind, kind and gentle is she' D and that's another
damned lie 1ut she is *ery $eauti%ul - '$elle omme une %leur de *erre' And the other one,
the little 5renh one #hom ( like so muh, she is '$elle omme une %leur de terre'
( still an't get o*er the meal at this &lae ( ha*e $een li*ing %or some time on $read and o%%ee,
and it $lo#s my stomah out e*ery time .ors d'oeu*res, &lat du 0our, *egeta$les, dessert >o%%eeand a 3uarter o% #ine are etra, $ut so little etra that e*ery$ody has them
No$ody talks a$out the English manager - a #ary silene
( go do#nstairs, %eeling da4ed and ha&&y Gradually the ha&&iness goesC ( am 0ust da4ed
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al*atini &uts his head out o% the door $ehind me and says/ 'Mr 1lank #ants to see you'
( at one make u& my mind that he #ants to %ind out i% ( an s&eak German All the little German( kno# %lies out o% my head Jesus, hel& meB Ja, 0a, nein, nein, #as kostet es, )ien ist eine sehr
shone tadt, 1uda-Pest auh ist sehr shon, ist shon, mein .err, ih ha$e meinen 1lumen
*ergessen, aus meinen grossen hmer4en, homo homini lu&us, aus meinen grossen hmer4enmah ih die kleinen +ieder, homo homini lu&us 6('*e got that one, any#ay7, aus meinen grossen
hmer4enhomo homini doh re mi %ah soh la ti doh
.e is sitting at the desk, #riting a letter ( stand there .e is sure to notie ho# sha$$y my shoes
are
al*atini looks u&, gi*es me a %urti*e smile and then looks a#ay again
>ome on, stand straight, kee& your head u&, smile
No, don't smile (% you smile, he'll think you're trying to get o%% #ith him ( kno# this ty&e .e
#on't gi*e me the $ene%it o% a shado# o% a dou$t ?on't smile then, $ut look eager, alert,
attenti*eRun out o% the door and get a#ay!ou %ool, stand straight, look eager, alert,attenti*eNo, look here, he's doing this on &ur&oseO% ourse he isn't doing it on &ur&ose
.e's 0ust #riting a letter.e is, he is .e's doing it on &ur&ose ( kno# it, ( %eel it ('*e $een
standing here %or %i*e minutes
This is im&ossi$le
'?id you #ish to see me, Mr 1lank"'
.e looks u& and says shar&ly/ '!es, yes, #hat is it" )hat do you #ant" )ait a minute, #ait a
minute'
At one ( kno# .e doesn't #ant me to talk German, he's going to gi*e me the sak All rightthen, hurry u&, get it o*er
Nothing ( 0ust stand there No# &ani has ome on me My hands are shaking, my heart is
thum&ing, my hands are old 5ly, %ly, run %rom these atroious *oies, these a$omina$le eyes
.e %inishes his letter, #rites a line or t#o on another &iee o% &a&er and &ut sit into an en*elo&e
')ill you &lease take this to the kise"'
Take this to the kise ( look at al*atini .e smiles enouragingly
Mr 1lank rattles out/ '1e as 3uik as you an, Mrs - er - &lease Thank you *ery muh'
( turn and #alk $lindly through a door (t is a la*atory They look sarasti as they #ath megoing out $y the right door
( #alk a little #ay along the &assage, then stand #ith my $ak against the #all
This is a *ery old house - t#o old houses The %irst %loor, the sho& &ro&er, is moderni4ed The
sho#rooms, the %itting-rooms, the manne3uins' room1ut on the ground %loor are the
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#orkrooms and o%%ies and do4ens o% small rooms, &assages that don't lead any#here, ste&s
going u& and ste&s going do#n
ise - kise(t doesn't mean a thing to me .e's got me into suh a state that ( an't imagine #hat
it an mean
No#, no &ani This en*elo&e must ha*e a name on it
Monsieur + Grousset ome#here in this $uilding is a Monsieur + Grousset ( ha*e got totake this letter to him Easy ome$ody #ill tell me #here his room is Grousset, Grousset
( turn to the right, #alk along another &assage, do#n a light o% stairs The #orkroomsNo, (
an't ask here All the girls #ill stare at me ( shall seem suh a %ool
( try another &assage (t ends in a la*atory The num$er o% la*atories in this &lae, 'est inoui(
turn the orner, %ind mysel% $ak in the original &assage and ollide #ith a strange youngman .e gi*es me a nasty look
'>ould you tell me, &lease, #here ( an %ind Monsieur Grousset"'
'>onnais &as,' the young man says
A%ter this it $eomes a nightmare ( #alk u& stairs, &ast doors, along &assages- all di%%erent, all
eatly alike There is something *ery urgent that ( must do 1ut ( don't meet a soul and all the
doors are shut
This an't go on hall ( thro# the damned thing a#ay and %orget all a$out it"
')hat you must do is this,' ( tell mysel%/ '!ou must go $ak and say - 3uite almly - F('m *erysorry, $ut ( didn't understand #here you #anted me to take this noteF
( knok .e alls out/ '>ome in' ( go in
.e takes the note %rom my hand .e looks at me as i% ( #ere a dog #hih had &resented him #ith
a *ery, *ery old $one 6ay something, say something7
'( ouldn't %ind him' '1ut ho# do you mean you ouldn't %ind him" .e must $e there'
'('m *ery sorry ( didn't kno# #here to %ind him'
'!ou don't kno# #here to %ind the ashier - the ounting-house"
'+a aisse,' al*atini says - hel&%ully, $ut too late
1ut i% ( tell him that it #as the #ay he &ronouned it that on%used me, it #ill seem rude 1etter not say anything
')ell, don't you kno#"'
'!es, ( do Oh yes, ( do kno#'
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That is to say, ( kne# this morning #here the ashier's o%%ie is (t isn't so %ar %rom the &lae
#here #e &ut our hats and oats 1ut ( don't kno# a damned thing no#Run, run a#ay %rom
their eyes, run %rom their *oies, run
)e stare at eah other ( $reathe in dee&ly and $reathe out again
'Etraordinary,' he says, *ery slo#ly, '3uite etra ordinary God kno#s ('m used to %ools, $ut thisom&lete im$eilityThis #oman is the $iggest %ool ('*e e*er met in my li%e he seems to $e
hal%-#itted he's ho&eless)ell, isn't she"' he says to al*atini
al*atini makes a rolling mo*ement o% his head, shoulders and eyes, #hih means/ '( 3uite agree
#ith you ?e&lora$le, de&lora$le' Also/ 'he's not so $ad as you think' Also/ 'Oh, my God,
#hat's all this a$out" )hat a day, #hat a day )hen #ill it $e o*er"' Anything you like,al*atini's shrug means
Not to ry in %ront o% this man Tout, mais &as a ay somethingNo, don't say anything Just#alk out o% the room
'No, #ait a minute,' he says '!ou'd $etter take that note along !ou do kno# #ho to take itto no#, don't you" The ashier'
'!es'
.e stares at me omething else has ome into his eyes .e kno#s ho# ( am %eeling - yes, he
kno#s 'Just a ho&eless, hel&less little %ool, aren't you"' he says
Jo*ial" 1antering" On the sur%ae, yes 2nderneath"
No, ( don't think so ')ell, aren't you"' '!es, yes, yes, yes Oh, yes' ( $urst into tears ( ha*en'te*en got a handkerhie%
'?ear me,' Mr 1lank says 'Allons, allons,' al*atini says '=oyons''
( rush a#ay %rom them into a %itting-room (t is hardly e*er used (t is only used #hen the rooms
u&stairs are %ull ( shut the door and lok it
( ry %or a long time - %or mysel%, %or the old #oman #ith the $ald head, %or all the sadness o% this
damned #orld, %or all the %ools and all the de%eated
(n this %itting-room there is a dress in one o% the u&$oards #hih has $een #orn a lot $y
the manne3uins and is going to $e sold o%% %or %our hundred %rans The sales #oman has &romised to kee& it %or me ( ha*e tried it onC ( ha*e seen mysel% in it (t is a $lak dress #ith
#ide slee*es em$roidered in *i*id olors - red, green, $lue, &ur&le (t is my dress (% ( had $een#earing it ( should ne*er ha*e stammered or $een stu&id
No# ( ha*e sto&&ed rying No# ( shall ne*er ha*e that dress Today, this day, this hour, thisminute ( am utterly de%eated ( ha*e had enough
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No# the irle is om&lete No#, strangely enough, ( am no longer a%raid o% Mr 1lank .e is one
thing and ( am another .e kne# me right a#ay, as soon as he ame in at the door And ( kne#
him
( go into the other room, this time #ithout knoking al*atini has gone Mr 1lank is still #riting
letters (s he making dates #ith all the girls he kno#s in Paris" ( $et that's #hat he is doing
.e looks at me #ith distaste Plat du 0our - $oiled eyes, ser*ed old
)ell, let's argue this out, Mr 1lank !ou, #ho re&resent oiety, ha*e the right to &ay me
%our hundred %rans a month That's my market *alue, %or ( am an ine%%iient mem$er o% oiety,
slo# in the u&take, unertain, slightly damaged in the %ray, there's no denying it o you ha*e the
right to &ay me %our hundred %rans a month, to lodge me in a small, dark room, to lothe mesha$$ily, to harisma #ith #orry and monotony and unsatis%ied longings till you get me to the
&oint #hen ( $lush at a look, ry at a #ord )e an't all $e ha&&y, #e an't all $e rih, #e an't all
$e luky - and it #ould $e so muh less %un i% #e #ere (sn't it so, Mr 1lank" There must $e thedark $akground to sho# u& the $right olors ome must ry so that the others may $e a$le to
laugh the more heartily ari%ies are neessary+et's say that you ha*e this mystial right tout my legs o%% 1ut the right to ridiule me a%ter#ards $eause ( am a ri&&le - no, that ( think you ha*en't got And that's the right you hold most dearly, isn't it" !ou must $e a$le to des&ise
the &eo&le you e&loit 1ut ( #ish you a lot o% trou$le, Mr 1lank, and 0ust to start o%% #ith, yours
damned sho&'s going $ust AlleluiaB ?id ( say all this" O% ourse ( didn't ( didn't e*en think it
( say that ('m ill and #ant to go 6Get it in %irst7 And he says he 3uite agrees that it #ould $e
the $est thing 'No regrets,' he says, 'no regrets'
And there ( am, out in the A*enue Marigny, #ith my month's &ay - %our hundred %rans And the
air so s#eet, as it an only $e in Paris (t is autumn and the dry lea*es are $lo#ing along #ing
high, s#ing lo#, s#ing to and %ro
Thinking o% my 0o$s There #as that one ( had in the sho& alled !oung 1ritain &lus H1)
That meant %s @I@ Then another hierogly&hi - Q8Ktn - meant something else, %s 88:K+ittle $oys' sailor suits #ere there, and young gentlemen's Nor%olk suits #ere there )ell, ( got
the sak %rom that in a #eek, and *ery &leased ( #as too
Then there #as that other 0o$ - as a guide tanding in the middle o% the Plaede l'O&era, losingmy head and not kno#ing the #ay to the Rue de la Pai North, south, east, #est - they ha*e no
meaning %or meThey #ant to saunter, this &lum&, &laid lady and her slightly less &laid
daughter They #ant to saunter in the $eauti%ul Paris sunlight, to the Rue de la Pai
( &ull mysel% together and #e get to the Rue de la Pai )e go to the 5renh-English dress sho&s
and #e go to the 5renh-5renh dress sho&s And then they say they #ant to ha*e lunh (take them to a restaurant in the Plae de la Madeleine They are enormously rih, these t#o, the
mother and the daughter 1oth are *ery rih and *ery sad Neither an imagine #hat it is like to
$e ha&&y or e*en to $e gay, neither the mother nor the daughter
(n the restaurant the #aiter suggests &anakes #ith rum saue %or dessert They are strit
teetotallers, $ut they la& u& the rum saue ('*e ne*er seen any$ody's mood hange so 3uikly as
the mother's did, a%ter they had had t#o hel&ings o% it
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')hat deliious saueB' They ha*e a third hel&ing Their eyes are s#imming The daughter's eyes
say '>ertainly, ertainly'C the mother's eyes say 'Perha&s, &erha&s'
'(t is strange ho# sad it an $e - sunlight in the a%ternoon, don't you think"'
'!es,' ( say, 'it an $e sad'
1ut the so%tened mood doesn't last
he has o%%ee and a glass o% #ater and is hersel% again No# she #ants to $e taken to the
ehi$ition o% +oie 5uller materials, and she #ants to $e taken to the &lae #here they sell that
German amera #hih an't $e got any#here else outside Germany, and she #ants to $e taken to
a &lae #here she an $uy a hat #hih #ill e&ater e*ery$ody she kno#s and yet $e easy to #ear,and on to& o% all this she #ants to $e taken to a ertain ehi$ition o% &itures 1ut she doesn't
remem$er the man's name and she isn't sure #here the ehi$ition is .o#e*er, she kno#s that
she #ill reogni4e the name #hen she hears it
( try ( 3uestion #aiters, old ladies in la*a$os, girls in sho&s They all res&ond There is a %ree
masonry among those #ho &rey u&on the rih ( manage e*erything, ee&t &erha&s the hat
1ut she sa# through me he only ga*e me t#enty %rans %or a ti& and ( ne*er got another 0o$ as
guide %rom the Amerian E&ress That #as my %irst and last
( try, $ut they al#ays see through me The &assages #ill ne*er lead any#here, the doors #ill
al#ays $e shut ( kno#
Then ( start thinking a$out the $lak dress, longing %or it, madly, %uriously (% ( ould get it
e*erything #ould $e di%%erent u&&osing ( ask o-and-so to ask o-and-so to ask Madame Peron
to kee& it %or me"('ll get the money ('ll get it
)alking in the night #ith the dark houses o*er you, like monsters (% you ha*e money and%riends, houses are 0ust houses #ith ste&s and a %ront door D %riendly houses #here the door o&ens and some$ody meets you, smiling (% you are 3uite seure and your roots are #ell struk
in, they kno# They stand $ak res&et%ully, #aiting %or the &oor de*il #ithout any %riends and
#ithout any money Then they ste& %or#ard, the #aiting houses, to %ro#n and rush No
hos&ita$le doors, no lit #indo#s, 0ust %ro#ning darkness 5ro#ning and leering and sneering, thehouses, one a%ter another Tall u$es o% darkness, #ith t#o lighted eyes at the to& to sneer And
they kno# #ho to %ro#n at They kno# as #ell as the &olieman on the orner, and don't you
#orry
)alking in the night 1ak to the hotel Al#ays the same hotel !ou &ress the $utton The door
o&ens !ou go u& the stairs Al#ays the same stairs, al#ays the same room
The landing is em&ty and deserted At this time o% night there are no &ails, no $rooms, no &iles o%
dirty sheets The man net door has &ut his shoes outside -long, &ointed, &atent leather shoes,*ery raked .e does get dressed, then ( #onder a$out this man Perha&s he is a ommerial
tra*eller out o% a 0o$ %or the moment !es, that's #hat he might $e - a ommis *oyageur Perha&s
he's a tra*eller in dressing go#ns
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No#, 3uiet, 3uietThis is going to $e a nie sane %ortnight 'Quiet, 3uiet,'( say to the lok
#hen ( am #inding it u&, and it makes a noise $et#een a $elh and a giggle
The $athroom here is on the ground %loor ( lie in the $ath, listening to the &atronne talking to a
lient .e says he #ants a room %or a young lady %riend o% his Not at one, he is 0ust looking
around
'A room" A nie room"'
( #ath okroahes ra#ling %rom underneath the ar&et and ra#ling $ak again There is a
lo#ered ar&et in this $athroom, t#o old armhairs and a huge #ardro$e #ith a s&otted mirror
'A nie room"' O% ourse, une $elle ham$re, the lient #ants The &atronne says she has a*ery $eauti%ul room on the seond %loor, #hih #ill $e *aant in a$out a month's time
That's the #ay it is, that's the #ay it goes, that #as the #ay it #entA room A nie room A $eauti%ul room A $eauti%ul room #ith $ath A *ery $eauti%ul room #ith $ath A $edroom and
sitting room #ith $ath 2& to the di44y heights o% the suite T#o $edrooms, sitting room, $ath
and *esti$ule 6The small $edroom is in ase you don't %eel like me, or in ase you meetsome$ody you like $etter and ome in late7 Anything you #ant $rought u& on the dinner #agon
61ut, alasB the #aiter has a louse on his ollar )hat is that on his ollar" 1itte shon, mein .err,
$itte shon7 #ing highNo#, slo#ly, do#n A $eauti%ul room #ith $ath A room #ith $athA nie room A room
No#, #hat are they saying" 'Marthe, montre4 le numero dou4e' And the &rie" 5our hundred
%rans a month ( am &aying three times as muh as that %or my room on the %ourth %loor (t sho#sthat ( ha*e ended as a suess%ul #oman, any#ay, ho#e*er ( may ha*e started One look at me
and the &ries go u& And #hen the Ehi$ition is &ulled do#n and the tourists ha*e de&arted,
#here shall ( $e" (n the other room, o% ourse - the one 0ust o% the Gray's (nn Road, as usual
trying to drink mysel% to death
)hen ( get u&stairs the man net door is out on the landing, also yelling %or Marthe .is %lannelnight shit sarely reahes his knees )hen he sees me he grins, omes to the head o% the stairs
and stands there, $loking the #ay
'1on0our >a*a"'
( #alk &ast him #ithout ans#ering and slam the door o% my room ( e&et all this is a 0oke
( e&et he tells his %riend on the %loor $elo#/ 'An English tourist has taken the room netto mine ( ha*e a lot o% %un #ith that #oman'
A girl is making-u& at an o&en #indo# immediately o&&osite The street is so narro# that #e are%ae to %ae, so to s&eak ( an see soks, stokings and underlothes drying on a line in
her room he a*erts her eyes, her e&ression hardens ( reali4e that i% ( #ath her making-u& she
#ill retaliate $y staring at me #hen ( do the same thing ( hal% shut my #indo# and mo*e a#ay%rom it
A terri$le hotel, this - an a#%ul &lae ( must get out o% it Only ( #ould ha*e landed here, only (
#ould stay here
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( ha*e 0ust %inished dressing #hen there is a knok on the door (t's the ommis, in his $eauti%ul
dressing go#n, immaulately #hite, #ith long, #ide, hanging slee*es ( #onder ho# he got
hold o% it ome #oman must ha*e gi*en it to him .e stands there smiling his silly smile ( stareat him .e looks like a &riest, the &riest o% some o$sene, hal%-understood religion
At last ( manage/ ')ell, #hat is it" )hat do you #ant"
'Nothing' he says, 'nothing'
'Oh, go a#ay'
.e doesn't ans#er or mo*e .e stands in the door#ay, smiling 6No# then, you and ( understand
eah other, don't #e" +et's sto& &retending7
( &ut my hand on his hest, &ush him $ak#ards and $ang the door (t's 3uite easy (t's like
&ushing a &a&er man, a ghost, something that doesn't eist
And there ( am in this dim room #ith the $ed %or madame and the $ed %or monsieur and the
narro# street outside 6#hat they all an im&asse7, thinking o% that #hite dressing go#n, like a &riest's ro$es 5rightened as hell A nightmare %eeling
This morning the hall smells like a *ery hea& Turkish $ath in +ondon - the sort o% &lae that isgot u& to look res&eta$le and lean outside, the &assage *ery antise&ti and the #oman #ho
meets you a ross $et#een a &rison #ardress and adeaoness, and e*ery$ody s&eaking in
#his&ering *oies #ith lo#ered eyes/ '5oamor Turkish, madam"' And then you go do#n into the
Turkish $ath itsel% and into a %og o% stale s#eat - ten, t#enty years old
The &atron, the &atronne and the t#o maids are ha*ing their meal in a room $ehind the $ureau
They ha*e some %riends #ith them +oud talking and laughingFTu n'oses &as,F 3u'elle m'a ditF1allotBF 3u'elle m'a dit >omment, 0e n'ose &as" =ous alle4 *oir 3ue 0e lui ai dit/ FAttends,
attends, ma ille Tu *as *oir si0e n'ose &asF Alors, *ous sa*e4 e 3ue 0'ai %ait" J'ai' """
.is *oie &ursues me out into the street 'Attends, ma ille, attendsF
('*e got to %ind another hotel ( %eel ill and giddy, ('d $etter take a tai )here to" ( remem$er that
( ha*e an address in my hand$ag, a $rohure #ith &itures +e hall, le restaurant, le lounge,a $edroom #ith $ath, a $edroom #ithout $ath, etetera E*erything o% the most res&eta$le -
that's the &lae %or me
There is a &orter at the door and at the ree&tion desk a grey haired #oman and a sleek young
man
'( #ant a room %or tonight'
'A room " A room #ith $ath"'
( am still %eeling ill and giddy ( say on%identially, leaning %or#ard/ '( #ant a light room'
The young man li%ts his eye$ro#s and stares at me
( try again '( don't #ant a room looking on the ourtyard ( #ant a light room'
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A light room"' the lady says &ensi*ely he turns o*er the &ages o% her $ooks, looking %or a light
room
)e ha*e num$er :89,' she says 'A $eauti%ul room #ith $ath e*enty %i*e %rans a night' 6God, (
an't a%%ord that7 '(t's a *ery $eauti%ul room #ith $ath T#o #indo#s =ery light,' she says
&ersuasi*ely
A girl is alled to sho# me the room As #e are a$out to start %or the li%t, the young man says,
s&eaking out o% the side o% his mouth 'O% ourse you kno# that num$er :89 is ou&ied'
'Oh no Num$er :89 had his $ill the day $e%ore yesterday,' the ree&tionist says '( remem$er (
ga*e it to him mysel%'
( listen aniously to this on*ersation uddenly ( %eel that ( must ha*e num$er :89, #ith $ath -
num$er :89, #ith rose olored urtains, ar&et and $ath ( shall eist on a di%%erent &lane at
one i% ( an get this room, i% only %or a ou&le o% nights (t #ill $e an omen )ho says you an'tesa&e %rom your %ate" ('ll esa&e %rom mine, into room num$er :89 Just try me, 0ust gi*e me
a hane
'.e asked %or his $ill,' the young man says, in a *oie #hih is a trium&h o% sorn and yniism
'.e asked %or his $ill $ut that doesn't mean that he has gone'
The ree&tionist starts arguing ')hen &eo&le ask %or their $ills, it's $eause they are going, isn't
it"'
'!es,' he says, '5renh &eo&le The others ask %or their $ills to see i% #e're going to heat them'
'My God,' says the ree&tionist, '%oreigners, %oreigners, my God'
The young man turns his $ak, entirely dissoiating himsel% %rom #hat is going on
Num$er :89 - #ell, no# ( kno# all a$out him All the time they are talking ( am seeing him - histrousers, his shoes, the #ay he $rushes his hair, the sort o% girls he likes .is hand luggage is
light yello# and he has a &aunh
1ut ( an't see his %ae .e #ears a mask, num$er :89
'ho# the lady num$er ;;<'
The lady-like girl - #e are all ladies here, all ladies - takes me u& in the li%t and sho#s me a
om%orta$ly %urnished room #hih looks on to a high, $lank #all
'1ut ( don't #ant a room looking on the ourtyard ( #ant a light room'
'This is a *ery light room,' the girl says, turning on the lam& $y the $ed
'No,' ( say '( mean a light room A light one Not a dark one' he stares at me ( su&&ose ( sound
a $it ra4y ( say/ '!esThank you *ery muh - $ut no'
The ree&tionist do#nstairs ties to sto& me and argue a$out other rooms she has- $eauti%ul
rooms ( say/ '!es, yes, ('ll tele&hone,' and rush out
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A $eauti%ul room #ith $ath" A room #ith $ath" A nie room" A room"1ut ne*er tell the truth
a$out this $usiness o% rooms, $eause it #ould $ust the roo% o% e*erything and undermine the
#hole soial system All rooms are the same All rooms ha*e %our #alls, a door, a #indo# or t#o, a $ed, a hair and &erha&s a $idet A room is a &lae #here you hide %rom the #ol*es
outside and that's all any room is )hy should ( #orry a$out hanging my room"
)hen ( get $ak to the hotel a%ter ( ha*e had something to eat, it looks all right and smells as
res&eta$le as you &lease ( imagined it all, ( imagined e*erythingome$ody's Times +iterary
u&&lement &ee&s oyly %rom the letter-rak A #hite-haired Amerian lady and a girl #holooks like her daughter are talking in the hall
'+ook here, look at this .ere's a &ortrait o% Rim$aud Rim$aud li*ed here, it says'
And here's =erlaine?id he li*e here too"'
'!es, he li*ed here too They $oth li*ed here They li*ed here together )ell no#, isn't thatinteresting"'
The ommis is on the landing .e so#ls at me and at one goes into his $edroom and shuts thedoor )ell, that's all right, that's all right (% #e $oth try hard to a*oid eah other, #e ought to $e
a$le to manage it
The room #elomes me $ak
'There you are,' it says '!ou didn't go o%%, then"'
'No, no ( thought $etter o% it .ere ( $elong and here ('ll stay'
.e al#ays alled that $ar the Pig and +ily, $eause the &ro&rietor's name #as Peanelli (t is inone o% those streets at the $ak o% the Mont&arnasse station Got u& to look like an old English
ta*ern ( don't see #hy ( shouldn't re*isitit ( ha*e ne*er made senes there, olla&sed, ried - so%ar as ( kno# ( ha*e a &er%etly lean slate )e used to go there, ha*e a ou&le o% drinks, eat hotdogs and talk a$out the net #ar or something like that Nothing to ry a$out, ( mean
')e"' )ell, he #as one o% those &eo&le #ith *ery long, thin %aes and *ery &ale $lue eyes A%ter
#orking in a Manhester shi&&ing o%%ie until he #as t#enty %i*e, he had $roken a#ay andome to Paris, and #as reading %or his medial degree at the 2ni*ersity A lo*ing relati*e
su&&lied him #ith the money - that #as one story 1ut another #as that he really ke&t going on
money he #on at ards That might ha*e $een true, %or he #as the sort that &lays ards *ery #ell
.e lo*ed &o&ular %airs, this $oy - the Neuilly %air, the Montmartre %air, e*en the merry-go-rounds
at the +ion de 1el%ort - and he had &ain%ully taught himsel% to like musi 1ah, o% ourse, #ashis %a*orite om&oser The others, he said, he &re%erred to read, not to listen to '.eard melodies
are s#eet, $ut those unheard are s#eeter' - that sort o% thing .e #as a $it o% a %ish, really
ometimes he made my $lood run old And in s&ite o% his long, thin %ae, he #asn't sensiti*e
One day he said/ '('ll take you to see something rather interesting' And, #andering along the
streets at the $ak o% the .alles, #e ame to a a%e #here the lients &aid %or the right, not
to ha*e a drink, $ut to slee& They sat lose - &ressed against eah other #ith their arms onthe ta$les, their heads in their arms E*ery &lae in the room #as %illedC others lay along the
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%loor )e s3uinted in at them through the #indo#s ')ould you like to go in and ha*e a look at
them"' he said, as i% he #ere ehi$iting a lot o% monkeys '(t's all right, #e an go in - the
ha& here kno#s me There's one %ello# #ho is usually here (% you stand him a %e# drinksand get him really going he tries to eat his glass (t's *ery urious !ou ought to see that'
)hen ( said/ 'Not %or anything on earth,' he thought ( had gone shy or sentimental ')ell,' ( said,'all right ('ll #ath you eating a glass #ith &leasure' .e didn't like that at all
( arri*e thinking o% this $oy, and sre# mysel% u& to go into a room %ull o% &eo&le 1ut the &laeis em&ty - dead as a door-nail There is a ne# &ro&rietor - a %at, $ald man #ith a ?uth nose .e
has only $een here %or t#o years, he tells me
The s&eiality no# is Ja*anese %ood, and the English hunting-senes on the #alls look *eryeotiTally-ho, tally-ho, tally-ho, a-hunting #e #ill goThe old, lear *oies, the old, light
eyesTally-ho, tally-ho, tally-ho
A &arty o% three omes in - t#o men and a girl One o% the men stares at me .esays to the girl/
'Tu la onnais, la *ieille"'
No#, #ho is he talking a$out" Me" (m&ossi$le Me - la *ieille"
The girl says/ 'The English#oman" No, ( don't kno# her )hy should you imagine ( kno# her"'
This is as ( thought and #orse than ( thoughtA mad old English#oman, #andering around
Mont&arnasse 'A Paris il y a des Anglaises, Oah, yes, oah, yes, Aussi &lat's omm' des &unaises,
Oah, yes, oah, yesThis is indeed #orse than ( thought
( stare at the young man .e looks em$arrassed and turns his eyes a#ay Not 5renh
This is indeed #orse than ( thought That's #hat ( #as told #hen ( ame $ak to +ondon that
%amous #inter %i*e years ago ')hy didn't you dro#n yoursel%, the old de*il said, 'in the eine"'(n the eine, ( ask you - $ut that #as 0ust #hat he said A *ery &ro&er sentiment - $ut #hat a #ayto &ut itB Talk a$out $eing melodramatiB ')e onsider you as dead )hy didn't you make a hole
in the #ater" )hy didn't you dro#n yoursel% in the eine"' These &hrases run tri&&ingly o% the
tongues o% the etremely res&eta$le They think in terms o% a sentimental $allad And that's
#hat terri%ies you a$out them (t isn't their ruelty, it isn't e*en their shre#dness - it's their etraordinary nai*ete E*erything in their #hole $loody #orld is a lihe E*erything is $orn out o% a
lihe, rests on a lihe, sur*i*es $y a lihe And they $elie*e in the lihes - there's no ho&e
Then the 0am a%ter the mediine ( shall reei*e a soliitor's letter e*ery Tuesday ontaining
LuLu@KK;;: 8s od A legay, the a&ital not to $e touhed')ho "')hen ( heard ( #as *ery
sur&rised - ( shouldn't ha*e thought she liked me at all '!ou may onsider yoursel% *ery%ortunate,' he said, and #hen ( sa# the e&ression in his eyes ( kne# eatly #hy she did it he
did it to annoy the rest o% the %amilyAnd o% ourse it #as im&ossi$le to tell me o% this $e%ore,
$eause they didn't kno# my address There #as nothing to say to that ee&t/ 'Good$ye, dear sir, and mind you don't tri& o*er the hole in the ar&et'
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(t's so like him, ( thought, that he re%uses to all me asha, or e*en o&hie No, it's o&hia, %ull
and grand )hy didn't you dro#n yoursel% in the eine, o&hia"'o&hia #ent do#n #here the
ri*er %lo#ed - )ild, #ild o&hiaF
)ell, that #as the end o% me, the real end T#o &ound ten e*ery Tuesday and a room o% the
Gray's (nn Road a*ed, resued and #ith my &lae to hide in - #hat more did ( #ant" ( re&t inand hid The lid o% the o%%in shut do#n #ith a $ang
No# ( no longer #ish to $e lo*ed, $eauti%ul, ha&&y or suess%ul ( #ant one thing and one thingonly - to $e le%t alone No more &a#ings, no more &ryings - lea*e me aloneThey'll do that all
right, my dear7
'At %irst ( #as a%raid they #ould let gates $ang on my hind3uarters, and ( used to $e ner*ous o% unkno#n &eo&le and &laes' Quotation %rom The Auto$iogra&hy o% a Mare - one o% my %a*ourite
$ooks)e English are so animal onsious )e kno# so instinti*ely #hat the reatures %eel
and #hy they %eel it
(t #as then that ( had the $right idea o% drinking mysel% to death Thirty %i*e &ounds o% the legay
had aumulated, it seemed That ought to do the trik
( did try it, too ('*e had enough o% these streets that s#eat a old, yello# slime, o% hostile &eo&le,
o% rying mysel% to slee& e*ery night ('*e had enough o% thinking, enough o% remem$ering No##hisky, rum, gin, sherry, *ermouth, #ine #ith the $ottles la$elled '?um *i*imus
*i*amus''?rink, drink, drinkAs soon as ( so$er u& ( start again ( ha*e to %ore it do#n
sometimes !ou'd think ('d get delirium tremens or something
Nothing ( must $e solid as an oak Ee&t #hen ( ry
( #ath my %ae gradually $reaking u& - heeks &u%%ing out, eyes getting smaller Ne*er mind
')hile #e li*e, let us li*e,' say the $ottles o% #ine )hen #e gi*e, let us gi*e 1esides, it isn'tmy %ae, this tortured and tormented mask ( an take it o% #hene*er ( like and hang it u& on a
nail Or shall ( &lae on it a tall hat #ith a green %eather, hang a *eil o*er the lot, and #alk a$outthe dark streets so merrily" inging de%iantly '!ou don't like me, $ut ( don't like you either
F?on't like 0am, ham or lam$, and ( don't like roly-&olyF ' inging 'One more ri*er to ross, that's
Jordan, Jordan'
( ha*e no &ride - no &ride, no name, no %ae, no ountry ( don't $elong any#here Too sad, too
sad(t doesn't matter, there ( am, like one o% those stra#s #hih %loats round the edge o%
a #hirl&ool and is gradually suked into the entre, the dead entre, #here e*erything is stagnant,e*erything is alm T#o &ound ten a #eek and a room 0ust o% the Gray's (nn Road
All this time ( am reading the menu o*er and o*er again This used to $e a &lae #here you ouldonly get hot dogs, houroute, =ienna steak, )elsh ra$$it and things like that No#, it's more
am$itious '&eialites Ja*anaises 6&ar &ersonne, indi*isi$les7/ Rysta%el om&let 68@ &lats7, :K,
Rysta%el &etit 68 &lats7,8K, Nassi Goreng, 8: K' The $ak o% the menu is o*ered #ithskethes o% little #omen and 'end more money, send more money' is #ritten o*er and o*er
again This amuses me ( think o% all the telegra&h #ires $u44ing 'end more money' (n s&ite o%
e*erything, the #ires %rom Paris al#ays $u44ing 'end more money
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The three &eo&le at the net ta$le are talking a$out horse raing The t#o men are ?uth
( get a &enil out o% my $ag ( #rite in a orner o% the menu 'As-tu om&ris" i, 0'ai om&ris (ho&e you got that !es, ( got it' ( %old the menu u& and &utit in my $ag A little sou*enir
The door o&ens 5i*e >hinese ome in They #alk do#n to the end o% the room in single %ile and
stand there, talking Then they all %ile solemnly out again, smiling &olitely The &ro&rietor mutters %or a $it Then he &retends to arrange the %orks and kni*es on a ta$le near $y, and tells us
that $e%ore they ordered drinks they #anted to see the %ire lighted in the o&en grate, #hih is &art o% the old English atmos&here They #anted to see the %lames dane 5or a long time, he
says, he has kno#n that e*ery$ody in Mont&arnasse is mad, $ut this is the last stra#
'Tous &i3ues,' he says, #ith suh an aent o% des&air, 'tous dingo, tous, tous, tousF
( am not at all sad as ( #alk $ak to the hotel )hen ( remem$er
ho# one #ell-direted 'Oh, my God,' lays me out %lat in +ondon,
( an only mar*el at the e%%et this &lae has on me ( e&et it is $eause the drink is so muh $etterL&ar L&ard Lhy&h&arNo, (
am not sad, $ut $y the time ( get to the 1oule*ard t Mihel (
am %eeling tired ( ha*e #alked along here so o%ten, %eeling
tired.ere is the %ountain#ith the $eauti%ul &raning horses
There is a ta$a #here ( an ha*e a drink near the net statue,
the 3uinine statueL&ar L&ard Lhy&h&arJust then t#o men ome
u& %rom $ehind and #alk along on either side o% me One o%
them says/ 'Pour3uoi tes-*ous si triste"'L&ar L&ard
Lhy&h&ar!es, ( am sad, sad as a irus-lioness, sad as an eagle
#ithout #ings, sad as a*iolin #ith only one string and that
one $roken, sad as a #oman #ho is gro#ing old ad, sad,
sadOr &erha&s i% ( 0ust said 'merde' it #ould do as #ell
L&ar L&ard Lhy&h&ar( don't s&eak and #e #alk along in silene
Then ( say/ '1ut ('m not sad )hy should you think ('m sad"' (s
it a ritual" Am ( $ound to ans#er the same 3uestionin the same#ords"L&ar L&ard Lhy&h&ar)e sto& under a lam&-&ost to guess
nationalities o they say, though ( e&et it is $eause they #ant
to ha*e a loser look at me They tat%ully don't guess mine Are
they Germans" No andina*ians, &erha&s" No, the shorter one
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says they are Russians )hen ( hear that ( at one ae&t their
o%%er to go and ha*e a drink +es Russes - that'll #ind u&
the e*ening nielyL&ar L&ard Lhy&h&arThere are t#o a%es
o&&osite eah other in this street near my hotel - the one #herethe &ro&rietor is hostile, the one #here the &ro&rietor is neutral (
must$e a $it drunk, $eause ( lead them into the #rong one
L&ar L&ard Lhy&h&arMy li%e, #hih seems so sim&le and
monotonous, is really a om&liated a%%air o% a%es #here they
like me and a%es #here they don't, streets that are
%riendly, streets that aren't, rooms #here ( might $e ha&&y,
rooms #here ( ne*er shall $e, looking glasses ( look nie in,
looking glasses ( don't, dresses that #ill $eluky, dresses that#on't, and so onL&ar L&ard Lhy&h&ar.o#e*er, $eing a $it
tight, here ( am on the #rong side o% the street in the hostile
a%e Not that it matters, as ( am not aloneL&ar L&ard
Lhy&h&arOne o% the Russians, the younger, is good looking in a
gentle, melanholy #ay .e is *aguely like the man #ho al#ays
took the s&y-&arts in German %ilms some years ago (t's the
sha&e o% his head The other is short and %air, #ith *ery $lueeyes .e #ears &ine-ne4 .e must $e the more ali*e o% the
t#o, $eause ( %ind mysel% looking at him and talking to him all
the timeL&ar L&ard Lhy&h&arThe usual on*ersation( say
that ( am not sad ( tell them that ( am *ery ha&&y, *ery
om%orta$le, 3uite rih enough, and that ( am o*er here %or t#o
#eeksto $uy a lot o% lothes to startle my %riends - my
many %riends The shorter man, #ho it seems is a dotor, is
#illing to $elie*e that ( am ha&&y $ut not that ( am rih .e has
o%ten notied, he says, that English#omen ha*e melanholy
e&ressions (t doesn't mean anything The other one is
im&ressed $y my %ur oat, ( an see .e is #illing to $elie*e that
( am rih $ut he says again that he doesn't think ( am ha&&y
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The short man must $e the more #orldly-#iseC the other one is
like me - he has his %eelings and stiks to them .e is the one
#ho aosted meL&ar L&ard Lhy&h&ar'( %eel a great sadness in
you,' he saysL&ar L&ard Lhy&h&arTristesse, #hat a nie #ordBTristesse, lointaine, langsam, %orlorn, %orlornL&ar L&ard
Lhy&h&arNo#, %or goodness' sake, listen to this on*ersation,
#hih, a%ter the seond drink, seems to $e a$out gods
and goddessesL&ar L&ard Lhy&h&ar'Madame =enus se %ahera,'
the short one is saying, #agging his %inger at meL&ar L&ard
Lhy&h&ar'Oh, herB' ( say '( don't like her any more he's &layed
me too many dirty triks' 'he does that to e*eryone All the
same, $e are%ulL&ar L&ard Lhy&h&ar)hat god do they#orshi& in England, #hat goddess"' '( don't kno#, $ut it
ertainly isn't =enus ome$ody #rote one that they #orshi&
a $ith-goddess (t ertainly isn't =enus'L&ar L&ard
Lhy&h&arThen #e talk a$out ruelty ( look into the distane #ith
a $lank e&ression and say/ '.uman $eings are ruel - horri$ly
ruel'L&ar L&ard Lhy&h&ar'Not at all,' the older one ans#ers
irrita$ly, 'not at all That's a *ery short-sighted *ie# .uman $eings are struggling, and so they are egotists 1ut it's #rong to
say that they are #holly ruel - it's a de%ormed *ie#'L&ar L&ard
Lh
That goes on %or a $it and then &eters out No# #e
ha*e disussed lo*e, #e ha*edisussed ruelty, and they sheer o%
&olitis (t's rather strange - the #ay they sheer o% &olitis
Nothing more to $e disussed )ell, #e'll meet again, shan't#e"O% ourse #e shall (t #ould $e a &ity not to meet again,
#ouldn't it")ill ( meet them at the Pekin tomorro# %or lunh" (
ha*e an idea that ( shan't $e %eeling muh like >hinese %ood at
hal% &ast t#el*e tomorro# )e arrange to meet at the ?ome at
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%our o'lokL&ar L&ard Lhy&h&arThey ondut me to the door
o% my hotel The younger one remem$ers that ( ha*e le%t my
menu $ehind - ( had $een sho#ing it to them, the skethes o% the
little #omen and the 'end more money, send more money' - andgoes $ak to get itL&ar L&ard Lhy&h&ar'?on't trou$le ( don't
really #ant it'L&ar L&ard Lhy&h&ar1ut he has gone $e%ore ( an
sto& him ( must kee& this thing (t's %ateL&arL&ard
Lhy&h&arAgain ( lie a#ake, trying to resist a great #ish to go to
a hairdresser in the morning to ha*e my hair dyedL&ar
L&ard Lhy&h&ar)hen ( ome out o% the hotel net morning a little
old #oman sto&s me and asks %or money ( gi*e her t#o %rans
L&ar L&ard Lhy&h&ar)hen she thanks me she looks straight intomy eyes #ith an ironial e&ressionL&ar L&ard Lhy&h&arAs (
go &ast the $aker's sho& at the orner o% the street she omes out,
#ith along loa% o% $read, smiles at me and #a*es gaily, ( #a*e
$ak 5or a moment ( esa&e %rom mysel% 1ut she disa&&ears
along a side street, eating the loa%, and again ( start thinking
a$out dyeing my hairL&ar L&ard Lhy&h&ar( &ass the (talian
restaurant ( &ass Theodore's (t's a long #ay to the &lae( usually eat at ( hesitate, turn $ak, go in ( had meant to a*oid
Theodore's,$eause he might reogni4e me, $eause he might
think ( am hanged, $eause he might say soL&ar L&ard
Lhy&h&ar( sit do#n in a orner, %eeling uneasyL&ar L&ard
Lhy&h&ar.e hasn't hanged at all .e looks aross the room at
me %rom $ehind the $ar and hal%-smiles .e has reogni4ed
me=ery unlikely 1esides, #hat i% he has, #hat's it matter"
They an't kill you, an they" Oh, an't they, though, an't
they"L&ar L&ard Lhy&h&arToday ( must $e *ery are%ul, today
( ha*e le%t my armour at homeL&ar L&ard Lhy&h&arTheodore's
is more e&ensi*e than most o% the restaurants round here and it
is not *ery %ull ( #ath the girl o&&osite utting u& the meat on
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her &late he &rongs a $it #ith her %ork and &uts it into her
om&anion's mouth .e eats, registers &leasure as hard as he
an, &rods round %or the $est $it on his &late and %eeds her #ith
it At any moment you e&et these t#o to start %la&&ing #ingsandhir&ingL&ar L&ard Lhy&h&arThen there's a middle aged
ou&le #ith their na&kins tuked under their hins and a &retty
#oman aom&anied $y her hus$and - hus$and, ( think, not
lo*erL&ar L&ard Lhy&h&arThese &eo&le all %ling themsel*es at
me 1eause ( am uneasy and sad they all %ling themsel*es at me
larger than li%e 1ut ( an &ut my arm u& to a*oid the im&at and
they slide gently to the ground (ndi*idualists, om&letely
#ra&&ed u& in themsel*es, thank God (t's the etro*ert, &raning around, dying %or a $it o%%un - that's the &erson you'*e
got to $e #ary o%L&ar L&ard Lhy&h&ar( order sole and #hite
#ine ( eat #ith my eyes glued on my &late, the %eeling o% &ani
gro#ing #orse 6( told you not to ome in here, ( told you not
to7L&ar L&ard Lhy&h&arAt last, o%%ee ( #ish ( #asn't sitting so
%ar %rom the door .o#e*er, it's nearly o*er oon ( shall $e
out in the street again ( %eel $etterL&ar L&ard Lhy&h&ar( light aigarette and drink the o%%ee slo#ly As ( am doing this
t#o girls #alk in - a tall, red haired one and a little, &lum&,
dark one &orts lothes, no hats, EnglishL&ar L&ard
Lhy&h&arTheodore #addles u& to their ta$le and talks to them
The tall girl s&eaks 5ren
h *ery #ell ( an't hear #hat Theodore is saying, $ut ( #ath his
mouth mo*ingand the huge moon-%ae under the tall he%'s a&
L&ar L&ard Lhy&h&arThe girls turn and stare at meL&ar L&ard
Lhy&h&ar'Oh, my GodB' the tall one saysL&ar L&ard
Lhy&h&arTheodore goes on talking Then he too turns and looks
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at me 'Ah, those #ere the days,' he saysL&ar L&ard Lhy&h&ar'Et
3u'est-e 3u'elle %out ii, maintenant "' the tall girl says, loudly
L&arL&ard Lhy&h&arNo# e*ery$ody in the room is staring at meC
all the eyes in the room are %ied on me (t has ha&&enedL&ar L&ard Lhy&h&ar( am alm, $ut my hand starts shaking so
*iolently that ( ha*e to &ut the o%%ee u& do#nL&ar L&ard
Lhy&h&ar'E*ery$ody', Theodore says, 'omes $ak to Paris
Al#ays' .e retires $ehind the $arL&ar L&ard Lhy&h&ar( make a
great e%%ort and look at the tall girl he immediately turns her
eyesa#ay and starts talking a$out %ood - di%%erent #ays
o% ooking hiken The little one hangs on e*ery #ordL&ar
L&ard Lhy&h&ar.er red hair is arranged so are%ully o*er her tinyskull .er *oie is hard and lear Those *oies like uni%orms -
tinny, meaninglessThose *oies that they $randish like
#ea&onsL&ar L&ard Lhy&h&ar1ut #hat languageB >onsidering
the general get-u& #hat you should ha*e said #as/ 'Qu'est-e
3u'elle ihe ii"' >onsidering the general get-u&, surely that's
#hat you should ha*e said )hat language, #hat languageB
)hat #ould ?e$enham 5ree$ody say, and #hat .ar*ey Nihols"L&ar L&ard Lhy&h&ar)ell, e*ery$ody has had a good
stare at me and a short, disa&&ro*ing stare at the t#o girls, and
e*ery$ody starts eating againL&ar L&ard Lhy&h&ar'AhB 3uelle
&laie, 3uelle &laie, les Anglais,' as the old gentleman in the
>rosde >agnes $us said 1ut a &lague that &ays, my dear, a
&lague that &ays And merrily, merrily, li%e goes on'Quelle
&laie, 3uelle &laie, les Anglais,' he said, sighing so dee&ly
L&ar L&ard Lhy&h&arThe #aitress &asses $y my ta$le and ( ask
%or the $illL&ar L&ard Lhy&h&ar'There is still some o%%ee le%t,
madame )ill you ha*e some more"' he smiles at me )ithout
#aiting %or me to ans#er, she &ours #hat remains in the &ot into
my u& he is sorry %or me, she is trying to $e kindL&ar L&ard
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Lhy&h&arMy throat shuts u&, my eyes sting This is a#%ul No# (
am going to ry This is the #orst(% ( do that ( shall really ha*e
to #alk under a $us #hen ( get outsideL&ar L&ard Lhy&h&ar(
try to deide #hat olour ( shall ha*e my hair dyed, and hang onto that thought as you hang on to something #hen you are
dro#ning hall ( ha*e it red" hall ( ha*e it $lak" No#, $lak -
that #ould $e startling hall ( ha*e it $lond endre " 1ut $lond
endre, madame, is the most di%%iult o% olours (t is *ery, *ery
rarely, madame, that hair an $e suess%ully dyed $lond endre
(t's e*en harder on the hair than dyeing it &latinum $londe 5irst
it must $e $leahed, that is to say, its o#n olour must $e taken
out o% it - and then it must $e dyed,that is to say, another olour must $e im&osed on it 6Eduated hairAnd then, #hat"7
L&ar L&ard Lhy&h&ar( %inish the o%%ee, &ay the $ill and #alk out
( #ould gi*e all that's le%t o%my li%e to $e a$le to &ut out my
tongue and say/ 'One #ord to you,' as ( &ass that girl's ta$le (
#ould gi*e all the rest o% my li%e to $e a$le e*en to stare oldly
at her As it is, ( an't s&eak to her, ( an't e*en look at her ( 0ust
#alk outL&ar L&ard Lhy&h&arNe*er mindOne day, 3uitesuddenly, #hen you're not e&eting it, ('ll take a hammer %rom
the %olds o% my dark loak and rak your little skull like
an eggshell >rak it #ill go, the eggshellC out they #ill stream,
the $lood, the $rains One day, one daOne day the %iere #ol%
that #alks $y my side #ill s&ringon you and ri& your
a$omina$le guts out One day, one dayNo#, no#, gently,
3uietly, 3uietlyL&ar L&ard Lhy&h&arTheodore omes out %rom
$ehind the $ar and o&ens the door %or me .e smiles, his &ig-
eyes t#inkle ( an't make out #hether his smile is maliious
6that goes %or me, too7 or a&ologeti 6he meant #ell7, or only
&ro%essionalL&ar L&ard Lhy&
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h&ar)hat a$out the &rogramme %or this a%ternoon " That's
the thing - to ha*e a &lanand stik to it 5irst one thing and then
another, and it'll all $e o*er $e%oreyou kno# #here you areL&ar L&ard Lhy&h&ar1ut my legs %eel #eak )hat, de%eated
already " urely notNo, not at all 1ut ( think ('ll ross
the road and sit 3uietly in the +uem$ourg Gardens %or a #hile
L&ar L&ard Lhy&h&arPieing it together, arguing it outL&ar
L&ard Lhy&h&arAll that ha&&ened #as this/ Theodore &ro$a$ly
said to the girl/ '( think there's a om&atriot o% yours o*er there,'
and the girl said/ 'Oh, my GodB' And then Theodore &ro$a$lysaid/ '( remem$er her he used to ome here a good deal some
years ago Ah, those #ere the days'L&ar L&ard Lhy&h&arAnd
this and that And then the girl said/ 'Qu'est-e 3u'elle %out ii "'
&artly $eause she didn't like the look o% me and &artly $eause
she #anted to sho# ho# #ell she s&oke 5renh and &artly
$eause she thought that Theodore's #as her o#n &artiular
diso*ery 61ut, my dear good lady, Theodore's has $een
ra#ling #ith kindly Anglo-aons %or the last %i%teen years to
my ertain kno#ledge, and&ro$a$ly muh longer than that7 And
that's e*erything that ha&&ened, and #hy get in a state a$out
it"1ut ('m not, ('m not >an ( hel& it i% my heart $eats, i% my
hands go old"L&ar L&ard Lhy&h&ar( turn my hair round #ith
its $ak to the &ond #here the hildren sail their $oats No# (
an see nothing $ut the slender, straight trunks o% trees They
lookyoung, these trees This is a gentle &lae - a gentle, %ormal &lae (t isn't sad here, it isn't e*en melanholyL&ar L&ard
Lhy&h&arThe attendant omes u& and sells me a tiket No#
e*erything is legal (% anyone says/ 'Qu'est-e 3u'elle %out ii"' (
an sho# the tiket This is legal( %eel sa%e, luthing it ( an
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stay here as long as ( like, &utting t#o and t#o together, 3uite
almly, #ith no$ody to inter%ere #ith meL&ar L&ard
Lhy&h&ar+ast night and today - it makes a &retty good
sentene Qu'est-e 3u'elle %out ii, la *ieille" )hat the de*il6translating it &olitely7 is she doing here,that old #oman" )hat
is she doing here, the stranger, the alien, the old one"( 3uite
agree too, 3uite ( ha*e seen that in &eo&le's eyes all my li%e (
am asking mysel% all the time #hat the de*il ( am doing here All
the timeL&ar L&ard Lhy&h&arOld &eo&le &ass and sha$$y
#omen, and e*ery no# and again a gay-looking one, &ainted, in
a $ig %ur oat A man goes $y, strutting like a ok, #heeling a
$ig &ram .e is $uttoned *ery tightly into a $lak o*eroat, hissar% are%ully arranged under a $lue hin Then another
man, #ho looks almost eatly like him, &laying #ith a little girl
#ho an only 0ust #alk .e is shouting at her/ '!ou ha*ea dro&
on your nose' The little girl runs a#ay %rom him shrieking in
delighted%right, and he runs a%ter her, taking small, %ussy ste&s
They disa&&ear into the trees and ( hear him still alling out/
'>ome here, you ha*e a dro& on your nose, you ha*e a dro&on your noseFL&ar L&ard Lhy&h&ar(t's all right ('m not
unha&&y 1ut ( start thinking a$out that kittenL&ar L&ard
Lhy&h&arThis ha&&ened in +ondon, and the kitten $elonged to
the ou&le in the lat a$o*e- a German hairdresser and his
English #i%e The kitten had an in%eriority om&le and
&erseution mania and nostalgie de la $oue and all the rest !ou
ould see it in her eyes, her terri$le eyes, that kne# her %ate he
#as *ery thin, sraggy and hunted, #ith those eyes that kne#
her %ate )ell, all the male ats in the neigh$ourhood #ere on to
her like one o'lok he got a sore on her nek, and the sore on
her nek got #orseL&ar L&ard Lhy&h&ar'?isgusting,' said the
German hairdresser's English #i%eL&ar L&ard Lhy&h&ar'he
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ought to $e &ut a#ay, that at' Then the kitten, %eeling #hat #as
in the #ind, ame do#n into my room he rouhed against the
#all, staring at me #ith those terri$le eyes and #ith that $ig sore
on the $ak o% her nek he #ouldn'teat, she snarled at aresseshe 0ust rouhed in the orner o% the room, staring at me A%ter
a $it o% this ( ouldn't stand it any longer and ( shooed her out
=ery relutantly she #ent at %irst, #ith those eyes still staring at
me Andthen like an arro# through the door and do#n the stairs
( thought a$out her all the rest o% that day and in the e*ening (
said/ '( hased that un%ortunate kitten out o% my room
('m #orried a$out her (s she all right"' 'Oh, ha*en't you heard"'
they said 'he got run o*er Mrs Greiner #as going to take her to the hemist's to $e &ut a#ay, and she ran right out into the
street' Right out into the street she shot and a meri%ul tai #ent
o*er herL&ar L&ard Lhy&h&ar( look at mysel% in the glass o%
my hand$ag ( said ( #ould meet the Russian at%our o'lok at
the ?ome .e is one o% those &eo&le #ith $right $lue eyes and
#hat they all a %irm tread .e is sure to $e an o&timistL&ar
L&ard Lhy&h&ar)e'll sit in the ?ome and talk a$out sanity andnormal human interourse .e'llsay/ 'No, no, not ruelty -
0ust egotism They don't mean it' .e #ill e&lain 0ust #here ('m
#rong, 0ust #here the reasoning has tri&&ed u& Perha&s
L&arL&ard Lhy&h&arThere are hollo#s under my eyes itting on
the terrae o% the ?ome, drinking Pernods and talking a$out
sanity #ith enormous hollo#s under my eyes"L&ar
L&ardLhy&h&ar( hear a lok striking and ount the strokes (t's
%our o'lok 'No, thank you,' ( think, '('m not going #andering
into the ?ome looking like this - no, thank you'L&ar L&ard
Lhy&h&arAt one ( %eel a great regret .e might ha*e said some
thing to om%ort meL&ar L&ard Lhy&h&ar( am em&ty o%
e*erything ( am em&ty o% e*erything $ut the thin, %rail trunks
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o% the trees and the thin, %rail ghosts in my room '+a tristesse
*aut mieu 3ue la 0oie'L&ar L&ard Lhy&h&ar(n the glass 0ust
no# my eyes #ere like that kitten's eyesL&ar L&ard Lhy&h&ar (
sit #ithout mo*ing, not unha&&yL&ar L&ard Lhy&h&arNo# it'sgetting dark No# the gates are shutting 6Qu'est-e 3u'elle %out
ii,la *ieille"7L&ar L&ard Lhy&h&arGet u&, get u& Eat, drink,
#alk, marhPour3uoi etes-*ous triste"L&ar L&ard
Lhy&h&arTomorro# ( must ertainly go and ha*e my hair dyed (
kno# eatly the man ('llgo to .is name is 5eli, $ut ('m not
sure o% the street .o#e*er, i% ( go to the Galeries +a%ayette (
an %ind my #ay %rom thereL&ar L&ard Lhy&h&ar)hen you go
into the room 5eli is seated at a desk .e has urly hair, asensiti*e %ae, *ery nie hands .e #ears a $lak *el*et 0aket
The om&lete artist - Antoine's only ri*al (n the #indo# o% his
sho& a large &hotogra&h #ith an insri&tion/ 'To Monsieur 5eli,
#ho has ke&t my hair $eauti%ul %or so long - Adrienne' There's
no ho&e o% getting 5eli to attend to me, o% ourse, $ut ( may
ha*e a good assistantL&ar L&ard Lhy&h&ar(t's all right
Tomorro# ('ll $e &retty again, tomorro# ('ll $e ha&&y again,tomorro#, tomorro#L&ar L&ard Lhy&h&ar( get u& into the
room ( $olt the door ( lie do#n on the $ed #ith my %ae in the
&illo# No# ( an rest $e%ore ( go out again )hat do ( are
a$out anything #hen ( an lie on the $ed and &ull the &ast o*er
me like a $lanket " 1ak, $ak,$akL&ar L&ard Lhy&h&ar(
had 0ust ome u& the stairs and ( had to go do#n them again
L&ar L&ard Lhy&h&ar'No, no, your room's not ready !ou
must ome $ak, ome $ak >ome $ak $et#een i*e and si'
')hat time is it no#"' '(t's hal%-&ast ten'L&ar L&ard
Lhy&h&ar '>ourage, ourage, ma &etite dame,' she says 'E*ery
thing #ill go #ell'L&arL&ard Lhy&h&ar( go do#n the stairs
again, luthing the $anisters, ste& $y ste&L&ar L&ard
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$akThis has ha&&ened many timesL&ar L&ard
Lhy&h&ar)hat are you" ( am an instrument, something to $e
made use o%L&ar L&ard Lhy&h&arhe darts %rom one room to
another, enouraging, soothing, re&roahing 'No#, you're nottrying >ourage, ourage' &eaking her old, old language o%
#ords that are not #ordsL&ar L&ard Lhy&h&arA rum li%e, #hen
you ome to think o% it ('d hate to li*e it .o#e*er, to her it is
0ust li%eL&ar L&ard Lhy&h&arA%ter#ards ( ouldn't slee& (
#ould slee& %or an hour or t#o, and then #ake u&and think
a$out money, money, money %or my sonC money, moneyL&ar
L&ard Lhy&h&ar?o ( lo*e him" Poor little de*il, ( don't kno# i% (
lo*e himL&ar L&ard Lhy&h&ar1ut the thought that they #illrush him $eause #e ha*e no money - that is tortureL&ar
L&ard Lhy&h&arMoney, money %or my son, my $eauti%ul son
L&ar L&ard Lhy&h&ar( an't slee& My $reasts dry u&, my mouth
is dry ( an't slee& Money, moneyL&ar L&ard
Lhy&h&ar')hyB' she says '>an't you slee&" This #ill ne*er
do, ne*er do'L&ar L&ard Lhy&h&arhe &ro$a$ly kno#s #hy (
an't slee& ( $et some o% the others here an't either )orryinga$out the same thing 6This is not a hildC this is my
hild Money,money7L&ar L&ard Lhy&h&ar')ell, #hy an't
you slee&"' she says '?oes he ry, this young man"'L&ar
L&ard Lhy&h&ar'No, he hardly ries at all (s it a $ad sign, that
he doesn't ry"'L&ar L&ard Lhy&h&ar')hy no, not at all
A $eauti%ul, $eauti%ul $a$y1ut #hy an't you slee&"'L&ar
L&ard Lhy&h&arhe has slanting eyes, *ery lear ( like
&eo&le #ith lear, slanting eyes ( an still gi*e mysel% u& to
&eo&le ( like 6Tell me #hat to do .a*e you a solution" Tell me
#hat to do7L&ar L&ard Lhy&h&arhe &ats me on the shoulder
and says/ '!ou're #orrying a$out nothing at all E*erything #ill
ome right %or you ('ll send you in a tisan o% orange - %lo#er
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#ater, and tonight you must slee&, slee&'L&ar L&ard
Lhy&h&ar( an't %eed this un%ortunate $a$y .e is taken out and
gi*en Nestle's milk o,
( an slee&L&ar L&ard Lhy&h&arThe net day she omes in
and says/ 'No# ( am going to arrange that you #ill $e0ust like
#hat you #ere $e%ore There #ill $e no trae, no mark,
nothing'L&ar L&ard Lhy&h&arThat, it seems, is her solution
L&ar L&ard Lhy&h&arhe s#athes me u& in *ery tight, *ery
unom%orta$le $andages (ntriately she rolls them and ties
them he gi*es me to understand that this is usually an etrahe harges a great deal %or this as a ruleL&ar L&ard Lhy&h&ar'(
do this $etter than anyone in the #hole o% Paris,' she says '1etter
than any dotor, $etter than any o% these &eo&le #ho ad*ertise,
$etter than anyone in the #hole o% Paris'L&ar L&ard
Lhy&h&arAnd there ( lie in these damned $andages %or a #eek
And there he lies, s#athedu& too, like a little mummy
And ne*er ryingL&ar L&ard Lhy&h&ar1ut no# ( like takinghim in my arms and looking at him A lo*ely %orehead,
inredi$ly #hite, the eye$ro#s dra#n *ery %aintly in gold
dustL&ar L&ard Lhy&h&ar)ell, this #as a %unny time 6The
$ig $o#l o% o%%ee in the morning #ith a &attern o% red and $lue
lo#ers ( #as al#ays so thirsty7 1ut uneasy, uneasyOught a
$a$y to $e as &retty as this, as &ale as this, as silent as this"
The other $a$ies yell %rom morning to night 2neasyL&ar
L&ard Lhy&h&ar)hen ( om&lain a$out the $andages she says/
'( &romise you that #hen you take them o% you'll $e 0ust as you
#ere $e%ore' And it is true )hen she takes them o% there is not
one line, not one #inkle, not one reaseL&ar L&ard
Lhy&h&arAnd %i*e #eeks a%ter#ards there ( am, #ith not one
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line, not one #rinkle, not one reaseL&ar L&ard Lhy&h&arAnd
there he is, lying #ith a tiket tied round his #ist $eause he
died in a hos&ital And there ( am looking do#n at him, #ithout
one line, #ithout one #rinkle, #ithout one reaseL&ar L&ard Lhy&h&arThe hair-dresser also ends $y alling me 'Ma
&etite dame'L&ar L&ard Lhy&h&ar.e re%lets %or some time
a$out my hair, %eels it $e t#een his %ingers Then/ '(n your &lae,
madame, ( shouldn't hesitate 1ut not %or a moment A nie
$lond endre,' he saysL&ar L&ard Lhy&h&arThat #as 0ust the
right #ay to &ut it '(% ( #ere in your &lae, madame, ( shouldn't
hesitate'L&ar L&ard Lhy&h&ar.e touhes my hair gently The
smell o% soa&, sent, hair lotion, the sound o% the dryer in thenet u$ile, his %ingers touhing my hair - ( ould go to slee&
L&ar L&ard Lhy&h&ar'=ery #ell,' ( say in a sulky *oie 6At it
again, dearie, at it againB7L&ar L&ard Lhy&h&arO% ourse ( an't
look on at this o&eration ( read maga4ines - 5eminas,
(llustrations, E*es Then ( start in on the .airdresser, the Art o%
.airdressing, the .airdresser's )eekly and a urious 0ournal,
#ith a large setion alled 'the .i*e' - ans#ers toorres&ondentsL&ar L&ard Lhy&h&ar'Pierrette >lair de la +une -
No, mademoiselle, your letter is nonsensial !ou#ill ne*er get
thin that #ay - ne*er +i%e is not so easy +i%e, mademoiselle, is
di%%iult At your age it #ill $e *ery di%%iult to get thin 1ut
L&ar L&ard Lhy&h&ar'Petite Maman - No, Petite Maman, you are
not reason a$le +o*e is one thingC marriage - alasB - is 3uite
another (% you ha*en't %ound that out yet you soon #ill, ( assure
you Ne*ertheless'L&ar L&ard Lhy&h&arNo, mademoiselle, no,
madame, li%e is not easy ?o not delude yoursel*es Nothing is
easy 1ut there is ho&e 6turn to &age K7, and yet more ho&e 6turn
to &age 97L&ar L&ard Lhy&h&ar( am in the middle o% a long
artile $y a lady #ho has had her $reasts li%ted #hen he takes the
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dryer o% my headL&ar L&ard Lhy&h&ar'=oila,' he says
L&ar L&ard Lhy&h&ar'!es,' he says, 'a *ery good $lond endre
A suess'L&ar L&ard Lhy&h&ar( had e&eted to think a$out
this damned hair o% mine #ithout any let-u& %or days 6(s it allright" (s it not all right "7 1ut $e%ore the tai has got $ak
to Mont&arnasse ( ha*e %orgotten all a$out itL&ar L&ard
Lhy&h&ar
'No longer,' he says, 'no longer ( &re%er to $e as ( am As thingsare no#, ( #ouldn't #ish to $e rih or strong or &o#er%ul (
#ouldn't #ish to $e one o% theguilty ones ( kno# ( am not
guilty, so ( ha*e the right to $e 0ust as ha&&y as( an make
mysel%'L&ar L&ard Lhy&h&ar)e go on in this strain %or some
time ( #onder #hat on earth he does, #hat he is .e looks like a
&erson #ho is li*ing on a *ery small %ied inome As ( am
thinking this he tells me that he lo*es this &art o% Paris, the
Quartier +atin, $eause he lo*es youth ( look *ery hard at him#hen he says this 1ut he 0ust means that he lo*es youth
L&ar L&ard Lhy&h&ar'!es,' ( say '( lo*e youth too )ho doesn't"
And this is 0ust the &lae, %ull o% &rams, $a$ies and so %orth'
L&ar L&ard Lhy&h&ar'( *ery seldom go to Montmartre,' he says
'( *ery seldom go any#here else This is the &art o% Paris that (
like - the Quartier +atin and Mont&arnasse'L&arL&ard
Lhy&h&ar'ide $y side and oh, so di%%erent'L&ar L&ardLhy&h&ar'.a*e you e*er notied,' he says, 'that #hen you go
%rom one &at o% Paris to another, it's 0ust like going %rom one
to#n to another - e*en %rom one ountry to another"L&ar
L&ard Lhy&h&arThe &eo&le are di%%erent, the atmos&here is
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di%%erent, e*en the #omen dress di%%erently'L&ar L&ard
Lhy&h&ar( don't kno# #hy ( don't 3uite like him This gentle,
resigned melanholy - it seems unnatural in a man #ho an't
$e muh o*er thirty, i% so muh as that Or &erha&s it is $eausehe seems more the eho o% a thing than the thing itsel%
One moment ( %eel this, and another ( like him *ery muh, as
i% he #ere the $rother ( ne*er hadL&ar L&ard Lhy&h&ar( say/
'Mont&arnasse is *ery hanged sine ( kne# it %irst, ( an tell
you That #as 0ust a%ter the #ar,' ( say reklessly 6As you lo*e
youth so muh, that'llgi*e you something to think a$out7
L&ar L&ard Lhy&h&ar'!ou ame here 0ust a%ter the #ar"'L&ar
L&ard Lhy&h&ar'!es, and ( li*ed here u& to %i*e years ago Then (#ent $ak to England'L&ar L&ard Lhy&h&ar'!es, it must $e *ery
hanged, *ery hanged,' he says, &ursing his li&s and nodding
his headL&ar L&ard Lhy&h&ar'Oh, terri$le,' ( say '1ut ( don't
$elie*e things hange muh reallyC you onlythink they do (t
seems to me that things re&eat themsel*es o*er and o*er again'
L&ar L&ard Lhy&h&ar.e says/ '( think you are getting
old, madame !ou are shi*ering )ould you like to go toa &atisserie and ha*e a u& o% hoolate" There is a nie one
near here'L&ar L&ard Lhy&h&ar( say/ '('d muh rather go to a
a%e and ha*e a drink'L&ar L&ard Lhy&h&ar( ha*e an idea that
he disa&&ro*es o% this, $ut he says/ '!es, ertainly +et'sgo'
L&ar L&ard Lhy&h&ar( make no mistake this time )e go to the
neutral a%eL&ar L&ard Lhy&h&ar)hen #e are in a orner #ith
a o%%ee and %ine eah he says/ '?o you kno# #hat ( %eel a$out
you" ( think you are *ery lonely ( kno#, $eause %or a long time
(#as lonely mysel% ( hated &eo&le, ( didn't #ant to see anyone
And then one day ( thought/ FNo, this isn't the #ayF And no# (
go a$out a lot ( %ore mysel% to ( ha*e a lot o% %riendsC ('m ne*er
alone No# ('m muh ha&&ier'L&ar L&ardLhy&h&arThat sounds
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&retty sim&le ( must try it #hen ( get $ak to +ondonL&ar
L&ard Lhy&h&ar( say/ '( liked your %riend the other night'L&ar
L&ard Lhy&h&ar'Ah, yes,' he says, shaking his head '1ut he #as
*eed, and he's had $ad ne#s6The o&timist hasn't any moreuse %or me, ( an see that7 '1ut ( ha*e many %riends ('ll
introdue you to all o% them i% you #ish )ill you allo#
me" Then you #ill ne*er $e alone and you'll $e muh ha&&ier,
you'll see'L&ar L&ard Lhy&h&ar'1ut do you think they'd like me,
your %riends"'L&ar L&ard Lhy&h&ar'1ut ertainly A$solutely
yes'L&ar L&ard Lhy&h&arThis young man is *ery om%orting -
almost as om%orting as the hairdresserL&
ar L&ard Lhy&h&ar')ill you ome along no# and see a %riend o%
mine" .e's a &ainter ( think he is a man you'd like .e's al#ays
gay and he kno#s ho# to talk to e*ery$ody!es, erge
understands e*ery$ody - it's etraordinary' 6And, #hether &rine or
&rostitute, he al#ays did his $est7 'Mais au %ond, *ous sa*e4,
il s'en %ihe detout, il s'en ihe de tout le monde'L&ar L&ardLhy&h&ar.e sounds %ineL&ar L&ard Lhy&h&ar'!es, ('d like to,' (
say '1ut ( an't this a%ternoon ( ha*e to go and $uy a hat'
L&ar L&ard Lhy&h&ar')ell, #ould you like to ome tomorro#"'
he says, and #e arrange to meet at %our o'lok the net day
L&ar L&ard Lhy&h&arThere used to $e a good hat sho& in the Rue
=a*in (t doesn't eist any longer( #ander aimlessly along a lot
o% $ak streets #here there aren't any hat sho&sat all And then a
street that is ali*e #ith them - =irginie, Josette, >laudine(
look at the #indo# o% the %irst sho& There is a ustomer inside
.er hair, hal%-dyed, hal%-grey, is *ery dishe*elled As ( #ath
she &uts on a hat, makesa %ae at hersel% in the glass, and takes it
o% *ery 3uikly he ties another - then another .er e&ression
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is terri$le - hungry, des&airing, ho&e%ul, 3uite ra4y At any
moment you e&et her to start laughing the laugh o% the mad
L&ar L&ard Lhy&h&ar( stand outside, #athing ( an't mo*e .at
a%ter hat she &uts on, makes that %ae at hersel% in the glassand thro#s it o% again )athing her, am ( #athingmysel% as (
shall $eome" (n %i*e years' time, in si years' time, shall (
$e like that"L&ar L&ard Lhy&h&ar1ut she is $etter than the
other one, the smug, #hite, %at, $lak-haired one #ho is o%%ering
the hats #ith a alm, moking e&ression !ou an almost see
her tongue rolling round and round inside her heek (t's
like #athing the de*il #ith a damned soul (% ( must end like
one or the other, may ( end like the hagL&ar L&ard Lhy&h&ar(reali4e that ( an't stay ga&ing in on them any longer and mo*e
o%, *ery muhshaken Then ( remem$er the Russian saying/ '(
didn't ask to $e $ornC ( didn't make the #orld as it isC ( didn't
make mysel% as ( amC ( am not one o% the guilty ones And so
( ha*e a right to' EteteraL&ar L&ard Lhy&h&arThere are at
least ten milliners' sho&s in this street ( deide to go into thelast
$ut one on the le%t-hand side and ho&e to strike lukyL&ar L&ard Lhy&h&arThe girl in the sho& says/ 'The hats no# are *ery
di%%iult, *ery di%%iult All my lients say that the hats no# are
*ery di%%iult to #ear'L&ar L&ard Lhy&h&arThis is a muh larger
sho& than the other one There is a ruel, rude light o*er the
t#o mirrors and $ehind a long room strething into dimness
L&ar L&ard Lhy&h&arhe disa&&ears into the dimness and omes
$ak #ith hat a%ter hat, hat a%ter hat, murmuring/ 'All my lients
are om&laining that the hats no# are *ery di%%iult to #ear, $ut
( think -( am sure -( shall manage to suit you'L&ar L&ard
Lhy&h&ar(n the glass it seems to me that ( ha*e the
same demented e&ression as the #oman u& the streetL&ar
L&ard Lhy&h&ar'My God, not that one'L&ar L&ard Lhy&h&ar(
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stare sus&iiously at her in the glass (s she laughing at me" No,
( think not ( think she has the e&ression o% someone #hose
&ride is engaged he is determined that $e%ore ( go out o% the
sho& ( shall admit that she an make hats Assoon as ( see thise&ression in her eyes ( deide to trust her ( too $eome 3uite
almL&ar L&ard Lhy&h&ar'!ou kno#, ('m $e#ildered Please
tell me #hih one ( ought to ha*e'L&ar L&ard Lhy&h&ar'The
%irst one ( sho#ed you,' she says at oneL&ar L&ard
Lhy&h&ar'Oh, my God, not that one'L&ar L&ard Lhy&h&ar'Or
&erha&s the third one'L&ar L&ard Lhy&h&ar)hen ( &ut on the
third one she says/ '( don't #ant to insist, $ut yes - that is
your hat'L&ar L&ard Lhy&h&ar( look at it dou$t%ully and
she #athes me - not mokingly, $ut aniouslyL&ar L&ard
Lhy&h&arhe says/ ')alk u& and do#n the room in it ee
#hether you %eel ha&&y in it ee #hether you'll get austomed
to it'L&ar L&ard Lhy&h&arThere is no one else in the sho& (t is
3uite dark outside )e are alone, ele$rating this etraordinaryritualL&ar L&ard Lhy&h&arhe says/ '( *ery seldom insist, $ut
( am sure that #hen you ha*e got austomed to that hat you
#on't regret it !ou #ill reali4e that it's your hat'L&ar L&ard
Lhy&h&ar( ha*e made u& my mind to trust this girl, and ( must
trust herL&ar L&ard Lhy&h&ar'( don't like it muh, $ut it seems
to $e the only one,' ( say in a surly *oieL&ar L&ard Lhy&h&ar(
ha*e $een nearly t#o hours in the sho&, $ut her eyes are
still 3uite %riendlyL&ar L&ard Lhy&h&ar( &ay %or the hat ( &ut it
on ( ha*e a great desire to ask her to ome and dine #ith me,
$ut ( daren't do it All my s&ontaneity has gone 6?id ( e*er ha*e
any" !es, ( think sometimes ( had - in lashes Any#ay, it's gone
no# (% ( asked her to dine #ith me, it #ould only $e a %ailure7
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L&ar L&ard Lhy&h&arhe ad0usts the hat *ery are%ully
'Remem$er, it must $e #orn %or#ard and *erymuh on one side
>omme a'L&ar L&ard Lhy&h&arhe sees me out, still smiling
A strange lient, l'etrangereThe last thingshe says is/ 'All thehats no# are *ery di%%iult All my lients are om&laining'
L&ar L&ard Lhy&h&ar( %eel saner and ha&&ier a%ter this ( go to a
restaurant near $y and eat a large meal, at the same
time are%ully #ath ing the e%%et o% the hat on the other&eo&le
in the room, omme a No$ody stares at me, #hih ( think is
a good signL&ar L&ard Lhy&h&arA man sitting near $y asks
i% he may look at my e*ening &a&er, as he #ants to go to the
inema tonight Then he ties to start a on*ersation #ith me( think/ FThat's all right'L&ar L&ard Lhy&h&ar)hen ( go out
into the Plae de l'Odeon ( am %eeling ha&&y, #hat #ith my ne#
hair and my ne# hat and the good meal and the #ine and the
%ine and the o%%ee andthe smell o% night in Paris ('m not going
to any $eastly little $ar tonight No, tonight ('m going
some#here #here there's musiC some#here #here ( an $e
#ith a lot o% &eo&leC some#here #here there's daning1ut #here" 1y mysel%, #here an ( go" ('ll ha*e one more drink
%irst and then think it outL&ar L&ard Lhy&h&arNot the ?ome ('ll
a*oid the damned ?ome And, o% ourse, it's the ?ome ( go to
L&ar L&ard Lhy&h&arThe terrae is ro#ded, $ut there are not
many &eo&le inside )hat on earth ha*e ( ome in here %or" (
ha*e al#ays disliked the &lae, ee&t right at the start, #hen the
&lush #asn't so res&lendent and e*ery$ody s&at on the %loor (t
#as rather nie thenL&ar L&ard Lhy&h&ar( &ay %or my drink
and go out ( am #aiting to ross the street omeone says/
'Euse me, $ut an ( s&eak to you " ( think you s&eak English'
L&ar L&ard Lhy&h&ar( don't ans#er )e ross side $y side
L&ar L&ard Lhy&h&ar.e says/ 'Please allo# me to s&eak to you (
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#ish to so muh'L&ar L&ard Lhy&h&ar.e s&eaks English #ith a
*ery slight aent ( an't &lae it ( look at him and reogni4e
him .e #as sitting at a ta$le in the orner o&&osite to mine
at the?omeL&ar L&ard Lhy&h&ar'Please >ouldn't #e go to aa%e and talk"'L&ar L&ard Lhy&h&ar'O% ourse,' ( say ')hy
not"'L&ar L&ard Lhy&h&ar')ell, #here shall #e go"' he says in a
%ussy *oie '!ou see, ( don't kno# Paris #ell ( only arri*ed last
night'L&ar L&ard Lhy&h&ar'Oh"' ( sayL&ar L&ard Lhy&h&arAs
#e #alk along, ( look side#ays at him and an't make him
out .e isn't trying
to si4e me u&, as they usually do - he is ehi$iting himsel%, his
o#n &erson .e is *ery good-looking, ( notied that in
the ?ome 1ut the ner*ousness, the slightly a%%eted laugh
L&ar L&ard Lhy&h&arO% ourse ('*e got it Oh +ord, is that #hat (
look like " ?o ( really look like a #ealthy dame trotting round
Mont&arnasse in the ho&e o% - A%ter all the trou$le ('*e gone to,
is that #hat ( look like " ( su&&ose ( doL&ar L&ard Lhy&h
4yL&ar L&ard Lhy&h&ar( listen to his story, #hih is that he
0oined the 5oreign +egion, #as in Moroo %or three years,
%ound it im&ossi$le to $ear any longer, and esa&ed through
&ain - 5rano &ain Just esa&ed %rom the 5oreign+egion+a +egion, +a +egion EtrangereL&ar L&ard
Lhy&h&ar'( had enormous luk, or ( ouldn't ha*e done it ( got to
Paris last night ('m at a hotel near the Gare d'Orsay'L&ar L&ard
Lhy&h&ar'(s it as $ad as they say, the +egion"'L&ar L&ard
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Lhy&h&ar'Oh, they tell a lot o% lies a$out it 1ut ('d had
enough!ou don't $elie*e me, do you" !ou don't $elie*e
anything ('m telling you 1ut it's al#ays #hen a thing sounds not
true that it is true,' he saysL&ar L&ard Lhy&h&arO% ourse (kno# that!ou imagine the are%ully - &runed, sha&ed thing
thatis &resented to you is truth That is 0ust #hat it isn't The
truth is im&ro$a$le, the truth is %antastiC it's in #hat you think is
a distorting mirror that you see the truthL&ar L&ard
Lhy&h&ar'('ll tell you one thing ( don't $elie*e ( don't $elie*e
you're a 5renh->anadian'L&ar L&ard Lhy&h&ar'Then #hat do
you think ( am"'L&ar L&ard Lhy&h&ar'&anish &anish-
Amerian"'L&ar L&ard Lhy&h&ar.e $links and says to himsel%/'Elle n'est &as si $ete 3ue a' )ell, that might mean anything
L&ar L&ard Lhy&h&ar'(t's a#%ully old here,' ( say, 'too old
to stay any longer'L&ar L&ard Lhy&h&ar'No, &lease Please don't
go, you mustn't go Or, i% you #ish, let's go some#here else 1ut
( must talk to you'L&ar L&ard Lhy&h&ar.is *oie is so urgent
that ( $egin to %eel eas&eratedL&ar L&ard Lhy&h&ar'1ut, my
dear %riend, ( don't kno# #hat you think ( an do Peo&le#ho are in trou$le #ant someone #ith money to hel& them (sn't
it so" )ell, ( ha*en't got any money'L&ar L&ard Lhy&h&arThe
orners o% his mouth go do#n They all say thatL&ar L&ard
Lhy&h&ar( #ant to shout at him '( ha*en't got any money, (
tell you ( kno# #hat you're0udging $y !ou're 0udging $y my
oat !ou oughtn't to 0udge $y my oat !ou ought to 0udge $y
#hat ( ha*e on under my oat, $y my hand$ag, $y my
e&ression, $y anything you like Not $y this damned oat,
#hih #as a &resent - and the onlyreason ( ha*en't sold it long
ago is $eause ( don't #ant to o%%end the &erson #ho ga*e it to
me, and $eause i% you kne# #hat you really get #hen you try
to sell things it #ould gi*e you a shok, and $eause - 'L&ar
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L&ard Lhy&h&ar)ell, there you are - no use arguing ( an see he
has it %irmly %ied in his head that ('m a rih $ith and that i% he
goes on long enough ( an $e &ersuaded to &artL&ar L&ard
Lhy&h&ar'1ut it isn't money ( #ant,' he says 'Really it isn'tmoney )hat ( ho&ed #as that #e ould go some#here #here
#e ould $e 3uite alone ( #ant to &ut my head on your $reast
and &ut my arms round you and tell you e*erything !ou kno#,
it'sstrange, $ut that's ho# ( %eel tonight ( ould die %or that -
a #oman #ho #ould &ut her arms round me and to #hom (
ould tell e*erythingL&ar L&ard Lhy&h&ar >ouldn't #e go
some#here like that"'L&ar L&ard Lhy&h&ar'No, #e an't,' ( say
'(m&ossi$le'L&ar L&ard Lhy&h&ar')ell,' he says, ae&ting thisalmly, 'i% you #on't do that, ( thought &erha&s you ould hel&
me a$out my &a&ers !ou see, ( ha*e no &a&ers, no &ass&ort
That's 0ust #hy ('m in trou$le The slightest aident and ('m
%inished ( ha*e no &a&ers 1ut i% ( ould get a &ass&ort, ( #ould
go to +ondon ('d $e sa%e there ( ould get in touh
#ith %iends'L&ar L&ard Lhy&h&ar( say/ 'And you think ( an
hel& you to get a &ass&ort" ( " Me " 1ut #ho do youthink ( am "This must $e one o% my good nights'L&ar L&ard Lhy&h&arAt
this moment ( %ind e*erything so %unny that ( start laughing
loudly .e laughs tooL&ar L&ard Lhy&h&ar'( an't stay on this
damned terrae any longer (t's too old'L&ar L&ard Lhy&h&ar.e
ra&s on the #indo# and, #hen the #aiter omes, &ays %or the
drinks 'No#, #he
re shall #e go"' .e &uts his arm through mine and says, in
5renh/ 'No#, #here"'L&ar L&ard Lhy&h&ar)ell, #hat harm an
he do to me" .e is out %or money and ( ha*en't got any,
( am in*ulnera$leL&ar L&ard Lhy&h&arThere #e are, arm in
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arm, outside the >loserie des +ilas and #hen ( think o% myli%e it
seems to me so omial that ( ha*e to laugh (t has taken me a
long time to see ho# omial it has $een, $ut ( see it no#, ( do
L&ar L&ard Lhy&h&ar'!ou must tell me #here to go,' he says,'$eause ( don't kno# Paris'L&ar L&ard Lhy&h&ar( take him to
the a%e #here ( go most nights - the &lae that is al#ays
em&tyThis is the %irst time that ( ha*e seen him in a $right light,
lose $y (t is also the %irst time that, on these oasions,
( ha*en't ared in the least #hat the man thinks o% me, and am
only urious to see #hat he looks likeL&ar L&ardLhy&h&ar.e
doesn't look like a gigolo - not my idea o% a gigolo at all 5or
instane, his hair is rather untidy 1ut, nie hairL&ar L&ardLhy&h&arAnother $randy and soda ( su&&ose all this money
that he is s&ending on me is the s&rat to ath a #haleL&ar
L&ard Lhy&h&arThe #aiter, gi*ing him hange, $rings out o%
his &oket the most etraordinary olletion o% small money
Piees o% t#enty %i*e entimes, o% ten, o% %i*e - theta$le is
o*ered #ith them )hen he has slo#ly olleted it all one
more, he goes into the orner o% the room, takes o% his shoes andstarts leaning themL&ar L&ard Lhy&h&ar( say/ 'This is my
sort o% &lae - this hi, gay &lae ?o you like it"'L&arL&ard
Lhy&h&ar'No, ( don't like it, $ut ( understand #hy you ome here
('m not al#ays so %ond o% human $eings, either'L&ar L&ard
Lhy&h&ar)ell, here's another #ho isn't as stu&id as all thatL&ar
L&ard Lhy&h&ar.e says/ '!ou kno#, that #aiter - he #as 3uite
sure #e lo*ed eah other and #ere going to $e *ery
ha&&y tonight .e #as en*ying us'L&ar L&ard Lhy&h&ar'!es, (
e&et he'll stay a#ake all night thinking o% it +ike hell he
#ill'L&ar L&ard Lhy&h&ar.e looks disonsolate, tiredC as i% he
#ere thinking/ 'No good E*erything's got to $e started all
o*er again' Poor gigoloBL&ar L&ard Lhy&h&ar( say/ 'A$out your
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&a&ers - there are &eo&le here #ho sell %alse &ass&orts (t an $e
done'L&ar L&ard Lhy&h&ar'( kno# ('m in touh #ith some$ody
already'L&ar L&ard Lhy&h&ar')hat, and you only got here last
nightB !ou ha*en't #asted muh time'L&ar L&ard Lhy&h&ar'No,and ('d $etter not, either'L&ar L&ard Lhy&h&ar.e is in some sort
o% trou$le ( kno# that look ( #ant *ery muh to om%ort him -
to say something to heer him u&L&ar L&ard Lhy&h&ar'( like les
mau*ais garons,' ( say .e smiles '( kno# eatly #hat you
#ant,'( say '!ou #ant some$ody *ery rih and *ery hi'
L&ar L&ard Lhy&h&ar'!es,' he says, 'yes, that's #hat #ould 0ust
suit me And $eauti%ul'L&ar L&ard Lhy&h&ar'1ut, my dear,
you're not going to %ind that at the ?ome'L&ar L&ardLhy&h&ar')here shall ( go, then" )here shall ( %ind all that"'
L&ar L&ard Lhy&h&ar'Rit4 1ar,' ( say *aguelyL&ar L&ard
Lhy&h&arA%ter this ( start my &iee ( tell him my name, my
address, e*erything .e says his name is Rene, and lea*es it at
that ( say ( am sik o% my hotel and #ant to lea*e it and %ind
a lat or a studioL&ar L&ard Lhy&h&ar.e is on the alert at one
'A studio" ( think ( ould get you eatly the &lae you #ant'L&ar L&ard Lhy&h&ar( am not so drunk as all thatL&ar L&ard
Lhy&h&ar'( thought you said you'd 0ust esa&ed %rom the 5oreign
+egion and only got to Paris last night and #ere going a#ay
again as soon as you ould'L&ar L&ard Lhy&h&ar')hy should
that &re*ent me %rom trying to get you a studio i% you
#ant one"'L&ar L&ard Lhy&h&ar
6+et it &ass, dearie, let it &ass )hat's it matter"7L&ar L&ard
Lhy&h&ar'>an ( take you $ak to your hotel"'L&ar L&ard
Lhy&h&ar'!es, $ut it's too %ar to #alk ( #ant a tai'L&ar
L&ard Lhy&h&ar)e sit in the tai in silene At the orner o% the
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street #e get out ( let him &ay 6o muh the #orse %or you
That #ill teah you to si4e u& your ty&es a $it $etter7L&ar
L&ard Lhy&h&ar'+et's ha*e one more drink,' he saysL&ar
L&ard Lhy&h&ar)e #alk u& the street, trying to %ind a &lae that iso&en E*erything seems to$e shutC it is &ast t#el*e )e go along
the Rue t Ja3ues hand in hand ( am no longer sel%-onsious
.and in hand #e #alk along, s#inging our arms uddenlyhe
sto&s, &ulls me under a lam&&ost and stares at me The street is
em&ty, the lights in the $ars are outL&ar L&ard Lhy&h&ar'.ey,
isn't it a $it late in the day to do this"'L&ar L&ard Lhy&h&ar.e
says/ 'Mais 'est om&letement %ou (t's halluinating )alking
along here #ith you, ( ha*e the %eeling that ('m #ith a - 'L&ar L&ard Lhy&h&ar')ith a $eauti%ul young girl"'L&ar L&ard
Lhy&h&ar'No,' he says ')ith a hild'L&ar L&ard Lhy&h&arNo# (
ha*e had enough to dink, no# the moment o% tears is *ery near (
say/ ')ell, nothing's o&en E*erything's shut ('m going home'
L&ar L&ard Lhy&h&ar.e looks u& at the door o% my hotel
L&ar L&ard Lhy&h&ar'>an ( ome u& to your room"'L&ar
L&ard Lhy&h&ar'No, you an't'L&ar L&ard Lhy&h&ar')ell, an (ome $ak in a little #hile and get a room here mysel% and then
ome to see you"'L&ar L&ard Lhy&h&ar6The &atronne saying/
'+'Anglaise has &iked u& some one .a*e you seen"'7
L&ar L&ard Lhy&h&ar'No, don't ome here ( shall $e a#%ully
*eed i% you ome here Please don't'L&ar L&ard Lhy&h&ar'O%
ourse ( #on't i% you ask me not to,' he says Tat%ul ')hat
a$out the hotel net door" Perha&s ( ould get a room there'
L&ar L&ard Lhy&h&arPART T)OL&ar L&ard Lhy&h&arAll the
same, at three o'lok ( am dressing to meet the Russian
L&ar L&ard Lhy&h&ar.e is #aiting .e says his %iend erge is
e&eting us '+e &eintre,' he alls himL&ar L&ard Lhy&h&ar(
suggest taking a tai $ut he seems horri%ied at the ideaL&ar
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L&ard Lhy&h&ar 'No, no )e'll go $y $us (t's 3uite near (t's only a
%e# minutes a#ay' '>ouldn't #e #alk, then"' 'Oh yes, #e ould
#alk (t's 0ust o% the A*enue d'Orleans, a$out %i*e minutes' #alk'
'(t's more than %i*e minutes,' ( argue '(t's more like hal% anhour'L&ar L&ard Lhy&h&aroon no# it #ill $e #inter There
are hardly any lea*es on the trees and the man outside the
+uem$ourg Gardens is selling roast hestnutsL&ar L&ard
Lhy&h&ar )e stand at the end o% a long 3ueue No $usL&ar
L&ard Lhy&h&ar'?o let's take a tai' '=ery #ell (% you like,' he
says un#illingly '1ut theman #ill $e *ery *eed at ha*ing to go
suh a short distane - Plae ?en%et-Rohereau, the Metro,' he
says to the dri*er - '(t #on't $e %ar to #alk %rom there' '1utouldn't #e go straight to the &lae #here your %riend li*es"'
'No, ( don't kno# the name o% the street' '!ou don't kno# the
name o% the street"' 'No,('*e ne*er notied it'L&ar
L&ard Lhy&h&ar)hen ( see ho# aniously he is #athing the
meter ( am sorry ( insisted on taking the tai All the same,
( should ha*e dro&&ed dead i% ( had tried to #alk this distane
L&ar L&ard Lhy&h&ar'?o let me &ay, $eause it #as ( #hoinsisted'L&ar L&ard Lhy&h&ar1ut he has got the money in his
hand already and is ounting it outL&ar L&ard Lhy&h&ar.e
takes my arm and #e #alk along '(t's 0ust a minute, it's 0ust
a minute,' hekee&s sayingL&ar L&ard Lhy&h&ar)alking to the
musi o% +'Arlesienne, remem$ering the oat ( #ore then - a
$lak
and #hite hek #ith $ig &okets
)e ha*e 0ust &assed the hotel ( li*ed in That #as the high s&ot
- #hen ( had nothing to eat %or three #eeks, ee&t o%%ee and a
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roissant in the morningL&ar L&ard Lhy&h&ar( sle&t most o% the
time Pro$a$ly that #as #hy it #as so easy (% ( had had togo
a$out a lot ( might ha*e %elt #orse ( got so that ( ould slee&
%i%teen hours out o% the t#enty %ourL&ar L&ard Lhy&h&arT#ie (said ( #as ill, and they sent me u& sou& #ith meat in it %rom
do#nstairs, and ( ould get an oasional $ottle o% #ine on tik
%rom the sho& round the orner (t #asn't star*ation at all #hen
you ome to think o% it till, ('m notsaying that there #eren't
some urious momentsL&ar L&ard Lhy&h&arA%ter the %irst #eek
( made u& my mind to kill mysel% - the usual #hi%% o%
hloro%orm Net #eek, or net month, or net year ('ll kill
mysel% 1ut ( might as #ell last out my month's rent, #hihhas $een &aid u&, and my redit %or $reak%asts in the morning
L&ar L&ard Lhy&h&ar'My hild, don't hurry !ou ha*e eternity in
%ront o% you' he used to say that sarastially, ister Marie -
Augustine, $eause ( #as so slo# 1ut the &hrasestayed #ith me
( ha*e eternity in %ront o% me oon ('ll $e a$le to do it, $utthere's
no hurry Eternity is in %ront o% meL&ar L&ard
Lhy&h&ar2sually, in the inter*al $et#een my a%ternoon slee& andmy night slee& ( #ent %or a #alk, turned u& the 1oule*ard
Arago, #alked to a ertain s&ot and turned $ak And one
e*ening ( #as #alking along #ith my hands in the &okets
o% my oat and my head do#n This #as the time #hen ( got
in the ha$it o% #alking #ith my head do#n( #as #alking
along in a dream, a ha4e, #hen a man ame u& and s&oketo me
L&ar L&ard Lhy&h&arThis is unho&ed-%or (t's also 3uite
un#anted )hat ( really #ant to do is to go %or my usual #alk,
get a $ottle o% #ine on tik and go $ak to the hotel to slee&
.o#e*er, it has ha&&ened, and there you are +i%e is urious
#hen it is redued to its essentialsL&ar L&ard Lhy&h&ar)ell,
#e go into the >a%e 1u%%alo )ill ( ha*e a little a&eriti%" (
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ertainly #ill T#o Pernods arri*eL&ar L&ard Lhy&h&ar( start
thinking a$out %ood >houroute, %or instane - you ought to $e
a$le toget houroute garnie here +o*ely sausage, lo*ely
&otato, lo*ely, lo*ely a$$ageMy mouth starts #atering*iolently ( drink hal% the glass o% Pernod in order to s#allo#
on*ena$lement And then ( %eel like a goddess (t might ha*e
made me sik, $ut it has done the other thingL&ar L&ard
Lhy&h&arThe orhestra #as &laying +'Arlesienne, ( remem$er so
#ell ('*e 0ust got to hear that musi no#, any time, and ('m $ak
in the >a%e 1u%alo, sitting $y that man And the musi going
hea*ily And he's talking a#ay a$out a %riend #ho is so rih that
he has his &hotogra&h on the $ands o% his igars Amad on*ersationL&ar L&ard Lhy&h&ar'One day', he says, '( too
#ill $e so rih that ( shall ha*e my &hoto on the $ands o% the
igars ( o%%er to my %riends That is my am$ition'L&ar L&ard
Lhy&h&ar)ill ( ha*e another little Pernod" ( ertainly #ill
ha*e another little Pernod65ood" ( don't #ant any %ood no#
( #ant more o% this %eeling - %ire and #ings7L&ar L&ard
Lhy&h&arThere #e are, 0a$$ering a#ay as i% #e had kno#n eahother %or years .e reads me a letter that he has 0ust had %rom a
girlL&ar L&ard Lhy&h&ar)hat's the matter #ith it" (t seems
to me a letter any man ought to $e &roud toha*e All a$out
%rissons and s&asms and un3uestiona$le reussites 6>heri,
heri, ra&&elles-tu 3ue7 A testimonial, that letter isL&ar
L&ard Lhy&h&ar1ut the snag is at the end, as usual The girl #ants
a ne# &air o% shoes and she is asking %or three hundred %rans
to $uy them >heri, you #ill remem$er the un%orgetta$le hours
#e &assed together and not re%use me #hen ( tell you that my
shoes are 3uite #orn out ( am ashamed to go into the street
The *alet de ham$re kno#s that there are large holes in $oth
my shoes Really, ( am ashamed to $eso &oor ( stay all the time
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in my room And so, heri, etetera, etetera, eteteraL&ar
L&ard Lhy&h&ar.e is he#ing and he#ing o*er this letter
'( don't $elie*e it,' he says '(t's all a lie, it's a snare, it's a tra&
This girl, you understand, is a liar )ha
t she #ants is three hundred %rans to gi*e to her ma3uereau
)ill ( gi*e her three hundred %rans %or her ma3uereau" No, (
#on't ( #ill notAll the same,'he says, '( an't $ear to think o%
that &oor little one #ith holes in her shoes That an't $e
amusing, #alking a$out #ith your %eet on the groundL&ar
L&ardLhy&h&ar'No, it isn't amusing,' ( say 'Es&eially on a rainyday'L&ar L&ard Lhy&h&ar ')ell, #hat do you think" ?o
you think this letter an $e genuine" )hat do you think "'
L&ar L&ard Lhy&h&arE*ery #ord has $een he#ed o*er $y
the time #e ha*e %inished our seond drinkL&ar L&ard
Lhy&h&ar'1esides,' he says, 'e*en i% it is genuine, ( mustn't send
the money at one That #ould ne*er do (% she thought she had
only to ask, to ha*e - that #ould ne*er do No, no, ( must kee&her #aiting'L&ar L&ard Lhy&h&ar>he#, he#, he#L&ar
L&ard Lhy&h&ar'No ( think she's lying'L&ar L&ard Lhy&h&arAll
the time he is staring at me, si4ing me u& .e has his hand on
my knee under the ta$leL&ar L&ard Lhy&h&ar.e is not a
Parisian .e li*es in +ille .e is staying at a %riend's lat, he says,
and it's a *ery nie lat )ill ( ome along there and ha*e a little
&orto")ell, #hy not"L&ar L&ard Lhy&h&ar)hat does this
man look like" ( don't remem$er ( don't think ( e*er looked
at him ( remem$er that he had *ery small hands and that he
#ore a ring #ith a $luestone in itL&ar L&ard Lhy&h&ar)e get
out into the street And, o% ourse, *lung - %irst $reath o% %resh air
and ('m so drunk ( an't #alkL&ar L&ard Lhy&h&ar'.e la,' he
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says ')hat's the matter" .a*e you $een daning too muh"'
L&ar L&ard Lhy&h&ar'All you young #omen,' he says, 'dane too
muh Mad %or &leasure, all the young &eo&leAh, #hat #ill
ha&&en to this a%ter-#ar generation" ( ask mysel% )hat #illha&&en" Mad %or &leasure1ut #e'll take a tai'L&ar L&ard
Lhy&h&ar)e ross the road unsteadily and stand under a sikly
to#n-tree #aiting to signal a tai ( start to giggle .e runs his
hand u& and do#n my armL&ar L&ard Lhy&h&ar( say/ '?o you
kno# #hat's really the matter #ith me" ('m hungry ('*e had
hardly anything to eat %or three #eeks'L&ar L&ard
Lhy&h&ar'>omment"' he says, snathing his hand a#ay ')hat's
this you're relating"'L&ar L&ard Lhy&h&ar'>'est *rai,' ( say,giggling still more loudly '(t's 3uite true ('*e had nothing to eat
%or three #eeks' 6Eaggerating, as usual7L&ar L&ard
Lhy&h&arAt this moment a tai dra#s u& )ithout a #ord he gets
into it, $angs the door and dri*es o%, lea*ing me standing there
on the &a*ementL&ar L&ard Lhy&h&arAnd did ( mind" Not
at all, not at all (% you think ( minded, then you'*e ne*er li*ed
like that, &lunged in a dream, #hen all the %aes are masksand only thetrees are ali*e and you an almost see the strings
that are &ulling the &u&&ets >lose-u& o% human nature - isn't
it #orth something"L&ar L&ard Lhy&h&ar( e&et that man
thought 5ate #as ons&iring against him - #hat #ith his
girl's shoes and me #anting %ood 1ut there you are, i% you're
determined to get &eo&le on the hea&, you shouldn't $e so
sur&rised #hen they &ith you their o#n little story o% misery
sometimesL&ar L&ard Lhy&h&ar(n the middle o% the night
you #ake u& !ou start to ry )hat's ha&&ening to me" Oh, my
li%e, oh, my youthL&ar L&ard Lhy&h&arThere's some #ine le%t
in the $ottle !ou drink it The lok tiks lee&L&ar
L&ard Lhy&h&arPeo&le talk a$out the ha&&y li%e, $ut that's
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the ha&&y li%e #hen you don't areany longer i% you li*e or
die !ou only get there a%ter a long time and many mis %ortunes
And do you think you are le%t there" Ne*erL&ar L&ard
Lhy&h&arAs soon as you ha*e reahed this hea*en o% indi%%erene, you are &ulled out o% it 5rom your hea*en you
ha*e to go $ak to hell )hen you are dead to the #orld, the
#orld o%ten resues you, i% only to make a %igure o% %un out o%
youL&ar
L&ard Lhy&h&ar)alking to the musi o% +'Arlesienne( %eel %or
the &okets o% the hek oat, and ( am sur&rised #hen ( touhthe %ur o% the one ( am #earingPull yoursel% together, dearie
This is late Oto$er, 89;, and that old oat had its lastouting a
long time agoL&ar L&ard Lhy&h&ar)e go u& the stairs o% a
$lok o% studios into a large, em&ty, old room, #ith masks on
the #alls, t#o old armhairs and a straight $aked #ooden hair
on #hih is #ritten 'Merde' The ans#er, the %inal ans#er,
to e*erything"L&ar L&ard Lhy&h&arThe %riend is a Je# o% a$out%orty .e has that moking look o% the Je#, the look that an $e
so hate%ul, that an $e so attrati*e, that an $e so sadL&ar
L&ard Lhy&h&ar.e kee&s &utting $its o% sre#ed-u& ne#s&a&er
into the sto*e '(t #on't $urn (t's in a $ad mood today ('ll get
tea,' he says 'The #ater #ill $e $oiling soon'L&ar L&ard
Lhy&h&ar')est A%rian masks"'L&ar L&ard Lhy&h&ar'!es,
straight %rom the >ongo( made themL&ar L&ard
Lhy&h&ar'This one isn't $ad'L&ar L&ard Lhy&h&ar.e takes it
do#n and sho#s it to me The lose set eye holes stare into
mine (kno# that %ae *ery #ellC ('*e seen lots like it, om&lete
#ith legs and $odyL&ar L&ard Lhy&h&arThat's the #ay they
look #hen they are saying/ ')hy didn't you dro#n yoursel%
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in the eine "' That's the #ay they look #hen they are saying/
'Qu'est-e 3u'elle%out ii, la *ieille"' That's the #ay they
look #hen they are saying/ ')hat's this story"' Peering at you
)ho are you, any#ay" )ho's your %ather and ha*e you got anymoney, and i% not, #hy not" Are you one o% us" )ill you think
#hat you're told to think and say #hat you ought to say" Are
you red, #hite or $lue - 0elly, suet &udding or ersat4 a*iare"
L&ar L&ard Lhy&h&arerge &uts some $eguine musi, Martini3ue
musi, on an old gramo&hone in the orner and asks #hether ('d
like to daneL&ar L&ard Lhy&h&ar'No, ('d rather #ath you'
L&ar L&ard Lhy&h&ar.e holds the mask o*er his %ae and danes
'To make you laugh,' he says .e danes *ery #ell .is thin,ner*ous $ody looks strange, surmounted $y the hideous mask
?elmar, *ery serious and orret, la&s his hands in time to the
musiL&ar L&ard Lhy&h&ar6.a*e you $een daning too muh"7
'?on't sto&' 6Mad or &leasure, all the young&eo&le7 'Please don't
sto&' The gramo&hone is grinding out 'Maladie d'amour,
maladie de la 0eunesse'L&ar L&ard Lhy&h&ar( am lying in
a hammok looking u& into the $ranhes o% a tree The sound o% the sea ad*anes and retreats as i% a door #ere $eing o&ened and
shut All day there has $een a %iere #ind $lo#ing, $ut at sunset
it dro&s The hills look like louds and the louds like %antasti
hillsL&ar L&ard Lhy&h&arPain o% lo*e, Pain o% youth, )alk
a#ay %rom me, ee& a#ay %rom me, ?on't #ant to see you No
more, no moreL&ar L&ard Lhy&h&arThen #e talk a$out Negro
musi and a$out *arious $oites in Mont&arnasse The .igh$all"
No, the .igh$all isn't nie any more (t's a dirty &lae no# Oh,
is it"!es, it is No$ody goes there no# 1ut the >u$an >a$in in
Montmatre, that's 3uite good !ou might like that They
&lay *ery #ell there (t's gayL&ar L&ard Lhy&h&ar( am talking
a#ay, 3uite almly and sedately, #hen there it is again - tears
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inmy eyes, tears rolling do#n my %ae 6 sa*ed, resued, $ut not
3uite as good asne#7L&ar L&ard Lhy&h&ar'('m so sorry ('m
suh a %ool ( don't kno# #hat's the matter #ith me'L&ar
L&ard Lhy&h&ar'Oh, madame, oh, madame,-' ?elmar says, '#hydo you ry"'L&ar L&ard Lhy&h&ar'('m suh a %ool Please don't
take any notie o% me Just don't take any notie and ('ll $e all
right'L&ar L&ard Lhy&h&ar'1ut ry,' le &eintre says '>ry i%
you #ant to )hy shouldn't you ry" !ou're #ith %riends'
L&ar L&ard Lhy&h&ar'(% ( ould ha*e a drink'L&ar L&ard
Lhy&h&ar
r she #as #ith on the to& %loor E*ery$ody in the house kne#
she #asn't marriedto him, $ut it #as e*en #orse that she #asn't
#hite he said that e*ery time they looked at her she ould
see ho# they hated her, and the &eo&le in the streets looked at
her in the same #ay At %irst she didn't mind - she thought it
omial 1ut no# she had got so that she #ould do anythingnot to see &eo&le he told me she hadn't $een out, ee&t a%ter
dark, %or t#o years )hen she said this (had an etraordinary
sensation, as i% ( #ere looking do#n into a &it (t #as
the e&ression in her eyes ( said/ F1ut this monsieur you are
li*ing #ith, #hat a$out him"F FOh, he is *ery Anglihe, he says
( imagine e*erythingF ( asked i% he didn't %ind it strange that
she ne*er #ent out 1ut she said No, he thought it3uite naturalhe talked %or a long time a$out this monsieur (t seemed that
she stayed #ith him $eause she didn't kno# #here else to go,
and he stayed #ith her $eause he liked the #ay she ooked All
this sounds a little ridiulous, $ut i% you had seen this #oman
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you'd understand #hy it is ( ha*e ne*er $een a$le to %orget her (
said to her/ F?on't let yoursel% get hysterial, $eause i% you do
that it's the endF 1ut it #as di%%iult to s&eak to her reasona$ly,
$eause ( had all the time this %eeling that ( #as talking tosomething that #as no longer 3uite human, no longer 3uite
ali*e'L&ar L&ard Lhy&h&ar'(t's a *ery sad story,' ( say '('m sure
you #ere kind to her'L&ar L&ard Lhy&h&ar'1ut that's 0ust it (
#asn't he told me that that a%ternoon she'd %elt $etter and
#anted to go out %or a #alk FE*en though it #asn't 3uite dark,F
she saidOn the #ay out she had met the little girl o% one o% the
other tenants This house #as one o% those that are let o% in
%loors There #ere se*eral %amilies li*ing in itL&ar L&ardLhy&h&arhe said to the little girl/ FGood a%ternoonF(t #as a
long story, and o% ourse, as ( said, ( ouldn't understand
e*erything she said to me 1ut it seemed that the hild had told
her that she #as a dirty #oman, that she smelt $ad, thatshe
hadn't any right in the house F( hate you and ( #ish you #ere
dead,F the hild said And a%ter that she had drunk a #hole $ottle
o% #hisky and there she #as, outside my door )ell, #hat anyou say to a story like that" ( kne# all thetime that #hat she
#anted #as that ( should make lo*e to her and that it #as
the only thing that #ould do her any good 1ut alas, ( ouldn't
( 0ust ga*e her #hat #hisky ( had and she #ent o%, hardly a$le to
#alkThere #ere t#o other #omen in the house There #as
one #ith a shut, thin mouth and a %at one #ith a $ordel laugh (
must say ( ne*er heard them s&eaking to the Martini3uaise, $ut
theyhad ruel eyes, $oth o% them( didn't muh like the #ay
they looked at me, either1ut &erha&s all #omen ha*e ruel
eyes )hat do you think"'L&ar L&ard Lhy&h&ar( say/ '( think
most human $eings ha*e ruel eyes' That rosy, #ooden,
innoentruelty ( kno#L&ar L&ard Lhy&h&ar')hen ( &assed her
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on the stairs net day ( said good morning, $ut she didn't ans#er
meOne ( sa# the hild &utting her tongue out at the &oor
reature Only se*en or eight, and yet she kne# so eatly ho#
to $e ruel and #ho it #as sa%e to $e ruel to One must admire Nature( got an astonishing hatred o% the house a%ter that
E*ery time ( #ent in it #as as i% ( #ere #alking into a #all -one
o% those #alls #here &eo&le are $uilt in, still ali*e ('*e ne*er
%orgottenthis eriously, all the time ( #as in +ondon, ( %elt as i%
( #ere $eing su%%oated, as i% a large derriere #as sitting on
me'L&ar L&ard Lhy&h&ar')ell, some &eo&le %eel that #ay and
other &eo&le, o% ourse, don't (t all de&ends'L&ar L&ard
Lhy&h&ar'1ut it's si o'lok,' he says '( ha*e someone ( must seeat si o'lok )ould you mind i% ( lea*e you here #ith my
%riend, and he #ill sho# you e*erythingPlease stay ('ll $e $ak
in an hour 1ut ( must go no# ( &romised, and ( shall $e already
hal% an hour late =ous etes he4 *ous'L&ar L&ard Lhy&h&arA
dialogue #ith ?elmar as to the $est #ay to get to this &lae,
#hih seems to $e in the Rue du 1a .e turns at the door
and, #ith the moking e&ression *erya&&arent, says somethingin Russian At least, ( su&&ose it's RussianL&ar L&ard
Lhy&h&ar?elmar &uts on a %ee$le light in the middle o% the room,
then omes u& to me and
, in a hesitating #ay, takes my hand and kisses it Then he kisses
my heekL&ar L&ard Lhy&h&ar')hen you ried ( #as so sad'
L&ar L&ard Lhy&h&ar( kiss him T#o loud, meaningless kisses,
like a 5renh general #hen he gi*es adeoration Nie $oy
L&ar L&ard Lhy&h&ar')hat did he say $e%ore he #ent out"'
L&ar L&ard Lhy&h&ar'.e said that i% you didn't #ant to $uy a
&iture you needn't $uy one No$ody e&ets you to'L&ar
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L&ard Lhy&h&ar'Oh, $ut ( do ( a$solutely #ant one'L&ar
L&ard Lhy&h&ar')ait, ( kno# ho# #e an arrange it, so that you
an really see the &itures'L&ar L&ard Lhy&h&arThere are a lot
o% em&ty %rames staked u& against die #all ?elmar arrangesthem round the room and &uts the an*ases one $y one into
them The an*ases resist They url u&C they don't #ant to go
into the %rames .e &ushes and &rods themso that they go in
and stay in, in some sort o% %ashionL&ar L&ard Lhy&h&ar'Ought
#e to do this" )hat #ill he say #hen he omes $ak"'L&ar
L&ard Lhy&h&ar 'Oh, it doesn't matter (t's all right ( #ant you to
$e a$le to see them'L&ar L&ard Lhy&h&ar)hen he has %inished
&itures are &ro&&ed u& on the %loor round three sides o% theroomL&ar L&ard Lhy&h&ar'No# you an see them,' he says
L&ar L&ard Lhy&h&ar'!es, no# ( an see them'L&ar L&ard
Lhy&h&ar( am surrounded $y the &itures (t is astonishing ho#
*i*id they are in this dim lightNo# the room e&ands and the
iron $and round my heart loosens The mirale has ha&&ened (
am ha&&yL&ar L&ard Lhy&h&ar+ooking at the &itures, ( go
o% into a *ague dream Perha&s one day ('ll li*e again round theorner in a room as em&ty as this Nothing in it $ut a $ed and
alooking glass Getting the sto*e lit at a$out t#o in the a%ternoon
- the old and the sto*e %ighting eah other +ying near the sto*e
in om&lete &eae, ha*ingsome $read #ith &ate s&read on it,
and then ha*ing a drink and lying all the a%ternoon in that em&ty
room - nothing in it $ut the $ed, the sto*e and the looking glass
and outside Paris And the dreams that you ha*e, alone in an
em&ty room,#aiting %or the door that #ill o&en, the thing that is
$ound to ha&&enL&ar L&ard Lhy&h&ar(t is a%ter se*en #hen
erge omes $ak .e rushes in, &anting/ '('m sorry ('m late' .e
talks to ?elmar in Russian (s he saying/ ')ell, #as she any
good"' oris he saying/ ')ill she $uy a &iture and is she going to
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&ay u&"' The last, ( think - the tone #as $usinesslikeL&ar L&ard
Lhy&h&ar'( #ant *ery muh to $uy one o% your &itures - this
one'L&ar L&ard Lhy&h&ar(t is an old Je# #ith a red nose,
&laying the $an0oL&ar L&ard Lhy&h&ar'The &rie o% that is sihundred %rans,' he says '(% you think it's too muh#e'll arrange
some other &rie'L&ar L&ard Lhy&h&arAll his harm and ease o%
manner ha*e gone .e looks anious and surly, ( say
a#k#ardly/ '( don't think it at all too muh 1ut ( ha*en't got the
money'L&ar L&ard Lhy&h&ar1e%ore ( an get any %urther
he $ursts into a shout o% laughter ')hat did ( tell you"' he says
to ?elmarL&ar L&ard Lhy&h&ar'1ut ha*e it, take it, all the same
( like you ('ll gi*e it you as a &resent'L&ar L&ard Lhy&h&ar'No,no All ( meant #as that ( an't &ay you no#'L&ar L&ard
Lhy&h&ar'Oh, that's all right !ou an send me the money %rom
+ondon ('ll tell you #hat you an do %or me - you an %ind
some other idiots #ho'll $uy my &itures' )hen he says this, he
smiles at me so gently, so disarmingly The touh o% the human
hand('d %orgotten #hat it #as like, the touh o% the human
handL&ar L&ard Lhy&h&ar'('m serious ( mean that Take the &iture and send me the money #hen you an'L&ar L&ard
Lhy&h&ar'( an let you ha*e it tonight'L&ar L&ard Lhy&h&ar)e
argue %or some time as to #here #e shall meetL&ar L&ard
Lhy&h&ar
'( an't stand Mont&arnasse no#,' he says FThose %aes, those
gueulesB They make me sik ome#here in the Quartier +atin'
L&ar L&ard Lhy&h&ar)e deide on the >a&oulade at hal% &ast ten
.e rolls u& the &iture in tissue &a&er, ties it round #ith a $it o%
sting and ( take it under my arm Then he gi*es my hand a long,
hard shake and says 'Amis'L&ar L&ard Lhy&h&ar)hen he
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shakes my hand like that and says 'Amis' ( %eel *ery ha&&y
L&ar L&ard Lhy&h&ar)e get out into the ourtyard, ?elmar and
( (t is a *ery old, lear night The outer door is shut 1usiness
#ith the oniergeL&ar L&ard Lhy&h&arNo# ( am not thinkingo% the &ast at all ( am #ell in the &resentL&ar
L&ardLhy&h&ar'>a&oulade - hal% &ast ten'L&ar L&ard
Lhy&h&arThe &itures #alk along #ith me The missha&en
d#ar%s 0uggle #ith huge oloured$alloons, the %our $reasted
#oman is ehi$ited, the old &rostitute #aits ho&elessly outside
the urinoir, the young one under the $e de ga4L&ar L&ard
Lhy&h&arAt ten t#enty %i*e - still %airly ealted - ( am in the
>a&oulade ( #ait %or a3uarter o% an hour, t#enty minutes No$ody turns u&1on, $ien, that's #hat you get %or $eing
ealted, my girl 1ut the &roteti*e armour is %untioning all
right - ( don't mind at allL&ar L&ard Lhy&h&ar( am 0ust
#orrying a$out the #ay ( am going to gi*e this man his money (
an't#rite, $eause ( don't remem$er the num$er o% the
house hall ( &ush it under the door o% his studio and trust to
luk"L&ar L&ard Lhy&h&arAs ( am thinking this ?elmar omesin >orret, glo*es in his le%t hand 'Oh, ('m so sorry, so sorry
( #aited at the studio %or le &eintre %or hal% an hour and he ne*er
turned u& ( didn't kno# #hat to do ( thought it #as $etter to
ome here ('*e $een so #orried a$out it'L&ar L&ard
Lhy&h&ar'That's all right (t doesn't matter at all' ( gi*e him the
en*elo&e #ith the moneyL&ar L&ard Lhy&h&ar(s there a losing
o% the eyes, a slightly relie*ed e&ression on his %ae" !es, (
think so And #hy not" .a*e a heart )hy not"L&ar L&ard
Lhy&h&ar.o#e*er, he does seem annoyed - so %ar as he an $e
annoyed, #hih isn't *ery %ar .ere is someone #ho %irmly
$elie*es in his o#n reed/ '( didn't ask to $e $orn, ( didn't ask to
$e &ut into the #orld, ( didn't make mysel%, ( didn't make the
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#orld as it is, ( am a guiltless one o ( ha*e the right,' etetera,
etetera, eteteraL&ar L&ard Lhy&h&ar'+e &eintreB' he says '(l
est %ou, le &eintre?id you like him"'L&ar L&ard Lhy&h&ar'!es,
( liked him *ery muh'L&ar L&ard Lhy&h&ar.e lays his glo*esare%ully do#n on the ta$le ')ill you ha*e a o%%ee, madame"'
'No, ('ll ha*e a $randy, &lease'L&ar L&ard Lhy&h&ar.e looks
anious, orders the $randy and a o%%ee %or himsel% God, this is
a#%ulBL&ar L&ard Lhy&h&ar'+e &eintre,' he says, 'he's mad (
don't kno# #hy he has $een so im&olite, $utit's 0ust #hat he
#ould doL&ar L&ard Lhy&h&ar1eause he's mad !ou kno#,
t#o years ago, this man, he #as li*ingTeri$le+a rasse,
madame( said to him/ F!ou an't go on li*ing like thisF FJem'en %ous,F he said.o#e*er, ( talked to him and in the end he
managed to get the money to gi*e his ehi$ition And
his &itures #ere $ought !es, they #ere $oughtEighteen
thousand %rans >'est inoui', une somme &areilleAnd then
he did mo*e .e #ent to this $eauti%ul, res&eta$le room #here
you sa# himAllthe same he is mad'L&ar L&ard Lhy&h&ar.e
goes on talking a$out le &eintre ( gather that he is im&ressed $ut 0ealous.e an't see the attration )hy, #hy"L&ar L&ard
Lhy&h&ar'o you liked him"'L&ar L&ard Lhy&h&ar'!es, ( did
=ery muh'L&ar L&ard Lhy&h&ar'Ah,' he says, gloomily, '*oila
All the same, ('*e had enough o% these &eo&le o% the etreme
+e%t They ha*e $ad manners Moi, 0e suis
monarhisteAnd, mind you, #hen he says he is o% the etreme
+e%t, it's all nonsense .e doesn't really are'L&ar L&ard
Lhy&h&ar
'O% ourse he doesn't'L&ar L&ard Lhy&h&ar'!es, yesMoi, 0e
suis monarhiste A 3ueen, %or instane, a &riness - thatmust $e
something'L&ar L&ard Lhy&h&ar(% he %eels like that, #hat's the
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use o% arguing #ith him"( agree #ith e*erything A 3ueen, a
&riness - that's somethingL&ar L&ard Lhy&h&ar)hen he asks i%
( an meet him again/ ')ell, ('ll try,' ( say '1ut ('m *ery muh
ou&ied'L&ar L&ard Lhy&h&ar( an't stand this $usiness o% not $eing a$le to ha*e #hat ( #ant to drink, $eause he #on't allo#
me to &ay and ertainly doesn't #ant to &ay himsel% (t's
too #earingL&ar L&ard Lhy&h&ar'('m lea*ing Paris net #eek
ooner than ( thought'L&ar L&ard Lhy&h&ar)ill ( let him kno#
#hen ( am going, so that he an ome to the Gare du Nord tosee
me o%"L&ar L&ard Lhy&h&ar'!es, &lease do (t #ould $e so nie
i% you #ould (t's sad to go a#ay %rom a &lae #ith no$ody to
tell you good-$ye'L&ar L&ard Lhy&h&ar)hen ( am $ak inmy room ( start #orrying a$out him and the money he has
s&enton me And then ( think/ '( $et he'll get his &erentage on
that si hundred %rans Or &erha&s he #on't hand the
money o*er at all' This idea makes me laugh all the time ( am
undressingL&ar L&ard Lhy&h&ar)andering a$out the narro#
streets near the PantheonL&ar L&ard Lhy&h&ar(t starts to rain
L&ar L&ard Lhy&h&ar( go into a ta$a The #oman at the $ar gi*es me one o% those looks/ )hat do you #ant here, you" )e
don't ater %or tourists here, not our lientele)ell, dear
madame, to tell you the truth, #hat ( #ant here is a drink - (
rather think t#o, &erha&s threeL&ar L&ard Lhy&h&ar(t is old
and dark outside, and e*erything has gone out o% me ee&t
miseryL&ar L&ard Lhy&h&ar'A Pernod,' ( say to the #aiter
L&ar L&ard Lhy&h&ar.e looks at me in a sly, amused #ay #hen
he $rings itL&ar L&ard Lhy&h&arGod, it's %unny, $eing a
#omanB And the other one - the one $ehind the $ar - isshe going
to giggle or to say something a$out me in a *oie loud enough
%or me to hear " That's the #ay she's %eelingL&ar L&ard
Lhy&h&arNo, she says nothing1ut she says it allL&ar
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L&ard Lhy&h&ar)ell, that's O, here madame, and *ery niely
done too !ou'*e said nothing $ut you'*e said it all Ne*er
mind, her ( am and here ('m going to stayL&ar L&ard
Lhy&h&ar1ehind my ta$le is a door Toilette - they needn't ha*esaid so And then another, smaller door er*ie ( hear noises o%
#ashing u& going on $ehind this doorL&ar L&ard
Lhy&h&arA%ter a #hile a girl omes out, #ith a tray &iled #ith
lean glasses he lea*es the door o&en (nside, a sink, a ta& and
more dirty glasses and &lates, #aiting to $e #ashed There is 0ust
room %or the girl to stand An un$elie*a$le smell omes %rom the
sinkL&ar L&ard Lhy&h&are &asses me #ithout looking at me
1are, sturdy legs, %elt sli&&ers, a $lak dress, a %ilthy a&ron,thik, urly, untidy hair ( kno# her This is the girl #ho does all
the dirty #ork and gets &aid little %or it alutL&ar L&ard
Lhy&h&arhe goes into the room $ehind the $ar, &uts the glasses
do#n, #alks $ak to theu&$oard and shuts hersel% in .o# does
she manage not to knok her el$o#s e*ery time she mo*es"
.o# an she stay in that o%%in %or %i*e minutes
#ithout %ainting"orry %or her" )hy should ( $e sorry%or her" .asn't she got sturdy legsand urly hair" And don't her
strong hands sing the Marseillaise" And #hen the re*olution
omes, #on't those $e the hands to $e kissed" )ell, so Monsieur
Rim$aud says, doesn't he" ( ho&e he's right ( #onder though, (
#onder, ( #onderL&ar L&ard Lhy&h&ar( all the #aiter, to &ay
( gi*e him a large ti& .e looks at it, says 'Meri', and then
'Meri $eaou&' ( ask him to tell me the #ay to the nearest
inema This, o% ourse, - arises %rom a ringing desire to
e&lain my &resene in the &lae ( only ame in here to in3uire
the #ay to the nearest inema ( am a res&eta$le #oman, une
%emme on*ena$le, on her #ay to the nearest inema 5aites
omm
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e les autres - that's $een my motto all my li%e 5aites omme les
autres, damn youL&ar L&ard Lhy&h&arAnd a lot he ares - (
ould ha*e s&ared mysel% the trou$le 1ut this is my attitude toli%e Please, &lease, monsieur et madame, mister, missis and
miss, ( amtrying so hard to $e like you ( kno# ( don't sueed,
$ut look ho# hard ( tryThree hours to hoose a hatC e*ery
morning an hour and a hal% trying to make mysel% look like
e*ery$ody else E*ery #ord ( say has hains round its anklesC
e*ery thought ( think is #eighted #ith hea*y #eights ine (
#as $orn, hasn't e*ery #ord ('*e said, e*ery thought ('*ethought, e*erything ('*e done, $een tied u&, #eighted, hained"
And, mind you, ( kno# that #ith all this ( don't sueed Or (
sueed in %lashes only too damned #ell1ut think ho# hard (
try and ho# seldom ( dare Think - and ha*e a $it o% &ity That
is, i% you e*er think, you a&es, #hih ( dou$t No# the #aiter
has %inished telling me ho# to get to the nearest inema
L&ar L&ard Lhy&h&ar'Another Pernod,' ( sayL&ar
L&ard Lhy&h&ar.e $rings it .e %ills my glass almost to the $rim,
&erha&s in antii&ation o% another ti&, &erha&s $eause he #ants
to see me drunk as soon as &ossi$le, or &erha&s $eause the
$ottle sli&&edL&ar L&ard Lhy&h&arThe girl omes out #ith the
last lot o% glasses ('m glad (t has 0ust ourredto me that i%
( #eren't here the door o% her o%%in might $e ke&t o&en Might
$e Not that ( #ould ha*e gone a#ay i% it had ourred to me
$e%ore )hy should (" The hands that sing the Marseillaise, the#orld that ould $e so di%%erent - #hat's all that to me" )hat
an ( do a$out it" Nothing ( don't deei*e mysel%L&ar L&ard
Lhy&h&arThat's settled ( an start on the seond PernodL&ar
L&ard Lhy&h&arNo# the %eeling o% the room is di%%erent They all
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kno# #hat ( am ('m a #oman ome in here to get drunk
That ha&&ens sometimes They ha*e a dink, these #omen, and
then they ha*e another and then they start rying silently And
then they go into the la*a$o and then they ome out - &o#dered, $ut #ith hollo# eyes - and, head do#n, slink into the street
L&ar L&ard Lhy&h&ar'Poor #oman, she has tears in her eyes'
L&ar L&ard Lhy&h&ar')hat do you e&et" Elle a $u'L&ar L&ard
Lhy&h&arThat's it, here madame, ('m drunk ( ha*e drunk
There's nothing to $e done a$out it no# ( ha*e drunk 1ut
other#ise 3uiet, %ear%ul, tamed, &re&ared to gi*e $ig ti&s 6('ll
gi*e a $ig ti& i% you'll lea*e me alone7 1on, $ien, $ien, $on
L&ar L&ard Lhy&h&arometimes some$ody omes in %or stam&s,or a man %or a drink Then you an see outside into the street
And the street #alks in (t is one o% those streets - dark,
&o#er%ul, magialL&ar L&ard Lhy&h&ar'Oh, there you are,' it
says, #alking in at the door, 'there you are )here ha*e you
$een all this long time"'L&ar L&ard Lhy&h&arNo$ody else
kno#s me, $ut the street kno#s meL&ar L&ard Lhy&h&ar'And
there you are,' ( say, %inishing my Pernod and rather drunk'alut, salutB' 61ut sometimes it #as sunny)alking along in
the sun in a gay dress, stri&ed red and $luei #on't #alk along
that street again7L&ar L&ard Lhy&h&arThe >inema ?anton
)athing a good young man trying to resue his em&loyer
%roma merenary mistress The em&loyer is a gay, $ad old $oy
#ho manu%atures toilet artiles The good young man has
the a#k#ardness, the smugness, the shyness, the &athos o% good
young men .e interru&ts intimate on*ersations, knoking
loudly, $inging in letters and &arels, etetera, etetera At last
the lady, annoyed, gets u& and s#ee&s a#ay he turns at the
door to say/ 'Alors, $ien, 0e te laisse a tes su&&ositoires'
E*ery$ody laughs loudly at this, and so do ( he said that #ell
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L&ar L&ard Lhy&h&arThe %ilm goes on and on A%ter many
*iissitudes, the good young man is trium&hant .e has
&ermission to &ro&ose to his em&loyer's daughter .e is #aiting
on the $ank o% a large &ond, #ith a ring that he is going to o%%er her ready in his #aistoat &oket .e takes it out to make sure
that he has it Mad #ith ha&&iness, he strides u& and do#n the
shores o% the &ond, gestiulating .e makes too #ild a gesture
The ring lies %rom his hand into the middle o% the &ond .e takes
o% his trousersC he #ades out .e has to get the ring $akC
he must get it $ak
L&ar L&ard Lhy&h&arEatly the sort o% thing that ha&&ens to
me ( laugh till the tears ome into my eyes .o#e*er, the %ilm
sho#s no signs o% sto&&ing, so ( get u& and go outL&ar
L&ard Lhy&h&arAnother Pernod in the $ar net door to the
inema ( sit at a orner ta$le and si& it res&eta$ly, #ith lo#ered
eyes Je suis une %emme on*ena$le, 0ust ome out o% the nearest
inemaNo# ( really am O, here madame (% ( ha*ea $ottleo% 1ordeau at dinner ('ll $e almost as drunk as ('d ho&ed
to $eL&ar L&ard Lhy&h&arThere is a letter %rom le &eintre at the
hotel .e says he is *ery sorry he didn't turn u& the other
e*ening - il %aut m'euser .e says ?elmar has handed o*er the
si hundred %rans, and he thanks me .e says that i% ( don't like
the $onhomme, i% ( %ind him too sad, he #ill hange him %or
one o% the landsa&es or %or anything else ( #ant and that he #ill
try to get to the Gare du Nord to say aure*oir to me 6( $et
he #on't7, and he is my %riend, erge Ru$inL&ar L&ard
Lhy&h&ar)ell, ('ll ha*e a #hisky on thatL&ar L&ard Lhy&h&ar(
unroll the &iture and the man standing in the gutter, &laying his
$an0o, stares at me .e is gentle, hum$le, resigned, moking, a
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little mad .e stares at me .e is dou$le-headed, dou$le-%aed
.e is singing '(t has $een', singing '(t #ill $e' ?ou$le-headed
and #ith %our arms( stare $ak at him and think a$out$eing
hungry, $eing old, $eing hurt, $eing ridiuled, as i% it #ere inanotherli%e than thisL&ar L&ard Lhy&h&arThis damned room -
it's saturated #ith the &as(t's all the rooms ('*e e*er sle&t in,
all the streets ('*e e*er #alked in No# the #hole thing mo*es in
an ordered, undulating &roession &ast my eyes Rooms, streets,
streets, roomsL&ar L&ard Lhy&h&arPART T.REEL&ar L&ard
Lhy&h&arThe room at the teens'L&ar L&ard Lhy&h&ar(t #as
ro#ded #ith red &lush %urniture, the #ood shining $rightly
There #ere se*eral *ases o% tuli&s and t#o ages #ith anaries,and there #ere t#o loks, eah trying to tik louder than the
other The #indo#s #ere nearly al#ays shut, $ut the room
#asn't musty )hen the door into the sho& #as o&en you
ould smell drugs and eau-de->ologne On a ta$le at the
$ak there #as a $ig &ot o% tea o*era s&irit-lam& The little $lue
light made it look like an altarL&ar L&ard Lhy&h&ar(n that room
you ouldn't think, you ouldn't make &lans Just the #ay theloks tiked, and outside the lean, narro# streets, and
the others talking ?uth and ( listening, not understanding (t
#as like $eing a hild again, listening and thinking o% something
else and hear ing the *oies - endless, ine*ita$le and rest%ul
+ike unday a%ternoonL&ar L&ard Lhy&h&ar)ell, +ondon(t
has a %ine sound, $ut #hat #as +ondon to me" (t #as
a littleroom, smelling stu%%y, #ith my stokings hanging to dry
in %ront o% a gas %ireNothing in that room #as e*er leanC
nothing #as e*er dirty, either Things #ere al#ays hal% and hal%
They hanged one sheet at a time, so that the $ed #as ne*er
3uite lean and ne*er 3uite dirtyL&ar L&ard Lhy&h&arThinking/
'('*e got a#ay %rom all that, anyho# Not to go $ak, not to
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>ertain houses, ertain streetsL&ar L&ard Lhy&h&arNo sense,
no reason Just this nostalgiaAnd, mind you, some o%
my songs ha*e made money' uddenly ( am in a %e*er o%
aniety to get there +et's $e on our #ay, let's $e onour #ay)hy shouldn't #e get as %ar as 1russels" All right,
#e'll get as %ar as 1russelsC might $e something doing in
1russelsL&ar L&ard Lhy&h&ar1ut the %i%teen &ounds ha*e gone
)e raise e*ery &enny #e an )e sell most o% our lothesL&ar
L&ard Lhy&h&arMy $eauti%ul li%e in %ront o% me, o&ening out like
a %an in my handL&ar L&ard Lhy&h&ar)hat ha&&ened
then")ell, #hat ha&&ens"L&ar L&ard Lhy&h&arThe room in
the 1russels hotel - *ery hot The $ell o% the inema net door ringing A long, narro# room #ith a long, narro# #indo# and
the $ell o% the inema net door, shar& and meaningless
L&ar L&ard Lhy&h&arThings ha*en't gone Enno saying/ ')e'*e
only got thirty %rans le%t' 6My +ord, is that all"7 '!es, only
thirty %rans )e'll ha*e to do something a$out it tomorro#'
L&ar L&ard Lhy&h&arThe $ell o% the inema ke&t on ringing and
e*ery time it rang ( ould %eel him startL&ar L&ardLhy&h&ar)hen he #ent out net morning he said/ T think ('ll $e
a$le to raise some money )ait in here %or me'L&ar L&ard
Lhy&h&ar')ill you $e a long time"'L&ar L&ard
Lhy&h&ar'NoAnyho#, don't go out'L&ar L&ard
Lhy&h&aritting on the $ed, #aiting )alking u& and do#n the
room, #aiting ( an't stand it, this #aitingL&ar L&ard
Lhy&h&arThen, as i% some$ody had s&oken it aloud in my head -
Mr +a#son O% ourse, Mr +a#sonL&ar L&ard Lhy&h&ar(
hadn't remem$ered ho# glassy his eyes #ere, Mr +a#son's
L&ar L&ard Lhy&h&ar'!es"' he says '!ou asked to see
me"' Raising his eye$ro#s a little, he says/ '!e-es"'L&ar
L&ard Lhy&h&ar.e doesn't reogni4e me ( must look rather
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a#%ul ( say/ '('m a%raid you don'tremem$er me ( #as staying in
those rooms in the Tem&le that you ame to look o*er, and you
took me to dinner )e had oysters and #e talked a$out (reland
?on't you remem$er" Then #e #ere on the $oat going o*er to.olland and you ga*e me your address in 1russels !ou said i%
( got here, #ould ( look you u&" ?on't you remem$er"'L&ar
L&ard Lhy&h&ar'O% ourse +ittle Miss - 'L&ar L&ard
Lhy&h&ar'Not little,' ( say, 'not little' 1eause ( an't ha*e a man
like that allingme littleL&ar L&ard Lhy&h&ar( talk a#ay,
saying, as i% it #ere a 0oke/ ')e're not eatly stranded )e
shall $e 3uite all right as soon as #e get to Paris (n %at, #e
shall $e 3uite all right in a day or t#o Only, stu&idly, 0ust %or themoment, #e're a $it stranded'L&ar L&ard Lhy&h&arMr +a#son
talks $ak and in the end he gi*es me a hundred %rans '(% this is
any good to you And no#, ('m *ery sorry, $ut ('*e got to rush'
L&ar L&ard Lhy&h&ar
( am standing there #ith the note in my hand, #hen he omes u&to me and kissesme ( am hating him more than ( ha*e e*er
hated anyone in my li%e, yet ( %eel my mouth go so%t under his,
and my arms go lim& 'Good $ye,' he says in imitationAmerian,
and grinsL&ar L&ard Lhy&h&ar'?id you ha*e any luk"'L&ar
L&ard Lhy&h&ar'Not muh,' Enno saysL&ar L&ard Lhy&h&ar( say/
'('*e managed to $orro# a hundred %rans'L&ar L&ard
Lhy&h&ar')ho did you $orro# it %rom"'L&ar L&ard
Lhy&h&ar')ell, it's a #oman ( used to kno# *ery #ell in +ondon
( kne# she li*ed here and ( %ound her address in the diretory
he kne# Miss >a*ell !es, a %riend o% Miss >a*ell's he li*es
in the A*enue +ouise, and ( #ent and sa# herL&ar L&ard
Lhy&h&ar'he's not eatly a %iend,' ( say 'As a matter o% %at, she
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#as horri$ly rude, the old $ith he as good as told me she
#ouldn't see me i% e*er ( #ent thereagain Mademoiselle
regrette, mais mademoiselle ne reoit &as au0ourd'hui'
L&ar L&ard Lhy&h&ar'A*enue +ouise" )hat num$er A*enue +ouise"'L&ar L&ard Lhy&h&ar'Oh, shut u& a$out it' (
lie do#n on the $ed and $egin to ryL&ar L&ard Lhy&h&ar'?on't
ry (% you ry ( shall go mad'L&ar L&ard Lhy&h&ar'hut u&,
then, and don't talk a$out the damned hundred %rans' 6)ith a
hundred %rans they $uy the unlimited right to sorn you (t's
hea&7L&ar L&ard Lhy&h&ar')hat are you rying a$out"' he
saysL&ar L&ard Lhy&h&ar'(t's my dress ( %eel so a#%ul ( %eel so
dirty ( #ant to ha*e a $ath ( #antanother dress ( #ant leanunder lothes ( %eel so a#%ul ( %eel so dirty'L&ar L&ard
Lhy&h&ar'('ll get you another dress as soon as #e get to Paris (
kno# some#here #here #e an get redit!ou'll see, #hen #e
get to Paris it'll $e all right' % .e goes out to $uy something to
eat ( lie there and ( am ha&&y, %orgetting e*erything, ha&&y and
ool, not aring i% ( li*e or die ( think o% the #ay Mr +a#son
looked at me #hen ( %irst #ent in - his long, narro#, sur&rised%ae ( laugh and( an't sto& laughingL&ar L&ard Lhy&h&arThe
la*atory at the station - that #as the net time ( ried ( had 0ust
$een sik ( #as so a%raid ( might $e going to ha*e a $a$y
L&ar L&ard Lhy&h&arAlthough ( ha*e $een so sik, ( don't %eel
any $etter, head u& against the #all, iy old and s#eating
ometimes tries the door, and ( &ull mysel% together, sto& rying
and &o#der my %aeL&ar L&ard Lhy&h&ar)e are going to
>alais Enno has made &als #ith a #aiter #ho li*es there and
#ho has &romised to lend us some moneyL&ar L&ard
Lhy&h&ar.e is *ery good at salad-dressing, this #aiter )e
eat #ith him and his #i%e net day There he is, #ith his %at $ak
and thik nek, miing the dressing .e uses sugar in the
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German #ay .is #i%e #athes him, looking s&ite%ul and
%rightened he is thin and ugly and not youngL&ar L&ard
Lhy&h&arThe #aiter mies the dressing %or the salad *ery slo#ly
at the side$oard ( ansee mysel% in the mirror ( look thin - toothin - and dirty and haggard, #ith that e&ression that you get in
your eyes #hen you are *ery tired and e*erythingis like a dream
and you are starting to kno# #hat things are like underneath
#hat &eo&le say they areL&ar L&ard Lhy&h&ar( hadn't $argained
%or this ( didn't think it #ould $e like this - sha$$y lothes, #orn
out shoes, irles under your eyes, your hair getting straight and
lanky, the #ay &eo&le look at you( didn't think it #ould $e
like thisL&ar L&ard Lhy&h&ar)alking a$out the streets o% >alais #ith the #aiter's #i%e )e #ent to see thatstatue $y
Rodin All the time she #as om&laining in a thin *oie that
he ne*erlet her ha*e any money %or lothes, and that it #as her
money a%ter allC he hadn't a sou #hen she married himL&ar
L&ard Lhy&h&arhe didn't seem at all urious a$out us, or to #ant
to kno# #here he &iked us u& he 0ust #ent on and on a$out
his unkindness and the lothes she #antedL&ar L&ard Lhy&h&ar
(t #as a grey day (t #as like #alking in +ondon, like #alking in
a dream My God, ho# a#%ul ( looked in that mirrorB (% ('m
going to look like that, there's not a ho&e 5any ha*ing to go to
Paris looking like thatL&ar L&ard Lhy&h&ar )hen #e got
$ak #e drank a$sinthe The #aiter &re&ared it %or us
ela$orately (t took a long time ( didn't like the taste, $ut (
#as old and it #armed me )e sat there si&&ing and Enno
and the #aiter talked in a orner The #i%e didn't say anything
and a%ter a #hile ( didn't either 1ut the a$sinthe made me %eel
3uarrelsome and ( $egan to #ish ( ould shout 'hut u&' at them
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and to dislike the#aiter $eause ( kne# he #asn't thinking muh
o% my looks 6'he's not muh ( thought she #as $etter looking
than that the %irst time ( sa# her'7L&ar L&ardLhy&h&ar( sto&&ed
listening to them, $ut #hen the a$sinthe #ent really to my head (thought ( #as shouting to them to shut u& ( e*en heard my *oie
saying/ 'hut u&C ( hate you' 1ut really ( didn't say anything and
#hen Enno looked at me ( smiledL&ar L&ard Lhy&h&ar)ell,
Gusta*e - the #aiter - lent us the money he had &romised and
#e le%t >alaisL&ar L&ard Lhy&h&arEnno had taken a dislike to
Gusta*e's #i%e 'That to all itsel% a #omanB' he saidL&ar L&ard
Lhy&h&ar'1ut it #as her money,' ( saidL&ar L&ard Lhy&h&ar'Oh
#ell,' Enno said, 'he makes *ery good use o% it, doesn't he" .emakes muh $etter use o% it than she #ould'L&ar L&ard
Lhy&h&ar(t #as a slo# train and #e #ere tightly &aked in the
om&artment +ying in theluggage rak, trying to slee&, &ro&&ed
u& $y Enno's stik, and the #heels o% the train saying/
'Paris, Paris, Paris, ParisFL&ar L&ard Lhy&h&arA girl ame
into the a%e and sat do#n at the net ta$le he #as #earing a
grey suit, the skirt short and tight and the $louse *ery %resh andlean And a oky $lak hat like a ots soldier's glengarry .er
hand$ag #as lying on the ta$le near her - &atent leather
to math her shoes6.and$ag)hat a lot o% things ('*e got to
getB )ould a suit like that $e a good thing to get" No, ( think (
had $etter get7 And she #alked so straight and 3uik on her
high heeled shoes Ta&, ta&, ta&, her heelsL&ar L&ard
Lhy&h&ar'('ll take you some#here to #ait,' Enno said '( must see
one or t#o &eo&le'L&ar L&ard Lhy&h&ar?rinking o%%ee *ery
early in the morning, e*erything like a dream ( #as so tired
L&ar L&ard Lhy&h&ar)e got out o% the Metro into the 1oule*ard
Mont&arnasseL&ar L&ard Lhy&h&ar'(n here,' Enno said .e took
me $y the armL&ar L&ard Lhy&h&arThe Rotonde #as %ull o%
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men reading ne#s&a&ers on long stiks ha$$y men, not
sneering, not taking any notie Pitures on the #allsL&ar
L&ard Lhy&h&arThe hands o% the lok mo*ing 3uikly One
hour, t#o hours, three hoursL&ar L&ard Lhy&h&ar.o# long#ill they let me sit here" Not a dro& o% o%%ee le%t The last dro&
#as *ery old and *ery $itter - *ery old and $itter, the last dro&
( ha*e i*e %rans, $ut ( daren't order another o%%ee ( mustn't
s&end it on thatL&ar L&ard Lhy&h&arThe olours o% the &itures
melting into eah other, my head $ak against the $enh (% ( go
to slee& they'll ertainly turn me out Perha&s they #on't, $ut
$etter not risk itL&ar L&ard Lhy&h&arThree hours and a hal%
L&ar L&ard Lhy&h&arAs soon as ( see him ( kno# %rom his %aethat he's got some money A tall man is #ith him, a man #ith a
gentle %ae and long, thin handsL&ar L&ard Lhy&h&ar)e go
net door to a &lae alled +a Na&olitaine and eat ra*ioli
)arming me Eat slo#ly, make it last a long timeL&ar
L&ard Lhy&h&ar('*e ne*er $een so ha&&y in my li%e ('m ali*e,
eating ra*ioli and drinking #ine ('*e esa&ed A door has
o&ened and let me out into the sun )hat more do ( #ant "Anything might ha&&enL&ar L&ard Lhy&h&ar'('*e got a room,'
Enno says 'Rue +amartine'L&ar L&ard Lhy&h&ar'( had a hase,'
he says 'Paulette #asn't in ( le%t a note ( ran into Al%red 0ust
outside her a&artment'L&ar L&ard Lhy&h&ar
No, no ( should think it a terri$le disgrae to let my #i%e #ork
%or any otherman $ut me ( #ouldn't do it Nothing #ould make
me do it'L&ar L&ard Lhy&h&ar 'Tu m'emmerdesB' Enno yelss,
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0um&ing u&, tu'm'emmerdes, 0e te dis )hat are youtrying to say,
then"'L&ar L&ard Lhy&h&ar'1on, $on, ('m going,' Al%red says,
getting u& '( see you are in a $ad tem&er('m going !ou needn't
shout at me'L&ar L&ard Lhy&h&ar'Oh, don't go,' ( sayL&ar L&ard Lhy&h&ar'!ou shut u&,' Enno saysL&ar L&ard
Lhy&h&ar'Madame,' says Al%red %rom the door, $o#ingL&ar
L&ard Lhy&h&ar( laugh #hen he $o#s ( kee& on saying/ '(sn't this
%unny, isn't this %unny"' (remem$er Al%red $lo#ing on my #rists
to ool them and ( an't sto& laughing ( get so tired that ( &ut my
head into my handsL&ar L&ard Lhy&h&arEnno says/ '('m going
out to $uy something to eat'L&ar L&ard Lhy&h&ar'Already" (t's
too early'L&ar L&ard Lhy&h&ar.e goes out #ithout ans#ering,slamming the doorL&ar L&ard Lhy&h&ar'!ou don't kno# ho# to
make lo*e,' he said That #as a$out a month a%ter #e gotto
Paris '!ou're too &assi*e, you're la4y, you $ore me ('*e had
enough o% this Good-$ye'L&ar L&ard Lhy&h&ar.e #alked out
and le%t me alone - that night and the net day, and the net
night and the net day )ith t#enty %rans on the ta$le And ('m
sure no# that ('m going to ha*e a $a$y, though ( ha*en't said a#ord a$out itL&ar L&ard Lhy&h&ar ( ha*e to go out to get
mysel% something to eat The &atron kno#s, the &atronnekno#s,
e*ery$ody kno#sL&ar L&ard Lhy&h&ar)aking u& at
night, listening, #aitingL&ar L&ard Lhy&h&arThe third day (
make u& my mind that he isn't oming $ak A $lue day This is
the %irst time that ( look at the &atronne instead o% sliding &ast
her #ith my eyes do#n he in3uires a$out monsieur Monsieur
may $e a#ay %or some timeL&arL&ard Lhy&h&ar1lue sky o*er
the streets, the houses, the $ars, the a%es, the *egeta$le
sho&sand the 5au$ourg MontmatreL&ar L&ard Lhy&h&ar( $uy
milk, a loa% o% $read, %our oranges, and go $ak to the hotel
L&ar L&ard Lhy&h&ar3uee4ing the rind o% an orange and
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smelling the oil A lot o% oil - they must $e &retty %resh(
think/L&ar L&ard Lhy&h&ar')hat's going to ha&&en"' A%ter all, (
don't muh are #hat ha&&ens And 0ust as ( am thinking this
Enno #alks in #ith a $ottle o% #ine under his armL&ar L&ard Lhy&h&ar'.ello,' he saysL&ar L&ard Lhy&h&ar'('*e got
some money,' he says 'My God, isn't it hot " Peel me an orange'
'('m *ery thirsty,' he says 'Peel me an orange'L&ar L&ard
Lhy&h&arNo# is the time to say 'Peel it yoursel%', no# is the time
to say 'Go to hell',no# is the time to say '( #on't $e treated like
this' 1ut muh too strong - the room, the street, the thing
in mysel%, oh, muh too strongL&ar L&ard Lhy&h&ar( &eel the
orange, &ut it on a &late and gi*e it to himL&ar L&ardLhy&h&ar.e says/ '('*e got some money'L&ar L&ard Lhy&h&ar.e
$rings out a mille note, a seond mille note ( don't ask #here
he has got them )hy ask" Money irulatesC it irulates - and
ho#B )hy, you #ouldn't $elie*e it sometimesL&ar L&ard
Lhy&h&ar.e &ours me out a glass o% #ine '(t's %resh ('*e ke&t it
a#ay %rom the sun'L&ar L&ard Lhy&h&ar'1ut your hands are so
old,' he says 'My girl'L&ar L&ard Lhy&h&ar.e dra#s theurtains to kee& the sun outL&ar L&ard Lhy&h&ar)hen he
kissed my eyelids to #ake me it #as darkL&ar L&ard
Lhy&h&ar1ut it #asn't all that that mattered (t #asn't that he
kne# so eatly #hen to$e ruel, so eatly ho# to $e kind The
day ( #as sure ( lo*ed him #as 3uite di%%erentL&ar L&ard
Lhy&h&ar.e had gone out to $uy something to eat ( #as $ehind
the urtain and ( sa# him
in the street $elo#, standing $y a lam& &ost, looking u& at our
#indo#, looking%or me .e seemed *ery thin and small and (
sa# the e&ression on his %ae 3uite &lainly Anious, he #as
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L&ar L&ard Lhy&h&arThe $ottle o% #ine #as under one arm, and
his oat #as stiking out, $eause the loa% o% $read #as hidden
under it The &atronne didn't like us to eat in our room Just one
in a #hile she didn't mind, $ut #hen &eo&le eat in their roome*ery night, it means they really ha*e no money at allL&ar
L&ard Lhy&h&ar)hen ( sa# him looking u& like that ( kne# that (
lo*ed him, and that it #as %or al#ays (t #as as i% my heart
turned o*er, and ( kne# that it #as %or al#ays (t's a strange
%eeling - #hen you kno# 3uite ertainly in yoursel% that
something is %or al#ays (t's like #hat death must $e All the
insouiane, all the gaiety is a $lu%% 1eause ( #anted to esa&e
%rom +ondon ( %astened mysel% on him, and ( am dragging himdo#n All the gaiety is going and no# he is thin and anious
L&ar L&ard Lhy&h&ar( didn't #a*e to him ( stayed $y the urtain
and #athed him, and a%ter a #hile he rossed the street and
#ent into the hotelL&ar L&ard Lhy&h&ar'( an't slee&,' he said
'+et me lie #ith my head on your sil*er $reast'L&ar L&ard
Lhy&h&arThe urtains are thin, and #hen they are dra#n the light
omes through so%tly There are lo#ers on the #indo#sill and( an see their shado#s on the urtains The hild do#nstairs
is sreamingL&ar L&ard Lhy&h&arThere is a #ind, and
the lo#ers on the #indo# sill, and their shado#s on the urtains,
are #a*ing +ike s#ans di&&ing their $eaks in #ater +ike the
inalula$le raising its head, uselessly and #ildly, %or one
moment $e%ore it sinks do#n, $eaten, into the darkness +ike
skulls on long, thin neks Plunging #ildly #henthe #ind $lo#s,
to the end o% the urtain, #hih is their nothingness ?istorting
themsel*es as they &lungeL&ar L&ard Lhy&h&arThe musty
smell, the $ugs, the loneliness, this room, #hih is &at o% the
street outside - this is all ( #ant %rom li%eL&ar L&ard
Lhy&h&arThings are going #ell )e ha*e settled do#n Enno
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has sold t#o artiles .e has$een to see the old $oy at the +a&in
Agile, and no# sings there e*ery night And there is a real 0o$ in
&ros&et A &u$liity am&aign, to &o&ulari4e tea in 5rane -
Timmins' Tea .e is *ery eited a$out this, and he has designeda &oster, #hih he says #ill a&&eal to the 5renh/ 'Tea is the
most eonomial drink in the #orld (t osts less than one sou a
u&' ( gi*e English lessons Ten %ransan hour ( ha*e three
&u&ils - a girl #ho #orks in a sent sho&, a man #ho ad*ertised
in the 5igaro, and a young Russian #hom Enno met at the +a&in
Agile .e s&eaks English 0ust as #ell as ( doL&ar L&ard
Lhy&h&ar( ha*e $ought a 1erlit4 $ook and %ollo# it $lindly
5arial, these lessons, ee&t the Russian's .e is determined toget *alue %or his ten %rans, and he doesL&ar L&ard
Lhy&h&ar')ould you tell me, &lease, i% ( ha*e the FthF orretly "'
The, this, that, these, those - all orretL&ar L&ard Lhy&h&ar.e
$rings along a olleted edition o% Osar )ilde's #orks and says
he #ants toread them through ')ill you sto& me, &lease, i% (
mis&ronoune a #ord" ( think Osar )ilde is the greatest o%
English #riters ?o you agree"'L&ar L&ard Lhy&h&ar)ell'L&ar L&ard Lhy&h&ar'Ah, you do not agree'L&ar L&ard
Lhy&h&ar'1ut ( do like him ( think he is *ery - sym&athi3ue'
L&ar L&ard Lhy&h&ar.e makes a little s&eeh a$out English
hy&orisy Preahing to the on*ertedL&ar L&ard Lhy&h&arThe
streets, $la4ing hot, and eating &eahes The long, lo*ely, $lue
days that lasted %or e*er, that still areL&ar L&ard Lhy&h&arAt
the orner o% the street, the hemist's sho& #ith the
ad*ertisement o% the A$$e omething's Eliir - it ures this, it
ures that, it ures the sikness o% ®nant #omen )ould it
ure mine" ( #onderL&ar L&ard Lhy&h&arMy %ae is &retty, my
stomah is huge +ast time #e ate at the Algerian restaurant (
had to rush a#ay and $e sikPeo&le are *ery kind to me They
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get u& and gi*e me their seats in $uses Passe, %emme
sareeNot eatly like that, $ut
still - it seemed to me that they #ere kind All the same, ('m not
so mad no# a$out going out, and ( s&end long hours $y mysel%
L&ar L&ard Lhy&h&arThere is a $ooksho& net door, #hih
ad*ertises seond hand English no*els Theassistant is a .indu
( #ant a long, alm $ook a$out &eo&le #ith large inomes - a
$ook like a lat green meado# and the shee& %eeding in it 1ut he
insists u&on selling me lurid stories o% the #hite sla*e tra%%i
'This is a *ery good $ook, *ery $eauti%ul, most true'L&ar L&ard Lhy&h&ar1ut gradually ( get some $ooks that ( do like (
read most o% the time and ( amha&&yL&ar L&ard Lhy&h&ar(n
and out o% the room - +ise, Paulette, Jean, Al%red the Turk (
#ath them, and ( ne*er 3uite kno# them, $ut ( lo*e +ise
L&ar L&ard Lhy&h&arhe is a $rodeuse - or she has $een a
$rodeuse No# she sings English songs in a hea& a$aret in the
Rue >u0as - Roses o% Piardy and +o*e, .ere is My .eart hean't s&eak English at all he is t#enty t#o years old, three
years youngerthan ( amL&ar L&ard Lhy&h&arE*erything a$out
+ise sur&rises me - her gentleness, her etreme
sentimentality, so di%%erent %rom #hat ( had $een led to e&et in
a 5renh girl Airs %rom Manon, &ink garters #ith little silk roses
on them, Gyraldose'(s it true that English #omen ne*er use a
douhe" Mysel%, ( use one t#ie a dayAnd all my
underlothes made $y hand !es, e*ery stith'L&ar L&ard
Lhy&h&arhe has $lak, urly hair, a *ery &retty %ae and -
un%ortunately - thik ankles'( lo*e Gounod's A*e Maria The
musi is like a &rayer, don't you think"' he o%ten omes in
and eats #ith usL&ar L&ard Lhy&h&arOne night ( am in
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the room #ith +ise )e ha*e 0ust had a %ine meal - s&aghetti
ooked on the lamme $leue and a $ottle o% Asti &umante ( am
%eeling rather goodL&ar L&ard Lhy&h&arhe says/ '( #ish
there'd $e another #ar'L&ar L&ard Lhy&h&ar'Oh, +ise, don't saythat'L&ar L&ard Lhy&h&ar'!es, ( do ( might ha*e a $it o% luk (
might get killed ( don't #ant to li*e any more, me'L&ar
L&ard Lhy&h&arThen she's o%% he has no$ody he doesn't think
any$ody likes her The engagement in the Rue >u0as is %inished
he an't get another he #ill one more ha*e to try %or a 0o$ as
a $rodeuse 'And the light in the #orkrooms isn't so
goodometimes your eyes hurt so muh that you an hardly
o&en them' he is going to ha*e to go $ak to li*e #ith her mother, #ho kee&s a groer's sho& at >lamarthe is a%raid o%
her mother )hen she #as a little girl her mother $eat her '5or
anything, %or nothing !ou don't kno# And all the time she says
$ad things to me he likes to make me ry he hates me,
my mother ( ha*e no one oon ( shall ha*e to #ear s&etales
oon ( shall $e old'L&ar L&ard Lhy&h&ar'My God, +ise, you'*e
got a %e# more years, surely >heer u&'L&ar L&ard Lhy
'Non, 0'en ai asse4,' she says 'Already ('*e had enough'L&ar
L&ard Lhy&h&ar '+ise, don't ry,'L&ar L&ard Lhy&h&ar'Non, non,
0'en ai asse4'L&ar L&ard Lhy&h&ar( also start to ry No, li%e is
too sadC it's 3uite im&ossi$leL&ar L&ard Lhy&h&aritting in
%ront o% the lamme $leue, arms round eah other's #aists, rying
No, li%e is too sadMy tears %all on her thik hair, #hih al#ays
smells so nieL&ar L&ard Lhy&h&arEnno, oming in #ithanother $ottle o% Asti &umante, says/ 'Oh, my God, this is gay,'
and laughs loudly +ise and ( look at eah other and start
laughing toooon #e are all rolling, hel&less #ith laughter (t's
too muh, ( an't any more, it's too muhL&ar L&ard
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Lhy&h&ar'Poor little +ise,' Enno says, 'she's a nie little girl,
$ut too sentimental'L&ar L&ard Lhy&h&arPaulette is a *ery
di%%erent matter he is a gay, sauy #enh, a great %riend o%
Enno's ( admire and try to o&y her and am 0ealous o% herL&ar L&ard Lhy&h&arhe reads us etrats %rom letters #ritten to her
$y a lo*er in the &ro*ines '
FTu es $elle et tu sens $onF )ell, #hat a$out it" And listen
to this/ F!our $reasts %ul%il the &romise o% your eyesF .e's
original, isn't he" And the t#o thousand %rans ( asked you %or
- #here are they, *ieu on" Ne*er mind, he'll &art $e%ore ('*edone #ith him )ait a $it Attends, mon salaud'L&ar L&ard
Lhy&h&arOne day they ame $ak, Enno and Paulette, #ith a
steak %or me They had had dinner out ( hadn't gone #ith
them $eause ( %elt so sik, $ut that #as o*er and ( #as hungry
Paulette ooked the steak o*er the lamme $leue and ( ate it all
u& '?id you like it"' she said '!es, ( did' '!ou didn't notie
anything a$out it"' '( notied it #as a $it tough,' ( said'Other#ise ( liked it all right' '(t #as horse steak,' she said 'Oh,
#as it"' They #ere $oth #athing me #ith narro#ed eyes,
e&eting me to do the Anglaise stu%%L&ar L&ard Lhy&h&ar1ut
later ( said/ 'Oh, #as it"' their mouths, that #ere #ide o&en to
laugh, #ent small again A%ter that ( think Paulette kne# ( #asn't
one o% the om%orta$le ones, and ne*er had $een, and hadn't
had suh a grand time as all that A%ter#ards she liked me
$etterL&ar L&ard Lhy&h&ar(n the romanti tradition, Paulette
+ong, yello# hair, so%t, $ro#n eyes, a $o#l o% *iolets in her
room )hen she looks at hersel% in the glass, naked, she's
as &roud as +ui%er (n the romanti tradition, and *ery generous
he $rings me &resents o% silk stokings he turns u& #ith
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se*eral &airs o% soks %or Enno '('*e sna%%led them,' she says
'.e #on't kno# - he has too many'L&ar L&ard Lhy&h&arhe
tells us that one o% her lo*ers, the >ount o% so - and - so, #ants
to marryher, $ut his %amily is shoked and horri%ied '=oila,' saysPaulette, '0e ne 0oue &as du &iano, moi' he is not $itter - she is
regret%ul, %atalistiL&ar L&ard Lhy&h&ar1esides, she has suh
$ad luk - it's 5ate 5or instane, the other day the mother #as
atually &ersuaded to lunh #ith her And #hat ha&&ened as they
#ere #alking out o% the restaurant" Paulette's dra#ers %ell o%
L&ar L&ard Lhy&h&ar?o ( $elie*e this" )ell, ( $elie*e that $it
any#ay, $eause eatly the same thing has ha&&ened to me
L&ar L&ard Lhy&h&ar>hukling madly, on the $ed in the hotel inthe Rue +amartine, and thinking o% #hen that man said to
me/ '>an you resist it"' '!es, ( an,' ( said, *ery oldly ( an
resist it, 0ust &lain and Nordi like that, ( ertainly an
'!ou must $e mad,' he said, 'mad' 6)here is this ha&&ening" (n
ensington7 The net thinghe says is that he #ill see me to my
$us 'tu&id, stu&id girl,' he says, doingu& $uttons, and he takes
me to the $us sto& )e are standing $y a lam&-&ost, indeadsilene, #aiting %or the $us, and #hat ha&&ens" My dra#ers %all
o% ( lookdo#n at them, ste& out o% them neatly, &ik them u&,
roll them into a little &arel and &ut them into my hand$ag
)hat else is there to do" .e stares into *aany, shoked
$eyond measure The $us omes u& .e li%ts his hat #ith a
%lourish and #alks a#ayL&ar L&ard Lhy&h&arNet morning (
reali4e that it is ( #ho ha*e lost ground ?eidedly ( %eel a#%ul
a$out e*erything ( go to the nearest tele&hone and ring him u&
'Are you *eed #ith me a$out last night"' .e ans#ers/ '!es, ( am
*eed, ( am *ery *eed('ll send you a $o o% Turkish ?elight,
' he says, and rings o%%L&ar L&ard Lhy&h&ar)ell no#, #hat is it,
this Turkish ?elight" (s it a omment, is it irony, is
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itom&ensation, is it a&ology, or #hat " ('ll thro# it out o% the
#indo#, #hate*er it isL&ar L&ard Lhy&h&arNo# sno# is
%alling There is the re%letion o% sno# in the room The light
makes e*erything seem strange The mound o% my stomahis hidden under the $edlothes o alm ( %eel, #athing mysel%
in the glass o&&osite My hair hangs do#n onmy shoulders (t is
urly again and the orners o% my mouth turn u& ( like mysel%
today ( am ne*er sik no# ( am *ery #ell and *ery ha&&y (
ne*er think o% #hat it #ill $e like to ha*e this $a$y or, i% ( think,
it's as i% a door shuts in my head A#%ul, terri$leB And then
a door shuts in your headL&ar L&ard Lhy&h&ar( hardly e*er
think a$out money either, or that #hen it ha&&ens ( may $e alone(% the tea 0o$ omes o%% it #on't do to risk losing it o (
may $e in Paris alo
ne 1ut it's all arranged As soon as it starts ( am to get into a
tai and go o% to the sage %emme My room is $ooked - it's all
arranged (t's nothing to make a %uss a$out, e*ery$ody saysL&ar L&ard Lhy&h&ar)e are %riendly #ith the &atronne he #ill
kee& an eye on me #hile Enno is a#ay ('ll $e all rightL&ar
L&ard Lhy&h&arThe Russian %or his lesson ( ga*e Enno a note
&utting him o% - he must ha*e %orgotten to &ost itL&ar L&ard
Lhy&h&ar.e looks sur&rised to %ind me in $ed, the Russian -
sur&rised, then ynial ?oes he think it's all arranged, this
$eing in $ed" ?oes he think ( #ant him to make lo*e to me" 1ut
surely he an't think that ( $elie*e he does, thoughL&ar
L&ard Lhy&h&arThe orners o% his mouth go do#n #hen he says
'%emme' 6.atred or %ear"7 +es %emmes - he doesn't trust them,
they are a&a$le o% anythingL&ar L&ard Lhy&h&aro alm (
%eel, amused as God, #ith the huge mound o% my stomah sa%e
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under the$edlothes(t's no use arguing As he's here, let's get
on #ith itL&ar L&ard Lhy&h&ar'('m a%raid this #ill ha*e to
$e the last lesson,' ( sayL&ar L&ard Lhy&h&arThe light makes
e*erything seem strange .e kisses my hand, and ( #ath myhandas he kisses it - #hite, #ith red, *arnished nailsL&ar L&ard
Lhy&h&ar)e are reading +ady )indermere's 5anL&ar L&ard
Lhy&h&arFThe laughter, the horri$le laughter o% the #orld -
a thing more tragi than all the tears the #orld has e*er shedF
)ill you sto& me, &lease, i% ( mis&ronoune a #ord"'L&ar L&ard
Lhy&h&arThe English on*ersation.e tells me a$out the
Russian &riness #ho #as shutu& in the &rison o% Peter and Paul
to $e eaten $y rats, $eause she #as a re*olutionary 'hesreamed %or ten days, and then there #as silene And then they
let one day &ass, and #ent into the ell And there #as nothing
let o% her $ut her hair he had long and $eauti%ul $lak hair'
L&ar L&ard Lhy&h&ar.is on*ersation is nearly al#ays a$out
&ain and tortureL&ar L&ard Lhy&h&ar.e is going to 0oin
his %amily in +ondon and then he is going u& to O%ord
They ha*e $een *ery luky They ha*e esa&ed #ith a good dealo% money The, this, that, these and those are all orretL&ar
L&ard Lhy&h&ar'?o you think English &eo&le #ill like me"'
L&ar L&ard Lhy&h&ar'!es, ('m ertain they #ill'6('*e only got to
look at you to kno# that they'll like you in England7L&ar L&ard
Lhy&h&ar'And my English"'L&ar L&ard Lhy&h&ar'1ut you s&eak
English &er%etly'L&ar L&ard Lhy&h&ar.e is &leased at this .e
smirks '( try to kee& in onstant &ratie,' he says .e gi*es me
the ten %rans, kisses my hand again, $o#s %rom the #aist
and goes Good$ye, dear sir, good$yeL&ar L&ard Lhy&h&ar(
&ut the ten %rans under the &illo# ( &ut the light out )hile
( an slee&, let me slee& A $oat roking on a ri*er, a smooth,
green ri*er Outside, the seret streets The man #ho sings 'J'ai
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&erdu la lumiere'L&ar L&ard Lhy&h&arThe house in
the 1oule*ard MagentaL&ar L&ard Lhy&h&arThe sage %emme
has *ery #hite hands and lear, slant ing eyes and #hen she
looks at you the #orld sto&s roking a$out The louds arelouds, trees are trees, &eo&le are &eo&le, and that's that ?on't
mi them u& again No, ( #on'tL&ar L&ard Lhy&h&arAnd there's
al#ays the tisane o% orange-lo#er #aterL&ar L&ard
Lhy&h&ar1ut my heart, hea*y as lead, hea*y as a stoneL&ar
L&ard Lhy&h&ar.e has a tiket tied round his #rist $eause he
diedL&ar L&ard Lhy&h&ar+ying so old and still #ith a tiket
round his #rist $eause he diedL&ar L&ard Lhy&h&arNot to
think Only to #ath the $ranhes o% that tree and the &atternthey makestanding out against a old sky A$o*e all, not to
thinkL&ar L&ard Lhy&h&ar)hen #e got $ak to the hotel (
%elt *ery tired ( sat on the $ed and looked do#n at the ar&et
Ee&t that ( #as tired ( %elt all night 1ut ( ke&t thinking o% the
dress he had on - so &retty (t'll get all s&oiled, ( thought
E*erythingall s&oiledL&ar L&ard Lhy&h&ar
ened, and then that ha&&enedL&ar L&ard Lhy&h&ar( go to an
hotel near the Plae de la Madeleine There are a lot o% %lies in
this room They torment me ( kill one ( didn't kno# %lies ha*e
$lood 0ust like you or me )ell, there it lies, #ith its #ings still
and its legs turned u& !ou #on't dane againL&ar L&ardLhy&h&ar( #rite to England, to try and $orro# some money
They kee& me #aiting a long time %or an ans#er and ( start
eating at a on*ent near $y, #here the nuns su&&ly*ery hea&
meals %or destitute girls he is kind, the old nun in harge, or
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she seems to me not unkind The room #here #e eat looks on to
a large stone ourtyard !ou an get a 3uarter o% #ine %or a %e#
sousL&ar L&ard Lhy&h&ar1ut there's an English *alet de
ham$re at the hotel #ho tells the &atron that #hate*er ( allmysel% no# he had kno#n me *ery #ell in +ondon and that (
had ome to Paris #ith a great %riend o% his, a 0okey, and that
( had treated his %iend *ery $adly and that ( #as the dirtiest $ith
he had e*er struk, #hih #as saying something 2seless to
deny all this - 3uite useless)as it hysteria, or a ase o% hate at
%irst sight, or did he really mistake me %or this other girl "( shall
ne*er kno#L&ar L&ard Lhy&h&ar1ut he makes li%e hell %or
me, this *alet de ham$reL&ar L&ard Lhy&h&arAt last themoney omes %rom England ')e an't go on doing this,' they
sayL&ar L&ard Lhy&h&ar'!ou insisted on it against e*ery$ody's
ad*ie' And so onAll right, ( #on't ask you again A &artan
lot, they areL&ar L&ard Lhy&h&ar( lea*e the hotel, ( lea*e
the 3uarter 5or the last time ( ha*e #ashed my kni%e, %ork and
s&oon and &ut them a#ay in the loker No more meals #ith the
destitute girlsL&ar L&ard Lhy&h&ar1ut, a%ter all, those #ere stillthe days #hen ( #ent into a a%e to drink o%%ee, #hen ( ould
%eel gay on hal% a $ottle o% #ine, #hen this ha&&ened and that
ha&&enedL&ar L&ard Lhy&h&ar1ut they ne*er last, the golden
days And it an $e sad, the sun in the a%ternoon, an't it" !es, it
an $e sad, the a%ternoon sun, sad and %righteningL&ar L&ard
Lhy&h&arNo#, money, %or the night is oming Money %or my
hair, money %or my teeth, money %or shoes that #on't de%orm
my %eet 6it's not so easy no# to #alk around in hea& shoes #ith
*ery high heels7, money %or good lothes, money, money The
night is omingL&ar L&ard Lhy&h&arThat's al#ays #hen there
isn't any Just #hen you need it there's no money No money (t
gets you do#nL&ar L&ard Lhy&h&ar(s it true that ( am mohe"
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God, no ( $et it #as a #oman said that No, it #asn't (t #as a
man said it Am ( mohe " No, no, you're young, you're
$eauti%ulL&ar L&ard Lhy&h&arometimes it's 3uite all right,
sometimes it #orks O%ten it #orks And days And nightsL&ar L&ard Lhy&h&arEat ?rink )alk Marh 1ak to the hotel
To the .otel o% Arri*al, the .otel o% ?e&arture, the .otel o% the
5uture, the .otel o% Martini3ue and the 2ni*erse 1ak to the
hotel #ithout a name in the street #ithout a name !ou &ress
the$utton and the door o&ens This is the .otel )ithout-a-Name
in the treet )ithout-a-Name, and the lients ha*e no names, no
%aes !ou go u& the stairs Al#aysthe same stairs, al#ays the
same roomL&ar L&ard Lhy&h&arThe room says/C 'Quite like oldtimes !es" No" !es'L&ar L&ard Lhy&h&arA%ter all this,
#hat ha&&ened"L&ar L&ard Lhy&h&ar)hat ha&&ened #as that,
as soon as ( had the slightest hane o% a &lae to hide in, ( re&t
into it and hidL&ar L&ard Lhy&h&ar)ell, sometimes it's a %ine
day, isn't it" ometimes the skies are $lue ometimes the air is
light, easy to $reathe And there is al#ays tomorro#L&ar
L&ard Lhy&h&arTomorro# ('ll go to the Galeries +a%ayette,hoose a dress, go along to the Pintem&s, $uy glo*es, $uy sent,
$uy li&stik, $uy things osting %s @:K and %s 89K, $uy
anything hea& Just the sensation o% s&ending, that's the &oint
('ll look at $raelets studded #ith arti%iial 0e#els, red, green and
$lue, neklaes o% imitation &earls, igarette-ases, 0e#elled
tortoises And #hen ( ha*e
had a ou&le o% drinks ( shan't kno# #hether it's yesterday,
today or tomorro#L&ar L&ard Lhy&h&arPART 5O2RL&ar
L&ard Lhy&h&ar)hen ( go into the $ureau %or my key the
&atronne tells me that an English monsieur has let a note %or me
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An English monsieur"!es, that's #hat she understood - a
monsieur %rom +ondonL&ar L&ard Lhy&h&arAlloB Just dro&&ed
in to see you E*erything goes #ell #ith me ( ha*e had
enormous luk ( am lea*ing Paris tomorro# or the day a%ter osorry ( missed youL&ar L&ard Lhy&h&arReneL&ar L&ard
Lhy&h&arAs ( get u& to the %ourth %loor landing the ommis
o&ens his door and &uts his head out '=aheB ale *ahe,' he
says #hen he sees me .is head disa&&ears and the door is
slammed, $ut he goes on talking in a high, thin *oie ( take o%
my oat and hat and &ut a#ay the sent and stokings ( ha*e 0ust
$ought All the time ( am listening, straining my ears to hear
#hat he is saying The *oie sto&sA loud knok No#, this istoo muh, no# ('m going to say a %e# things (% you think ('m
a%raid o% you, you're mistaken )ait a $itL&ar L&ard
Lhy&h&ar( marh to the door and %ling it o&enL&ar L&ard
Lhy&h&arThe gigolo is outside, looking eited and &leased #ith
himsel% .e takes my hand in $oth o% hisL&ar L&ard Lhy&h&ar'(
ame $e%ore ?id they tell you"1ut #hat's the matter"
)hy are you looking so %rightened"'L&ar L&ard Lhy&h&ar'('mnot ('m looking *eed'L&ar L&ard Lhy&h&ar'Oh, no, you're
looking %rightened )ho are you %rightened o%" Me" 1ut ho#
%latteringB'L&ar L&ard Lhy&h&ar'( thought it #as the man
net door .e's $een shouting at me .e gets on my ner*es' '.e
#as rude to you" =oule4-*ous 3ue 0e lui asse la gueule"' he
saysL&ar L&ard Lhy&h&ar'>ertainly not Not on any aount'
L&ar L&ard Lhy&h&ar'( #ill i% you #ish ( an $e use%ul in more
#ays than one'L&ar L&ard Lhy&h&ar'Good God, noB ?on't do
anything o% the sort'L&ar L&ard Lhy&h&ar')ell, &erha&s $etter
not ('d $etter not get into a ro# $e%ore ( ha*e my &a&ers 1ut (
shall ha*e them That's going to $e all right tomorro#( like
this room,' he says 'A nie room, a harming room Nothing $ut
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$edsL&ar L&ard Lhy&h&ar>an ( sit do#n"'L&ar L&ard
Lhy&h&ar'There are only t#o $eds'L&ar L&ard Lhy&h&ar'Ah, yes,
so ( see - only t#o 1ut someho# it gi*es the im&ression that
it's %ull o% $eds( #aited u& here %or you nearly an hour thisa%ternoon ( told your landlady ( #as a %iend o% yours %rom
+ondon ( s&oke English to her And she asked me i% ('d like
to #ait in your room'L&ar L&ard Lhy&h&ar( su&&ose this
e&lains the '=aheB ale *aheB'L&ar L&ard Lhy&h&ar'(t's all
*ery %ine, $ut ( asked you not to ome u& here and you said you
#ouldn't'L&ar L&ard Lhy&h&ar'1ut #hy" The #oman
do#nstairs is so nie don't understand you he doesn'tmind
in the least !ou ould ha*e someone u& here e*ery hour and she#ouldn't mind (t's a shame to #aste this hotel, and this room
=ery, *ery good to make lo*e in, this room .a*e you
really $een #asting it" ( don't $elie*e you ha*e' .elaughs
loudly 'Those eyes, those dee& shado#s under your sad eyes
- #hat a$outthem"'L&ar L&ard Lhy&h&ar'Not #hat you think at
all ( don't slee& #ell, and ( take a lot o% luminal to make me
slee&'L&ar L&ard Lhy&h&ar'Poor girl, &oor girl,' he says,touhing my eyes 'And you #on't let me e*en try to do anything
a$out it"'L&ar L&ard Lhy&h&arNo# ( am sik o% $eing laughed
at - sik, sik, sik o% $eing laughed at Alle4-*ous-en, salaud
('m sik o% $eing laughed atL&ar L&ard Lhy&h&ar.e %eels that (
am *eed .e says in a &olite, %ormal *oie/ '( ame to ask youi%
you'd ha*e an a&eriti% #ith me this e*ening Please do ( shall $e
*ery disa&&ointed i% you an't'L&ar L&ard Lhy&h&ar
=ery 3uik, *ery easy, that hange o% attitude, like a %ish gliding
#ith a %lik o% its tail, no# here, no# thereL&ar L&ard
Lhy&h&ar'All right ('ll $e at the >loserie des +ilas at hal%-&ast
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se*en ('m glad you'*e $een luky'L&ar L&ard Lhy&h&ar'('*e met
an Amerian,' he says mysteriously '1eauti%ul And *ery, *ery
rih .o# do you say - $ursting #ith it"'L&ar L&ard
Lhy&h&ar'+ousy #ith it'L&ar L&ard Lhy&h&ar'!es, lousy #ithit'L&ar L&ard Lhy&h&ar'?id you go to the Rit4 $ar"'L&ar
L&ard Lhy&h&ar'No'L&ar L&ard Lhy&h&ar'?on't tell me you met
her at the ?ome"' 'Not the ?ome That ?anish &lae - youkno#
)ell, #e #ere talking and she said she #anted to go on
some#here else to dane ( said, 3uite %rankly - Quite %rank,
you kno#'L&ar L&ard Lhy&h&ar'( $et you #ere'L&ar L&ard
Lhy&h&ar'( said/ FThere's nothing ('d like $etter, nothing 1ut
un%ortunately at the moment ('m &enniless - at least, almost &ennilessF A%ter that it #as all right he's staying at the
Meurie (t's $een a great suess'L&ar L&ard Lhy&h&ar')ell,
it's nie o% you to ome all the #ay o*er here to tell me a$out
it'L&ar L&ard Lhy&h&ar'That's 0ust it That's something you
#ouldn't understand 1ut #hen you're li*ing like ( do, you
get *ery su&erstitious, and ( think you $ring me luk
Remem$er - that e*ening ( met you ( #as disouraged, *erydisouraged !ou $rought me luk'L&ar L&ard Lhy&h&arThe
luk-$ringer)ell, ('*e ne*er thought o% mysel% in that #ay
$e%ore .e takes my hand in his and looks at my ring, his eyes
narro#ing 'No good,' ( say 'Only #orth a$out %i%ty %rans - i%
that'L&ar L&ard Lhy&h&ar')hat, your hand "'L&ar L&ard
Lhy&h&ar'!ou #eren't looking at my hand, you #ere looking
at my ring'L&ar L&ard Lhy&h&ar'Oh, ho# sus&iious she is, this
#omanB (t's etra ordinary1ut you #ill ome this e*ening,
#on't you"'L&ar L&ard Lhy&h&ar'!es, ('ll $e there )here #e
talked the other night ('ll $e there at hal% -&ast se*en'L&ar
L&ard Lhy&h&ar.e goes o%, still looking trium&hantL&ar
L&ard Lhy&h&ar( start #alking u& and do#n the room ( %eel
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eited ( go to the glass, look at mysel%, stare at mysel%, make
a grimae, look at my teeth ?amn this light - ho# an ( see
to make-u& &ro&erly in this light"L&ar L&ard Lhy&h&ar)ell,
there ( am, &raning a$out and smirking, and suddenly tellingmysel%/ 'No, ( #on't do a thing, not a thing A little &ride, a little
dignity at the end, in the name o% God ( #on't e*en &ut on the
stokings ( $ought this a%ternoon (#on't do a thing - not a thing
( #ill not grimae and &osture $e%ore these &eo&le any longer'
L&ar L&ard Lhy&h&arAnd, a%ter all, the agitation is only on the
sur%ae 2nderneath ('m indi%%erent 2nderneath there is al#ays
stagnant #ater, alm, indi%%erent - the $itter &eae that is *ery
near to death, to hateL&ar L&ard Lhy&h&ar( ha*e siteenhundred %rans le%t Enough to &ay %or the dress ( hose today,
enough to &ay my hotel $ill and the 0ourney $ak to +ondon
.o# muh o*er" ay %our hundred %rans ( take t#o hundred
and %i%ty T#o hundred %rans %or the meal, i% there is a mealC
%i%ty %rans $ehind the mirror at the $ak o% my hand$ag,%or a
tai home in ase #e 3uarrel, in ase he turns nasty '.ey, tai' -
and you're out o% e*erythingL&ar L&ard Lhy&h&ar( time mysel% to $e ten minutes late and arri*e at the >loseie des +ilas at
t#enty minutes to eight ( look round the terrae No$ody there
( #on't go round the orner and look on the other side .e is sure
to $e indoors on suh a old nightL&ar L&ard Lhy&h&arA *ery
&retty girl is sitting on one o% the stools at the $ar, ha*ing a
drink No sign o% the gigoloL&ar L&ard Lhy&h&ar( order a
>in4ano, %eeling my &ulse, as it #ere, all the time Am
( disa&&ointed, am ( *eed " No, ( am 3uite alm, also 3uite
on%ident .e's some#here around, ( thinkL&ar L&ard Lhy&h&a
( say to a #aiter/ '(s there any$ody on the terrae'"L&ar L&ard
Lhy&h&ar'Oh, no, ( don't think so (t's too old tonight'L&ar
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L&ard Lhy&h&ar')ould you go and ha*e a look,' ( say, 3uite alm,
3uite on%ident 'And i% there's anyone #aiting, #ill you &lease
tell him that ('m inside here'L&ar L&ardLhy&h&ar(n a minute he
omes $ak, %ollo#ed $y the gigoloL&ar L&ard Lhy&h&ar'ohere you are ( thought you'd stood me u&'L&ar L&ard
Lhy&h&ar'( $et you thought the #orld had ome to an end (
$et you ouldn't $elie*e it'L&ar L&ard Lhy&h&ar')ell, no, (
ouldn't,' he says '1ut ( #as 0ust $eginning to $elie*e it #hen
the #aiter ame ('*e $een ursing you !ou said #here #e
talked the other night,and that's #here ('*e $een #aiting('m
old ('*e had t#o Pernods to kee& me#arm, $ut still ('m old
5eel my hands ('m going to ha*e another Pernod'L&ar L&ardLhy&h&ar.e looks a $it drunk, $ut drunk in the +atin #ay -
*ery *i*id, keyed-u&L&ar L&ard Lhy&h&arThe girl at the $ar
gets o% her stool and #alks out, &assing slo#ly in %ront o%us
L&ar L&ard Lhy&h&ar'Oh, #hat a $eauti%ul girlB +ook +ook at
the #ay she #alks - that mo*ement o% the hi&s Oh, isn't she
$eauti%ul " )hat a lo*ely $ody that girl must ha*eB'L&ar
L&ard Lhy&h&ar')ouldn't you like to go a%ter her and %ind out"' (say '( rather think that #as the idea'L&ar L&ard Lhy&h&ar'No,
no, it's you ( #ant to talk to'L&ar L&ard Lhy&h&ar'That's #hat
('m here %or Go ahead'L&ar L&ard Lhy&h&ar')hile #e're ha*ing
dinner,' he saysPause o% hal% a seond %or me to s&eak
L&ar L&ard Lhy&h&ar( ask him to ha*e dinner #ith meL&ar
L&ard Lhy&h&ar'Thank you,' he says 'To $e %rank, #hen ('*e &aid
%or this lot o% drinks ( shan't ha*e muh money let'L&ar
L&ard Lhy&h&ar')hat, ha*en't you got any money out o% your
Amerian"'L&ar L&ard Lhy&h&ar'Oh no, not yet, not yet )hen (
ask her %or something it'll $e something 1ut one mustn't do that
too 3uikly, o% ourse he must $e readyhe's nearly ready (
think &erha&s tomorro# she'll $e ready'L&ar L&ard Lhy&h&ar.e
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looks straight into my eyes all the time he is talking, #ith that
air o% someone de%ying youL&ar L&ard Lhy&h&ar')ould you
gi*e me the money to &ay %or dinner no# instead o% in the
restaurant"' he says, in the tai '('d &re%er that'L&ar L&ardLhy&h&ar'O% ourse ( #as going to'L&ar L&ard Lhy&h&ar( gi*e
him the t#o hundred %rans and the orners o% his mouth go
do#n ')hen you'*e settled u& - dinner, drinks, tais,' (
say, 'there'll $e a$out t#o %rans le%t ( &lanned it out'L&ar
L&ard Lhy&h&ar'Oh, e 3u'elle est rosse, ette %emmeB'L&ar L&ard
Lhy&h&ar( don't kno# #hat it is a$out this man that seems to
me so natural, so gay - that makes me also %eel natural
and ha&&y, 0ust as i% ( #ere young - $ut really young ('*e ne*er $een young )hen ( #as young ( #as strained - u&, anious ('*e
ne*er $een really young ('*e ne*er &layedL&ar L&ard
Lhy&h&ar'('m hungry,' he says '('m so hungry that ( an't think o%
anything $ut eating To eat, to eat, and a%ter#ards #hat's it
matter"'L&ar L&ard Lhy&h&ar'This is another o% my gay,
hi &laes,' ( say '!ou'll see, #e'll ha*e it allto oursel*es'L&ar
L&ard Lhy&h&ar.o#e*er, as it ha&&ens, there are se*eral other &eo&le there, all eating seriouslyL&ar L&ard Lhy&h&ar( #ant to
see mysel% in a good light and ( go u&stairs to the la*a$o, one o%
the attrations o% the Pig and +ilyL&ar L&ard Lhy&h&aro lean
and so res&lendent, so #ell lit, #ith &lenty o% looking-glasses
and not a soul there to #ath you Am ( looking all right" Not so
$ad urely, not so $ad 'At last,' he says #hen ( ome do#n
'At last #e are going to eat'L&ar L&ard Lhy&h&ar( am not
hungry ( e&et he noties that the %ood isn't at all good, in this
da
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in EnglandF" 1ut %or me it #ill $e di%%erent'L&ar L&ard
Lhy&h&arThat's his idea 1ut he'll %ind out that he #ill $e u&
against raial, not seual, harateristis +o*e is a stern *irtue
in England 62sually a matter o% hygiene, my dear The indeentneessity - and #ho #ould s&end money or thought or time on
the indeent neessity")e ha*e our ration o% rose-lea*es, $ut
only $eause roselea*es are a gentle laati*e7L&ar L&ard
Lhy&h&ar'!ou take are !ou'll &ro$a$ly get a igarette ase
en toe #ith your initials on it a%ter a lot o% hard #ork'L&ar
L&ard Lhy&h&ar.e's so sure that e*erything is going to $e all
right, you ha*e to $e sorry %orhim And he's so good looking,
this &oor de*il, so ali*e, gay, healthy, so as i% he didn't drink muh, so as i%Talking a#ay a$out the tehni3ue o% the metier -
it sounds 3uite meaningless (t &ro$a$ly is meaningless .e's 0ust
trying to shok me or eite me or somethingL&ar L&ard
Lhy&h&ar(t's hal% &ast nine There #e still sit, 0a$$eringL&ar
L&ard Lhy&h&ar'(s it true that Englishmen make lo*e #ith all their
lothes on, $eause they think it's more res&eta$le that #ay"'
L&ar L&ard Lhy&h&ar'!es, ertainly 5ully dressed They add, o% ourse, a maintosh'L&ar L&ard Lhy&h&arA%ter this #e are
&ro&erly o%%L&ar L&ard Lhy&h&ar'No# ('ll sho# you something
really %unny,' he saysL&ar L&ard Lhy&h&ar'+ook at this in the
s&oon'L&ar L&ard Lhy&h&ar'!es (t is rather %unny, isn't it"'
L&ar L&ard Lhy&h&ar'( an do $etter than that,' he saysL&ar
L&ard Lhy&h&ar( #ath *ery are%ully (% ( learn this trik, it ought
to raise my amusement-*alueL&ar L&ard Lhy&h&ar?o you like
this" ?o you like that" )hat do you really like #orse
than anythingelse" ('ll tell you some thing *ery urious ( heard
o% the other day Etetera,eteteraL&ar L&ard Lhy&h&ar.e is
*ery good at this - alm, indi%%erent, #ithout a glint in his
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eye 1ut his *oie gets louder .a&&ily there is only one lot o%
&eo&le le%t in the room, an
d ( don't think they understand EnglishL&ar L&ard Lhy&h&ar1ut
the &ro&rietor ertainly understands )hen he omes u& #ith the
o%%ee he looks at me in a hal%-&itying, hal%-se*ere #ay, as i% to
say/ 'Really, really, really( should ha*e thought you'd ha*e
more sense than this Really, really'.e ertainly does
understand EnglishL&ar L&ard Lhy&h&ar( stare $ak at him
)ell, and #hat a$out it, you damned old goo&" Are you as
$lameless as all that" Are you" ( shouldn't think so ( don'tritii4e you, so don't you ritii4e me ee "L&ar L&ard
Lhy&h&ar.e #alks a#ay in a digni%ied manner 'Tous &i3ues,'
he is thinking, 'tous dingo, tous, tous, tous'L&ar
L&ard Lhy&h&arAll the same, this on*ersation is $eoming a $it
o% a strain )hat is it leading u& to"AhB here it omes
L&ar L&ard Lhy&h&ar'('*e arranged e*erything )hile ( #as
#aiting %or you on the terrae ( asked the #aiter to tell mea &lae ( ould take you to as you said you didn't #ant to go
$ak to your hotel #ith me .e told me o% a *ery good &lae in
the 1oule*ard Ras&ail'L&ar L&ard Lhy&h&ar'My GodB' ( say
'!ou asked the #aiter"'L&ar L&ard Lhy&h&ar'!es, o% ourse
)aiters al#ays kno# a$out that sort o% thing'L&ar L&ard
Lhy&h&ar')ell, that's some#here else ('ll ne*er $e a$le to
sho# my %ae in again'L&ar L&ard Lhy&h&ar'And then you say
you're not a $ourgeoiseB' '( didn't say that !ou said it'L&ar
L&ard Lhy&h&arAll the same, he's 3uite right Tomorro# (
must #alk into that a%e and go to that same ta$le on the terrae
and ha*e a drink 1ut #hen ( think 'tomorro#' there is a ga&
in my head, a $lank - as i% ( #ere %alling through em&tiness
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Tomorro# ne*er omesL&ar L&ard Lhy&h&ar( say/ 'Tomorro#
ne*er omes'L&ar L&ard Lhy&h&ar'( don't understand'L&ar
L&ard Lhy&h&ar'+isten ('*e told you this %rom the start - nothing
doing )hy do you go on a$out it " (t's stu&id'L&ar L&ardLhy&h&ar'A &ity,' he says, indi%%erently, 'a &ity (t #ould
ha*e $een so nie !ou #ouldn't ha*e $een disa&&ointed in me'
L&ar L&ard Lhy&h&ar61ut su&&osing you #ere disa&&ointed in
me7L&ar L&ard Lhy&h&ar.e's le*er, this man, he %eels #hat
( am thinkingL&ar L&ard Lhy&h&ar.e says/ '!ou kno#, you
needn't $e a%raid o% me ('d ne*er say ruel things to you, nor
a$out you either ('m not ruel to #omen - not in that #ay !ou
see, ( like them ( don't like $oysC ( tried in Moroo, $ut it #asno use ( like #omen'L&ar L&ard Lhy&h&ar'Then you ought to
$e #orth your #eight in gold ( only ho&e you get it'
L&arL&ard Lhy&h&ar'?o you like girls "' he says, looking
in3uisiti*eL&ar L&ard Lhy&h&ar'No, ( don't'L&ar L&ard
Lhy&h&ar')hat, ha*e you ne*er in your li%e seen a girl you ould
ha*e lo*ed"'L&ar L&ard Lhy&h&ar'No, ne*er!es, one ( did (
sa# a girl in a $ordel ( ould ha*e lo*ed'L&ar L&ardLhy&h&ar'Oh, ho# on*enientB'L&ar L&ard Lhy&h&ar.e laughs
The &ro&rietor starts, looks to#ards us, shrugs his shoulders and
turns his $akL&ar L&ard Lhy&h&ar')hy did you lo*e her"'
L&ar L&ard Lhy&h&ar')ell,' ( say, '#hat a 3uestion, any#ayB'
L&ar L&ard Lhy&h&ar.o# on earth an you say #hy you lo*e
&eo&le" !ou might as #ell say you kno# #here the lightning is
going to strike At least, that's ho# it has al#ays seemed to me
L&ar L&ard Lhy&h&ar'Tell me a$out this girl'L&ar L&ard
Lhy&h&ar'There isn't anything to tell, ee&t that ( liked her he
looked a#%ully sad and *ery gentle That doesn't ha&&en o%ten'
L&ar L&ard Lhy&h&ar.e seems muh amusedL&ar
L&ard Lhy&h&ar'?id she make lo*e to you"'L&ar L&ard Lhy&h&ar
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, #hat ( am doing in this $o o% a restaurant, s#a&&ing dirtystories #ith a damned gigolo ( #ant to get a#ay ( #ant to $e
out o% the &laeL&ar L&ard Lhy&h&ar'('m going to the
Ehi$ition,' ( say '( #ant to see it again at night $e%ore (go'
L&ar L&ard Lhy&h&ar'The Ehi$ition"'L&ar L&ard
Lhy&h&ar'.a*en't you $een to it"'L&ar L&ard Lhy&h&ar'No, (
ha*en't )hat should ( do at the Ehi$ition"'L&ar L&ard
Lhy&h&ar')ell, ('m going !ou needn't ome i% you don't #ant to
('ll go $y mysel%' ( #ant to go $y mysel%, to get into a tai anddri*e along the streets, to stand $y mysel% and look do#n at the
%ountains in the old lightL&ar L&ard Lhy&h&ar'1ut o% ourse,'
he says '(% you #ant to go to the Ehi$ition, #e'll
go Naturally'L&ar L&ard Lhy&h&ar)e go in $y the Troadero
entrane There aren't many &eo&le a$out >old, em&ty, $eauti%ul
- this is #hat ( imagined, this is #hat ( #antedL&ar L&ard
Lhy&h&ar')hat's that light u& there"' he saysL&ar L&ardLhy&h&ar'That's the tar o% Peae ?on't you reogni4e it"'
L&ar L&ard Lhy&h&ar.e stares $ak at itL&ar L&ard
Lhy&h&ar'.o# mes3uinB (t's *ulgar, that tar o% Peae'L&ar
L&ard Lhy&h&ar'The $uilding is *ery %ine,' ( say, in a
shoolmistress's *oie )e stand on the &romenade a$o*e the
%ountains, looking do#n on them This is #hat ( #anted - the
old %ountains, the old, rain$o# lights on the #ater .e says
again/ '(t's mes3uin, your tar o% Peae'L&ar L&ard Lhy&h&ar)e
stand %or some time, leaning o*er the $alustrade .e &uts his
arm through mine ( an %eel him shi*ering )hen ( tell him so
he ans#ers/ ')ell, it's old here a%ter Moroo'L&ar L&ard
Lhy&h&ar'Oh yes, o% ourse Moroo'L&ar L&ard Lhy&h&ar'!ou
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The a%e is not *ery %ull ( hoose a ta$le as %ar a#ay
%rom e*eryone else as &ossi$le )e order t#o $randiesL&ar
L&ard Lhy&h&ar.e has told me that he is t#enty si, $ut ( think
he is older than that - he's a$out thirty And he doesn't look likea gigolo, not at all like a gigolo uddenly ( %eel shy and sel%-
onsious 6.o# ridiulousB ?on't let him see it, %or God's sake7
( drink hal% my $randy and soda and start talking a$out the last
time( #as in the ?eu Magots and ho# ( had $een staying
at Anti$es and ho# ( ame $ak *ery $ro#n and on to& o% the
#orld and #ith some money too, and all the restL&ar L&ard
Lhy&h&ar'Money ( had earned ans $lague (t #as too %unny (
#rote u& %airy stories %or a *ery rih #oman he ame toMont&arnasse looking %or some$ody and o% oursethere #as a
rush he hose me $eause ( #as the hea&est The night ( got
$akto Mont&arnasse - *ery rih - #e ele$rated )e started u&
in this a%e $eause( #as staying at a hotel near here'L&ar
L&ard Lhy&h&ar)hat #ith the $randy and soda and going $ak to
the ?eu Magots, the #hole thing is #hirling niely round in
my head he #ould ome into my room *ery early inthemorning in her dressing-go#n, her hair hanging do#n in
t#o &laits, looking rather s#eet, ( must say 'Are you a#ake, Mrs
Jansen" ('*e 0ust thought o% a story !ou an take it do#n in
shorthand, an't you"' 'No, ('m a%raid ( an't' 6>heatedB 5or #hat
('m &aying she ought to kno# shorthand7L&ar L&ard
Lhy&h&ar'1ut i% you'll tell me #hat you #ant to say ( think ( an
get it do#n' O% she'd go 'One u&on a time there #as a atus -
'Or a #hite rose or a yello# rose or a red rose, as the ase might
$e All this, mind you, at si thirty in the morning'This story',
she #ould say, looking anious, 'is an allegory !ou understand
that, don't you"' '!es, ( understand' 1ut she #as ne*er *ery
e&liit a$out the allegory '>ould you make it a Persian garden"'
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'( don't see #hy not' 'Oh, and there's something ( #ant to
s&eak to you a$out, Mrs Jansen ('m a%raid amuel didn't like the
last story you #rote' Oh God, this a#%ul sinking o% the heart -
like going do#n in a li%t ( kne# this 0o$ #as too good to $etrue '?idn't he" ('m sorry )hat didn't he like a$out it"' ')ell,
('m a%raid he doesn't like the #ay you #rite )hat he atually
said #as that, onsidering the ost o% these stories, he thinks it
strange that you should #rite them in #ords o% one sylla$le .e
says it gets monotonous, and don't you kno# any long #ords,
and i% you do, #ould you &lease use them"Madame .olm$erg
is most anious to olla$orate#ith me And she's a real #riter -
she's 0ust %inished the third *olume o% her +i%e o% Na&oleon'A%ter this deliate hint she adds/ 'amuel #ished to s&eak toyou
himsel%, $ut ( told him that ( &re%erred to do it, $eause ( didn't
#ant tohurt your %eelings ( said ( #as sure, i% ( told you
his o&inion, you'd try to do $etter ( should hate to hurt your
%eelings $eause in a strange #ay ( %eel that #e are *ery muh
alike ?on't you think so"' 6No, ( ertainly don't think so, you
&am&ered ho#7 '('m a#%ully sorry you didn't like the story,' (sayL&ar L&ard Lhy&h&aritting at a large desk, a #hite sheet o%
&a&er in %ront o% me and outside the sun and the $lue
Mediterranean Monte >arlo, Monte >arlo, $y the Med-it-er-
rany-an sea-ee, Monte >arlo, Monte >arlo, #here the $oy o% my
heart #aits %or me-eePersian garden +ong #ords
>hiarosuro" Transluent"( $et he'd like atalysmal ation
and entri%ugal lu, $ut the &oint is ho# an ( get them into
a Persian garden")ell, ( might tranger things ha*e
ha&&enedA $lank sheet o% &a&erOne u&on a time, one
u&on a time there li*ed a lass #ho tended s#inePersian
gardens atra&s - surely they #ere alled satra&s(t's so
lo*ely outside, and musi has started u& some#here Grinding
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it out, oh God, #ith all the long #ords &ossi$le And the musi
outside &laying =alenia'Are you still there, Mrs Jansen" !ou
ha*en't gone out" ('*e 0ust thought o% a ne# storyOne u&on a
time there li*ed'L&ar L&ard Lhy&h&arhre#d as they're $orn,this #oman, hard as a nail, and #ith #hat a sense o% &ro&ertyB
he'd raise hell i% a s&ot o% #ine %ell on one o% her +ouis Quin4e
hairs Authenti +ouis Quin4e, o% ourse they #ereL&ar L&ard
Lhy&h&arThey e&lain &eo&le like that $y saying that their
minds are in #ater-tight om&artments, $ut it ne*er seemed so to
me (t's all #ashing a$out, like the $ilge in the hold o% a shi&, all
#ashing around in the same hold - no #ater-tight om&a
rtments5airies, red roses, the sense o% &ro&erty - O% ourse
they don't %eel things like #e do - +ilies in the moonlight - (
$elie*e in sur*i*al a%ter death ('*e had &ersonal &roo% o% it And
#e'll %ind our dear, %amiliar $odies on the other side - amuel
has %orgotten to $uy his su&&ositories - Pity #ould $e outo%
&lae in this instane - ( ne*er take &eo&le like that to e&ensi*erestaurants Quite unneessary and &uts ideas into their heads
(t's not kind, really - Ne*ertheless, all the little $irdies sing -
Psyhoanalysis might hel& Adler is more #holesome than
5reud, don't you think" - English 0udges ne*er make a mistake -
The &iano is 3uite Egy&tian in %eelingL&ar L&ard
Lhy&h&arAll #ashing around in the same hold No #ater-tight
om&artmentsL&ar L&ard Lhy&h&ar)ell, ( am trying to tell
Rene a$out all this and giggling a good deal, #hen hesto&s me
L&ar L&ard Lhy&h&ar'1ut ( kno# that #oman ( kno# her *ery
#ellL&ar L&ard Lhy&h&arAgain you don't $elie*e me This
time you shall $elie*e me +isten, she #as like this-' .e
desri$es her eatly 'And the house #as like this-' .e dra#s a
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little &lan on the $ak o% an en*elo&e '.ere are the &alm trees
.ere are the entrane ste&s That terri$le English $utler they had
- do you remem$er" The t#o a$inets here #ith 0ade, the other
t#o a$inets #ith a olletion o% hina The dou$le irular stairase - do you remem$er ho# they used to ome do#n it
at night "'L&ar L&ard Lhy&h&ar'!es,' ( say ' F( kno# ho# to
#alk do#n a stairase, meFL&ar L&ard Lhy&h&ar')hih
$edroom did you ha*e " ?id you ha*e the one on the
seond %loor #ith thegreen satin di*an in the ante-ham$er to the
$athroom"'L&ar L&ard Lhy&h&ar'No ( had a 3uite ordinary
one on the third %loor 1ut #hat an array o% sent-$ottlesB (
dream o% them sometimes'L&ar L&ard Lhy&h&ar'(t #as aridiulous house, #asn't it"'L&ar L&ard Lhy&h&ar'( #as *ery
muh im&ressed,' ( say '(t's the only millionaire's house ('*e
e*er stayed in in my li%e'L&ar L&ard Lhy&h&ar'('*e stayed in
muh riher ones than that ('*e stayed in one so rih that
#hen you &ulled the la*atory-&lug it &layed a tuneRih &eo&le
- you ha*e to $e sorry %or them They ha*en't the slightest idea
ho# to s&end their moneyC they ha*en't the slightest idea ho# toen0oy themsel*es Either they ha*e no taste at all, or, i% they
ha*e any taste, it's like a mausoleum and they're shut u& in it'
L&ar L&ard Lhy&h&ar')ell you're going to alter all that, aren't
you"'L&ar L&ard Lhy&h&arO% ourse, there's no dou$t that this
man has stayed in this house and does kno# these &eo&le One
#ould think that that #ould gi*e us more on%idene in eah
other Not at all, it makes us sus&iious There's no dou$t that a
strit anonymity is a hel& on these oasionsL&ar L&ard
Lhy&h&ar)hen did all this ha&&en, and #hat is his story" ?id he
stay in 5rane %or a time, get into trou$le o*er here and then 0oin
the +egion" (s that the story" )ell, any #ay, #hat's it matter
to me #hat his story is" ( e&et he has a di%%erentone e*ery
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dayL&ar L&ard Lhy&h&ar( say/ 'Euse me a minute,' &rimly,
and go do#n to the la*atoryL&ar L&ard Lhy&h&arThis is another
la*atory that ( kno# *ery #ell, another o% the #ell-kno#n
mirrorsL&ar L&ard Lhy&h&ar')ell, #ell,' it says, 'last time youlooked in here you #ere a $it di%%erent, #eren't you " )ould you
$elie*e me that, o% all the %aes ( see, ( remem$er eahone, that (
kee& a ghost to thro# $ak at eah one - lightly, like an eho -
#hen it looks into me again"' All glasses in all la*a$os do this
L&ar L&ard Lhy&h&ar1ut it's not as $ad as it might $e This is
0ust the inter*al #hen drink makes you look nie, $e%ore it
makes you look a#%ulL&ar L&ard Lhy&h&ar.e says/ '!ou're
al#ays disa&&earing into the la*a$o, you >'est aga%ant'L&ar L&ard Lhy&h&ar')hat do you e&et"' ( say, staring at him
'('m getting old'L&ar L&ard Lhy&h&ar.e %ro#ns 'No, don't say
that
got to #here you're a%raid to $e young ( kno# They'*e
%rightened you, ha*en't they" )hy do you let them %righten you"They al#ays try to do that, i% it isn't in one #ay it's in another'
L&ar L&ard Lhy&h&ar'Thanks %or the good ad*ie ('ll try
to remem$er it No# ('m all ready %or another one'L&ar
L&ard Lhy&h&ar'1ut you said that i% you drink too muh you
ry'L&ar L&ard Lhy&h&arAnd ( ha*e a horror o% &eo&le #ho ry
#hen they're drunk'L&ar L&ard Lhy&h&ar'( don't %eel a $it
like that Ne*er ha&&ier in my li%e'L&ar L&ard Lhy&h&ar.e
looks at me and says/ 'No, ( don't think you are going to ry All
right'L&ar L&ard Lhy&h&arAnd here's another $randy ( s3uirt
the soda in and #ath the $u$$les rising u&%rom the $ottom o%
the glass ('ll drink it slo#ly, this oneL&ar L&ard Lhy&h&ar')ell,
don't $e too long 5inish that, and then #e'll go - 'L&ar L&ard
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Lhy&h&ar')here to"'L&ar L&ard Lhy&h&ar')ell, to your hotel
or to the 1oule*ard Ras&ail Just as you like!ou're suh a
stu&id #oman,' he says, 'suh a stu&id #oman )hy do you go
on &retending" No#, look me straight in the eyes and say youdon't #ant to'L&ar L&ard Lhy&h&ar'O% ourse ( do'L&ar
L&ard Lhy&h&ar'Then #hy #on't you" At least tell me #hy you
#on't omething that you #ould like and that ( #ould like - '
L&ar L&ard Lhy&h&ar'omething so unim&ortant'L&ar L&ard
Lhy&h&ar'Oh, im&ortantB' he says '1ut it #ould $e nie At least
tell me #hy you #on't, or is that too muh to ask"'L&ar L&ard
Lhy&h&ar'Oh no, it's not too muh to ask ('ll tell you (t's $eause
('m a%raid'L&ar L&ard Lhy&h&ar'A%raid,' he says, 'a%raidB 1ut#hat are you a%raid o%"L&ar L&ard Lhy&h&ar!ou think ('ll
strangle you, or ut your throat %or the sake o% that $eauti%ul ring
o% yours (s that it"'L&ar L&ard Lhy&h&ar'No, ('m sure you
#ouldn't kill me to get my ring'L&ar L&ard Lhy&h&ar'Then
&erha&s you are a%raid ('ll kill you, not $eause ( #ant money,
$ut $eause ( like to do $ad things 1ut that's #here you're so
stu&id )ith you, ( don't#ant to do $ad things'L&ar L&ardLhy&h&arFThere's al#ays the one that you don't #ant to do $ad
things #ith, isn't there"'L&ar L&ard Lhy&h&ar'!es, there's al#ays
the one,' he says '( #ant to lie lose to you and %eel your arms
round me'L&ar L&ard Lhy&h&arAnd tell me e*erything,
e*erything.e has said that $it $e%oreL&ar L&ard
Lhy&h&ar'Oh, sto& talking a$out it'L&ar L&ard Lhy&h&ar'O%
ourse,' he says '1ut %irst, 0ust as a matter o% uriosity, ('d like to
kno# #hat you are so a%raid o% 5inish your drink and tell me
Just as a matter o%uriosity'L&ar L&ard Lhy&h&ar( dink
omething in his *oie has hurt me ( an't say anything My
throat hurts and ( an't say anythingL&ar L&ard Lhy&h&ar'!ou
are a%raid o% me !ou think ('m mehant !ou do think ( might
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Lhy&h&arE*erything s&oiled, all s&oiled )ell, don't ry a$out it
No, ( #on't ry a$out it1ut may you tear eah other to $its,
you damned hyenas, and the 3uiker the $etter+et it $e
destroyed +et it ha&&en +et it end, this old insanity +et itha&&enL&ar L&ard Lhy&h&arOnly %i*e minutes ago ( #as in the
?eu Magots, dressed in that damned hea& $lak dress o% mine,
giggling and talking a$out Anti$es, and no# ( am lying in
a misery o% utter darkness Quite alone No *oie, no touh, no
hand.o# long must ( lie here" 5or e*er" No, only %or a
ou&le o% hundred years this time, missL&ar L&ard Lhy&h&ar(
hea*e mysel% out o% the darkness slo#ly, &ain%ully And there (
am, and therehe is, the &oor gigoloL&ar L&ard Lhy&h&ar.elooks sad .e says, s&eaking in a lo# *oie and %or the %irst
time #ith a *ery strong aent/ '( ha*e #ounds,' &ronouning
'#ounds' so oddly that ( don't understand #hat he means
L&ar L&ard Lhy&h&ar'!ou ha*e #hat"'L&ar L&ard Lhy&h&ar( look
round .a*e ( sreamed, shouted, ursed, ried, made a sene"
(s anyone looking at us, is anyone notiing us"
No, no$odyThe #oman at the desk is sitting #ith her eyes astdo#n ( notie the eat shade o% the $lue eye-shado# onher
lids They must see the start o% some %unny things, these #omen
&erhed u& in a%es, &erhed u& like idols Es&eially the ones
at the ?omeL&ar L&ard Lhy&h&ar'!ou ha*e #hat"'L&ar
L&ard Lhy&h&ar'+ook,' he says, still s&eaking in a #his&er
.e thro#s his head u& There is along sar, going aross his
throat No# ( understand #hat it means - %rom ear to ear A long,
thik, #hite sar (t's strange that ( ha*en't notied it $e%ore
L&ar L&ard Lhy&h&ar.e says/ 'That is one There are other ones (
ha*e $een #ounded'L&ar L&ard Lhy&h&ar(t isn't $oast%ul, the
#ay he says this, nor om&laining (t's &u44led, &u44ledin an
im&ersonal #ay, as i% he is asking me - me, o% all &eo&le - #hy,
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#hy, #hy"L&ar L&ard Lhy&h&arPity you" )hy should ( &ity
you" No$ody has e*er &itied me They are #ithout mery
L&ar L&ard Lhy&h&ar'( ha*e too,' ( say in a surly *oie 'Moi
aussi'L&ar L&ard Lhy&h&ar'( kno# ( an see that ( $elie*eyou'L&ar L&ard Lhy&h&ar')ell,' ( say, 'i% #e're going to
start $elie*ing eah other, it's getting serious, isn't it"'L&ar
L&ard Lhy&h&ar( #ant to get out o% this dreamL&ar L&ard
Lhy&h&ar'1ut #hy shouldn't #e $elie*e eah other" )hy
shouldn't #e $elie*e eah other 0ust %or tonight" )ill you
$elie*e something ('m going to say to you no#" ( #ant
a$solutely to make lo*e to you'L&ar L&ard Lhy&h&ar'( told you
%rom the start you #ere #asting your time'L&ar L&ardLhy&h&ar')hat ha&&ened to you, #hat ha&&ened"' he says
'omething $ad must ha*e ha&&ened to make you like this'
L&ar L&ard Lhy&h&ar
'One thing" (t #asn't one thing (t took years (t #as a slo#
&roess'L&ar L&ard Lhy&h&ar.e says/ '(t doesn't matter )hat (kno# is that ( ould do this #ith you' - hemakes a mo*ement
#ith his hands like a $aker kneading a loa% o% $read - 'and
a%ter#ards you'd $e di%%erent ( kno# 1elie*e me'L&ar
L&ard Lhy&h&ar( #ath the little grimaing de*il in my head .e
#ears a to& hat and a ahe-see and he sings a sentimental song
- 'The roses all are %aded and the lilies inthe dust'L&ar L&ard
Lhy&h&ar( say/ 'No# #ho's trying to make an unim&ortant thing
sound im&ortant"'L&ar L&ard Lhy&h&ar'Oh, im&ortant,
unim&ortant - that's 0ust #ords (% #e an $e ha&&y %or a little,
%orget e*erything %or a little, isn't that im&ortant enough"No#
#e'll go)e'll go $ak to your hotel'L&ar L&ard Lhy&h&ar'No'
L&ar L&ard Lhy&h&ar+ea*e me alone ('m tiredL&ar L&ard
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Lhy&h&ar'till rien a %aire"' .e starts to laughL&ar L&ard
Lhy&h&ar'till rien a %aire A$solutely rien a %aire'L&ar L&ard
Lhy&h&ar1ut e*erything is so hanged, ( an't look at him '(
must go Please ('m so tired'L&ar L&ard Lhy&h&ar(n the tai (say/ ')histle that tune, #ill you" The one you said is the marh
o% the +egion'L&ar L&ard Lhy&h&ar.e #histles it *ery so%tly
And ( #ath the streets through the #indo# A l'.otel de
l'Es&eraneL&ar L&ard Lhy&h&ar( am in a little #hite#ashed
room The sun is hot outside A man is standing #ith his $ak to
me, #histling that tune and leaning his shoes ( am #earing
a $lak dress, *ery short, and heel-less sli&&ers My legs are
$are ( am #athing %or the e&ression on the man's %ae#hen he turns round No# he ill-treats me, no# he $etrays me
.e o%ten $rings home other #omen and ( ha*e to #ait on them,
and ( don't like that 1ut as long as he is ali*e and near me (
am not unha&&y (% he #ere to die ( should kill mysel% My %ilm-
mind6'5or God's sake #ath out %or your %ilm-mind'7
L&ar L&ard Lhy&h&ar')hat are you laughing at no#"' he says
L&ar L&ard Lhy&h&ar'Nothing, nothing( do like that tune ?oyou think ( ould get a gramo&honereord o% it"L&ar L&ard
Lhy&h&ar'( don't kno#'L&ar L&ard Lhy&h&ar)e are at the door
o% the hotelL&ar L&ard Lhy&h&ar'Good night,' he says 'lee&
#ell Take a $ig dose o% luminal'L&ar L&ard Lhy&h&ar'( #ill
And the same to you'L&ar L&ard Lhy&h&ar( am not sad as ( go
u&stairs, not sad, not ha&&y, not regret%ul, not thinking o%
anything muh Ee&t that ( see *ery learly in my head the
tu$e o% luminal and the $ottle o% #hisky (n aseL&ar
L&ard Lhy&h&arJust as ( ha*e got to my door there is a lik and
e*erything is in darkness (m&ossi$le to get the key in ( must
ross the &ith-$lak landing to the head o%the stairs and &ut the
time-s#ith on againL&ar L&ard Lhy&h&ar( am %eeling %or the
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kno$ #hen ( see the light o% a igarette a yard or t#o %rom my
%ae ( stand %or #hat seems a long #hile #athing it Then ( all
out/ ')ho is it " )ho's there " Qui est la"'L&ar L&ard
Lhy&h&ar1ut $e%ore he ans#ers ( kno# ( take a ste& %or#ard and &ut my arms round himL&ar L&ard Lhy&h&ar( ha*e my arms
round him and ( $egin to laugh, $eause ( am so ha&&y ( stand
there hugging him, so terri$ly ha&&y No# e*erything is in my
arms on this dark landing - lo*e, youth, s&ring, ha&&iness,
e*erything ( thought ( had lost ( #as a %ool, #asn't (" to think
all that #as %inished %or me .o# ould it $e %inished"L&ar
L&ard Lhy&h&ar( &ut u& my hand and touh his hair ('*e #anted
to do that e*er sine ( %irst sa# himL&ar L&ard Lhy&h&ar'?id (%righten you at %irst"'L&ar L&ard Lhy&h&ar.e has &ut the light
on .e looks &leased, $ut sur&risedL&ar L&ard Lhy&h&ar'No,
no,' ( say '!es, a $itNo'L&ar L&ard Lhy&h&ar
1ut ( #his&er and look round %ear%ully )hat do ( e&et to see "
There is no$ody on the landing - nothing Nothing $ut the
ommis' shoes $y his door, the toesare%ully &ointed out#ards as
usualL&ar L&ard Lhy&h&ar.e takes the key %rom my hand,
o&ens the door and shuts it a%ter us )e kiss eah other %er*ently,
$ut already something has gone #rong ( am uneasy, hal% o%
mysel% some#here else ?id any$ody hear me, #as any$ody
listening 0ust no#"L&arL&ard Lhy&h&ar'(t's dark in hereJust a
minute, ('ll %i it'L&ar L&ard Lhy&h&arThe s#ith in my room
#orks either the light near the $ed or the one o*er the urtained
#ash-$asin - it de&ends on ho# %ar the kno$ is &ushed 1ut itis al#aysgoing #rong and doing one thing #hen you e&et it to
do another ( %um$le #ithit %or some time $e%ore ( an get the
lam& near the $ed goingL&ar L&ard Lhy&h&arNo# the room
s&rings out at me, laughing, trium&hant The $ig $ed, the little
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$ed, the ta$le #ith the tu$e o% luminal, the glass and the $ottle o%
E*ian, the t#o $ooks, the lok tiking on the ledge, the menu -
'T'as om&is" i, 0'ai om&ris'5our #alls, a roo% and a $ed
+es .ommes en >ageEatlyL&ar L&ardLhy&h&ar.ere #eare Nothing to sto& us 5our #alls, a roo%, a $ed, a $idet, a
s&otlight that goes on %irst o*er the $idet and then o*er the $ed -
nothing to sto& us Anything you likeC anything ( likeNo &ast
to make us sentimental, no %uture to em$arrass usA di%%iult
moment #hen you are out o% &ratie - a moment that makes
you go old, old and #aryL&ar L&ard Lhy&h&ar')ould you
like some #hisky"' ( say '('*e got some'L&ar L&ard
Lhy&h&ar6That's original ( $et no$ody's e*er thought o% that #ayo% $ridging the ga& $e%ore7L&ar L&ard Lhy&h&ar( take my oat
and hat o%%, get the $ottle o% #hisky ( rinse the tooth-glass out,
mi mysel% a drink and mi one %or him in the E*ian glass,
#hih is lean (do all this as slo#ly as &ossi$le Time, time,
gi*e me time - #ait a minute, #ait a minute, not yetL&ar
L&ard Lhy&h&ar)e sit on the small $ed .e takes one si& o%
#hisky and &uts the glass a#ayL&ar L&ard Lhy&h&ar'(sn't itright" ?on't you like it"'L&ar L&ard Lhy&h&ar'!es, it's all right (
don't #ant to drink'L&ar L&ard Lhy&h&ar'Mine tastes a#%ul (t
tastes o% mouth#ash'L&ar L&ard Lhy&h&arFThen #hy do you
drink it" ?on't drink it'L&ar L&ard Lhy&h&arAll the same, ( go
on si&&ing a#ay mall si&s Not yet, not yet)ait a
minute!ou #on't $e unkind7 #ill you" 5or God's sake,
say something kind to meL&ar L&ard Lhy&h&ar1ut his eyes
are ironial as he #athes me ( don't think he is going to say
anything kind On the ontrary 1ut that's natural ('*e got
to e&et that Tehni3ueL&ar L&ard Lhy&h&ar( say/ '(t's %unny
ho# some men try to get you to s#ill as muh as you an
hold, and others try to sto& you Automatially ome &ro%ound
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instint seems to getgoing omething raial - yes, ('m sure it's
raial'L&ar L&ard Lhy&h&ar.e says/ 'Just no# on the landing
- you kne# it #as me"'L&ar L&ard Lhy&h&ar'!es, o% ourse'
L&ar L&ard Lhy&h&ar'1ut ho# ould you ha*e kno#n $e%ore( said anything"'L&ar L&ard Lhy&h&ar'( did kno#,' ( say
o$stinatelyL&ar L&ard Lhy&h&ar'Then you kne# that ( #as
oming u& a%ter you !ou e&eted me to"'L&ar
L&ardLhy&h&ar'Oh no, ( didn't ( didn't a $it'L&ar L&ard
Lhy&h&ar.e laughs and &uts his hand on my knee under my
dress ( hate that (t reminds me o% - Ne*er mindL&ar
L&ard Lhy&h&ar'!ou lo*e &laying a omedy, don't you"'L&ar
L&ard Lhy&h&ar'.o# do you mean - a omedy"' ( shouldn't ha*etaken #hisky on to& o% $randy (t's making me %eel 3uarrelsome
&arks o% anger, o% resentment, shooting all o*er meA
omedy, #hat omedy"L&ar L&ard Lhy&h&arA omedy, my
GodB The damned room grinning at me The lok tikingL&ar
L&ard Lhy&h&ar
Qu'est-e 3u'elle %out ii, la *ieille"L&ar L&ard Lhy&h&ar'('m
going to ha*e another #hisky' 'No, don't drink any more'
L&ar L&ard Lhy&h&arOh, go to hell( &ush his hand a#ay and
get u&L&ar L&ard Lhy&h&ar'Tell me something !ou think that (
meant you all the time to ome u& here, and that e*erything else
( said this e*ening #as #hat you all a omedy"'L&ar L&ard
Lhy&h&ar'( kne# you really #anted me to ome u& - yes That
#as easy to see,' he saysL&ar L&ard Lhy&h&ar( ould kill him
%or the #ay he said that, and %or the #ay he is looking at
meEasy, easy, %ree and easy Easy to %ool, easy to torture, easy
to laugh at 1ut not again Oh no, not again!ou'*e $een
unkind too soon 1ad tehni3ueL&ar L&ard Lhy&h&ar'.ooray,' (
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say, 'here's to you (t #as s#eet o% you to ome u& and ( #as
*ery &leased to see you No# you'*e got to go'L&ar L&ard
Lhy&h&ar'O% ourse ('m not going )hy are you like this" ?on't
$e like this'L&ar L&ard Lhy&h&ar'No, it's no use ('d rather you #ent'L&ar L&ard Lhy&h&ar')ell, ('m not going,' he says '(
#ant to see this omedy !ou'll ha*e to all%or someone to &ut
me outL&ar L&ard Lhy&h&arAu seours, au seours,' he shouts
in a high %alsetto *oie '+ike that(% you #ant to make yoursel%
ridiulous'L&ar L&ard Lhy&h&ar'('*e $een so ridiulous all my
li%e that a little $it more or a little $it less hardly matters no#'
L&ar L&ard Lhy&h&ar'>all out, then Go on Or #hy don't you ra&
on the #all and ask your %riend net door to hel& you 'L&ar L&ard Lhy&h&arAs soon as he says this ( am *ery 3uiet (% there
is one thing on earth ( #ant to a*oid, it is a sene in this hotel
L&ar L&ard Lhy&h&ar'( don't #ant to ha*e a ro# here,' ( say 'Only
you'*e got to go'L&ar L&ard Lhy&h&ar')hy"'L&ar L&ard
Lhy&h&ar')ell, $eause ( tell you to go And you'll go'L&ar
L&ard Lhy&h&ar'Just like that"'L&ar L&ard Lhy&h&ar'!es, 0ust like
that'L&ar L&ard Lhy&h&ar'1ut #hat do you think ( am - a littledog" !ou think you an %irst kiss me andthen say to me FGet
outF"L&ar L&ard Lhy&h&ar!ou ha*en't looked #ell at me(
don't like it,' he says, 'that *oie that gi*es orders'L&ar L&ard
Lhy&h&ar)ell, ( ha*en't al#ays liked it, either - the *oie that
gi*es ordersL&ar L&ard Lhy&h&ar'=ery #ell, ( ask you to go'
L&ar L&ard Lhy&h&ar'Oh, you annoy me,' he says '!ou
annoy me, you annoy me' And there #e are - struggling on the
small $ed My idea is not so muh to struggle as to make it a
silent struggle No$ody must hear us At the end, he is lying on
me, holding do#nmy t#o s&read arms ( an't mo*e My dress is
torn o&en at the nek 1ut ( ha*emy knees %irmly lam&ed
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together This is a game - a game &layed in the sno# %or a
#orthless &ri4e
.e is $reathing 3uikly and ( an %eel his heart $eating ( am
3uite alm 'This is really a $it omi,' ( kee& thinking Also (think/ '.e looks mehant, he ould $e mehant, this man'
( shut my eyes $eause ( #ant to stay alm, ( #ant to $e a$le to
kee& thinking/'This is really damned omi'L&ar L&ard
Lhy&h&ar')e're on the #rong $ed,' ( say 'And #ith all our
lothes on, too Just like English &eo&le'L&ar L&ard
Lhy&h&ar'Oh, #e ha*e a lot o% time )e ha*e all night )e
ha*e till tomorro#'L&ar L&ard Lhy&h&arA long time tilltomorro# A hundred years, &erha&s, till tomorro#L&ar
L&ard Lhy&h&ar.e omes in .e shuts the door a%ter him
L&ar L&ard Lhy&h&ar( lie *ery still, #ith my arm o*er my eyes
As still as i% ( #ere deadL&ar
L&ard Lhy&h&ar( don't need to look ( kno#L&ar L&ard
Lhy&h&ar( think/ '(s it the $lue dressing go#n, or the #hite one"
That's *ery im&ortant ( must %ind that out - it's *ery im&ortant'L&ar L&ard Lhy&h&ar( take my arm a#ay %rom my eyes (t is the
#hite dressing go#nL&ar L&ard Lhy&h&ar.e stands there,
looking do#n at me Not sure o% himsel%, his mean eyes
%likering .e doesn't say anything Thank God, he doesn't
say anything ( look straight into his eyes and des&ise another
&oor de*il o% a human $eing %or the last time 5or the last
timeL&ar L&ard Lhy&h&arThen ( &ut my arms round him and &ull him do#n on to the $ed, saying/ '!es - yes - yes'
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