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BRUCE ADOLPHE C ARNIVAL of the C REATURES FOR O RCHESTRA (2010) Premiered by The New Jersey Symphony Orchestra The Learning Maestros Tools for creative thinking EXCLUSIVELY DISTRIBUTED BY Perusal

Keiser Southern Music Carnival of the...IV. THE SHRIMP If you are allergic to shellfish, You’ll get quite an irritation From eating even a side dish That features marine crustacean

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BRUCE ADOLPHE

CARNIVAL of the

CREATURES FOR ORCHESTRA

(2010)

Premiered by The New Jersey Symphony Orchestra

The Learning Maestros Tools for creative thinking EXCLUSIVELY DISTRIBUTED BY 

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Carnival of the Creatures – verses by Bruce Adolphe

INTRODUCTIONThere have been celebrations of mammals and birdsWith musical tributes and poetic words; Animals marching while cymbals crash Bring to mind Saint-Saens and Ogden Nash.

But there are many fine creatures who have notbeen cheered; Perhaps they are strange, or creepy or feared; Perhaps they are slimy or seem quite malicious; Or maybe they’re too small or simply fictitious.

But the time has come to make amends And count all life-forms as our friends; We don’t own this planet, and mustn’t be selfish, We are no more important than reptiles and shellfish.

While it’s true that spiders aren’t too smart And sharks don’t make much in the way of art, And iguanas have limited social skills And mudskippers never pay their bills,

All that doesn’t mean that they should be ignored Or that we should be worshipped and always adored;Do we expect every creature, including the virus, To look up to us and simply admire us?

Just because humans like Mozart and Shakespeare Give us a great reputation, Doesn’t mean the rest of us don’t make mistakes, dear,Or deserve quite unearned adulation.

So now we present a piece long overdueTo celebrate, not all, but just a few Of Nature’s not-so “first-run” features; A Carnival, then, of overlooked creatures.

I. THE PTEROSAURNo human being ever saw The terrifying, soaring pterosaur, A winged reptile that once did fly In the Mesozoic sky.

To see its fossil in the rock Still gives human bones a shock; Maybe the myths and tales are true, And green, scaly dragons really flew!

II. THE IGUANAStanding still upon the wall, Baking in the desert sun, The iguana hardly moves at all; It blinks, I think, to have some fun.

But if you make a sudden move That the lizard might find frightening, Its locomotion will improve And flash! It’s gone like lightening!

The desert’s hot, and yet they freeze: Nature’s breathing statues; I wonder if they cough or sneeze, I’ve never heard the “a-choos”.

III. THE OWLWhen we’re asleep, in deepest night, When goblins creep by lunar light, When dreams the gander and the drake, The wide-eyed owl is wide awake.

The owl keeps watch for you, for me, Sitting, wisely, in a tree; The owl keeps watch for me, for you; It asks all strangers, simply “Who?”

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IV. THE SHRIMPIf you are allergic to shellfish, You’ll get quite an irritation From eating even a side dish That features marine crustacean.

The shrimp’s quite long antennae, Ten legs, and outside spine I do not think of when I Go out at night to dine.

These little bugs of the seaAre not known for their brawn, And I’d rather eat two or three Than one larger, tougher prawn.

You can get a cold shrimp cocktail, Or Fra diavolo; And mooshoo pancakes never fail With extra sauce to go.

We scoop them up from the deep blue sea By the thousands with a net; I sometimes wonder how it would be To have one as a pet.

V. THE SPIDERIf you spend much time on the Internet, And the web for your work is required, There’s a creature to whom you owe some debt Whose website is truly inspired.

The spider, of course, is the one insect Who is naturally worldly web-wise; The spider’s web is made to collect Such goodies as succulent dead flies.

The web itself is really a sight -- Made by nature’s living loom; And though it struggles with all its might, The captive fly meets his doom.

Each web is perfectly, beautifully spun By a patient professional spider; She knows that its purpose, when finally done, Is to get a good dinner inside her.

VI. THE SHARKDeep beneath the ocean’s surface There’s a fish that makes us nervous; With long, sharp teeth and powerful jaws, It’s not a fish that one ignores.

This fish has starred on the silver screen; It’s always portrayed as hungry and mean; You get your popcorn and sit in the dark And soon you’re screaming, “A shark! A shark!”

Sharks are really scary looking, And they eat food raw, they don’t bother cooking; They have no manners, they’re terribly rude, And they consider just about anyone food.

It’s true! When they’re hungry, they’ll eat me or you,And there’s really not much that we can do To change the shark’s idea of a menu; You can’t out-swim a shark, now, can you?

VII. THE MUDSKIPPERCan a fish climb a tree? Can a fish take a walk? It cannot, you agree? I say yes, but you balk! There is one that can swim, walk, jump and climb! It’s one you don’t hear about much of the time, But these fish are not only climbers and leapers, They also have pop-up, periscope-peepers! Their bulging eyes are set close together And stick out of the water to check on the weather;These fish store up water in feathery gills So that walking on land, they can breathe the refills; With their sharp teeth, they’ll munch on a small crab or spider, And their mouths can keep opening wider and wider.No fish could be weirder or cooler or hipper! What do you call it? It’s called: the Mudskipper!

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VIII. MORATORIUM: Meditation on Endangered and Extinct CreaturesLet's take a moment to meditate On certain creatures and their fate.

From our planet, with all its riches, Many mammals, reptiles and fishes, Plants, insects and crustaceans Have disappeared. So contemplation's Necessary.Very.

We need not shed too many tears For dinosaurs, whose golden years Were pre-historic. Although the fossils are intact

What we sometimes think is fact

Is just folkloric.

But fossils do tell the sobering tale That even powerful creatures fail, And remind us all that we are linked To both the living and extinct.

We take for granted what is here; But the Colombian white-tailed deer, Armadillo, and great black bear Have become extremely rare.

The volcano rabbit of Mexico And the fine Hawaiian duck May sadly be the next to go – Bad ecological luck.

Even the charming kangaroo Down under in Australia, Might not be in some future zoo – Another tragic failure.

The Little Blue Macaw and Bighorn Sheep The rhinoceros and Humpback whale Are all endangered. Will we weep If the efforts to save them fail?

So during our musical celebration Of creatures of various kinds, Let's ponder the beauty of all of creation

And pledge to each other with hearts and minds We will take care of all creatures on earth. A brief meditation, then back to the mirth!

IX. THE VIRUSThe very word virus sends chills down the spine We don’t want them inside us or even on-line, But some types of virus, while lacking in charm, Do not in any way do humans harm.

The T-4 virus is really our friend; It eats e-coli and so helps to defend Our guts from a rather unpleasant end And bucks the evil virus trend.

T-4 looks around for a cell to infect In its micro cafeteria, And somehow knows how to detect Unsuspecting fresh bacteria.

It then injects its own DNA Into the cell – It’s all the rage! And then it really starts to play Producing new bacteriophage. This process happens in distinct stages And is, to say the least, contagious. But still, it does not make you sick; It’s like a fugue, in early music.

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X. THE CONDUCTORThe conductor is a singular creature: Partly a traffic cop, partly a preacher, Often an actor and politician, And there are --just a few-- you might call a musician.Conductors like music that has no strict tempo Where they are quite free to prolong a crescendo; They wildly emote while the orchestra counts, And without any warning, upon a beat pounce Like a tiger upon a helpless gazelle -- Was that upbeat or down? No one can tell. Conductors adore a dramatic pause, Which inevitably leads to thunderous applause; They also love the crash of the cymbal, Which they cue like a dancer to show they are nimble; Their favorite tempo is Maestoso For they have royal blood, and let you know so! But it must be lonely up there at the top, Instructing the players to start and to stop; And they sweat from waving their arms all around,But they don’t make a single musical sound.

XI. THE TEDDY BEARWhat can ever begin to compare With my special, worn-out Teddy Bear? Such soft synthetic-fiber fur, As fuzzy wuzzies never were; Paddington, Pooh, whatever the brand, Made in China, stitched by hand, We love our grizzly, floppy friend On whom we always can depend, Who snuggles when we go to sleep And who we’ll always, always keep, Forever friend, so true, so rare, My cuddly, only Teddy Bear!

XII. THE AUDIENCEThere is a creature with many brains That carries coats, umbrellas and canes Has multi-colored hair and varied complexion Yet its thousands of eyes face one direction; It makes noise to express its varied views, If it doesn’t like what it hears, it boos;But if it thinks what it hears is grand, It rapidly claps hand to hand And if it’s thrilled, it may just stand, And then, in Italian, it will demand That musicians play more than they had planned; The next day it is outraged that the critic panned What it had cheered to beat the band. This creature both loves and hates at once, It’s brilliant, and yet it is also a dunce, It cheers and boos both Brahms and Babbitt, At its worst, it is merely a creature of habit. At its best, discounting some minor flaws, It gives the gift of sincere applause, For it makes musicians very happy When the Audience feels intensely clappy.

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XIII. THE UNICORNSupposedly a mythical creature, The unicorn has one odd feature; Otherwise, it looks just like a horse; But it’s not one -- because of its horn, of course.

Some think the unicorn quite preposterous, That it was in reality, a skinny rhinoceros. But scholars and wizards, magicians and priests Have all told tales of these magical beasts.

Their horns were believed to cure all ills, In the days before vaccines or pills; Witches would grind the horn to a powder -- Three cups for a cauldron of Unicorn chowder.

There are legends of virgins, knights and kings; Of potions, concoctions and magic rings; There are tapestries, poems, and college courses All about mythical, one-horned horses.

The question remains: are they fiction or fact? But you might also ask: does it really detract From their wonder and universal appeal If it happens that unicorns aren’t real?

Our Carnival ends with this fictional beast, Since the odds of a magical mood are increased When we feature a creature so close to our heart Who only inhabits the world of art.

And fictional beasts are quite cheap to feed; You don’t have to walk them, and there is no need To teach them to sit or to keep them in cages; Just relax with a book and turn the pages. What we all love most in the unicorn Perhaps is the fact that one never was born; You could search the world over and none will you find, For the unicorn’s really a state of mind. And we are entranced by our own creations; What do we love best? Our imaginations.

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Carnival of the Creatures

poetry and music by

Bruce Adolphe

Instrumentation................................................................2

I. The Pterosaur................................................3

II. The Iguana ................................................ 16

III. The Owl ................................................... 24

IV. The Shrimp ............................................... 26

V. The Spider .................................................. 31

VI. The Shark ................................................. 42

VII. The Mudskipper ..................................... 59

VIII. Moratorium............................................ 72

IX. The Virus.................................................. 80

X. The Conductor........................................... 93

XI. The Teddy Bear ........................................ 96

XII. The Audience........................................ 103

XIII. The Unicorn ........................................ 107

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Instrumentation

Flute 1, 2 (2. doubling Piccolo) Oboe 1, 2 Clarinet 1, 2 in B Bassoon 1, 2 Horns 1, 2, 3, 4 in F Trumpets 1, 2 in C Trombones 1, 2 Bass Trombone Timpani Percussion (3 players): Chimes, Marimba, Vibraphone Triangle, Crash Cymbals, Gong Tom-tom, Bass Drum Temple Blocks, Woodblock Harp Strings

Duration: ca. 30 minutes

2

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Score in C

Copyright © 2010 Wannacracker Music, a division of PollyRhythm Productions, New York, NY.

All rights reserved. Printed in USA.

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Trumpet 1, 2 (C)

Trombone 1, 2

Bass Trombone

Timpani

Percussion

Violin I

Violin II

Viola

Cello

Double Bass

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BRUCE ADOLPHE

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11

Perusa

l

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Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1, 2

Tbn. 1, 2

B. Tbn.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

57

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12

Perusa

l

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Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1, 2

Tbn. 1, 2

B. Tbn.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

63

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13

Perusa

l

��

Fl. 1, 2

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1, 2

Tbn. 1, 2

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Timp.

Perc.

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Vln. II

Vla.

Vc.

Cb.

70 �� ��

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14

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1, 2

Tbn. 1, 2

B. Tbn.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

74

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15

Perusa

l

Flute 1, 2

Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1

Bassoon 2

Vibraphone

Percussion

Violin I

Violin II

Viola

Cello

Double Bass

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p

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p

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p

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16

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

9

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17

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

19 �� ��

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pp

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18

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

27

�p

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Suddenly quick!

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p

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p

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Suddenly quick!

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19

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

33

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�Slowly, freely

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20

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

38 ��

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p

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p

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p

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21

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

47

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22

Perusa

l

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1

Bsn. 2

Vib.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

56

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23

Perusa

l

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Clarinet 1 (Bb)

Bassoon 1, 2

Horn 1, 2 (F)

Violin I

Violin II

Viola

Cello

Double Bass

Cl. 1

Bsn. 1, 2

Hn. 1, 2

Vln. I

Vln. II

Vla.

Vc.

Cb.

6

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Slowly; nocturnal and mysterious

3. Owl

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pp

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pp

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pp

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pp

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pp

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mf

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mf

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24

Perusa

l

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Bsn. 1, 2

Hn. 1, 2

Vln. I

Vln. II

Vla.

Vc.

Cb.

12

Cl. 1

Bsn. 1, 2

Hn. 1, 2

Vln. I

Vln. II

Vla.

Vc.

Cb.

19

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25

Perusa

l

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Cl. 1

Bsn. 1, 2

Hn. 1, 2

Vln. I

Vln. II

Vla.

Vc.

Cb.

25

Flute 1

Violin I

Violin II

Viola

Cello

Double Bass

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�p pp

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�p pp

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Moderate, bouncy

4. Shrimp

�mp � �

Moderate, bouncy

�mp

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26

Perusa

l

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Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

6

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

11

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

15

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27

Perusa

l

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Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

21

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

27

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

31

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mp

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f

a tempo

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a tempo

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f f� � �f f

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28

Perusa

l

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Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

37

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

43

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

48

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freely

�f

�freely

�f

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f

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f

�mf f

a tempo

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mf � ��

mf � �� � �

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mf � �� � �

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29

Perusa

l

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Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

52

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

58

Fl. 1

Vln. I

Vln. II

Vla.

Vc.

Cb.

65

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freely

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mf mp

�freely

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mf mp

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sfz

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sfz

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mf

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3

rit. a tempo freely

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�pp

�rit. a tempo freely

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�pp

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�pp

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30

Perusa

l

��

��

Flute 1, 2

Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1, 2

Horn 1, 2 (F)

Trumpet 1 (C)

Vibraphone

Harp

Solo Violin

Violin I

Violin II

Viola

Cello

Double Bass

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5. The Spider

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� � � � � � � �

� 1.

p

� � � � � � � �

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�p

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� � � � �mp espr.

�Slowly, hypnotic

� � � � � � � �

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31

Perusa

l

��

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

8

p

p

p

p

p

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32

Perusa

l

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��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

14 �� ��

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33

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

18 �� �� ��

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p

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p

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34

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

23 ��

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fp

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p

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35

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

30

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36

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

37

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� �ffp ffp

�ffp

ffp ffp

�ffp

ffp

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�ffp

� � �(Fly, caught in web)con sord.

f

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ffp ffp

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37

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

42

p

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�ffp

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fp

fp

fp

fp

fp

�fp

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via sord. � � �6 3

� � � � �mf

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�a tempo

�ffp

�mp

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38

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

47

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fp

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fp

fp

fp

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39

Perusa

l

��

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

52

mp

mp

mp

mp

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40

Perusa

l

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Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Tpt. 1

Vib.

Hp.

Solo Vln.

Vln. I

Vln. II

Vla.

Vc.

Cb.

57

� 1.

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41

Perusa

l

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Flute 1, 2

Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1, 2

Horn 1, 2 (F)

Horn 3, 4 (F)

Trumpet 1, 2 (C)

Trombone 1, 2

Bass Trombone

Percussion

Violin I

Violin II

Viola

Cello

Double Bass

f

��

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Fast, threatening, dangerous!

6. The Shark

� � � � 1.

ff

� a2

ff f

� a2

ff f

� a2

ff

1.

ff

� a2

ff f

� � � � (1. senza sord.)

ff

� a2

ff f

�ff f

�ff Bass Drum

Tom-tom

f

� � � � � �Fast, threatening, dangerous!

� � � � � �

�ff

�ff f

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77

Perusa

l

��

Fl. 1

Ob. 1

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Tpt. 1

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78

Perusa

l

��

Fl. 1

Ob. 1

Cl. 1

Bsn. 1

Hn. 1, 2

Tpt. 1

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Vln. II

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79

Perusa

l

��

Flute 1, 2

Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1, 2

Horn 1, 2 (F)

Horn 3, 4 (F)

Trumpet 1 (C)

Trombone 1, 2

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Percussion

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Double Bass

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80

Perusa

l

��

Fl. 1, 2

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81

Perusa

l

��

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Ob. 1, 2

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Hn. 1, 2

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Vln. II

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82

Perusa

l

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

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Vln. II

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83

Perusa

l

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

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Perc.

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Vln. II

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18

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84

Perusa

l

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

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Tbn. 1, 2

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Perc.

Vln. I

Vln. II

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22

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85

Perusa

l

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

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Cb.

25

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86

Perusa

l

��

Fl. 1, 2

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

28 �

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87

Perusa

l

��

Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

31

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88

Perusa

l

��

Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

36

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89

Perusa

l

��

Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

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Cb.

40

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90

Perusa

l

��

Fl. 1

Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

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Cb.

44

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91

Perusa

l

��

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Picc.(Fl. 2)

Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

Hn. 3, 4

Tpt. 1

Tbn. 1, 2

B. Tbn.

Mrb.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Cb.

48

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lunga

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ff

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wild glissandi � ��ff

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Very slowly, menacing!lunga

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92

Perusa

l

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Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1, 2

Horn 1, 2 (F)

Horn 3, 4 (F)

Trumpet 1, 2 (C)

Trombone 1, 2

Bass Trombone

Timpani

Percussion

Violin I

Violin II

Viola

Cello

Double Bass

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10. Conductor

very long, suspenseful crescendo

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93

Perusa

l

��

Fl. 1, 2

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Cl. 1, 2

Bsn. 1, 2

Hn. 1, 2

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Tbn. 1, 2

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Perc.

Vln. I

Vln. II

Vla.

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5

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��Slowly, majestically Conductor’s Cadenza: dramatic, romantic,

conducting in silence.

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94

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l

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Perc.

Vln. I

Vln. II

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Cb.

10

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very long, suspenseful crescendo

Wildly uneven; each chordplayed at the whim of the conductor!

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very long, suspenseful crescendo

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95

Perusa

l

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Oboe 1, 2

Clarinet 1, 2 (Bb)

Bassoon 1, 2

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Harp

Violin I

Violin II

Viola

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Cello

Double Bass

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p

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96

Perusa

l

��

Fl. 1, 2

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Bsn. 1, 2

Vib.

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Vln. II

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6

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97

Perusa

l

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Bsn. 1, 2

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Vln. II

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12

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98

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l

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99

Perusa

l

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100

Perusa

l

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Bsn. 1, 2

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Cb.

29

p

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101

Perusa

l

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Ob. 1, 2

Cl. 1, 2

Bsn. 1, 2

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Vln. II

Vla.

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Vc.

Cb.

35

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102

Perusa

l

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Oboe 1

Clarinet 1 (Bb)

Bassoon 1

Horn 1, 2 (F)

Trumpet 1 (C)

Trombone 1

Bass Trombone

Timpani

Percussion

Audience

Soprano

Violin I

Violin II

Viola

Cello

Double Bass

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The Audience should be led by someone who knows the responses shown in the score. The leader might be a musician or, perhaps, a child from the audience who has been previously selected and rehearsed.

Fast and whacky

12. Audience

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Fast and whacky

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103

Perusa

l

��

Fl. 1

Ob. 1

Cl. 1

Bsn. 1

Hn. 1, 2

Tpt. 1

Tbn. 1

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Timp.

Perc.

Aud.

Sop.

Vln. I

Vln. II

Vla.

Vc.

Cb.

8

mf

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Adagio Moderate bounce

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mf

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mf

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Cym.

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pp

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pp

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pizz. � (pizz.)

mf

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pizz. � (pizz.)

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104

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l

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Perc.

Aud.

Sop.

Vln. I

Vln. II

Vla.

Vc.

Cb.

12

� �Repeat ad nauseum Brief Pause

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105

Perusa

l

��

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Ob. 1

Cl. 1

Bsn. 1

Hn. 1, 2

Tpt. 1

Tbn. 1

B. Tbn.

Timp.

Perc.

Aud.

Sop.

Vln. I

Vln. II

Vla.

Vc.

Cb.

15

� �� � ��Allegro

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ff

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f� (gliss., as if ending an aria)

Ah! Brava! Diva! Encore! Brava! (etc.)WILD, FRENZIED APPLAUSE!

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�(If no soprano is available, the concertmaster should play the cadenza below.)

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5 5 5 5

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110

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111

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112

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113

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114

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116

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39

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