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KASI-2-KASI PUBLIC ART FESTIVAL March 14 2015 Gugulethu

PROGRAMME REJECTION Rejection is a physical theatre work about a forty-five year old homeless man who sleeps outside the home affairs building in Khayelitsha. Choreographed by: Mthuthuzeli Galela Performed by Stoan Move Galela VISUAL ART by Simphiwe Ndzube This body of work takes a critical view of social, political and cultural issues. I am particularly interested in the sub-cultural human bodies that are socially ostracized, rejected, discriminated, excluded, dehumanised and the subordinated “other”. Much of my work is informed by the harsh realities of poverty and class discrimination, issues of femininity and masculinity, racial inequality, power, biblical myths, sexuality and gender related problems that are often socially constructed and seen as acceptable. I am also troubled by often-problematic representations that the media sells to us to consume. The concepts that promote notions of ideal beauty, success, love, value, and perhaps more important of normalcy, telling us who we are and how we should be. For this work I hope to turn the gaze to the viewer, to question the representations and problems we accept and conform to, and to engage the moral life of the viewer.

- Simphiwe Ndzube UKUNANZA KOMNYAKAMISO Ukunanza Komnyakamiso (The love of the earth for those who live there) is presented by two young women from Khayelitsha; Indalo Stofile and Ncebakazi Yeko. The two, distant relatives, have a close bond and many shared life events. The work is inspired by their travels and their bonds to each other, and to the earth. (Kwimbombo zone zomhlaba, zivela ingxaki nentsombululo yazo izwala aph'ekuhambeni lomhlaba)

“We emerge from dug out sand holes, the use of fabric and multiple recorded voices, putting clothes on in the sand and the use of water.”

- Indalo Stofile and Ncebakazi Yeko

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SHEMBE or ZION? This flashmob is performed by a group of believers who are thanking God for His blessings through music, drumming and humming. This piece is directed by Khanyiswa Mazwi under the mentorship of Mandisi Sindo. The work aims to assist the audience to navigate the route in guidance, light, love and care. Performed by Future Line Arts Academy Trainees THE PROPHET MUST DIE This play is based on prophecy about life after death and questions our religious beliefs. The Prophet must Die is a story of sacrifices, raising the issue of culture in relation to religious beliefs. The play follows the story of Unathi Rorwane who has a gift of communicating with the dead. Certain community and church leaders feel threatened by Rorwane; they are concerned that he will change people's mind about their beliefs. Rorwane sees that the community is reluctant to accept his gift and sacrifices. Performed by Rainbow Arts Organisation Trainees CROSSING THE LINE Crossing the Line seeks to break the division between art, poetry, music and the man on the street and is performed by artists from the Lingua Franca group based in Delft. Four young poets established Lingua Franca: Mbongeni Nomkonwana, Lwanda Sindaphi, Mawande Manez Sobethwa and Ncedisa Jargon Mpemnyama in 2009. In November 2012, the group was reassembled by Mbongeni and Lwanda and now includes members from Gugulethu, Khayelitsha, Langa, Mfuleni, Philippi, Observatory, Strand, Rondebosch and Gauteng. NDILINDE This dance piece, performed by eight women is about migration; these women have either migrated themselves, or have someone close to them who has done so. They all have the omasgoduke or chequered carrier bags used for long distance travel. These bags hold each dancer’s life and story. Choreographed by Aphiwe Mphaleni Performed by Moving Stories Theatre DESTINED To be or not to be, that is the question…. How can we define the continued rolling of the dice that signifies the course of life? Is it simply the day-to-day actions of what is meant to be or do we simply leave it to chance? The dice rolled. Two random strangers crossed paths. Was it by choice or divine intervention? To be or not to be, that is the question… Choreographed and performed by Elvis Sibeko and Simone Botha VISUAL ART: LETTER TO MY PARENT by Richard Mabula This body of work focuses on prejudice. It interrogates how our histories, both personal and collective, influence our ideas of who the perpetrator is, and who the victim is. Within a South African context, I interrogate the experience of my siblings, parents and grandparents under apartheid and examine how young people relate to each other. I look at skin as a garment of representation. This garment is very powerful, as it is inscribed by all kinds of social codes, which are closely intertwined with streams of both imaginary and symbolic identifications. The nude body is no less clothed than the clothed body.

- Richard Mabula

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VISUAL ART: PERSONAL AND REMOVED by Thandi Msabeni This body of work is a continuation of the dialogue I had started during my fourth year of studies called oobhiti abatsha: the old and the new, in which I interrogated the clothing of oobhuti abathsa, when young initiates return to their communities as men represented in a suit. A cotton hat, a shirt and tweed blazer has come to signify the presentation of a Xhosa man. I started to question the authenticity of the attire and to look at these borrowed symbols that signified manhood and unique to the Xhosa culture yet so Western and European .The project interrogated how we appropriate, shape, give meaning to things and make them our own. The new body of work stars to reflect an internal examining of my experiences of being a woman taking on a topic concerning Xhosa initiates.

- Thandi Msebeni KASI-2-HIPHOP by: Cape Town Popular Musicians MASAKHE ‘TESTNTSINI is a hip-hop artist from Khayelitsha. During his childhood, kwaito music was booming in South African townships. This period coincided with the beginning of a new sub-genre of hip-hop in the townships: Spaza rap. He is inspired by popular musician Zola and started writing his own music in 2004. BUNTU ‘MANITY’JOBELA is a 24 year old rapper, poet, song writer, actor and model from Delft. He was introduced to the performing arts in 2003 when he joined the popular Hip Hop crew DSO (Delft South Origins). He was nominated for an award at the Hip Hop Kaslam Awards. Jobela recently completed his studies as a theatre technician and stage manager at Artscape Theatre. SIZAKELE INDLULAMTHIGIGANA is a spoken word artist from Nyanga. He is infamously considered (by those close to him) to be one of the most influential yet underrated artists in South Africa. His latest single Andivoti which was released via Kasimp3 during the national elections in 2014, sparked a wave of diverse views about the decision to vote. KHANGELANI ‘ZANZOLO NCAMILE’is a hip-hop artist and cultural activist who uses art as a tool to create awareness and mobilise. He is inspired by Thandiswa Mazwai, Dead Prez, Xoli Nosenga, Krs 1,Immortal Techniq, Busi Mhlongo, Izithunywa Zohlanga and Stompie Mavi. NAKEDMYNDz consists of three artists and producers from the Nunstop Recordz label: Pzho (Zolani Lucas Ponco), Pro-X (Xolani Ngcaza) and Madness (Khululani Wellington Ntiyaniya). Guest performance by Maxhoseni Bongile Pateni, better known as MaXhoseni, is a rapper from the Eastern Cape. He is known for his heartfelt and thought provoking lyrics. In 2007 he released a track titled Honey. MaXhoseni collaborates and networks with many artists including Kimosabe (formerly known as Sixfo, producer of Iingoma Ezimnandi by iFani & Sterring by F-eezy featuring Ntukza (Teargas).