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Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the idea of “stylish chic”

Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

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Page 1: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female

Physiognomy, c. 1792-93, color woodblock

with mica

ukiyo-e (floating world)/ “iki,” the idea

of “stylish chic”

Page 2: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Suzuki Harunobu. Evening Bell at the Clock, from Eight

Views of the Parlor series, c.1765,

woodblock

brocade prints/ haiku clubs in Edo/

diminutive features/ suggestion of voyeurism/ architecture composed of

diagonals

Page 3: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Suzuki Harunobu. Shimizu, from Seven Komachi, c.1767,

woodblock

Page 4: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

a courtesan and her teenage apprentice/

inscribed verse suggests a melancholy mood/ the knots of an obi/ mitate

(parody)

Page 5: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Sakai Hoitsu. Kosode with

blossoming plum tree, early nineteenth

century, hand-painted ink and pigment on silk

satin

Page 6: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Furisode with scenes of tea cultivation,

early nineteenth

century, paste-resist dye on

habutae

Page 7: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katabira with garden landscape,

mid-eighteenth century, paste-

resist and indigo dyeing, silk and metallic thread

embroidery, and pigment on plain-

weave ramie

Page 8: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Suzuki Harunobu. Pilgrimage on a Rainy Night, late

1760s, color woodblock print

Page 9: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Suzuki Harunobu. Whispering, c. 1766-68, color woodblock

print

Page 10: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katsukawa Shuncho. Two Young Men by the Riverside, c. 1780s, hanging scroll, ink and color on

silk

Page 11: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

kabuki actors/ wakashu/ gesture of greeting/ suggestion of male

innocence and sexuality

Page 12: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katsukawa Shunsho. The Actor Ichikawa Danjuro in Shibaraku

Role, c. 1777, woodblock

archetypal aragoto role

Page 13: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Utagawa Kunisada. Hour of the Monkey, 1816-7,

oban

depiction of the onnagata/ oban

woodblock

Page 14: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katsushika Hokusai. The Greave Wave off Kanagawa, from Thirty-six Views of Mount Fuji, c. 1826-33, woodblock print oban, ink and colors on

paper

Page 15: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

influence of Western

perspective/Mount Fuji/ nature as an

active force/ meishoe/ Manga

Page 16: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katshshika Hokusai. Mount Fuji in Clear Weather from the series Thirty-six Views of Mount Fuji,

1830-2, oban woodblock print

Page 17: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Katsushika Hokusai. Amida Waterfall on the Kiso Highway

from A Tour of Waterfalls in Various Provinces, c.1883-4,

color woodblock print

Page 18: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Amida waterfall/ geometry of nature

Page 19: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Ando Hiroshige. Fireworks over Ryoguku

Bridge, from One Hundred Famous Views of Edo, 1856, woodblock

print

Page 20: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Ando Hiroshige. Sudden Shower over Ohashi

Bridge, from One Hundred Famous Views

of Edo, 1856, color woodblock print

Famous views of Edo

Page 21: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Ando Hiroshige. Scattered Pines, Tone River, from

One Hundred Famous Views of Edo, 1856, color woodblock print

Page 22: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

Ando Hiroshige. Plum Garden at Kameido, from One Hundred

Famous Views of Edo, 1856, color woodblock

print

Page 23: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the

the Sleeping Dragon Plum / emphasis on

negative space

Page 24: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the
Page 25: Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female Physiognomy, c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the