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KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire

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Page 1: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire
Page 2: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire
Page 3: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire
Page 4: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire
Page 5: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire
Page 6: KM C227-20161003144310 - David Gauld · Arata Isozaki always returns to the solace of good form. From his fascination with a fragmented classicism in the 1980s, to his current desire