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Music Theory
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1. Label each seventh chord quality as M7, mi7, Dom7, 7, or 7.
2. Write the indicated seventh chord in root position above the given root.
Dom7 M7 7 7 Dom7 7 M7 mi7
mi7 Dom7 7 mi7 M7 7
3. Write each seventh chord in the key and inversion specified.
F: I ii vii 7 vi V IV6
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g min: i V iv ii III VI76
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MUT1122 Assignment 2 Name: ______________________________
Due Date: Wednesday, September 9 in lecture
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MUT1122 Assignment 2 -- pg. 2 Name: _____________________________
5. Notate the following root-position triads in SATB format using half notes.
4. Label each of the following SATB triads with an appropriate Roman numeral and indicate the inversion
if necessary. In addition, provide the appropriate chord symbol above the staff.
G: vi6 fmi: ______ ebmi: ______ E: ______ B: ______ bbmi: ______ dmi:______ D: ______
Em/G ______ ______ ______ ______ ______ ______ ______
F: V E: IV F#: vi fm: III bbm: VI B: V em: V Bb: iii
6. Provide a Roman numeral analysis below the staff for the following progression. Don't forget to indicate
inversions when necessary.
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MUT1122 Assignment 2 -- pg. 3 Name: ______________________________
7. Complete the following four-part progression by supplying the alto, tenor, and bass voices. Be sure
to use proper voice-leading. Remember that when root-position triads move by 4ths (or 5ths), one
common tone will occur. Also, when root-position triads move by step, the top three voices should
move in contrary motion to the bass to avoid voice-leading issues.
8. Complete the following four-part progression by supplying the alto, tenor, and bass voices. Be sure
to use proper voice-leading. Remember that when root-position triads move by 3rds (or 6ths), two
common tones will occur.
Bb: I IV V I
g min: i VI iv V i
9. Complete the following four-part progression by supplying the alto, tenor, and bass voices. As always,
be sure to use proper voice leading.
Eb: I vi IV V vi IV ii V I
