47
Digital Processing CUVPHI302A Capture Photographic Images Session 3 [email protected]

JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

  • Upload
    others

  • View
    6

  • Download
    0

Embed Size (px)

Citation preview

Page 1: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Digital Processing

CUVPHI302A

Capture Photographic Images

Session 3 [email protected]

Page 2: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Housekeeping

Page 3: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 3 Plan

3. Review images 3.1. Download digital images or scan developed film

images using appropriate digital imaging software

where appropriate

3.2. Rotate, cull, sort and rename images to meet

requirements

3.3. Apply metadata and key words to images as

required

3.4. Back up and archive as required

3.5. Seek feedback from others on quality of original

captures and note areas for future improvement

Page 4: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 2 REVIEW

1. Prepare to capture digital images

1.3. Plan shots for the project taking

into account digital camera features,

lighting, photographic design elements

and photographic techniques

Page 5: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 2 REVIEW

1. Prepare to capture digital images

Lighting

Photographic Design Elements

Photographic Techniques

Page 6: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

LIGHTING

Quality:

(1) Colour

(2) Intensity

(3) Size

(4) Direction

DESIGN

ELEMENTS

(1) Proportions

(2) Balance

(3) Brightness

& Contrast

PHOTO –

TECHNIQUE

(1) Focus

(2) Depth of Field

(3) Motion

(4) Lens

& Perspective

Session 2 REVIEW

1. Prepare to capture digital images

1.3. Plan shots for the project taking into account digital

camera features, lighting, photographic design

elements and photographic techniques

Page 7: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

1. Which camera setting corresponds

with the colour of the light source?

Page 8: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

1. Which camera setting corresponds

with the colour of the light source?

WHITE BALANCE

Page 9: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

White Balance

Page 10: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

2. The ‘Rule of Thirds’ refers to what?

Page 11: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

2. The ‘Rule of Thirds’ refers to what?

Dividing the standard (2:3) composition

into three sections

Page 12: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Rule of Thirds

• Divide frame

in 3 sections

• Points of

emphasis

Sebastião Salgado Refugees in the Korem camp Ethiopia, 1984

Page 13: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

3. The distance of sharp focus in front of

the camera is referred to as what?

Page 14: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

3. The distance of sharp focus in front of

the camera is referred to as what?

DEPTH OF FIELD

Page 15: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Depth of Field

Wide DOF

• Small Aperture

• Wide angle lens

• Far subject distance

Shallow DOF

• Large Aperture

• Long lens

• Close subject distance

Page 16: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

4. Name two techniques for achieving

soft lighting for a portrait?

Page 17: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

4. Name two techniques for achieving a

steepened perspective?

a. Wide angle lens e.g. 18-28mm

b. Close subject distance

Page 18: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Lens & Perspective

Steepening Perspective

• Close to subject

• Wide angle lens

Flattening Perspective

• Large subject distance

• Telephoto lens

Page 19: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Lens & Perspective

Thomas Hoepker, Muhammad Ali, Chicago, 1966

Page 20: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

5. Does direct sunlight produce soft

shadows or hard shadows?

Page 21: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

5. Does direct sunlight produce soft

shadows or hard shadows?

HARD SHADOWS

Page 22: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Light Size

• Hard Light

– Hard shadows

– High contrast

– Emphasize edges

– “Dramatic”

• Direct sun

• Direct light bulb/flash

Page 23: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

6. Suggest a strategy for achieving soft

lighting for a portrait photograph

Page 24: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

6. Suggest a strategy for achieving soft

lighting for a portrait photograph

Use a large light source such as a shaded

area or large window

Page 25: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Windows & Shade

Page 26: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

7. Where should the main light be

positioned for a portrait photograph?

Page 27: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

7. Where should the main light be

positioned for a portrait photograph?

45 degrees to a front side of the face

Page 28: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Lighting Direction

"Rembrandt lighting" – position main light 45° from subject

Page 29: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

QUIZ

8. What camera setting is required to

freeze fast action sports such as

football?

Fast shutter speed (e.g. 1/1000 sec)

or Sport Mode

Page 30: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

John Mabanglo, Diver Chelsea Davis at Fina World Championships, 2006

Page 31: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

ACTIVITY: PORTRAIT

CAMERA CHECKLIST:

• Manual mode

• Light Meter

• ISO (e.g. 400)

• Aperture (e.g. f5.6)

• Shutter Speed (e.g.1/125th)

Page 32: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 3 Plan

3. Review images 3.1. Download digital images or scan developed film

images using appropriate digital imaging software

where appropriate

3.2. Rotate, cull, sort and rename images to meet

requirements

3.3. Apply metadata and key words to images as

required

3.4. Back up and archive as required

3.5. Seek feedback from others on quality of original

captures and note areas for future improvement

Page 33: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Download digital images or scan developed film

images using appropriate digital imaging software

where appropriate.

Instructions:

1. Insert SD card into rear of computer or through card

reader or camera

2. Select all your image files and copy them onto a

clearly labelled folder in your hard drive

e.g. 20160811

3. Open ‘Adobe Bridge’

4. Click once on a photo and ‘Command i’ or File menu

– File Info…

Page 34: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Rotate, cull, sort and rename images to meet

requirements

Instructions:

1. Use icons to rotate selected image

2. Delete unwanted images*

3. Label with colours or star rating

4. Click on title and rename or select multiple files and

‘Shift Command R’ menu Tools – Batch Rename

*TIP: only delete absolute mistakes

Page 36: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Apply metadata and key words to images as required

Instructions:

1. Click once on a photo and ‘Command i’ or File menu

– File Info…

2. Fill in details in IPTC

3. Export and save .xmp file

4. ‘OK’

5. Select all or another individual file and and

‘Command i’ or File menu – File Info…

6. Import .xmp file

Page 37: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Captions

• Captions are amongst the most read text in a

newspaper

• A caption needs to be attached or the image

won’t be viewed

• Caption writers are usually given 5 minutes

to complete the task

Page 38: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Credit Line

• By-line – credit to the photographer

• Sometimes not given because of: editorial

manipulation, office politics, report (as

opposed to journalist)

• Make sure that any image that has been

modified is identified as a ‘photo-

illustration’

Page 39: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Source Line

• Identifies source of the image to add

strength to its factual worth

• Often the photographer is unknown

• I.e. Photograph courtesy of Brisbane

Historical Society, AFP, Reuters, etc.

Page 40: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Caption Details

Always

WHO,

WHAT,

WHERE,

WHEN,

and WHY

Page 41: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Do’s & Don’ts • Study the photograph carefully and make sure you

understand it

• Obtain all information

• Check spelling of names of people and places

• Make sure that image cropping will not alter the relevance of the caption

• Name all people important to the story

• Name from left to right

• Don’t state the obvious i.e. Prime Minister John Howard…

• Don’t use “Pictured above…” or “Shown here…”

Page 42: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Do’s & Don’ts • Explain everything that is not easily understood

• Explain any special techniques used i.e. time-exposure, multiple exposure…

• Tell readers when you use a stock image

• Always use present tense for immediacy i.e. “Speaks with…” and not “Spoke with…”

• Avoid using clichés

• Check that the text story, photograph and caption work together

• Don’t put words into peoples mouths

Page 43: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Back up and archive as required

SOURCE: http://www.markcunich.com/my-gear/

Page 44: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Back up and archive as required

• Copy files onto at least two hard drives.

• Maintain at least one (GOOD) hard drive for storage

of RAW files.

• Duplicate important work in progress files.

• Share large files through online storage such as

Dropbox.

Page 45: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Seek feedback from others on quality of original

captures and note areas for future improvement

Instructions:

1. Turn to your neighbour

2. Say “Check this out…”

3. Say “Wad-ya-reken?”

4. Try to identify ways to make the composition

stronger

Page 46: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 4 – NEXT WEEK Basic Lighting

2. Preview and experiment with image capture

2.1. Operate digital camera according to

manufacturer specifications

2.2. Set digital camera preferences and use

photographic techniques to achieve desired

results

2.3. Adjust planned shots as required and

experiment with different ways of achieving

desired results

Page 47: JOUR215 Convergent Journalism...JOUR215 Convergent Journalism Author Aaron Burton Created Date 8/12/2016 8:53:46 AM

Session 4 – NEXT WEEK

Character Portrait

Assessment Task