Upload
aagjemaesen2127
View
24
Download
0
Embed Size (px)
DESCRIPTION
Lady of the lake
Citation preview
LADY OF THE LAKE AUDITION PACKET
Kevboard l/Conductor
Now we're
WHATEVER HAPPENED TO MY PART?
*f Pop ballad
\6u_t.-u". hap-pened to my part?
SpamalotTour
It was ex - ci-ting at the
I've been off"'J'i+'
haliway through Act Two And I've had nothing yet to
+K2: Stgs. o's
-169-
one un-hap-py di
2. WHATEVER HAPPENED TO MY PART?
15
Spamalot - Tour
The Pro - du-cer's a de-cei - ver There is no-thing I can sing from my
Wha - te - ver hap-pened to my part?
(Tbn.out) !
=
I've got con-stant P. M. S. My ca a- bout as
heartVln, K2 (+8vb
Hn,Bs. Cl.
love life is a messVln, K2 (+8vb)
ASreer
nf+Shaker
.t\'s, Tamb. on'4'
+Drs: lite timeEm, Em7 A7 Em am/D
mf
-
G Drs: fill
nfe+e;;ee*6x.. Drs: Time (X-stick backbeat)
>>>
sim.+Tbn.
>>
-170-
3. WHATEVER HAPPENED TO MY PART?45
Spamalot - Tour
hate me there back-stage they say too old for my age.
J
to re - place metry - ing with Posh
+AltoSax (Shaker out)
J'+K2: Stgs, Tbn.
tr A tempo
cfesc_
wlTpt2,Tbn.
Wha-te-ver hap-pened to my show?
b) fr+l
f (Gtr. out) cf,ntbs Ffit Bm7 am/A
+Tbn. Em7 AsusilGtr.*abmi'=S
"rnt".+Bs. Cl. Drs: filI
+Cym.roll
DbIEbAt7
-
emzls 9lDrs:time (Snare, Ride) ' E
- 17',1
-
4. WHATEVERHAPPENED TO lvfY PART?
54
I'm with a
tights!
(3 8ves)I might as
bunch of Bri-tish knightsVln, K2 (+8vb)
Spamalot - Tour
:_I>-know-Jr-2
Pran-cins round in
G1They've been out
J
go to the)
r''5
-l fill+Alto
Drs:
ching for shrub
\-.-'l
Hn.e aTbn. F-
-Fl-l
Alto,Tpt,
shop-ping for a bush-o+8vb)
5. WHATEVER HAPPENED TO MY PART?
63 I
they can kiss my tush
Wha-te-ver hap-pened to my
I
u. d, 5
Spamalot - Tour
seems to me they've real-ly lost the
call my
(no Tamb.)
Not vours not yours But
Alto,Hn, Tbn.
t.
-r'
p+Gfr.
(Bs Cl, K2 out)
{l,ql
+K2: Stgs, Tbn.
Wha-te-ver happened to my-A
+a
>>>+Timpani
4-a_
:sfz
p-l a ^t '+Tamb.tDmr A.o,.vttt
^v on r4tDrs:time (Rim, Hi-hat)
fw/Gtr.
cb DbDrs: time w/tom fills
Cb Db Dbsus Db
Spamalot - Tour6. WHATEVERHAPPENED TOMY PART?
A tempo
Kbd. l/Cond.
lENprNG A1@
pan
I
+Timp, Tbn.
\7
cbbb {o^"^r Bbal\J2Drs: w/Cym's
-174-
?.=lr., o.r., rimp. o.,tTt
soul
you won't fail
2. FIND YOUR GRAIL
6
-
ptotor,*
aggressively' !oud and sustained
>+=lo +Mark Treew/Bs, TimP. roll cont'd'
Keep Your eyes
That's Your
SPamalot Tour
LADY OF THE LAKE:
Rds., Brass, K2,K3, Vln' out
the goal
That's Your Grail
-90-
Keyboard l/Conductor
E
sffong
Gtr.
Keep right on
=p..II
wlK2&3, Bs., Drs.
Find your Grail
-91 -
I(2wlK3
4. FIND YOUR GRAIL
zo
up to you- You must choose what to- pur-sue-
w/Gtr. rhYthm (2&4)
Set yourmind- on what to find- Andthere's no-thing you can't Oo'J;. *r*,
you'll find Your
Spamalot Tour
1"t t trl Il,/ \l\----
-
+
toSolo
to the end
T)T,' 'SLLt!J
'rsl{u
at-" t> ::-
w/Drs. full
w/K2 cont'd. 8va sim,
Keyboard l/Conductor
37
Find Your
*J -'--)
Spamalot Tour
K2 gliss.
1 l.
fail Find Your Grail Find your
1'tl7P:i- tsJ-.t{JJ
-93-
Kevboard l/Conductor SpamalotTour
THE SONG THAT GOES LIKE THIS
Once in ev'ry show There comes a song like this It startsoffsoftandlow And endsupwithakissVln, K3: Stgs.
ffirrSolo '
the song that goes like Where is it? Where is it?K2:Oboe solo
Where where where?Vln, K3: Stgs.
u./_Hom solo i-,
npv
+K3: Bsn/Stgs. o 's
-49-
sen-ti-men-tal songK2: Oboe, Vln, K3: Stgs'
2. THE SONG THAT GOES LIKE THIS
That casts a ma-gic sPell
l-)IYisl
J
Gm7 c7Ft.,Dm
+Toms fill, CYm. roll
3. THE SONG THAT GOES LIKE THIS
18
Spamalot - Tour
Now we can go straightFlute, Vln, K2,K3: Stgs +
far for me.-
In to the mid-dle eight A bridgeN
-
t | | | |I'ltt-ltlt I!!) 4 +'tJ )
While we both em-braceI'll sing it in your face,=;nt
li, 4 ilJ )
cTsus c7f B, j" w/Gtr. strum's
A7 t.7"lt
Dm c7 (Tamb.w/Tbn.
. out)
Spamalot - Tour
4. THE, SONG THAT GOES LIKE THIS
GMajzl'
Kbd
trBut
Je'very-one can see
Tt ats aw-fullY high for meNow we're
FI, K2, IVln. -t'intoE j
I
-.---.---
(Tpts. outl::=-' nfw/Drums: ttme
+iumu. .N ''
should have staYed in Dthat goes
Jlike
JI4
fi
1
-. D
"/D_^rAnAi -Tor, firr. lyrn 911
feel-ing varY Proud)
I7n,Tpt2 f 'w/Drums: time
stand-ing on mY toes
5. THE SONG THAT GOES LIKE THIS
DENNIS: 35
ing our
Spamalot - Tour
You're sing-ing far too loudIl2+
!t tn" this song goes
IF'_! )
Horn 1 f
that goesSing
{
Em GMajzTOG> mfwiK3
C BmAm
D/E E (Tamb.sub.f Tom fill out)'mp c/D
A
Spamalot - TourKbd
E6. THE SONG THAT GOES LIKE THIS
far too long l'm sure That's the trou-ble with this song)Horn solo 4p
For songG
too
can't b+lieve there's more
K2. Vln 8va (Flt out)
>Drs: Clm. on 'l' (K3. Bs' Cl' out)
on and on and on this
'rpy wlGtr' arq's
Drs. lite time
'"!*#" Ffi ro- r,u,npEsus E+Bs Cl, K2: Tbn.
Kbd.t 7. THE SONG THAT GOES LIKE THIS
DENNIS: so
Spamalot - Tour
LADY:
'lf
w/Drums: time
LADY:
a' 1 C a'+Tbn. J's. w/Bs Cl.K2: Tbn. o 's
wish that you weren't bom Let's
w/Gtr, strum'sfe(Timp. out)
stop this damn re - frain Be Iore we go ln - sane
cfm/Fil
--
[T) M !!
-55-
AJI
songI
waysal
l*
rends
WOMEN:like
ends like
) ) J
Hn, tbn. f: 1I
V
tt .-4 >
7r +Tpt2 >
ai3: >l -'=t,ffof,n > cf'
,rrlS.++l
+;e::Ffisus FfiCfimz
+Timp. to end
Rall.
Kbd.l 8. THE SONG THAT GOES LIKE THIS Spamalot - Tour
(Tbn. out)
L Ffztus
^ D,t
Rfi
-56-
Segue
PATSY:ARTHUR:PATSY:ARTHUR:
The Stage fills with Knighrs.
KNIGHTS:ARTHUR:KNIGHTS:ARTHUR:KNIGHTS:
ARTHUR:KNIGHTS:
ARTHUR:
Oh no you're notSo all alone
I'm here you twot.All by myself I'm all alone
He's all alone!I'm all alone
All by himselfAll by myself
There is no one here beside himHe's all alone
I'm all aloneApart from usNo one to comfort him or guide him
Each one of us is all aloneSo what are we to doIn order to get through?We must be lonely side by sideIt's a perfect way to hide.
We're all aloneWe're all alone
Yes all aloneSo all aloneEach by ourselvesWe're allAlone.
2-9-29
KNIGHTS:ARTHUR:KNIGHTS:ARTHUR:
The Ladv of the Lake descends the stairs.
LADY:
Arthur realizing it was her.
But you're not alone Arthur. Haven't you noticed? I've been
with you all the time. Who gave you the sword, who made you
King, who welcomed you to Camelot, who helped you off on your
quest?
Sure I've been off stage for far too long but I am here to help you
and I always have been.
Patsy, I'm not alone.ARTHUR:
PATSY: No, sir.ARTHUR: The Lady of the Lake has been with me all the time.
z-9_30
LADY: And so has patsy.ARTHUR: Ah, yes but...Patsy's family.LADY: You see, Arthur dear, we're all here to herp each other.ARTHUR: Can you help me put on a Broadway show?LADY: Yes. You're in a Broadway show.Sparkling stage Effect. Arthur looks out at the audience.
ARTHUR: Oh my.LADY: You've been in a Broadway show all the time.ARTHUR: oh. who knew? (To audience) Arethere any Jews here?PATSY: The truth is, Sire, I'm Jewish.ARTHUR: You are?PATSY: Yes, sire, on my mother's side.ARTHUR: Well why didn't you say so?PATSY: well, [t's not the sort of thing you say to a heavily armed
Christian.
ARTHUR: So now what?LADY: well you have to finish the show. It is a musical, so you
have to find the Grail and end with a wedding.
ARTHUR: Well who could I possibly marry?LADY: Well, it would have to be someone who loved you and cared for
you enough to give you a sword, to make you King, to welcome
you to Camelot, to help you off on your quest...
He is a little slow off the mark. Patsy whispers in his ear.
2-9-3r
ARTHUR: You?LADY: Oh. that's an idea.ARTHUR: But I thought you were a fairy.LADY : Oh no, that's Lancelot. Oh you missed that scene. Anyway,
Arthur, I'm as human as you are.
ARTHUR: And you would consent to be my bride?LADY: Are you asking?ARTHUR: Are you saying yes?LADY: Oh Arthur.They embrace. They lean infor a kiss and suddenly turn away to sing.