Lighting statements

l o u i s p o u l s e n n e w s

– an icon celebrates its

ph artichoke50th anniversary

lightings t a t e m e n t s

new designs inspire exciting interior designsnow

enigma

f+p 550

425825 and the new...

545

Louis Poulsen is more than internationally acclaimed fixture designs. From

the beginning, our company has been defined by its attitude toward

lighting. Our never ending pursuit of perfection in both detail and

the overall product signifies our dedication to creating light. We never

compromise. This is visible in our products.

We insist on creating lighting products capable of interacting with ar-

chitecture and contribute to a unique atmosphere. Whether indoors or

outdoors.

When the designer’s eye for detail meets the architect’s understanding of

the overall picture, we create lighting with a unique ability to adjust and

supplement architectural settings and styles.

At Louis Poulsen, we include the details into the overall scheme when

we create lighting. This is one of the key reasons why our lighting

remains current and important generation after generation.

Take a panoptic perspective, see the details

– this makes your choice obvious

light more than

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lighting concept

Lighting fixtures that transcend

the sum of their unique

lighting properties and exceed

expectations with charisma and

ambience. With their ability to

complement architecture. In

brief, their ability to unite form

and function to create a total

experience.

contentPH Artichoke 50 years – stronger than everPage 4

Let it snowPage 12

Identified flying objectPage 22

3

PH5 Celebrates 50Page 10

PH

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PH – e l e g a n c e a n d e x c l u s i v i t y

Throughout the years, custom designs of PH Artichoke with leaves of glass have been produced. The

50th anniversary for the design of PH Artichoke made Louis Poulsen include the glass version as a per-

manent member of the exclusive product range.

The glass version of PH Artichoke is no coincidence. In 1958, the PH Septima inspired the creation of the

PH Artichoke. Only a few pieces of the the seven-shade fixture, the PH Septima, were created.

PH Artichoke Glass is also a challenge. Not only does the accuracy of each of the hand-made and hand-

treated glass leaves pose a challenge, but the actual positioning of the glass leaves can only be done

during mounting, i.e. when the fixture hangs suspended. Therefore, specially trained staff from Louis

Poulsen will assemble PH Artichoke Glass on site.

PH Artichoke Glass will give any room a unique distinctive character. The soft light is diffused through

the sandblasted leaves and adorns the surroundings with soft, comfortable lighting. The angles of the

leaves give PH Artichoke Glass an iced look, whether lit or unlit, which adds a delicate lightness and

elegance to the room.

PH Artichoke Glass comes in all four sizes.

Design: Poul Henningsen

Light Source: 18.9” 1/200W A23 Clear Medium;

23.6”/28.3”/33.1” 1/500W/PS-35/CL Mogul,

1/150W/CMH/T-6 G12 1/250/MH/ED-28-0 Mo gul;

28.3”/33.1” 1/400W/Metal Halide/ED-37 Mo-

gul. Material: Leaves: Sandblasted clear glass.

Sus pen sion in high lustre chrome plated steel.

Dimensions: Diameter 18.9”/23.6”/28.3”/33.1”,

height 18.4”/22.8”/25.6”/28.3”.

P H A r T i c H o k e G l A s s

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PHa r t i c h o k e

sTroNGert h a n e v e r

Few fixtures are as well known and admired throughout the world as Poul

Henningen’s PH Artichoke. The fixture was designed 50 years ago.

PH Artichoke is often called a classic, but should rather be termed an icon. PH

Artichoke is hotter now than ever before.

Numerous projects worldwide confirm that this chameleonic lighting fix-

ture matches all types of interior design and creates an individual ambience.

PH Artichoke’s harmonious and exciting design adapts to its surroundings in a

calm and aesthetic manner.

Previously, the application of PH Artichoke was often viewed as prestigious. This

was the fixture for ministries and the world of finance with the odd detour to

the grandiose attorney offices. This has changed drastically. PH Artichoke is no

longer synonymous with corporate interior design. Today, PH Artichoke is used

in all environments. Its masculine elegance and force help accentuate a room

and create the atmosphere you want for a room and company. Times have made

PH Artichoke a treasured part of the lighting in homes where focus is on unique

design. PH Artichoke has broken down both cultural and architectural barriers. It

fits everything and helps make the interior more exciting and distinct.

5 0 y e a r s

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history in briefPH Artichoke was designed in 1958 at the request of architects Eva

and Nils Koppel, who designed the restaurant Langelinie Pavillonen in

Copenhagen. The architects were charged with creating the entire

interior design of the restaurant based on the maxim that the pavilion

should be “festive yet cosy”.

Poul Henningsen had already considered several of these criteria in his early

multiple-shade fixtures, so the choice of Poul Henningsen as designer of the fix-

ture for Langelinie Pavillonen came as no surprise. As Nils Koppel expresses it:

”His honest view on lighting which perfectly unites with his unique artistic and

humorous abilities had to enable him to solve the requirements. In our eyes, it

would have been an admission of failure if the fixtures had turned out as decora-

tive art or contemporary fashion and not as rational lighting.”

Poul Henningsen approached the assignment with requisite enthusiasm and found

plenty of inspiration in some of his previous products. Particularly PH Septima,

a seven-shade chandelier in clear glass consisting of seven rows of glass sand

blown in six fields can be considered a predecessor of PH Artichoke. According to

Poul Henningsen, PH Artichoke could have been made as a globe chandelier with

six shades, but the 12 x 6 leaves gave a better play of light and richness and a

better visual impression than the six rings in e.g. PH Septima.

The project was to observe five criteria:

1. Since the U-shaped serving area should be useable both in its

entirety and as individual banqueting rooms and restaurant,

a type of “chandelier” had to be found that could tie all the

rooms together.

2. This requirement coincided with the regard of how the

building appeared from the outside which is crucial con-

sidering how this glass pavilion is set in the terrain.

3. In the restaurant, the “chandeliers” should be supple-

mented by table lamps. The banqueting rooms should also

be adorned by wall fixtures.

4. The chandeliers should be festive and emanate a warm

glow. The table lamps should not compete with the chandeliers

in terms of light and should emit intimate lighting on the tables.

5. The lighting fixtures should be decorative even during the day when

they were unlit.

today

A n i c o n w a s b o r n , w h i c h i s n o w s t r o n g e r t h a n e v e r

Langelinie Pavillionen, Copenhagen, Denmark

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today

A n i c o n w a s b o r n , w h i c h i s n o w s t r o n g e r t h a n e v e r


Light Source: 18.9” 1/200W A23 Clear Medium;

23.6”/28.3”/33.1” 1/500W/PS-35/CL Mogul,

1/150W/CMH/T-6 G12 1/250/MH/ED-28-0 Mo gul;

28.3”/33.1” 1/400W/Metal Halide/ED-37 Mo-

gul. Material: Leaves: Sandblasted clear glass.

Sus pen sion in high lustre chrome plated steel.

Dimensions: Diameter 18.9”/23.6”/28.3”/33.1”,

height 18.4”/22.8”/25.6”/28.3”.

Restaurant Du Théâtre, Zürich, Schweiz Llaca residence, Manhattan Beach, California, USA

Restaurant Alice Dining, Central Japan International Airport (Centrair), Japan

The Fullerton, Singapore Louis Poulsen Lighting Headquarters, Copenhagen, Denmark

Hoshinoya Karuizawa, Nagano, Japan

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10

PH50

coconut white

chili red wasabi green mint blue

olive black

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After 50 years of glare-free illumination, the PH 5 is celebrating

its 1958 conception by introducing an exciting new spin-off, the

PH 50. The PH 50 captures the spirit of the 4-shade design but

spices up the classic luminaire with five new color options – Chili

Red, Mint Blue, Wasabi Green, Coconut White and Olive Black.

The PH 50’s vibrant flair comes not only from the five color

options but also from its new lustrous finish. While the clas-

sic PH 5 was designed with a matte finish, the PH 50 has

glossy surfaces that reflect light off the colored shades. The

PH 50 adds a colorful decorative element to any space.

PH 5 Celebrates 50th Anniversary


Light source: 1/23W/CF Medium,

1/200W/A-23/IF Medium. Material:

Shades: Spun aluminum. Concealing shield:

Sandblasted glass. Struts: Matte rolled

aluminum. Dimensions: Diameter 19.7”,

height 11.1”.

coconut white Color your world with the new PH 50

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Designer Louise Campbell has shifted her inspiration from summer to winter and redefined the concept of floor lamps. It is massive, yet light and almost invisible. It is geometric in form, yet an organic collection of figures held together in a mysterious way. The white snowflakes have fallen in an un-even, natural pattern – in some places close together and in others floating thinly into nothing.

Louise Campbell explains her concept of light: "Softness – I’m searching for soothing light. Light to warm the spirit. In designing my fixtures, I strive to underline the beau-ty of the nature outside and bring it into people’s homes. A quiet battle against pas-sive light that has no story, light that may have high lighting qualities, but generally lacks soul. When summers are good in Den-mark, we have so much light that we hardly need artificial light sources. We save them

for winters. Thus, it seemed natural to get to the essence of winter light by underlining the most beautiful aspect I could find. The aspect we all relate to if we have special ties to the Nordic region.”

Snow represents a new way of looking at the function of a floor lamp. When the light goes on, Snow generates more mood-creating room lighting than a conventional floor lamp. The design emits light in every direction, and - when lit - Snow floats as a light, airy element in a room. Despite its elongated shape, Snow is a slim fixture. This is possible because a 4.4 lb. counterweight hangs freely like a heavy snowball over the floor inside the fixture body.

Design: Louise Campbell. Light source: 1/40W/GL R14/IF Medium + 1/60W/G30/ IF Medium. Dimensions: Diameter 13.7”, height 59”, width 31.5”.

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snowLet it snowLocation: ABSOLUT ICE BAR COPENHAGEN

C

C O L L A G E I S A B S T R A C T A N D E X P R E S S E S A

N E W, P L AY F U L WAY O F T R E AT I N G L I G H T

W H E R E Y O U E X P E R I E N C E T H E L AY E R S A N D

T H E D E P T H . AT T H E S A M E T I M E , T H E F I X T U R E

M O T I F I S E X T R E M E LY S I M P L E A N D T H E R E F O R E

M AT C H E S T H E S P I R I T O F L O U I S P O U L S E N

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CA SUCCESS FROM LOU ISE CAMPBEL L

collage Pendant

Design: louise campbell

Light source: 1/100W/A-19/IF Medium

1/42W/CF GX24q-4. Material: Laser cut acrylic

in Snow White (white), Hotlips (pink), Juicy Orange

(orange), Lemon Yellow (yellow) and Smoke Screen

(smoke-tinted). Dimensions: Pendant:

Diameter 23.6”, height 14.2”.

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On the cooperation to make Collage: It was demanding, challenging but never boring.

On the construction design phase: We had to return and work a lot with the idea and concept phase before Collage started to meet our design philosophy and we could move on.

”Louise gets all the wild ideas; we catch them in

a butterfly net and return them in a highly con-

densed version. Collage has an idiom never seen

before, and that placed demands on us all. Collage

made us challenge technology – and thus also our

sub- contractors! There were no standardised mass-

production technologies available for the assign-

ment. The shades are laser cut as flat sheets and

then bent. This is an extremely difficult process to

manage because of the size of the sheets, the type

of cut and our defined tolerance requirements,” sup-

plements the construction designer on the project.

campbell

Private residence, Denmark

D.O.C. Restaurant, Hamburg, Germany

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She She, Palm Desert, California, USA

Formel B Restaurant, Copenhagen, Denmark

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easyI T D O E S N ’ T C O M E

D E v E L O P M E N T I S A T E A M E F F O R T

campbell 210 & 275.

Design: louise campbell

Light source: 210: 1/40W/GL/R14 Medium.

275: 1/75W/R20 Medium. Material: Mouth-

blown clear glass with sandblasted stripes.

Dimensions: 210: Diameter 8.23”, height

10.87”. 275: Diameter 10.8”, height 14.6”.

campbell and collage inspire innovation

Louise Campbell’s products are received

positively every where, from Japan to the US.

The inspiration from nature complemented

by Louise’s feminine touch impresses from

first sight. Louise Campbell’s two fixtures,

Campbell and Collage, have appealed to both

the private and professional markets. The

products have been particularly well received

in projects where the ambience parameter

reigns supreme.

Keops, Harving Parkus, Copenhagen, Denmark

BLACKexclusivity

p h 3 / 2

Black and white have been themes in myriad set-

tings. The ultimate meeting of contrasts.

The lighting fixtures in the PH 3/2 series are

among our most popular PH products. The fixtures

in the series adapt to all types of interior design.

The trend towards more functional and simplis-

tic interior design is now acknowledged with the

launch of the PH 3/2 pendant and table fixture in

black chrome-plated frame and white opal glass.

The contrasts remain equally expressive whether

lit or unlit. The chrome-plated black version dis-

plays a highly graphical and distinct idiom, which

will underpin the interior design of any environ-

ment. A classic design added black elegance and

exclusivity. Dressed for modern living.

Design: Poul Henningsen. Light source: Pendant: 1/75W/A-19/

IF Medium, Table: 1/60W/G-16.5/IF Candelabra. Material: Shades in

mouth-blown white opal glass with suspension and stem in high lustre

chrome plated or black chrome plated brass. Dimensions: Pendant:

Diameter 11.3”, height 9.5”, Table: Diameter 11.3”, height 18.6”.

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BLACKexclusivity

p h 3 / 2

t h e u l t i m a t e m e e t i n g o f c o n t r a s t s

enigma545

japanese culture, beauty and wellbeing

design:

shoichi uchiyama

”Early in my career, I choose to concen-

trate on lighting planning and design of

lighting equipment. As a guiding light in

my planning of home lighting, I choose

to focus on soft light through indirect

lighting rather than direct lighting with

e.g. fluorescent lamps. Indirect lighting

allows us to adjust the light level on walls

and ceiling to achieve differing degrees

of lighting intensity, thus enhancing the

three-dimensional appearance of rooms

and objects,” explains Shoichi Uchiyama.

When Enigma 425 was introduced, Louis

Poulsen quickly realized that we had a

new success on our hands. From the first

day, the reception of Enigma far exceed-

ed our expectations. Since then, Enigma

425 has been followed by Enigma 825

and Enigma 545. The new five-shade

pendant, Enigma 545, displays a well-

balanced, beautiful shape, ideal for

both large and small rooms – in private

homes, conference rooms, receptions,

restaurants, stores and banquet halls.

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Light source:

425: 1/50W/PAR16 GU10. 545: 1/50W/PAR16 GU10.

825: 1/150W/Halogen/T10, 1/39W, 70W/CMH/T-6 G12.

Material: Shades in matte coated acrylic, cone in brushed

and coated aluminium. Dimensions: 425: diameter 16.6”,

height 29.3”. 545: diameter 17.1”, height 30.7”. 825:

diameter 32.5”, height 118.1”.

825

enigma 825

425

enigma545

japanese culture, beauty and wellbeing

With Enigma, Shoichi Uchiyama has created

a link between Japanese lighting culture and

Louis Poulsen’s lighting philosophy. The result

is a fixture family in three sizes, appealing to

architects and private individuals alike.

design:

shoichi uchiyama

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Floating freely as a luminous disk emitting downward light, the

F+P 550 looks like a clearly identified flying object. The fixture re-

sults from the partnership between Foster + Partners and Louis

Poulsen and represents the most innovative and future oriented

trends in lighting fixtures.

In the partnership, Louis Poulsen's technical excellence comple-

mented Foster+ Partners' conceptual design well. Stripped to

function and elegant form, the fixture deals efficiently with the

limitations of the technology.

The starting point of the fixture was the light – or rather the light

source. From the outset, the light source had to be LED. Thus, the

challenge was not only to master the LED technology, but also to

find a method for fitting an LED that would create the optimum

lighting effect and also prevent a direct view of the light source.

Design: Foster + Partners. Light source: 30 pcs. 1.1W LED. Material:

Shade: White opal glass. Housing: Die cast aluminium. Light guide:

Metal lized, high pressure moulded polycarbonate. Dimensions:

Diameter 21.7”, height 1.4”.

I d e n t i f i e d f l y i n g o b j e c t

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f p 550 The F+P 550 design is simple and light. Many resources went

into creating harmony between the fixture’s two halves and thus

uniting them into a single weightless, stunning unit. The shade

functionality elegantly expresses the philosophy that all parts of

the product should have a functional reason for being there.

F+P 550 is ideal for meeting rooms, reception areas, libraries and

airports, but has also been selected for private homes.

lp hintDesign: Helena Tatjana eliasen. light source:

Basic: 1/150W/T-6 G12. Dome: 1/150W/eD-17.

opal: 1/250W/eD-28. opal with shade: 1/320W/

eD-28. Material: optional top diffuser: injection

molded opal acrylic. reflector: Pre-anodized seg-

mented high reflectance aluminum. Housing: Die

cast aluminum. lower lens: Flat heat tempered

glass or curved acrylic lens. Dimensions: Dia-

meter 18.9˝, height 9.6˝.

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The designer found inspiration for the shape and design in glass and clothing. Pleats and folds from dresses combined with light refrac-tion in glass are all ingredients which young Swedish industrial designer Tatjana Eliason integrated into the LP Hint – a touch of multi-ple, small everyday observations.

The LP Hint is a complete, compact light machine. Behind the simple exterior, it stores pole connection, ballast, reflector and adjustment facilities. LP Hint was designed to accommodate easy, fast maintenance; Louis Poulsen Lighting carries over the LP Icon con-cept – tool-free light source replacement.

LP Hint is available in three versions, LP Hint Basic, LP Hint Opal and LP Hint Dome. The LP Hint Basic has a closed flat top and is classi-

fied a full cutoff fixture. The LP Hint Opal has a rounded opal acrylic top and is classified as a cutoff fixture. The opal top helps to illuminate the actual fixture while also functioning as a directional marker. Illumination is an important aspect of urban environments, lighting streets and pedestrian paths. The LP Hint Dome has a rounded metal top with the same aesthetic appeal of the LP Hint Opal but is full cutoff and has no uplight, similar to the LP Hint Basic.

In its shape, LP Hint appears as a shortened cone, but due to its almost vertical sides, the perception angle greatly impacts its appear-ance. Its simple design makes LP Hint easy to fit into contemporary architecture. Viewed from the side, the post top appears rectangular, but when you view it from different angles, the fix-ture appears more rounded.

lp hint

S i m p l e , s o l i d a n d f l e x i b l e 25

Unpretentious and uncompromising

l ighting

In 2006, Christian Flindt received the Designer-of-the-year award from

leading Scandinavian interior design magazine Bo Bedre, recognising his

works which comprise the much-exhibited and acclaimed Orchid chair.

Innovative and visionary design of the fixture bridg-

es the concepts function, comfort and ambience.

Simplicity disguises the complexity.

In 2006, Christian Flindt received the Designer of

the year award from leading Scandinavian interior

design magazine Bo Bedre, recognizing his works

which comprise the much-exhibited and acclaimed

Orchid chair.

Simplicity glows from the new fixture Flindt. At first

sight, a cylinder, which we have seen before, yet

still different. Christian Flindt has ingeniously united

two geometrical shapes, the c ylinder and the trun-

cated cone. By applying a special braiding technique

and combining the geometrical shapes, Christian

Flindt has achieved a three-dimensional effect and

created a transparent idiom and an enigmatic depth

in the shade when the fixture is observed from

various angles.

The Flindt brings a new fixture to the Louis Poulsen

product range that unites classic and modern de-

sign. A design that surprises the closer you get to it.

Simplistic, yet complicated. The braiding technique

is an elaborate precision work – the string in the

Flindt fixture is 1,640 ft. – and the slightest inaccu-

racy will show clearly.

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Unpretentious and uncompromising

l ighting

Design: Christian FlindtFlindt 475 Pendant. Light source: 1/32W/CF GX24q-3, 1/100W/A19/IF Medium. Material: String: White matte vinyl. Wings: Injection moulded acrylic. Dimensions: Diameter 18.7”, height 20.1”.

Many hours have been spent on testing various ma-

terials during the development of the Flindt.

The tests have involved finding a string that both

provided optimum shading and observed the trans-

parency requirements. Colors and opacity were

tested, and it proved necessary to complete the

production of the Flindt to be able to make an

assessment and get the right impression. Even the

tiniest detail has been thoroughly dis cussed, turned

and analyzed. Our unwillingness to compromise is

the reason why Louis Poulsen lighting stands out

from others and also determines which design-

ers Louis Poulsen works with. Working with Louis

Poulsen is a challenge for any designer since our

lighting philosophy is uncompromising.

Design and technology details are

not always easy to coalesce into a

synthesis

Christian Flindt has ingeniously united two geometrical shapes, the cylinder and the truncated cone.

27

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UsATargetti Poulsen USA Inc.3260 Meridian ParkwayFort Lauderdale, FL 33331Tel. +1 954 349 2525Fax +1 954 349 [email protected]

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