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Bio 3A Lab: Morphology and Symmetry Page 1 of 13 Figure 1. A typical animal cell drawn in the usual flat style Figure 2. Transformed coordinates create Mola Mola from Puffer. (from Thompson, 1971) BIOLOGY 3A LABORATORY Morphology and the shape and form of biological structures For the harmony of the world is made manifest in form and number, and the heart and soul and all the poetry of Natural philosophy are embodied in the concept of mathematical beauty. (Thompson, 1971) Objectives To learn and understand organismal symmetry To understand the difference and relationships between three dimensional and two dimensional representations of biological organisms and structures To “visualize” three dimensional relationships from two dimensional graphics Introduction Two-dimensional representations of three-dimensional objects abound in our world. Whether you are looking at a drawing in your textbook, a photo graph, or even at a cell on a microscope slide, the image your are observing has no actual depth. In the lab on microscopes, you learned about depth of field. If you are knowledgeable about photography, you will also have some understanding of this concept. In fact, the great struggle in the history of art was the creation of depth, and three dimensionality in paintings and drawings. Flat work artists have quite a bag of tricks from which to select. They use shading, size, focus, color differences, and several other techniques to allow the viewer that there is depth in their piece. But the work is still really flat. In biology, understanding the three dimensional structure of cells,

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Bio 3A Lab: Morphology and Symmetry Page 1 of 13

Figure 1. A typical animal cell drawn in the usual flat style

Figure 2. Transformed coordinates create Mola Mola from Puffer. (from Thompson, 1971)

BIOLOGY 3A LABORATORY Morphology and the shape and form of biological structures

For the harmony of the world is made manifest in form and number, and the heart and soul and all the poetry of Natural philosophy are embodied in the concept of mathematical beauty. (Thompson, 1971)

Objectives

To learn and understand organismal symmetry

To understand the difference and relationships between three dimensional and two dimensional representations of biological organisms and structures

To “visualize” three dimensional relationships from two dimensional graphics

Introduction Two-dimensional representations of three-dimensional objects abound in our world. Whether you are looking at a drawing in your textbook, a photo graph, or even at a cell on a microscope slide, the image your are observing has no

actual depth. In the lab on microscopes, you learned about depth of field. If you are knowledgeable about photography, you will also have some understanding of this concept. In fact, the great struggle in the history of art was the creation of depth, and three dimensionality in paintings and drawings. Flat work artists have quite a bag of tricks from which to select. They use shading, size, focus, color differences, and several other techniques to allow the viewer that there is depth in their piece. But the work is still really flat. In biology, understanding the three dimensional structure of cells,

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Bio 3A Lab: Morphology and Symmetry Page 2 of 13

organs or even entire organisms is critically important. We all know that cells are not flat. Yet they are always drawn on the blackboard, in your lab manual, and on tests as flat objects (Fig. 1). Understanding the three-dimensional nature of a cell is critical to understanding how that particular cell functions. For instance, the endoplasmic reticulum seen in Figure 1 actually exists as a flat series of interconnected chambers made of plasma membrane that extend into and out of the plane of the paper on which it is printed. This creates an incredible amount of surface area, which is critical to the function of this organelle. The ability to “see” three-dimensional structures when looking at flat sectional drawings can be learned. For some people, it seems to be rather easy, for the rest of us it is a struggle. But it is a worthwhile struggle. Today, modern computational, diagnostic and research techniques allow incredible views (and reconstructions) of the three-dimensional structure of molecules to the three-dimensional reconstruction of the head of a sperm whale from photographs of serial sections. There is even a field of biology that merges with mathematics called Geometric morphology. Perhaps the “father” of this field was D’Arcy Thompson, a Scotsman from St. Andrews University. In his 1917 book, On Growth and Form, he discussed just about every morphological problem in biology. His most impressive work however, was in the area of transformed coordinates. In Figure 2, taken from his book, we see a puffer fish on the left. On the right is a Mola Mola, whose body shape can result from a transformation of the coordinates drawn through the puffer. Of course Thompson related this to the evolutionary process; and today we understand that such transformation may result from subtle selection pressures on a small set of genes. Finally, when we look at plants and animals, we can see certain similarities between groups. Certain generalities of form become obvious. For ore than 100 years biologists have attempted to group organisms by form. One of the simplest categories of form is symmetry. Based upon the basic geometry, we can categorize (in a general sense) plant or animals (Fig. 3). For instance, animal body form is often described in terms of symmetry. Spherical symmetry describes an animal that is ball-shaped. Radial symmetry describes an animal that in which the body parts are arranged in roughly equal segments radiating from a central axis. Bilateral symmetry describes animals that have a head end and roughly equal right and left sides. Finally, some animals are simply asymmetrical. There are systems for describing symmetry in plants, as well. However, we will simplify our lives; in today’s lab we will look only at animal symmetry.

Figure 3. Types of animal symmetry

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Figure 4. Long and short axis and meridian marks on hard boiled egg

Procedure 1. Looking at Animal Symmetry In the lab you will find several animal specimens. Observe one of each species and decide whether the symmetry is radial, bilateral or asymmetrical. Each of the specimens is labeled. Record your choice of symmetry and the specimen names in Table One. Procedure 2. Looking at Two Dimensional and Three Dimensional Morphology Creating Serial Sections 1. Obtain a hard boiled egg and remove the shell from the egg.

2. Using a paper towel, dry the shelled egg. Mark the short and long axis meridians using a Flair (water soluble) type marker (Fig. 4) 3. Using the egg slicer, slice egg along its long axis (Fig. 5). 4. Arrange egg slices in order on a piece of paper (Fig. 6). You should create about 6 to 7 slices. 5. Place grid on the first slice and align axis marks with the

x and y axis (0,0) 6. Draw the pattern seen in section one on the serial section grid labeled “Section One” on Figure 9. Please think about this: Seven slices should result in 6 serial sections. 7. Continue for each of the other serial sections. Keep the sections in order; label each in sequence.

Figure 5. Hard-boiled egg in slicer along long axis

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Procedure 3. Visualizing a section in the 90 degree plane The sections you have just drawn are in a plane known as longitudinal. You will now use these sections to create a cross section. For this assignment you should choose a plane crossing each of your sections in which there is some of the egg yolk present. For instance, suppose you are going to draw the cross section at grid line 5 as shown in Figure 7. From each section at grid line 5 you

would transfer the data to that section line in Figure 7. When you are done, you smoothly connect the dots and reconstruct the unknown cross section. Try this with your serial sections and reconstruct a 90 degree cross section in Figure 10.

Figure 7. Reconstruction of 90 degree cross section from serial section data. Dots are data from single serial sections.

Figure 6. Serial section arranged in order showing axis meridian marks

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Figure 8. a. Roll 1cm x 10 cm coil of colored clay b. Create a slab “bun” c. Role slab around coil d. Squash entire cylinder.

a.

b. c.

d.

Procedure 4. Time to create your own animal

1. Take some colored clay and roll a rod about 1 cm in diameter and 10 cm long as shown in Figure 8. 2. Create a slab from a different color of clay that measures about 10 cm by 3 cm by .5 cm thick 3. Place the rod into the center of the slab and wrap the slab around the rod, neatly creating a sort of “hot dog in a bun.” 4. Now place the rod on end and “squash” it until it is about 4 cm high. 5. Finally roll the short, fat cylinder into an egg shape about the size of your original egg. The colored clay of the original rod should still be visible on the surface of the egg shape (representing the mouth and anus of your animal). What sort of symmetry have you created? 6. Using a marker or a knife to create meridian axes, one that goes from pole to pole (from mouth to anus) and one that goes around the belly of your animal. 7. Now, place your “animal” into the egg slicer in the same orientation as the original egg example and slice. 8. Record the serial sections in Figure 11. 9. Create a reconstruction (Fig. 12) of a 90 degree cross section and describe the flow of the colored clay through the animal (mouth to anus). Proceudre 5. And now for something completely different… Pollen morphology and pollen tube formation Pollen grains (the male reproductive products of flowers) are unique to their species. The exact morphology of the pollen shape and size is related to the pollination strategy and the female flower structures (see Fig 13). Observe the pollen of lily flowers by rubbing a lily anther lightly on a slide and covering the pollen with a coverslip. Save the anther for the next exercise. Measure the size and draw the pollen grains in Figure 14.

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Flowers are not just there to please us. They serve to attract insects. The insects carry pollen (male gametes, sperm) from one flower to another. This fertilization is quite complex. Pollen that has landed on the female stigma of a flower has to transport its gametes down to the ovary, often several centimeters away! The pollen does this by germinating a pollen tube which grows down the style until it reaches the ovary. Interestingly, pollen germination can be triggered away from the plant fin many species.

In the following exercise you will look at the germination of pollen grains. Note: Your instructor

may ask you to begin the set up of this experiment before you create the clay “animal,” since there is a waiting period for the pollen to germinate. 1. Obtain two double depression slides. 2. Into each of the wells place two drops of Pollen Medium (10% sucrose1%

Boric acid, 3% Calcium Nitrate). 3. Obtain four lily anthers from four different flowers. 4. Lightly touch an anther to the liquid in one of the wells to transfer pollen

grains into the solution. Use a separate anther for each well. 5. Observe each slide under 100x and verify that you can see the pollen grains. 6. Place a piece of filter paper into each of two Petri dishes. Moisten the filter

paper lightly. Place one slide into each dish and cover with the lid. Place the Petri dishes into the 37 ºC incubator.

7. After 30 minutes, 60 minutes, 90 minutes and 120 minutes, observe the slides at 100x. Look for pollen tub formation (See Fig. 15). At each observation record the fraction of pollen grains in the field of view that are germinated (i.e. no. germinated / total no. in field of view). At the final observation, measure (using the reticle) the length of 10 pollen tubes and calculate the average growth rate. Record all data in Table 2.

8. Using Excel, graphically represent the results of the germination data, using the entire class data set posted on the web. What conclusion can you draw from these results?

Figure 13. Flower anatomy

Figure 15. Pollen tubes from a tulip (100x)

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References Thompson, D’Arcy Wentworth (1971) On Growth and Form, University Press, Cambridge

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Morphology and Symmetry Lab Name:__________

Name of specimen Description Symmetry

Table 1. Symmetry of animal specimens displayed in lab

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Figure 9. Serial sections through hard boiled egg

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Figure 10. Reconstruction of 90 degree cross section of hard boiled egg

Figure 9. Serial sections through hard boiled egg (continued)

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Figure 11. Serial sections through “created” clay animal

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Figure 11. Serial sections through “created” clay animal (continued)

Figure 12. Reconstruction of 90 degree cross section of “created” clay animal

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Table 2. Fraction germination and pollen tube growth of Lilium pollen.

30 min 60 min 90 min 120 min Length (um)

Well 1

Well 2

Well 3

Well 4

Using Excel, graphically represent the results of the germination data uisng the entire class data set posed on the web. Use a line graph to show the mean percentage germinated at each time period. Add error bars to each point on the graph (calculate descriptive statistics for the four wells at each time). From the average length data, calculate the average growth rate of the pollen tube. State the mean growth rate ± s.e. What conclusion can you draw from these results? This experiment was carried out at 37 ºC. How do you think temperature will affect rate of germination? State this in the form a testable hypothesis and propose an experiment.

Figure 14. Lilium pollen (morphology and sizes)