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8/10/2019 Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)
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LIEDERBUCH
FUR
GITARRE
8/10/2019 Liederbuch (Hervorragend 160 Seiten Hinten Mit Index)
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3
Inhaltsverzeichnis
All My Loving (The Beatles) . . . . . . . . . . . . . . . . . . . . . . 8
I Want to Hold Your Hand (The Beatles) . . . . . . . . . . . . . . . 9
And I Love Her (The Beatles) . . . . . . . . . . . . . . . . . . . . . 10
Eight Days a Week (The Beatles) . . . . . . . . . . . . . . . . . . . 11
Help! (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Norwegian Wood (The Beatles) . . . . . . . . . . . . . . . . . . . . 14
Girl (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
In My Life (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . 16
Eleanor Rigby (The Beatles) . . . . . . . . . . . . . . . . . . . . . . 17
Yellow Submarine (The Beatles) . . . . . . . . . . . . . . . . . . . . 18
A Day in the Life (The Beatles) . . . . . . . . . . . . . . . . . . . . 19
I am the Walrus (The Beatles) . . . . . . . . . . . . . . . . . . . . . 20
Strawberry Fields forever (The Beatles) . . . . . . . . . . . . . . . 22
Hey Jude (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . 24
The Continuing Story of Bungalow Bill (The Beatles) . . . . . . . . 26
Happiness is a Warm Gun (The Beatles) . . . . . . . . . . . . . . . 27
Rocky Raccoon (The Beatles) . . . . . . . . . . . . . . . . . . . . . 28
Come Together (The Beatles) . . . . . . . . . . . . . . . . . . . . . 29
Maxwells Silver Hammer (The Beatles) . . . . . . . . . . . . . . . 30
Let it be (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . 32
Get back (The Beatles) . . . . . . . . . . . . . . . . . . . . . . . . . 33
The Gnome (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . 34
Fearless (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Time (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Brain Damage (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . 38
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4 INHALTSVERZEICHNIS
Welcome to the Machine (Pink Floyd) . . . . . . . . . . . . . . . . 39
Wish You were here (Pink Floyd) . . . . . . . . . . . . . . . . . . . 40
Another Brick in the Wall (Pink Floyd) . . . . . . . . . . . . . . . . 41
Mother (Pink Floyd) . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Comfortably Numb (Pink Floyd) . . . . . . . . . . . . . . . . . . . 44
The Sounds of Silence (Simon & Garfunkel) . . . . . . . . . . . . . 46
Mrs. Robinson (Simon & Garfunkel) . . . . . . . . . . . . . . . . . 48
The Boxer (Simon & Garfunkel) . . . . . . . . . . . . . . . . . . . . 50
Its Good to be King (Tom Petty) . . . . . . . . . . . . . . . . . . . 52
Hard on Me (Tom Petty) . . . . . . . . . . . . . . . . . . . . . . . 54
Blowin in the Wind (Bob Dylan) . . . . . . . . . . . . . . . . . . . 56
Knockin on Heavens Door (Bob Dylan) . . . . . . . . . . . . . . . 57
Father and Son (Cat Stevens) . . . . . . . . . . . . . . . . . . . . . 58
Morning has Broken (Cat Stevens) . . . . . . . . . . . . . . . . . . 59
Field of Mars (The Church) . . . . . . . . . . . . . . . . . . . . . . 60
Secret Corners (The Church) . . . . . . . . . . . . . . . . . . . . . 61
Lola (The Kinks) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Hotel California (Eagles) . . . . . . . . . . . . . . . . . . . . . . . . 64
Sex and Candy (Marcy Playground) . . . . . . . . . . . . . . . . . 66
House of the Rising Sun (Animals) . . . . . . . . . . . . . . . . . . 68
Lady in Black (Uriah Heep) . . . . . . . . . . . . . . . . . . . . . . 70
The Universal Soldier (Donovan) . . . . . . . . . . . . . . . . . . . 72
Where have all the Flowers Gone? (Peter, Paul & Mary) . . . . . . 74
Suzanne (Leonard Cohen) . . . . . . . . . . . . . . . . . . . . . . . 76
Seasons in the Sun (Terry Jacks) . . . . . . . . . . . . . . . . . . . 78
Streets of London (Ralph McTell) . . . . . . . . . . . . . . . . . . . 80
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INHALTSVERZEICHNIS 5
Dust in the Wind (Kansas) . . . . . . . . . . . . . . . . . . . . . . 82
The One I Love (R.E.M.) . . . . . . . . . . . . . . . . . . . . . . . 83
Angie (The Rolling Stones) . . . . . . . . . . . . . . . . . . . . . . 84
Nights in White Satin (The Moody Blues) . . . . . . . . . . . . . . 85
When a Blind Man Cries (Deep Purple) . . . . . . . . . . . . . . . 86
Marooned (Wire) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Venus (Shocking Blue) . . . . . . . . . . . . . . . . . . . . . . . . . 88
Killing Me Softly with his Song (Roberta Flack) . . . . . . . . . . . 89
Sailing (Rod Stewart) . . . . . . . . . . . . . . . . . . . . . . . . . 90
Teach Your Children (Crosby, Stills, Nash & Young) . . . . . . . . 91
Throw down the Sword (Wishbone Ash) . . . . . . . . . . . . . . . 92
Two oClock (F. Rainer Bechtold) . . . . . . . . . . . . . . . . . . . 93
Ick heff mol en Hamburg en Veermaster sehn . . . . . . . . . . . . 94
What shall We do with the Drunken Sailor? . . . . . . . . . . . . . 96
Go down, Moses! . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
O Tannenbaum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Lat uns froh und munter sein . . . . . . . . . . . . . . . . . . . . . 100
Kling, Glockchen, klingelingeling . . . . . . . . . . . . . . . . . . . 101
Schneeflockchen, Weirockchen . . . . . . . . . . . . . . . . . . . . 102
Schneeflockchen, Weirockchen . . . . . . . . . . . . . . . . . . . . 103
Leise rieselt der Schnee . . . . . . . . . . . . . . . . . . . . . . . . . 104
Alle Jahre wieder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Ihr Kinderlein, kommet . . . . . . . . . . . . . . . . . . . . . . . . 106
Ihr Kinderlein, kommet . . . . . . . . . . . . . . . . . . . . . . . . 107
O du frohliche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Stille Nacht, heilige Nacht! . . . . . . . . . . . . . . . . . . . . . . . 109
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6 INHALTSVERZEICHNIS
Dicke (Marius Muller-Westernhagen) . . . . . . . . . . . . . . . . . 110
Gru mir die Genossen (Marius Muller-Westernhagen) . . . . . . . 112
Ja, so warn s die alten Rittersleut (Karl Valentin) . . . . . . . . . . 114
Ja, so warn s die alten Rittersleut . . . . . . . . . . . . . . . . . . 116
Aloha Heja He (Achim Reichel) . . . . . . . . . . . . . . . . . . . . 118
Aloha Heja He . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Mein kleiner gruner Kaktus (Comedian Harmonists) . . . . . . . . 122
Straen unserer Stadt (Christian Heilburg) . . . . . . . . . . . . . . 124
Und keiner soll sagen . . . (Willy Millowitsch) . . . . . . . . . . . . . 126
Wie schon, da du geboren bist (Rolf Zuckowski) . . . . . . . . . . 128
Kinder (Bettina Wegener) . . . . . . . . . . . . . . . . . . . . . . . 130
Sieben Tage lang (Bots) . . . . . . . . . . . . . . . . . . . . . . . . 131
Marmor, Stein und Eisen (Drafi Deutscher) . . . . . . . . . . . . . 132
Yenawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Die Affen rasen durch den Wald . . . . . . . . . . . . . . . . . . . . 134
Lustig ist das Zigeunerleben . . . . . . . . . . . . . . . . . . . . . . 136
Bolle reiste jungst zu Pfingsten . . . . . . . . . . . . . . . . . . . . 138
Pizza-Blues (Christof Schardt) . . . . . . . . . . . . . . . . . . . . . 140
Raucherhusten-Blues . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Microsoft-Blues (Hartmut Henkel) . . . . . . . . . . . . . . . . . . 143
Wickie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Das Urmel-Lied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
O du lieber Augustin . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Auf einem Baum ein Kuckuck sa . . . . . . . . . . . . . . . . . . . 147
Sabotage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Otto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
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INHALTSVERZEICHNIS 7
Bruder Jakob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Creutzfeldt-Jakob (Elmar Horig) . . . . . . . . . . . . . . . . . . . 151
Negeraufstand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Scheie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Gitarren-Griffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
CD-Verzeichnis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
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8
All My Loving (The Beatles)
Close youraeyes and Ill k
D7iss you,
tomGorrow Ill m
eiss you,
remCember Ill
aalways be tr
Fue.
And then wh
a
ile Im aw
D7
ay,
Ill write hGome evry d
eay,
and Ill sCend all my l
D7
oving to yGou.
Ill pret
a
end that Im k
D7
issing
the lGips I am m
eissing
and hCope that my dr
aeams will come tr
Fue.
And then whaile Im aw
D7
ay,
Ill write hGome evry deay,
and Ill sCend all my l
D7
oving to yGou.
All my leoving
H7
I will sH+
end to yGou.
All my leoving, dH
7
arling, H
+
Ill be trGue.
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9
I Want to Hold Your Hand (The Beatles)
GOh yeh,
CIll tell you s
Gomething,
aI think youll underst
eand.
ThenCIll say that s
Gomething,
aI wanna hold your h
eand.
FI wanna h
Gold your h
Cand,
a FI wanna h
Gold your h
Cand.
GOh pl
Cease, say to m
Ge,
ayoull let me be your m
ean.
And plCease, say to m
Ge,
ayoull let me hold your h
eand.
FNow let me h
Gold your h
Cand,
a FI wanna h
Gold your h
Cand.
g7
And when I tC7
ouch you I feel hFappy ins
dide.
g7
Its such a fC7
eeling that my lFove I cant h
Gide.
FI cant h
Gide,
FI cant h
Gide.
GOh y
Cou got that s
Gomething,
aI think youll underst
eand.
WhenCI feel that s
Gomething,
aI wanna hold your h
eand.
FI wanna h
Gold your h
Cand,
a FI wanna h
Gold your h
Cand.
g7
And when I tC7
ouch you I feel hFappy ins
dide.
g7
Its such a f
C7
eeling that my l
F
ove I cant h
G
ide.FI cant h
Gide,
FI cant h
Gide.
GOh y
Cou got that s
Gomething,
aI think youll underst
eand.
WhenCI feel that s
Gomething,
aI wanna hold your h
eand.
FI wanna h
Gold your h
Cand,
a FI wanna h
Gold your h
Eand.
FI wanna hGold your hFand. C
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10
And I Love Her (The Beatles)
aI give her
eall my love,
athats all I d
eo,
aand if you s
eaw my love,
C
youd love her t
D7
oo, I l
G
ove her.
aShe gives me
eevrything,
aand tenderl
ey,
a
the kiss my l
e
over brings,Cshe brings to m
D7
e, and I lGove her.
eA love like
hours
ecould never d
hie
eas long as
hI have you n
D7
ear me.
aBright are the st
ears that shine,
adark is the sk
ey,
aI know this l
eove of mine
Cwill never d
D7ie, and I l
Gove her.
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11
Eight Days a Week (The Beatles)
COoh I need your l
D7
ove babe, gFuess you know its tr
Cue.
CHope you need my l
D7
ove babe, jFust like I need y
Cou.
Haold me, l
Fove me, h
aold me, l
D7
ove me.
CAint got nothin but l
D7
ove babe,Feight days a w
Ceek.
CLove you evry d
D7
ay girl,Falways on my m
Cind.
COne thing I can s
D7
ay girl, lFove you all the t
Cime.
Haold me, l
Fove me, h
aold me, l
D7
ove me.
CAint got nothin but l
D7
ove girl,Feight days a w
Ceek.
GEight days a week I l
aove you.
D7
Eight days a week is nFot enough to sh
G7
ow I care.
COoh I need your l
D7ove babe, g
Fuess you know its tr
Cue.
CHope you need my l
D7
ove babe, jFust like I need y
Cou.
Haold me, l
Fove me, h
aold me, l
D7
ove me.
CAint got nothin but l
D7
ove babe,Feight days a w
Ceek.
G
Eight days a week I l
a
ove you.
D7
Eight days a week is n
F
ot enough to sh
G7
ow I care.
CLove you evry d
D7
ay girl,Falways on my m
Cind.
COne thing I can s
D7
ay girl, lFove you all the t
Cime.
Haold me, l
Fove me, h
aold me, l
D7
ove me.
CAint got nothin but l
D7
ove girl,Feight days a w
Ceek.
FEight days a w
Ceek.
FEight days a w
Ceek.
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12
Help! (The Beatles)
GWhen I was younger, so much y
hounger than today,
eI never needed anybodys h
Celp in
Fany w
Gay.
GBut now these days are gone, Im n
hot so self assured.
e
Now I find Ive changed my mind, Ive
C
opened
F
up the d
G
oors.
aHelp me if you can, Im feeling down.
And I dFo appreciate you being round.
H
D
elp me get my feet back on the ground.
Wont you plGease, please, help me?
GAnd now my life has changed in,
hoh, so many ways,
e
my independence seems to v
C
anish
F
in the h
G
aze.GBut evry now and then I f
heel so insecure,
eI know that I just need you like Ive n
Cever d
Fone bef
Gore.
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Help! (The Beatles) 13
aHelp me if you can, Im feeling down.
And I dFo appreciate you being round.
HDelp me get my feet back on the ground.
Wont you plGease, please, help me?
GWhen I was younger, so much y
hounger than today,
eI never needed anybodys h
Celp in
Fany w
Gay.
GBut now these days are gone, Im n
hot so self assured.
e
Now I find Ive changed my mind, Ive
C
opened
F
up the d
G
oors.
aHelp me if you can, Im feeling down.
And I dFo appreciate you being round.
H
D
elp me get my feet back on the ground.
Wont you plGease, please, help me?
eHelp me! Help m
Ge! Oo!
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14
Norwegian Wood (This Bird has Flown) (The Beatles)
DI once had a girl, or should I say, sh
Ce once had m
De.
ShDe showed me her room, isnt it good, N
Corwegian w
Dood?
Shedasked me to stay and she told me to sit anywh
Gere.
SodI looked around and I noticed there wasnt a ch
Gair.
A
DI sat on a rug, biding my time, dr
Cinking her w
Dine.
WDe talked until two, and then she said,
CIts time for b
Ded.
She tdold me she worked in the morning and started to l
Gaugh.
I tdold her I didnt and crawled off to sleep in the b
Gath.
A
D
And when I awoke, I was alone, th
C
is bird had fl
D
own.
SDo I lit a fire, isnt it good, N
Corwegian w
Dood?
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15
Girl (The Beatles)
Is there
a
anybody goin to listen to my story,dall about the girl who came to st
aay?
EShes the k
aind of girl you want so much it makes you sorry.
Stdill, you dont regret a single d
aay.
FAh, g
Cirl!
d7 G7
GCirl!
d7 G7
When I thaink of all the times Ive tried so hard to leave her,
shde will turn to me and start to cr
ay.
EAnd she pr
aomises the earth to me and I believe her,
dafter all this time I dont know wh
ay.
F
Ah, g
C
irl!
d7 G7
G
C
irl!
d7 G7
Shdes the kind of girl who puts you d
A7
own when friends are there,
you feel a fdool.
A7
Whden you say shes looking good, she
A7
acts as if its understood,
shes cdool, cool, cool, cool.
GCirl!
d7
G7
GCirl!
d7
G7
Was she taold when she was young that fame would lead to pleasure?
Ddid she understand it when they s
aaid,
Ethat a m
aan must break his back to earn his day of leisure?
Wdill she still believe it when hes d
aead?
FAh, g
Cirl!
d7 G7
GCirl!
d7 G7
GCirl!
d7 G7
GCirl!
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16
In My Life (The Beatles)
There are pl
A
aces Ill rem
f
emberA7
all my lDife,
dthough s
Aome have changed,
some forever, not for bfetter,
A7
some have gDone
dand s
Aome remain.
All these plfaces had their m
Doments
with l
G
overs and friends I st
A
ill can recall,
some are dfead and some are l
H7
iving,
in mDy l
dife Ive l
Aoved them all.
EBut of
Aall these friends and l
fovers,
A7
there is nDo
done comp
Aares with you,
and these memries lose their mf
eaning,
A7
when I thDink of l
dove as s
Aomething new.
Though I knfow Ill never lose aff
Dection
for pGeople and things that w
Aent before,
I knfow Ill often stop and think ab
H7
out them,
in mDy l
dife Ill l
Aove you more.
EThough I kn
fow Ill never lose aff
Dection
for pGeople and things that w
Aent before,
I knfow Ill often stop and think ab
H7
out them,
in mDy l
dife Ill l
Aove you more.
EIn my life Ill love you m
Aore.
E A
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17
Eleanor Rigby (The Beatles)
CAh, look at all the lonely peeople!
CAh, look at all the lonely p
eeople!
eEleanor Rigby picks up the rice in the church where a wedding has
bCeen, lives in a dr
eeam, waits at the window, wearing the face that she
keeps in a jar by the dCoor. Who is it f
eor?
e7
All the lonely pe6
eople, where dCo they all come fr
eom?
e7
All the lonely pe6
eople, where dCo they all bel
eong?
Feather McKenzie writing the words of a sermon that no one will h
Cear.
No one comes neear. Look at him working, darning his socks in the night
when theres nobody thCere. What does he c
eare?
e7
All the lonely pe6
eople, where dCo they all come fr
eom?
e7
All the lonely pe6
eople, where dCo they all bel
eong?
eEleanor Rigby died in the church and was buried along with her n
Came.
Nobody ceame. Father McKenzie wiping the dirt from his hands as he
walks from the grCave. No one was s
eaved.
e7
All the lonely pe6
eople, where dCo they all come fr
eom?
e7
All the lonely pe6
eople, where dCo they all bel
eong?
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18
Yellow Submarine (The Beatles)
In the tGown, where FI was bCorn, laived a mdan, who sFailed to sGea.
CAnd he t
Gold us
Fof his l
Cife
ain the l
dand of s
Fubmar
Gines.
SCo we s
Gailed up t
Fo the s
Cun, t
aill we f
dound the s
Fea of gr
Geen.
CAnd we l
Gived ben
Feath the w
Caves
ain our y
dellow s
Fubmar
Gine.
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
CAnd our fr
Giends are
Fall on b
Coard, m
aany m
dore of them l
Five next d
Goor.
CAnd the bGand begFins to plCay: a d7
G7
C
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
C
As we l
G
ive a l
F
ife of
C
ease,
a
evry
d
one of us has
F
all we n
G
eed.
SkCy of bl
Gue and s
Fea of gr
Ceen
ain our y
dellow s
Fubmar
Gine.
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
WCe all live in a y
Gellow submarine, y
Gellow submarine, y
Cellow submarine.
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19
A Day in the Life (The Beatles)
GI read the n
hews today, oh b
eoy,
Cabout a l
eucky man who m
aade the grade.
GAnd though the n
hews was rather s
ead,
Cwell, I just h
Fad to l
eaugh.
CI saw the ph
Fotogr
eaph.
C
GHe blew his m
hind out in a c
ear.
CHe didnt n
eotice that the l
aights had changed.
GA crowd of p
heople stood and st
eared,
Ctheyd seen his f
Face bef
eore.
Neobody was really sure if he was from the House of L
Cords.
GI saw a f
hilm today, oh b
eoy.
CThe English
earmy had just w
aon the war.
GA crowd of p
heople turned aw
eay,
Cbut I just h
Fad to l
eook.
eHaving read the b
Cook, Id love to t
hurn y
Gou
eon.
GI heard the n
hews today, oh b
eoy,
Cfour thousand h
eoles in Blackburn L
aancashire.
GAnd though the h
holes were rather sm
eall,
Cthey had to c
Fount them
eall.
N
e
ow they know how many holes it takes to fill the Albert H
C
all.
Id love to thurn y
Gou
eon.
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20
I am the Walrus (The Beatles)
AI am he as y
A7ou are he as
yCou are me and w
De are
Eall tog
Aeth
A7
er.
SCee how they run like pigs from a gun, see h
Dow they fly,
Im cr
A
ying.
SAitting on a cornfl
A7
akeD
wFaiting for the v
Gan to c
Aome.
A7
CForporation tea shirt, stupid bloody Tuesday.
MHan, you been a naughty boy, you let your face grow long.
I am theCeggman, they are the
Deggman,
I am the wEalrus, goo goo g joob.
MAister City plA
7
iceman sitting
prCetty little pl
Diceman
Ein a r
Aow.
A7
SCee how they fly like Lucy in the sky, see h
Dow they run,
Im crAying.
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I am the Walrus (The Beatles) 21
YAellow matter c
A7
ustardD
drFipping from a d
Gead dogs
Aeye.
A7
CrFabalocker fishwife pornographic priestess.
BHoy, you been a naughty girl, you let your knickers down.
I am the
C
eggman, they are the
D
eggman,
I am the wEalrus, goo goo g joob.
AExpert texpert ch
A7
oking smokers
d
C
ont you think the j
D
oker l
E
aughs at y
A
ou?
A7
SCee how they smile like pigs in the sty, see h
Dow they snied,
Im crAying.
SAemolina P
A7
ilchardsD
clFimbing up the
GEiffel T
Aower.
A7
FElementry penguin singing Hare Krishna.
MHan, you should have seen them kicking Edgar Allen Poe.
I am theCeggman, they are the
Deggman,
I am the wEalrus, goo goo g joob.
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22
Strawberry Fields forever (The Beatles)
CLet me take you down cause Im goin t
g7o strawberry fields.
A7
Nothing is real, and nFothing to get h
A7
ung about
strFawberry fields for
Cever.
L
G
iving is
h
easy with
G7
eyes closed.
E7
aMisunderstanding all you s
Fee.
Its getting hG7
ard to be someCone, but it all works
aout,
Fit doesnt m
Gatter much to m
Fe.
C
CLet me take you down cause Im goin t
g7
o strawberry fields.
A7
Nothing is real, and nFothing to get h
A7
ung about
strFawberry fields for
Cever.
NGo one, I th
hink, is in m
G7
y tree.E7
aI mean, it must be high or l
Fow.
That is, you knG7
ow, you cant tuneCin, but its all r
aight,
Fthat is, I th
Gink, its not too b
Fad.
C
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Strawberry Fields forever (The Beatles) 23
CLet me take you down cause Im goin t
g7
o strawberry fields.
A7Nothing is real, and n
Fothing to get h
A7ung about
strFawberry fields for
Cever.
GAlways kn
how, somet
G7
imes thinkE7
its me.
B
a
ut you know and I know and its a dr
F
eam.
I think, I knG7
ow of thee, ah, yCes, but its all wr
aong,
Fthat is, I th
Gink, I disagr
Fee.
C
C
Let me take you down cause Im goin t
g7
o strawberry fields.A7
Nothing is real, and nFothing to get h
A7
ung about
strFawberry fields for
Cever.
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24
Hey Jude (The Beatles)
Hey JGude, dont make it bDad,
take a sD7
ad song and make it bGetter.
RemCember to let her into your h
Geart,
then you can st
D7
art to make it b
G
etter.
Hey JGude, dont be afr
Daid,
you were mD7
ade to go out and gGet her.
The mCinute you let her under your sk
Gin,
then you begD7in to make it b
Getter.
G7
And any time you feel the pCain, hey Jude, refr
a7
ain,
dont carry the wD7
orld upon your shGoulders.
G7
For now you know, that its a fCool, who plays it ca7
ool
by making his wD7
orld a little cGolder.
Da da da dG7
a da, da da dD7
a da.
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Hey Jude (The Beatles) 25
Hey JGude, dont let me d
Down,
you have fD7ound her, now go and g
Get her.
RemCember to let her into your h
Geart,
then you can stD7
art to make it bGetter.
G7So let it out and let it
Cin, hey Jude, beg
a7in,
youre waiting for sD7
omeone to perfGorm with.
G7
And dont you know, that its just yCou, hey Jude, youll d
a7
o,
the movement you n
D7
eed is on your sh
G
oulder.
Da da da dG7
a da, da da dD7
a da.
Hey JGude, dont make it b
Dad,
take a sD7
ad song and make it bGetter.
RemCember to let her under your sk
Gin,
then youll begD7
in to make it bGetter,
better, better, better, better, better, oh.
DGa da da dFa-da-da-da, dCa-da-da-da, hey JGude.
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26
The Continuing Story of Bungalow Bill (Beatles)
HCey, B
G7
ungalow BCill, wh
fat did you k
Cill, B
fungalow B
G7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
He waent out tiger h
Cunting with his
Felephant and gun,
G
ain case of
Caccidents, he
Falways took his mom.
G
Hes theEAll American b
Gullet headed S
aaxon mothers s
fon.
All the children sing: HCey, BG7
ungalow BCill, whfat did you kCill, Bfungalow BG7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
aDeep in the j
Cungle where the m
Fighty tiger lies,
G
aBill and his
Celephants were t
Faken by surprise.
G
ESo Captain M
Garvel zapped him r
aight between the
feyes.
All the children sing: HCey, B
G7
ungalow BCill, wh
fat did you k
Cill, B
fungalow B
G7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
aThe children
Casked him if to k
Fill was not a sin,
G
aNot when he l
Cooked so fierce, his m
Fother butted in.
G
E
If looks could k
G
ill it would have been
a
us instead of h
f
im.
All the children sing: HCey, B
G7
ungalow BCill, wh
fat did you k
Cill, B
fungalow B
G7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
HCey, B
G7
ungalow BCill, wh
fat did you k
Cill, B
fungalow B
G7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
H
C
ey, B
G7
ungalow B
C
ill, wh
f
at did you k
C
ill, B
f
ungalow B
G7
ill?
HAey, B
E7
ungalow BAill, wh
dat did you k
Aill, B
dungalow B
Eill?
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27
Happiness is a Warm Gun (The Beatles)
Shes naot a girl who meisses much,
ado do do do do dooo,
eoh yeah!
dShes well acquainted with the touch of the velvet hand
like a lizard on a waindow pane.
The m
d
an in the crowd with the multicolored mirrors
on his haobnail boots,
ldying with his eyes while his hands are busy working
aovertime,
da soap impression of his wife which he ate and donated
to the Naational Trust.
A7
A7
I need a fix cause Im going down, down to the bits that I left up town.
CI need a fix cause Im g
A7
oing down.
MA7
other Superior jCump the gun, M
A7
other Superior jG7
ump the gun.
M
A7
other Superior j
Cump the gun, M
A7
other Superior j
G7
ump the gun.
MA7
other Superior jCump the gun, M
A7
other Superior jG7
ump the gun.
CHappin
aess is a w
Farm gun!
G7 CHappin
aess is a w
Farm gun!
G7
CHappin
aess is a w
Farm gun!
G7 CHappin
aess is a w
Farm gun!
G7
fHappiness is a warm, yes it is, g
Cun!
a F G7 C a F G7 C
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28
Rocky Raccoon (The Beatles)
a
Raocky Raccoon checked
D7
into his roomG7
only to find Gideons BCible.
Raocky had come equ
D7
ipped with a gun to shG7
oot off the legs of his rCival.
His ra7
ival it seems had brD7
oken his dreams by stG7
ealing the girl of his fCancy.
Her na7
ame was Magill, she cD7
alled herself Lil, butG7
evryone knew her as NCancy.
Now shae and her man who c
D7
alled himself Dan wereG7
in the next room at the hCoedown.
Raocky burst in and gr
D7
inning a grin, he said, DG7
anny Boy, this is a shCowdown.
But Da7
aniel was hot, he drD7
ew first and shot and RG7
ocky collapsed in the cCorner.
Now the daoctor came in st
D7
inking of gin and procG7
eeded to lie on the tCable.
He said, R
a7
ocky you met your match. And Rocky said, D
D7
oc, its only a scratch,
and Ill be bG7
etter, Ill be better Doc, as soon as I amCable.
Now Raocky Raccoon, he fell b
D7
ack in his roomG7
only to find Gideons BCible.
Gaideon checked out and he l
D7
eft it no doubt to hG7
elp with good Rockys revCival.
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29
Come Together (The Beatles)
Hdere come old flat top, he come grdooving up slowly, he got Jdoo Joo
eyeball, he one hdoly roller, he got
A7
hair down to his knee.
GG7
ot to be a joker, he just do what he please.d
Hde wear no shoeshine, he got t
doe jam football, he got m
donkey finger,
he shoot cdoca cola, he say
A7
I know you, you know me.
G7
One thing I can tell you is you got to be free.
Come toghether, right n
Gow,
Aover m
de.
H
d
e bag production, he got w
d
alrus gumboot, he got
d
O-no sideboard,
he one spdinal cracker, he got
A7
feet down below his knee.
HG7
old you in his armchair, you can feel his disease.
Come toghether, right n
Gow,
Aover m
de.
Hde roller coaster, he got
dearly warning, he got M
duddy Water,
he one Mdo-jo filter, he say
A7
One and one and one is three.
GG7
ot to be good looking cause hes so hard to see.
Come toghether, right n
Gow,
Aover m
de.
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30
Maxwells Silver Hammer (The Beatles)
JDoan was quizzical, stH7
udied pataphysical sceience in the home,
lA7
ate nights all alone with a test tube,Doh, oh, oh,
A7
oh.
MDaxwell Edison, m
H7
ajoring in medicine, cealls her on the phone,
cA7
an I take you out to the pictures, JDo-o-o-o
A7
an?
But,
E7
as shes getting ready to go, a kn
A7
ock comes on the door:
BDang! Bang! Maxwells silver hammer came d
E7
own upon her head.
ClA7
ang! Clang! Maxwells silver hammer made seure, that sh
A7
e was dDead.
B
D
ack in school again, M
H7
axwell plays the fool again,
teeacher gets annoyed,
wA7
ishing to avoid an unpleasant scDe-e-e-
A7
ene.
ShDe tells Max to stay, wh
H7
en the class has gone away,
seo, he waits behind,
wrA7iting fifty times I must not be s
Do-o-o-
A7o.
But, whE7
en she turns her back on the boy, he crA7
eeps up from behind:
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Maxwells Silver Hammer (The Beatles) 31
BDang! Bang! Maxwells silver hammer came d
E7
own upon her head.
ClA7
ang! Clang! Maxwells silver hammer made seure, that sh
A7
e was dDead.
DP. C. Thirty-One, s
H7
aid, Weve caught a dirty one,
Meaxwell stands alone,
pA7
ainting testimonial pictures,Doh, oh, oh,
A7
oh.
RDose and Valerie, scr
H7
eaming from the gallery, seay he must go free,
the jA7
udge does not agree, and he tells them sDo-o-o-
A7
o.
But,E7
as the words are leaving his lips, a nA7
oise came from behind:
B
D
ang! Bang! Maxwells silver hammer came d
E7
own upon his head.
ClA7
ang! Clang! Maxwells silver hammer made seure, that h
A7
e was dDead.
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32
Let it be (The Beatles)
When I fCind myself in t
Gimes of trouble, M
aother Mary c
Fomes to me,
spCeaking words of w
Gisdom, let it b
Fe.
e D C
AndCin my hour of d
Garkness, she is st
aanding right in fr
Font of me,
spCeaking words of w
Gisdom, let it b
Fe.
e D C
Let it bae, let it b
Ge, let it b
Fe, let it b
Ce,
whisper words of wGisdom, let it b
Fe.
e D C
And whCen the broken h
Gearted people l
aiving in the w
Forld agree,
thCere will be an
Ganswer, let it b
Fe.
e D C
For thCough they may be p
Garted, there is st
aill a chance, that th
Fey will see,
th
C
ere will be an
G
answer, let it b
F
e.
e D C
Let it bae, let it b
Ge, let it b
Fe, let it b
Ce,
there will be anGanswer, let it b
Fe.
e D C
And whCen the night is cl
Goudy, there is st
aill a light, that sh
Fines on me,
sh
C
ine until tom
G
orrow, let it b
F
e.
e D C
I wCake up to the s
Gound of music, M
aother Mary c
Fomes to me,
spCeaking words of w
Gisdom, let it b
Fe.
e D C
Let it bae, let it b
Ge, let it b
Fe, let it b
Ce,
whisper words of wGisdom, let it b
Fe.
e D C
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33
Get back (The Beatles)
A
G DJ
Ao Jo was a man who thought he was a loner,
bDut he knew it couldnt l
Aast.
J
A
o Jo left his home in Tucson, Arizona,
fDor some California gr
Aass.
GG
Det b
Aack! Get back! Get b
Dack to where you once bel
Aonged.
GG
Det b
Aack! Get back! Get b
Dack to where you once bel
Aonged.
G DSw
Aeet Loretta Martin thought she was a woman,
bDut she was another m
Aan.
AAll the girls around her say shes got it coming,
bDut she gets it while she c
Aan.
GG
Det b
Aack! Get back! Get b
Dack to where you once bel
Aonged.
GG
Det b
Aack! Get back! Get b
Dack to where you once bel
Aonged.
G D A
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34
The Gnome (Pink Floyd)
G D G D G D G D
I wDant to t
Aell you a st
Dory bout a l
Cittle m
Aan,
Cif I c
Aan.
A gnDome named Cr
Aimble-Cr
Domble, a l
Cittle gn
Aome stay
Cin their h
Aomes,
Geat
Ding, sl
Beep
Cing, dr
Fink
Cing th
Aeir w
Dine.
He wDore a sc
Aarlet t
Dunic, a bl
Cue green h
Aood, it l
Cooked quite g
Aood.
He hDad a b
Aig adv
Denture, a m
Cist of gr
Aass, fresh
Cair at l
Aast,
wGind
Ding, d
Bin
Cing, b
Fid
Cing h
Ais t
Dime.
And th
G
en one day,
C
hurr
F
ay, an
A
other w
E
ay from gn
G
omes to s
D
ay,
hGuuuurr
Day!
LookDat the sk
Ay, look
Dat the river,
Cisnt it g
Aood?
C A
LookDat the sk
Ay, look
Dat the river,
Cisnt it g
Aood?
C A
W
G
ind
D
ing, f
B
ind
C
ing pl
F
ac
C
es t
A
o g
D
o.
And thGen one day,
Churr
Fay, an
Aother w
Eay from gn
Gomes to s
Day,
hGuuuurr
Day!
HGuuuuuuuurr
Day!
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35
Fearless (Pink Floyd)
G G G G C B G C B G
GYou say the hills too steep to climb,
C B Gshining.
C B G
GYou say youd like to see me try,
C B Gclimbing.
C B A
AYou pick the place and I choose the t
Dime,
and now I clGimb that hill in my
Cown way.
G
Just wait a while for the r
C
ight day.GAnd as I rise above the tr
Cee light and the clouds,
I look dDown, hear in the s
Cound of the things you said tod
Gay.
G G G G e2 e e2 e e2 G6 G C B G C B G
FGearlessly the idiot face the ground,
C B Gsmiling.
C B G
MGassing as the mergest tree turns round,
C B Gfounding.
C B A
AAnd whos the fool who wears the gr
Dound?
Hoe dGown in your
Cown way.
GAnd evry day is the r
Cight day.
GAnd as you rise above the f
Cear lines in this ground,
you look dDown, hear in the sCound of the faces in the grGound.
G G G G G G G G G G G G
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36
Time (Pink Floyd)
E f E f E F f E F ff A E F f
Tficking away the moments that make up a d
Aull day,
you frEitter and waste the hours in an off hand w
fay.
Kficking around on a piece of ground in your h
Aome town,
wEaiting for someone or something to show you the w
fay.
TDired of lying in the sunshine, st
Aaying home to watch the rain,
yDou are young and life is long and th
Aere is time to kill today.
D
And then one day you find,
c
ten years have got behind you,
nho one told you when to run,
Eyou missed the starting gun.
f A E f f A E f
f A E f f A E f
D A D A D c h E
And you rf
un and you run to catch up with the sun, but its sAinking,
and rEacing around to come up behind you ag
fain.
The sfun is the same in the relative way, but youre
Aolder,
shEorter of breath and one day closer to d
feath.
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Time (Pink Floyd) 37
DEvery year is getting shorter, n
Aever seem to find the time,
plDans that either come to naught or h
Aalf a page of scribbled lines.
HDanging on in quiet desper
cation is the English way,
the thime is gone, the song is over, th
Dought Id something m
Fore to say.
E E7 A A4 E E7 A A4
E7
Home, home agAain,
A4 A
E7
I like to be here when I cAan.
A4 A
E7
When I come home cold and tAired,
A4 A
its gE7
ood to warm my bones beside the fAire.
A4 A
FCar away across the field,
the tholling of the iron bell
cFalls the faithful to their knees
to hGear the softly sp
Foken m
cagic sp
hells.
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38
Brain Damage (Pink Floyd)
DThe lunatic is on the gr
G7
ass,D
the lunatic is on the grG7
ass.
DRemembering games and d
Eaisy chains and laughs,
gA7
ot to keep the loonies on the pDath.
D2 D
DThe lunatic is in the h
G7
all,D
the lunatics are in my hG7
all.
DThe paper holds their folded f
Eaces to the floor,
andA7
every day the paper boy brings mDore.
D2 D
GAnd if the dam breaks open m
Aany years too soon,
andCif there is no room upon the h
Gill,
Gand if your head explodes with d
Aark forbodings too,
Ill s
C
ee you on the dark side of the m
G
oon.
h e A D
DThe lunatic is in my h
G7
ead,D
the lunatic is in my hG7
ead.
DYou raise the blade,
Eyou make the change,
A7
you re-arrange me till Im sDane.
D2 D
DYou lock the door and thr
Eow away the key,
theres sA7omeone in my head, but its not m
De.
D2 D
GAnd if the cloud bursts, th
Aunder in your ear,
Cyou shout and no one seems to h
Gear.
GAnd if the band youre in starts pl
Aaying different tunes,
Ill s
C
ee you on the dark side of the m
G
oon.
h e A D
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39
Welcome to the Machine (Pink Floyd)
e C e
eWelcome my son,
Cwelcome to the mach
eine.
CWhere have you been?
aIts alright, we know where youve b
eeen.
CYouve been in the pipeline, filling in time,
e
provided with toys and Scouting for Boys.CYou bought a guitar to punish your ma,
eand you didnt like school, and you know youre nobodys fool.
So wCelcome to the mach
eine.
e C e C e C e C e
eWelcome my son,
Cwelcome to the mach
eine.
CWhat did you dream?
aIts alright, we told you what to dr
eeam.
CYou dreamed of a big star,
e
he played a mean guitar.CHe always ate in the Steak Bar,
ehe loved to drive in his Jaguar.
So wCelcome to the mach
eine.
e e e e e e e e e
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40
Wish You were here (Pink Floyd)
a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)
F (C)So, so you think you can t
G (D)ell
heaven from hd (a)ell, blue skies from p
C (G)ain.
Can you tell a green fG (D)ield from a cold steel r
F (C)ail?
A smile from a vd (a)eil? Do you think you can t
C (G)ell?
C (G)And did they get you to tr
F (C)ade your heroes for gh
G (D)osts?
Hot ashes for trd (a)ees? Hot air for a c
C (G)ool breeze?
Cold comfort for chG (D)ange? And did you exch
F (C)ange
a walk on part in the wd (a)ar for a lead role in a c
C (G)age?
a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)
F (C)How I wish, how I wish you were h
G (D)ere.
Were just twd (a)o lost souls swimming in a fish bowl,
C (G)year after year,
G (D)running over the same old ground.
F (C)What have we found?
The same old fd (a)ears. Wish you were h
C (G)ere.
a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)a7(e7) C (G) a7(e7) C (G) a7(e7) D7(A7) a7(e7) D7(A7) C (G)
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41
Another Brick in the Wall (Part 2) (Pink Floyd)
Wde dont need no education.
Wde dont need no thought control.
No ddark sarcasm in the classroom.
Tdeacher leave the kids alone.
G
G
Hey teacher leave the kids al
d
one.
d C d C G d F
FAll in all its just an
Cother brick in the w
dall.
FAll in all youre just an
Cother brick in the w
dall.
Wde dont need no education.
Wde dont need no thought control.
No ddark sarcasm in the classroom.
Tdeachers leave the kids alone.
G
GHey teacher leave us kids al
done.
d C d C G d F
FAll in all youre just an
Cother brick in the w
dall.
FAll in all youre just an
Cother brick in the w
dall.
d d d d d d d d
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42
Mother (Pink Floyd)
MGother do you think theyll drop the bComb? G
MGother do you think theyll like the s
Cong?
G
MCother do you think theyll try to break my b
Galls?
DOooh
Caaah, mother should I build a w
Gall?
MGother should I run for presid
Cent?
G
MGother should I trust the governm
Cent?
G
MCother will they put me in the firing l
Gine?
DOooh M
Ca, is it just a waist of t
Gime?
HGush now baby, baby dont you cr
Cy.
MFamas gonna make all of your n
Cightmares come true.
MFamas gonna put all of her f
Cears into you.
MFamas gonna keep you right here
Cunder her wing.
She wFont let you fly but she m
Cight let you sing.
MFamas gonna keep baby c
Cosy and w
Garm.
DOoooh b
Cabe,
Dooooh b
Cabe,
Dooooh babe,
of cCourse mamas gonna help build the w
Gall.
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Mother (Pink Floyd) 43
G C G C G C D C G
MGother do you think shes good en
Cough for m
Ge?
MGother do you think shes danger
Cous to m
Ge?
MCother will she tear your little boy ap
Gart?
DOooh
Caaah, mother will she break my h
Geart?
HGush now baby, baby dont you cr
Cy.
MFamas gonna check out all your g
Cirl friends for you.
MFama wont let anyone d
Cirty get through.
M
F
amas gonna wait up unt
C
il you get in.
MFama will always find
Cout where youve been.
MFamas gonna keep baby h
Cealthy and cl
Gean.
DOoooh b
Cabe,
Dooooh b
Cabe,
Dooooh babe,
youllCalways be a baby to m
Ge.
MGother did it need to be so h
Cigh.
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44
Comfortably Numb (Pink Floyd)
h
Hhello, hello, hello, is there anybody
Ain there?
Just nod if you can hGear me,
eis there
hanyone at home?
Chome on, come on now, I hear youre f
Aeeling down.
But
G
I can ease your p
e
ain and get you
h
on your feet again.
Rhelax, relax, relax, Ill need some inform
Aation first,
jGust the basic f
eacts, can you sh
how me where it hurts?
DThere is no pain, you are rec
Aeding.
DA distant ship smoke on the horAizon.
CYou are only coming through in w
Gaves.
Your lCips move but I cannot hear what youre s
Gaying.
WhenDI was a child, I had a f
Aever.
My h
D
ands felt just like two ball
A
oons.
NCow Ive got that feeling once ag
Gain, I cant explain,
you would notCunderstand, this is not how I
Gam.
AI
Chave bec
Gome comfortably n
Dumb.
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Comfortably Numb (Pink Floyd) 45
D A D A C G C G
AI
Chave bec
Gome comfortably n
Dumb.
hO.k., o.k., o.k., just a little p
Ain prick.
Therell be no moreGaaaaaaa
eah! But you may f
heel a little sick.
Can you sthand up, stand up, stand up? I do believe its w
Aorking good.
Thatll keep you gGoing through the sh
eow, come
hon its time to go.
DThere is no pain, you are rec
Aeding.
DA distant ship smoke on the hor
Aizon.
C
You are only coming through in w
G
aves.
Your lCips move but I cannot hear what youre s
Gaying.
WhenDI was a child, I caught a fl
Aeeting glimpse,
Dout of the corner of my
Aeye.
CI turned to look but it was g
Gone,
I cannot put my fingerCon it now, the child is grown, the dr
Geam is gone.
AI
Chave bec
Gome comfortably n
Dumb.
h A G e h h A G e hh A G e h h A G e hh A G e h h A G e h
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46
The Sounds of Silence (Simon & Garfunkel)
Haello darkness, my old fr
Giend,
Ive come to talk with you agaain,
because a vCision softl
Fy creep
Cing,
left its seeds while I wFas sleep
Cing,
and the vFision that was planted in my br
Cain
still remains,
a C
within the s
G
ound of s
a
ilence.
In restless draeams I walked al
Gone
narrow streets of cobblestaone,
neath the hCalo of
Fa street l
Camp
I turned my collar to the cFold and d
Camp,
when my Feyes were stabbed by the flash of a neon lCight,
that split the night,a C
and touched the sGound of s
ailence.
And in the naaked light I s
Gaw
ten thousand people, maybe maore,
people t
C
alking with
F
out speak
C
ing,
people hearing withFout listen
Cing,
people writing sFongs that voices never sh
Care .. .
and no one dare,a C
disturb the sGound of s
ailence.
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The Sounds of Silence (Simon & Garfunkel) 47
Faools! said I, you do not kn
Gow,
silence like a cancer graows.
Hear my wCords that I m
Fight teach y
Cou,
take my arms that I mFight reach y
Cou.
But my wFords like silent raindrops f
Cell,
a. . .
Cand echoed in the w
Gells of s
ailence.
And the paeople bowed and pr
Gayed
to the neon god they maade,
and the sCign flashed out
Fits warn
Cing
in the words that it wFas form
Cing,
and the signs said, The wFords of the prophets are written on the subway w
Calls
and tenement halls, a C and whisperd in the sGounds of sailence.
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48
Mrs. Robinson (Simon & Garfunkel)
And heres to yCou, Mrs. Raobinson,
JCesus loves you m
aore than you will kn
Fow, wo, wo, w
Go.
God bless you, plCease, Mrs. R
aobinson,
hCeaven holds a pl
aace for those who pr
Fay, hey, hey, h
dey, hey, hey, h
Aey.
Wed lAike to know a little bit about you for our files.
Wed lDike to help you learn to help yourself.
GLook around you,
Call you see are s
Fympathetic
deyes,
strAoll around the grounds unt
Gil you feel at home.
And heres to yCou, Mrs. R
aobinson,
JCesus loves you m
aore than you will kn
Fow, wo, wo, w
Go.
God bless you, plCease, Mrs. R
aobinson,
hCeaven holds a pl
aace for those who pr
Fay, hey, hey, h
dey, hey, hey, h
Aey.
HAide it in a hiding place where no one ever goes.
PDut it in your pantry with your cupcakes.
GIts a little s
Cecret, just the R
Fobinsons aff
dair.
M
A
ost of all, youve got to h
G
ide it from the kids.
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Mrs. Robinson (Simon & Garfunkel) 49
Coo, coo, ca-chCoo, Mrs. R
aobinson,
JCesus loves you m
aore than you will kn
Fow, wo, wo, w
Go.
God bless you, plCease, Mrs. R
aobinson,
hCeaven holds a pl
aace for those who pr
Fay, hey, hey, h
dey, hey, hey, h
Aey.
SAitting on a sofa on a sunday afternoon,
gDoing to the candidates debate.
GLaugh about it, sh
Cout about it, wh
Fen youve got to ch
doose,
Aevry way you look at it, you l
Gose.
Where have you g
C
one, Joe Di M
a
aggio?
A nCation turns its l
aonely eyes to y
Fou, woo, woo, w
Goo.
Whats that you sCay, Mrs. R
aobinson?
JColtin Joe has l
aeft and gone aw
Fay, hey, hey, h
dey, hey, hey, h
Aey.
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50
The Boxer (Simon & Garfunkel)
GI am just a poor boy though my storys seldom t
eold,
I have squDandered my resistance for a p
aocket full of m
Dumbles, such are pr
Gomises.
All lies and jeest, still a m
Dan hears what he w
Cants to hear and disregards the r
Gest.
Hmm hmm hDmmmm, hmmmm hmm hmm h
Gmmmm.
When I lGeft my home and my family, I was no more than a b
eoy,
in the cDompany of strangers, in the qu
aiet of the r
Dailway station r
Gunning scared.
Laying leow, seeking
Dout the poorer qu
Carters where the ragged people g
Go,
looking fDor the places only they would kn
Gow.
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
AskingGonly workmans wages I come looking for a j
eob,
but I get noDoffers, just a c
aome-on from the wh
Dores on Seventh
GAvenue.
I do decleare, there were t
Dimes when I was s
Co lonesome I took some comfort th
Gere.
Ula la lDah, lah la la l
Gah.
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The Boxer (Simon & Garfunkel) 51
Now the yGears are rolling by me, they are rocking evenl
ey,
I amDolder than I once was, y
aounger than Ill b
De, but thats not un
Gusual.
No it isnt streange, after ch
Danges upon ch
Canges we are more or less the s
Game,
after chDanges we are more or less the s
Game.
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
Then Im lGaying out my winter clothes and wishing I was g
eone,
going hDome, where the N
aew York City w
Dinters arent bl
Geeding me,
hleading me,
e
going hDome.
G
In the clGearing stands a boxer and a fighter by his tr
eade,
and he cDarries the reminders of
aevry glove that l
Daid him down
or cGut him till he cried out, in his anger and his sh
eame:
I am lDeaving, I am l
Ceaving!, but the fighter still rem
Gains.
Hmm hmm hDmmmm.
G
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
Lie la leie, lie la l
Die la lie la lie, lie la l
eie, lie la l
Die la lie la l
Cie la la la la l
Gie.
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52
Its Good to be King (Tom Petty)
a d G a a d G a
Its good to be kaing, if just for a wh
dile.
To be there in vGelvet, yeah; to give em a sm
aile.
Its good to get h
a
igh and never come d
d
own.
Its good to be kGing of your own little t
aown.
aaCCeeYeah, the w
D2
orld would swD2
ing ifGI were k
Cing.
FeDCDe G
Can I h
G
elp it if IFeDCDe a
still drD2
eam time to time?D4 D
Its good to be kaing and have your own w
day.
Get a feeling of pGeace at the end of the d
aay.
And when your bulldog baarks and your canary s
dings,
youre out there with wGinners, its good to be k
aing.
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Its Good to be King (Tom Petty) 53
aaCCeeYeah
D2
Ill be kD2
ing when dGogs get w
Cings.
FeDCDe GCan I h
Gelp it if I
FeDCDe astill dr
D2
eam time to time?D4 D
a d G a a d G a
Its good to be kaing and have your own w
dorld.
It helps to make frGiends, its good to meet g
airls.
A sweet little quaeen, who cant run aw
day.
Its good to be k
G
ing, whatever it p
a
ays.
FeDCDe GExc
Guse me if I
FeDCDe Ghave some pl
Gace in my mind,
FeDCDe a
where I g
D2
o time to time.
D4 D D4 D D4 D
a d G a a d G a
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54
Hard on Me (Tom Petty)
d G a d G a
Itsdall I can d
Go, to k
aeep that little girl smiling,
dand keep my f
Gaith al
aive.
T
d
akes all I g
G
ot to h
a
old on to tomorrow.
And yGou want to make it h
F4
ard.F
Yeah, yGou want to make it h
F4
ard on mFe.
Sdome other tGime, aId be understanding,
ydou were supp
Gosed to b
ae
the frdiend that I n
Geeded wh
aen I was down and now.
YGou want to make it hF
4
ard, F
yGou want to make it h
F4
ard on mFe.
Meaybe if I tr
aied, I could t
eurn the other ch
Ceek.
Meaybe, but how b
aig do I h
Dave to b
Ge?
D G
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Hard on Me (Tom Petty) 55
d G a d G a d G a
Now yGou want to make it h
F4
ard.F
Yeah, yGou want to make it h
F4
ard on mFe.
Meaybe if I tr
aied, I could t
eurn the other ch
Ceek.
Meaybe, but how b
aig do I h
Dave to b
Ge?
D G
dI need some
Gone to p
aut their arm around me,
shdelter me fr
Gom all h
aarm
jdust as I f
Gind s
aomething to believe in.
YGou want to make it h
F4
ard,F
yGou want to make it h
F4
ard on mFe.
Yeah, yGou want to make it hF4
ard, F
yGou want to make it h
F4
ard on mFe.
d G a d G a
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56
Blowin in the Wind (Bob Dylan)
HCow many r
Foads must a m
Can walk down, bef
Core you c
Fall him a m
Gan?
HCow many s
Feas must a wh
Cite dove s
aail, bef
Core she sl
Feeps in the s
Gand?
HCow many t
Fimes must a c
Cannon ball fly, bef
Core they for
Fever are b
Ganned?
TheFanswer, my fr
G7
iend, is blCowin in the w
aind,
theFanswer is bl
G7
owin in the wCind.
HCow many t
Fimes must a m
Can look up, bef
Core he can s
Fee the sk
Gy?
HCow many
Fears must
Cone man h
aave, bef
Core he can h
Fear people cr
Gy?
HCow many d
Feaths will it t
Cake, till he knows, that s
Co many p
Feople have d
Gied?
TheFanswer, my fr
G7
iend, is blCowin in the w
aind,
theFanswer is bl
G7
owin in the wCind.
HCow many y
Fears can a m
Countain exist, bef
Core it is w
Fashed to the s
Gea?
HCow many y
Fears can some p
Ceople ex
aist, bef
Core theyre all
Fowed to be fr
Gee?
HCow many t
Fimes can a m
Can turn his head, pret
Cending he j
Fust didnt s
Gee?
TheFanswer, my fr
G7
iend, is blCowin in the w
aind,
theFanswer is bl
G7
owin in the wCind.
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57
Knockin on Heavens Door (Bob Dylan)
GMama, t
Dake this badge from m
ae.
GI cant
Duse it anym
Core.
GIts getting d
Dark, too dark to s
aee,
Gfeels like Im kn
Dockin on heavens d
Coor.
GKnock, knock, kn
Dockin on heavens d
aoor,
Gknock, knock, kn
Dockin on heavens d
Coor.
Hey, hey, hey, hey, yGeah. Knock, knock, kn
Dockin on heavens d
Coor.
G
Knock, knock, kn
D
ockin on heavens d
C
oor.G
Knock, knock, knDockin on heavens d
Coor.
G D a G D C
GMama, p
Dut those guns to the gr
aound,
Gcause I cant sh
Doot them anym
Core.
GThat cold black cl
Doud is comin d
aown,
Gfeels like Im kn
Dockin on heavens d
Coor.
GKnock, knock, kn
Dockin on heavens d
aoor,
Gknock, knock, kn
Dockin on heavens d
Coor.
Hey, hey, hey, hey, yGeah. Knock, knock, kn
Dockin on heavens d
Coor.
GKnock, knock, kn
Dockin on heavens d
Coor.
GKnock, knock, kn
Dockin on heavens d
Coor.
G D a G D C
G
Mama, wh
D
ats about from my f
a
ace,
G
I cant s
D
ee to it anym
C
ore.G
Its a fDeeling that I just cant tr
aain.
GI feel like Im kn
Dockin on heavens d
Coor.
GKnock, knock, kn
Dockin on heavens d
aoor,
Gknock, knock, kn
Dockin on heavens d
Coor.
Hey, hey, hey, hey, yGeah. Knock, knock, kn
Dockin on heavens d
Coor.
G
Knock, knock, kn
D
ockin on heavens d
C
oor.GKnock, knock, kn
Dockin on heavens d
Coor.
G D a G D C G
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58
Father and Son (Cat Stevens)
Its not tGime to make a ch
Dange, just rel
Cax take it
a7
easy,
youre still yGoung, thats your f
eault, theres so m
auch you have to kn
Dow.
Find a gGirl, settle d
Down, if you w
Cant you can m
a7
arry,
look at mGe, I am
eold but Im h
aappy.
D
I wasGonce like you are n
h7
ow and I knCow that its not
a7
easy
to be c
G
alm when youve f
e
ound something g
a
oing on.
D
But take your tGime, think a l
h7
ot, think ofCevrything youve g
a7
ot,
for you will stGill be here tom
eorrow, but your dr
Deams may n
Got.
C G C
How canGI try to expl
h7
ain? When I dCo he turns aw
a7
ay again.
ItsGalways been the s
eame, same old st
aory.
D
From the m
G
oment I could t
h7
alk I was
C
ordered to l
a7
isten
now theres a wGay and I kn
eow that I h
Dave to g
Go away. I kn
Dow, I h
Cave to g
Go.
Its not tGime to make a ch
Dange, just sit d
Cown take it sl
a7
owy,
youre still yGoung, thats your f
eault, theres so m
auch you have to go thr
Dough.
Find a gGirl, settle d
Down, if you w
Cant you can m
a7
arry,
look at mGe, I am eold but Im haappy. D
All the tGimes that Ive cr
h7
ied, keepingCall the things I kn
a7
ew inside,
its hGard but its h
earder to ign
aore it.
D
If they were rGight Id agr
h7
ee but its thCem they know not m
a7
e,
now theres a wGay and I kn
eow that I h
Dave to g
Go away. I kn
Dow I h
Cave to g
Go.
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59
Morning has Broken (Cat Stevens)
D G A F h G7
C F C
Morning has brCok
den l
Gike the first m
Forn
Cing,
blackbird has speok
aen l
D4
ike the fDirst b
Gird.
G7
PrCaise for the s
Finging, pr
Caise for the m
aorn
Ding,
pr
G
aise for them spr
C
ing
F
ing, fr
G7
esh from the w
C
orld.
F G E a G C G7
Sweet the rains nCew f
dall, s
Gunlit from h
Feav
Cen,
like the first deewf
aall
D4
on the fDirst gr
Gass.
G7
PrCaise for the swFeetness Cof the wet gaardDen,
sprGung in compl
Ceten
Fess wh
G7
ere his feet pCass.
F G E a F h G D A7 D
Mine is the sDunl
eight, m
Aine is the m
Gorn
Ding.
Born of thefone l
hight,
E7
Eden saw plAay.
PrDaise with el
Gation, pr
Daise evry m
horn
Eing,
GAods recre
Dati
Gon
A7
of the new dDay.
G A F h G7 C F C
a F h G D A7 D
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60
Field of Mars (The Church)
C4 C C4 C
C4
Its a long way home from the fCield of Mars.
C4
Distant, alone, beneath the plCatinum stars.
GAnd I turn to look, and Im n
Fever any closer.
GOnly just the rain m
Fakes the skin feel colder.
a
All my life seems so f
G
ar away,
a
all my life seems so f
G
ar away.
C4
The air is soft in the fCield of Mars.
C4
Tears and loss feed theCovergrown grass.
GAnd I have to leave, but I n
Fever seem to go.
GOnly more sad clouds, where
Fautumn winds will blow.
aAll my dreams seem so lGong ago, a all my dreams seem so lGong ago.
COoooh, f
Field of Mars,
Cooooh, f
Field of Mars.
C4
The time is past in the fCield of Mars.
C4
Grief wont last in the depCarting cars.
G
And I call her name, but she n
F
ever, ever hears.GAnd I call again to the cr
Fuelty of the years.
aOh, my love, shes so f
Gar away,
aoh, my love, shes so f
Gar away.
COoooh, f
Field of Mars,
Cooooh, f
Field of Mars.
C4 C C4 C G F G F a G a G
COoooh, f
Field of Mars,
Cooooh, f
Field of Mars.
C
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61
Secret Corners (The Church)
C G4 F2 a GC G4 F2 a G F
LCying alone,
G4
isnt that you?
DrF2
ifting away is theaonly thing l
Geft to do.
SCuch a sad place, s
G4uch a lost world,
but nF2
othing is sadder than the taears of a m
Gake-believe g
Firl.
WhCo is this child, wh
G4
o is this man?
F2
Only two people who are daoing Gall they can.
FrCost on the ground, the cr
G4
uel winds of fate
blF2
ow us forever and I knaow theres j
Gust no esc
Fape.
a Run to the secret corners E of your room,
Ill still be wGaiting, Ill still be w
Faiting.
C G4 F2 a G F C
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62
Lola (The Kinks)
C C D E
I mEet her in a club down in old Soho,
where you drAink champagne and it t
Dastes like coca c
Eola,
see oh el aye cAola.
She wEalked up to me and she asked me to dance,
IAasked her her name and in a d
Dark brown voice, she said L
Eola,
el oh el aye LAola,
Dla la la la L
Cola.
C D E
Well,EIm not the worlds most physical guy,
but when she squAeezed me tight she nearly br
Doke my spine, oh my L
Eola,
la la la la L
A
ola.
Well,EIm not dumb, but I cant understand,
why she wAalked like a woman and t
Dalked like a man, oh my L
Eola,
la la la la LAola,
Dla la la la L
Cola.
C D E
Well, we dr
H
ank champagne and danced all nightFunder electric candle light.
She pAicked me up and sat me on her knee
and said:A
Dear boy, wont you come home with me?
Well,EIm not the worlds most passionate guy,
but when I lAooked in her eyes, well, I Dalmost fell for my LEola,
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Lola (The Kinks) 63
la la la la LAola,
Dla la la la L
Cola.
C D
LEola, la la la la L
Aola,
Dla la la la L
Cola.
C D E
I pAushed h
Eer aw
Hay, I w
Aalked t
Eo the d
Hoor,
I fAell t
Eo the fl
Hoor, I got d
Eown
G7
on my kncees,
thenHI looked at her, and she at me.
Well, th
E
ats the way that I want it to stay,
andAI always want it to b
De that way for my L
Eola,
la la la la LAola.
GEirls will be boys and boys will be girls,
its a mAixed up, muddled up, sh
Dook up world except for L
Eola,
la la la la LAola.
Well,HI left home just a week before
andFId never ever kissed a woman before.
But LAola smiled and took me by the hand
and said:A
Dear boy, Im gonna make you a man.
Well,EIm not the worlds most masculine man,
but I knAow what I am, and Im gl
Dad Im a man and so is L
Eola,
la la la la LAola,
Dla la la la L
Cola.
C D
LEola, la la la la L
Aola,
Dla la la la L
Cola.
C D
L
E
ola, la la la la L
A
ola,
D
la la la la L
C
ola.
C D E
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64
Hotel California (Eagles)
a E G D F C d Ea E G D F C d E
aOn a dark desert highway,
Ecool wind in my hair,
Gwarm smell of colitas
Drising up through the air.
FUp ahead in the distance,
CI saw a shimmering light.
dMy head grew heavy and my sight grew dim,
EI had to stop for the night.
aThere she stood in the doorway,
EI heard the mission bell.
GAnd I was thinking to myself, this could be h
Deaven or this could be hell.
FThen she lit up a candle
Cand she showed me the way.
dThere were voices down the corridor,
EI thought I heard them say . . .
FWelcome to the Hotel Calif
Cornia.
Such a lEovely place, such a lovely place, such a l
aovely face.
PlFenty of room at the Hotel Calif
Cornia.
Any tdime of year, any time of year, you can f
Eind it here.
a
Her mind is Tiffany-twisted,
E
she got the Mercedes bends.GShe got a lot of pretty, pretty boys,
Dthat she calls friends.
FHow they dance in the courtyard, sw
Ceet summer sweat.
dSome dance to remember,
Esome dance to forget.
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Hotel California (Eagles) 65
aSo I called up the captain,
Eplease bring me my wine.
He said,G
we havent had that spirit here sinceD
nineteen sixty nine.FAnd still those voices are calling from f
Car away,
dwake you up in the middles of the night,
Ejust to hear them say . . .
FWelcome to the Hotel Calif
Cornia.
Such a lEovely place, such a lovely place, such a l
aovely face.
They lFivin it up at the Hotel Calif
Cornia.
What a ndice surprise, what a nice surprise, bring your
Ealibis.
aMirrors on the ceiling,
Ethe pink champagne on ice.
And she said,G
we are all just prisoners here,D
of our own device.
F
And in the masters chambers,
C
they gathered for the feast.dThey stab it with their steely knives, but they j
Eust cant kill the beast.
aLast thing I remember, I was
Erunning for the door.
GI had to find the passage back to the pl
Dace I was before.
FRelax! said the night man, we are
Cprogrammed to receive.
dYou can check out any time you like, E but you can never leave.
a E G D F C d Ea E G D F C d E
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66
Sex and Candy (Marcy Playground)
hHangin round d
Gowntown by mys
Felf,
and I had sho much time to sit and th
Gink about mys
Felf,
and then there she whas like d
Gouble cherry p
Fie,
yeah, there she w
h
as like d
G
isco superfl
F
y.
F
I smell sex andh
candyG
here.A
Whos that loungingh
in myG
chair?A
Whos that casting
h
devious st
G
ares in my dir
A
ection?
Mama this sAurely is a dr
Deam, y
Aeah.
h
Yeah, Mama this sGurely is a dr
Deam.
A h G F
h
Hangin round d
G
owntown by mys
F
elf,
and I had thoo much caffeine and I was th
Ginkin bout mys
Felf,
and then there she whas in pl
Gatform double s
Fuede,
yeah, there she whas like d
Gisco lemon
Fade.
F
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Sex and Candy (Marcy Playground) 67
I smell sex andh
candyG
here.A
Whos that loungingh
in myG
chair?A
Whos that castingh
devious stGares in my dir
Aection?
Mama this sAurely is a dr
Deam, y
Aeah.
h
Yeah, Mama this s
G
urely is a dr
D
eam.
A h
Yeah, Mama this sGurely is a dr
Deam, y
Aeah.
h G F
I smell sex andh
candyG
here.A
Whos that lounging
h
in my
G
chair?
A
Whos that castingh
devious stGares in my dir
Aection?
Mama this sAurely is a dr
Deam.
A h
Yeah, Mama this sGurely is a dr
Deam.
A h
Yeah, Mama this sGurely is a drDeam, yAeah. h
Yeah, Mama this mGust be my dr
Deam.
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68
House of the Rising Sun (Animals)
a C D F a E a E
Thereais a h
Couse in N
Dew Orl
Feans,
they caall The R
Cising S
Eun.
And its b
a
een the r
C
uin for m
D
any poor b
F
oys,
and Gaod I kn
Eow Im
aone.
C D F a E a E
My maother w
Cas a t
Dailor,
F
she s
a
ewed my n
C
ew blue j
E
eans.
My faather w
Cas a g
Damblin m
Fan,
way daown in N
Eew Orl
aeans.
C D F a E a E
Theaonly th
Cings a g
Dambler n
Feeds
are a sauitcase
Cand a tr
Eunk.
And theaonly t
Cime, h
Des satisf
Fied,
is whaen hes
Eon a dr
aunk.
C D F a E a E
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House of the Rising Sun (Animals) 69
Oh maother,
Ctell your ch
Dildren,
F
not to dao the th
Cings Ive d
Eone.
Spaend your l
Cive in s
Din and miser
Fy
in the haouse of the r
Eising s
aun.
C D F a E a E
Withaone foot
Con the pl
Datform,
F
theaother put
Con the tr
Eain,
Im gaoing b
Cack to N
Dew Orl
Feans,
to w
a
ear that b
E
all and ch
a
ain.
C D F a E a E
Thereais a h
Couse in N
Dew Orl
Feans,
they caall The R
Cising S
Eun.
And its b
a
een the r
C
uin for m
D
any poor b
F
oys,
and Gaod I kn
Eow Im
aone.
C D F a E a E a
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70
Lady in Black (Uriah Heep)
She ceame to me one morning, one lonely Sunday morning,
her lDong hair flowing in the m
eid-winter wind.
I kneow not how she found me, for in darkness I was walking,
and destrDuction lay around me from a f
eight I could not win.
e
Ahah
G
ahahah
D
ahahah
e
a
G
ahahah
D
ahahah
e
a.
Sheeasked me name my foe then. I said the need within some men
to fDight and kill their brothers without th
eought of love or God.
And I beegged her, give me horses to trample down my enemy!
So Deager was my passion to deveour this way of life.
eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
But she weould not think of battle that reduces men to animals,
soDeasy to begin and yet imp
eossible to end.
For shee, the mother of all men, did counsel me so wisely then,
I fDeared to walk alone again and
easked if she would stay.
eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
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Lady in Black (Uriah Heep) 71
Oh, leady, lend your hand! I cried, oh, let me rest here at your side!
Have fDaith and trust in me! she said and f
eilled my heart with pride.
Thereeis no strength in numbers, have no such misconception,
but whDen you need me, be assured, I w
eont be far away.
eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
Thus heaving spoke she turned away, and tho I found no words to say,
I stDood and watched until I saw her bl
eack cloak disappear.
My leabour is not easier, but now I know Im not alone,
I fDind new heart each time I think up
eon that windy day.
And eif one day she comes to you, drink deeply from her words so wise,
take cDourage from her as your prize and s
eay hello for me.
eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
e
Ahah
G
ahahah
D
ahahah
e
a
G
ahahah
D
ahahah
e
a.eAhah
Gahahah
Dahahah
ea
Gahahah
Dahahah
ea.
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72
The Universal Soldier (Donovan)
HDe is f
Cive feet tw
Do, and hes s
Gix feet f
eour,
he fCights with m
Dissiles and with sp
Gears,
he