9
CAPMT Student Evaluations Syllabus 2009 Level 7 – p. 1 LEVEL 7 Complete Requirements Repertoire Three pieces: one from the Baroque Period, one from the Classical Period, one from the Romantic Period or Twentieth Century. Two pieces must be memorized. Anthologies Publisher Alfred Magrath J.: Encore! Books 2 and 3 Masterpieces with Flair! Book 3 FJH Faber: The Developing Artist Piano Literature, Book 4 Piano Sonatinas, Book 4 Harris Celebration Series Perspectives: Piano Repertoire, Level 7; Etudes, Level 7 Kjos Snell, K.: Piano Repertoire, Level 7 Baroque and Classical Romantic and 20 th Century Etudes Selected Sonatinas, Book 3 First Sonata Album Additional Examples Baroque Bach, J. S.: 2 Part Inventions, Nos. 2, 4, 6, 10, 14 Classical Clementi: Sonatinas, Op. 36, No. 4 and Op. 4, No. 1 Romantic Schumann: Album for the Young, Op. 68, Nos. 30 and 35 Scenes from Childhood, Op. 15, Nos. 3, 5, 8 and 12 Album Leaves, Op. 124 20 th Century Kabalevsky: Four Rondos, op. 60, nos. 1, 2 and 3, Easy Variations, op 51, no. 4

LEVEL 7 complete - CAPMT (Home) | California Association … ·  · 2016-06-15CAPMT Student Evaluations Syllabus 2009 Level 7 – p. 1 LEVEL 7 Complete Requirements Repertoire Three

Embed Size (px)

Citation preview

CAPMTStudentEvaluationsSyllabus2009 Level7–p.1

LEVEL 7

CompleteRequirements

Repertoire

Threepieces:onefromtheBaroquePeriod,onefromtheClassicalPeriod,onefromtheRomanticPeriodorTwentiethCentury.Twopiecesmustbememorized.

Anthologies

Publisher

Alfred MagrathJ.:Encore!Books2and3MasterpieceswithFlair!Book3

FJH Faber:TheDevelopingArtist

• PianoLiterature,Book4• PianoSonatinas,Book4

Harris CelebrationSeriesPerspectives:

PianoRepertoire,Level7;Etudes,Level7

Kjos Snell,K.:PianoRepertoire,Level7

• BaroqueandClassical• Romanticand20thCentury• Etudes

SelectedSonatinas,Book3FirstSonataAlbum

AdditionalExamples

Baroque Bach,J.S.:2PartInventions,Nos.2,4,6,10,14

Classical Clementi:Sonatinas,Op.36,No.4andOp.4,No.1

Romantic Schumann:

• AlbumfortheYoung,Op.68,Nos.30and35• ScenesfromChildhood,Op.15,Nos.3,5,8and12• AlbumLeaves,Op.124

20thCentury Kabalevsky:

• FourRondos,op.60,nos.1,2and3,• EasyVariations,op51,no.4

CAPMTStudentEvaluationsSyllabus2009 Level7–p.2

Sight Reading

Sightreadashortmusicalexample,equalindifficultytoaLevel5piece.

Oral Questions

Questionsmaybeaskedaboutmusicaltermsandsignsfoundinthestudent’srepertoire.Inaddition,thestudentshouldknowthestyleperiodrepresentedbyeachpiece,aswellasoneormorefactsaboutthecomposer.Iftherepertoireincludespiecesinbinary,roundedbinary,ternary,orSonataAllegroform,thestudentmaybeaskedtoidentifytheform.

Technique

Scales

BbFDMajorgdbharmonicandmelodicminor

Handstogether4octaves

q =92

Cadences

BbFDMajorgdaminor

I­IV­ii6–V7­Ii–iv–iio6–V7­i

q

ChromaticScale

Beginningonanykey.

Handstogether2octaves

q =92

Four­NoteTonicChordInversions

BbFDMajor

Handstogether.Rootpositionandinversions.Broken.Upfirst,thendown.

DominantSeventhChordInversions(V7)

BbFDMajor(beginonthe5thnoteofthescale)

Handstogether.Rootpositionandinversions.Broken.Upfirst,thendown.

Tonic,DominantSeventh(V7)Arpeggios

BbFDMajor

Handstogether4octaves.

q =72

CAPMTStudentEvaluationsSyllabus2009 Level7–p.3

Terms and Signs

chordaltexture homophonictexture polyphonictexture

canon Invention themeandvariations

non‐harmonictones passingtones upperandlowerneighbors

Albertibass accelerando rallentando

confuoco giocoso grazioso

sempre senza sopra

pesante lento

Composers

Baroque Classical Romantic 20thCentury

Bach Mozart Chopin Bartok

Handel Beethoven Schumann Kabalevsky

Scarlatti Haydn Brahms Prokofiev

Telemann Clementi Grieg Shostakovich

Aural Training/Listening Skills

• Identifythequalityofrootpositionchordsasmajor,minor,augmented,diminished,ordominant7th.

• Identifythetextureofamusicalexampleashomophonic,polyphonic,orchordal.

• Identifyascaleasmajor,naturalminor,harmonicminor,orchromatic.

• Dictation:Writeafourmeasuremelodyin2/4time.

Timesignature,keysignatureandfirstnotewillbegiven.

Intervalswillbenolargerthana5th.

Notevalues:sixteenthnotes,eighthnotes,quarternotes,halfnotes.

CAPMTStudentEvaluationsSyllabus2009 Level7–p.4

Music Literacy

Thestudentisresponsibleforallterms,signs,andconceptsfrompreviouslevels.

• Writeanymajorscaleanditsrelativeharmonicormelodicminorscale.

• Writethecircleoffifths,includingenharmonickeys.

• Writeoridentifydominant7th(V7)chordsinallpositions.Labelthemwithfiguredbass.

• Reducea4notechordinopenposition(atriadwithonenotedoubled)toa3note

triadincloseposition.

Example:

• Identifypassingtonesand/orupperandlowerneighborsinamusicalexample.

• Writeoridentifyaugmentedordiminishedintervalsaboveagivennote.

• Matchmusicalstyleperiodswithcomposers.

• Matchtermsandsignstotheirdefinitions.

• Locateappearancesofthemaintheme(subject)andidentifythetonalityofcadencesinaBachInvention.

• Identifythetextureofamusicalexampleashomophonic,polyphonic,orchordal.

• Scoreanalysis:Questionswillinvolveconceptsfromthisandearlierlevels.

CAPMTStudentEvaluationsSyllabus2009 Level7–p.5

Level 7 Sample Written Test

Scales ____(4pts.)

WritetheAbmajorscaleanditsrelativemelodicminor.

Intervals ____(5pts.)

Writetheindicatedintervalabovethegivennote.

diminished5th augmented4th augmented3rddiminished6th diminished7th

Composers ____(6pts.)

Matchthecomposerwiththeappropriatemusicalperiod.Write“B”forBaroque,“C”forClassical,“R”forRomanticor“T”forTwentiethCentury.

___Shostakovich ___Brahms___Grieg ___Haydn___Telemann ___Prokofiev

Matching ____(11pts.)

___confuoco a.above;right(orlefthand)abovetheother

___accelerando b.without

___pesante c.graduallygettingfaster

___lento d.humorous,playful

___canon e.always

___senza f.graceful

___sopra g.inaheavy,firmmanner

___rallentando h.slow

___giocoso i.withfire

___grazioso j.graduallyslowinginspeed

___sempre k.polyphonyinwhichonepartoverlapsanotherplayingthe samemelody

CAPMTStudentEvaluationsSyllabus2009 Level7–p.6

Circle of Fifths ___(12pts.)

CompletetheMajorandminorcircleoffifths,includingenharmonickeys.

C

Chord Reduction ____(3pts.)

Reducethegivenchordtoathree‐notechordwiththenotesspacedascloselyaspossible,usingthegivennoteasthelowestnote.

(example)

Dominant Sevenths ____(4pts.)

WriteadominantseventhchordinallfourpositionsinthekeyofEMajor,usingakeysignature.LabeleachchordwithRomannumeralsandfiguredbass.

____________________________________________________

a

CAPMTStudentEvaluationsSyllabus2009 Level7–p.7

Musical Excerpt ____(4pts.)

• Namethelefthandaccompanimentpatterninmeasure1.____________________

• Namethecirclednon‐harmonictonesinmeasure2.

A______________________________________B____________________________________________

• Whatisthetextureofthemusic?___homophonic ___polyphonic

Score Analysis ____(12pts.)

ThefollowingquestionsrefertothemusicalexampleInvention7byBach.

• Identifythefollowingkeyareas:

a)Thebeginningkeyofthepiece__________________________

b) Thekeyofthecadenceinmeasures6‐7____________________

c) Thekeyofthecadenceinmeasure9_______________________

d) Thekeyofthecadenceinmeasure23______________________

c)Thekeyareafrommeasure11tothemiddleofmeasure13________

• Whatisthetextureofthemusic?___homophonic ___polyphonic

• Namethecompositionaldeviceusedinthebassclefofmeasures13‐14.___________

• Nametheornamentinmeasure1.__________

• Nametheornamentinmeasure2.________________

• Inthemusicalexample,markthreeormoreentrancesoftheopeningthemeorsubject,usingtheletterT.

59Possiblepoints _____Studentpoints

CAPMTStudentEvaluationsSyllabus2009 Level7–p.8

Invention7

CAPMTStudentEvaluationsSyllabus2009 Level7–p.9