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Aachen Bold PostScript Single Master PostScript Name: AachenBoldPlain Font Metrics File: LT_70004.PFM Font Outline File: LT_70004.PFB COPYRIGHT ESSELTE LETRASET LTD., 1990 abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ 1234567890 $%&(.,;:'"!?) While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, Just keep examining every low bid quoted for zinc etchings. 8 Just keep examining every low bid quoted for zinc etchings. 10 Just keep examining every low bid quoted for zinc etchings. 12 Just keep examining every low bid quoted for zinc etchings. 14 Just keep examining every low bid quoted for zinc etchings. 18 Just keep examining every low bid quoted for 24 Just keep examining every low bid q 30 Just keep examining every low 36 Just keep examining ev 48 Just keep examinin 60 Just keep exam 72

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Page 1: Linotype Gold - A

Aachen BoldPostScript Single MasterPostScript Name: AachenBoldPlainFont Metrics File: LT_70004.PFMFont Outline File: LT_70004.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual,

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Page 2: Linotype Gold - A

Aachen CE BoldPostScript Single MasterPostScript Name: AachenCE-BoldFont Metrics File: ACCB____.PFMFont Outline File: ACCB____.PFBCopyright 1985-1994 Adobe Systems Inc.

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Page 3: Linotype Gold - A

Aachen LTPostScript Single MasterPostScript Name: AachenLT-BoldFont Metrics File: LTe50127.pfmFont Outline File: LTe50127.PFBAachen is a trademark of Esselte Pendaflex Corporation in t

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them

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Page 4: Linotype Gold - A

Aachen MediumPostScript Single MasterPostScript Name: AachenMediumPlainFont Metrics File: LT_70005.PFMFont Outline File: LT_70005.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 5: Linotype Gold - A

Abaton ITCPostScript Single MasterPostScript Name: AbatonITCFont Metrics File: ABATON__.PFMFont Outline File: ABATON__.PFB(c) Copyright 1995-1997 International Typeface Corporation

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a

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Page 6: Linotype Gold - A

Academy EngravedPostScript Single MasterPostScript Name: AcademyEngravedPlainFont Metrics File: 46152___.PFMFont Outline File: 46152___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 7: Linotype Gold - A

ACaslon AltBoldPostScript Single MasterPostScript Name: ACaslon-AltBoldFont Metrics File: awab____.pfmFont Outline File: awab____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 8: Linotype Gold - A

ACaslon AltBold, ItalicPostScript Single MasterPostScript Name: ACaslon-AltBoldItalicFont Metrics File: awabi___.pfmFont Outline File: awabi___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 9: Linotype Gold - A

ACaslon AltRegularPostScript Single MasterPostScript Name: ACaslon-AltRegularFont Metrics File: awarg___.pfmFont Outline File: awarg___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 10: Linotype Gold - A

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Page 11: Linotype Gold - A

ACaslon AltRegular, BoldPostScript Single MasterPostScript Name: ACaslon-AltSemiboldFont Metrics File: awasb___.pfmFont Outline File: awasb___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 12: Linotype Gold - A

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Page 13: Linotype Gold - A

ACaslon BoldPostScript Single MasterPostScript Name: ACaslon-BoldFont Metrics File: awb_____.pfmFont Outline File: awb_____.PFBCopyright (c) 1990, 1992, 1996, 1999 Adobe Systems Incorpor

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Page 14: Linotype Gold - A

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Page 15: Linotype Gold - A

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Page 16: Linotype Gold - A

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Page 17: Linotype Gold - A

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Page 19: Linotype Gold - A

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Page 20: Linotype Gold - A

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Page 21: Linotype Gold - A

ACaslon Regular, Bold ItalicPostScript Single MasterPostScript Name: ACaslon-SemiboldItalicFont Metrics File: awsbi___.pfmFont Outline File: awsbi___.PFBCopyright (c) 1990, 1992, 1996, 1999 Adobe Systems Incorpor

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Page 22: Linotype Gold - A

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Page 23: Linotype Gold - A

ACaslon RegularSC, ItalicPostScript Single MasterPostScript Name: ACaslon-ItalicOsFFont Metrics File: awio____.pfmFont Outline File: awio____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 24: Linotype Gold - A

ACaslon RegularSC, BoldPostScript Single MasterPostScript Name: ACaslon-SemiboldSCFont Metrics File: awsbs___.pfmFont Outline File: awsbs___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others

Just keep examining every low bid quoted for zinc etchings.8

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Page 25: Linotype Gold - A

ACaslon RegularSC, Bold ItalicPostScript Single MasterPostScript Name: ACaslon-SemiboldItalicOsFFont Metrics File: awsis___.pfmFont Outline File: awsis___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 26: Linotype Gold - A

ACaslon SwashBoldItalic, ItalicPostScript Single MasterPostScript Name: ACaslon-SwashBoldItalicFont Metrics File: awswb___.pfmFont Outline File: awswb___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

aABCDEFGHIJKLMNOPQRSTUVWXYZ

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a a a a a a S a a a a a a a O a a a a a a

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Page 27: Linotype Gold - A

ACaslon SwashItalic, ItalicPostScript Single MasterPostScript Name: ACaslon-SwashItalicFont Metrics File: awswi___.pfmFont Outline File: awswi___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

aABCDEFGHIJKLMNOPQRSTUVWXYZ

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a a a a a a a S a a a a a a a O a a a a a a

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Page 28: Linotype Gold - A

ACaslon SwashItalic, Bold ItalicPostScript Single MasterPostScript Name: ACaslon-SwashSemiboldItalicFont Metrics File: awssb___.pfmFont Outline File: awssb___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

aABCDEFGHIJKLMNOPQRSTUVWXYZ

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a a a a a a S a a a a a a a O a a a a a a

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Page 29: Linotype Gold - A

ACaslonExp BoldPostScript Single MasterPostScript Name: ACaslonExp-BoldFont Metrics File: axb_____.pfmFont Outline File: axb_____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 30: Linotype Gold - A

ACaslonExp Bold, ItalicPostScript Single MasterPostScript Name: ACaslonExp-BoldItalicFont Metrics File: axbi____.pfmFont Outline File: axbi____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 31: Linotype Gold - A

ACaslonExp RegularPostScript Single MasterPostScript Name: ACaslonExp-RegularFont Metrics File: axrg____.pfmFont Outline File: axrg____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 32: Linotype Gold - A

ACaslonExp Regular, ItalicPostScript Single MasterPostScript Name: ACaslonExp-ItalicFont Metrics File: axi_____.pfmFont Outline File: axi_____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

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Page 33: Linotype Gold - A

ACaslonExp Regular, BoldPostScript Single MasterPostScript Name: ACaslonExp-SemiboldFont Metrics File: axsb____.pfmFont Outline File: axsb____.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzab¢de i lmⁿo rst fffiflffiffl1234567890 $$&⁽.,;:´˝!?⁾fihile the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. there are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. some typefaces have a leisurely look about them while conforming to everyday typographic expectations. others

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Page 34: Linotype Gold - A

ACaslonExp Regular, Bold ItalicPostScript Single MasterPostScript Name: ACaslonExp-SemiboldItalicFont Metrics File: axsbi___.pfmFont Outline File: axsbi___.PFBCopyright (c) 1990, 1992, 1996 Adobe Systems Incorporated.

ab¢de i lmⁿo rst fffiflffiffl1234567890 $$ ⁽.,;: ⁾fi , . t

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Page 35: Linotype Gold - A

AdHocPostScript Single MasterPostScript Name: AdHocFont Metrics File: ADHOC___.PFMFont Outline File: ADHOC___.PFB\251 1992 Franko Luin | Omnibus Typografi | Box 135 | S-135

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Page 36: Linotype Gold - A

AdHoc, ItalicPostScript Single MasterPostScript Name: AdHoc-ItalicFont Metrics File: ADHOI___.PFMFont Outline File: ADHOI___.PFB\251 1992 Franko Luin | Omnibus Typografi | Box 135 | S-135

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 37: Linotype Gold - A

AdHocBisPostScript Single MasterPostScript Name: AdHocBisFont Metrics File: ADHOCBIS.PFMFont Outline File: ADHOCBIS.PFB\251 1992 Franko Luin | Omnibus Typografi | Box 135 | S-135

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday

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Page 38: Linotype Gold - A

AdHocBis, ItalicPostScript Single MasterPostScript Name: AdHocBis-ItalicFont Metrics File: ADHOBI__.PFMFont Outline File: ADHOBI__.PFB\251 1992 Franko Luin | Omnibus Typografi | Box 135 | S-135

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 39: Linotype Gold - A

AdHocSmallCapsPostScript Single MasterPostScript Name: AdHocSmallCapsFont Metrics File: ADHOSC__.PFMFont Outline File: ADHOSC__.PFB\251 1992 Franko Luin | Omnibus Typografi | Box 135 | S-135

abcdefghijklmnopqrstuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

1234567890 $%&(.,;:'"!?)

While the basic shapes of our letters have not changed much in hundreds of years,

there have been thousands of variations on the theme. There are special types for

telephone books, newspapers, and magazines, and for the exclusive use of

corporations. Some typefaces have a leisurely look about them while conforming

to everyday typographic expectations. Others were born with unusual, yet casual

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Page 40: Linotype Gold - A

Aftershock ITCPostScript Single MasterPostScript Name: AftershockITCFont Metrics File: AFTRSHOC.PFMFont Outline File: AFTRSHOC.PFB(c) Copyright 1994-1996 International Typeface Corporation

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 41: Linotype Gold - A

AGaramond BoldOsFPostScript Single MasterPostScript Name: AGaramond-BoldOsFFont Metrics File: GDBOS___.PFMFont Outline File: GDBOS___.PFBCopyright 1988-1991 Adobe Systems Inc.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 42: Linotype Gold - A

AGaramond BoldOsF, ItalicPostScript Single MasterPostScript Name: AGaramond-BoldItalicOsFFont Metrics File: GDBIO___.PFMFont Outline File: GDBIO___.PFBCopyright 1988-1991 Adobe Systems Inc.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make

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Page 43: Linotype Gold - A

AGaramond LTPostScript Single MasterPostScript Name: AGaramondLT-RegularFont Metrics File: LTe50566.pfmFont Outline File: LTe50566.PFBCopyright (c) 1989, 1992, 1996, 1998, 1999 Adobe Systems In

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 44: Linotype Gold - A

AGaramond LT, ItalicPostScript Single MasterPostScript Name: AGaramondLT-ItalicFont Metrics File: LTe50567.pfmFont Outline File: LTe50567.PFBCopyright (c) 1989, 1992, 1996, 1998, 1999 Adobe Systems In

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 45: Linotype Gold - A

AGaramond LT, BoldPostScript Single MasterPostScript Name: AGaramondLT-SemiboldFont Metrics File: LTe50568.pfmFont Outline File: LTe50568.PFBCopyright (c) 1989, 1992, 1996, 1998, 1999 Adobe Systems In

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 46: Linotype Gold - A

AGaramond LT, Bold ItalicPostScript Single MasterPostScript Name: AGaramondLT-SemiboldItalicFont Metrics File: LTe50569.pfmFont Outline File: LTe50569.PFBCopyright (c) 1989, 1992, 1996, 1998, 1999 Adobe Systems In

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 47: Linotype Gold - A

AGaramond LT BoldPostScript Single MasterPostScript Name: AGaramondLT-BoldFont Metrics File: LTe50570.pfmFont Outline File: LTe50570.PFBCopyright (c) 1989, 1992, 1996, 1998, 1999 Adobe Systems In

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 48: Linotype Gold - A

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Page 49: Linotype Gold - A

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Page 50: Linotype Gold - A

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Page 51: Linotype Gold - A

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Page 52: Linotype Gold - A

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Page 53: Linotype Gold - A

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Page 54: Linotype Gold - A

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Page 56: Linotype Gold - A

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Page 57: Linotype Gold - A

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Page 59: Linotype Gold - A

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Page 62: Linotype Gold - A

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Page 63: Linotype Gold - A

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Page 64: Linotype Gold - A

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Page 65: Linotype Gold - A

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Page 66: Linotype Gold - A

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Page 67: Linotype Gold - A

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Page 68: Linotype Gold - A

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Page 69: Linotype Gold - A

Agfa Rotis Semi Serif, BoldPostScript Single MasterPostScript Name: AgfaRotisSemiSerif-BoldFont Metrics File: LT_55227.PFMFont Outline File: LT_55227.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

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Page 70: Linotype Gold - A

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Page 71: Linotype Gold - A

Agfa Rotis Semisans, ItalicPostScript Single MasterPostScript Name: AgfaRotisSemisans-ItalicFont Metrics File: LT_55218.PFMFont Outline File: LT_55218.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes

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Page 72: Linotype Gold - A

Agfa Rotis Semisans, BoldPostScript Single MasterPostScript Name: AgfaRotisSemisans-BoldFont Metrics File: LT_55219.PFMFont Outline File: LT_55219.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 73: Linotype Gold - A

Agfa Rotis Semisans ExBdPostScript Single MasterPostScript Name: AgfaRotisSemisansExtraBoldFont Metrics File: LT_55222.PFMFont Outline File: LT_55222.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 74: Linotype Gold - A

Agfa Rotis Semisans LightPostScript Single MasterPostScript Name: AgfaRotisSemisansLightFont Metrics File: LT_55220.PFMFont Outline File: LT_55220.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 75: Linotype Gold - A

Agfa Rotis Semisans Light, ItalicPostScript Single MasterPostScript Name: AgfaRotisSemisansLight-ItalicFont Metrics File: LT_55221.PFMFont Outline File: LT_55221.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 76: Linotype Gold - A

Agfa Rotis SerifPostScript Single MasterPostScript Name: AgfaRotisSerifFont Metrics File: LT_55223.PFMFont Outline File: LT_55223.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 77: Linotype Gold - A

Agfa Rotis Serif, ItalicPostScript Single MasterPostScript Name: AgfaRotisSerif-ItalicFont Metrics File: LT_55224.PFMFont Outline File: LT_55224.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 78: Linotype Gold - A

Agfa Rotis Serif, BoldPostScript Single MasterPostScript Name: AgfaRotisSerif-BoldFont Metrics File: LT_55225.PFMFont Outline File: LT_55225.PFB2.0 Copyright \(c\) 1997 Bayer Corporation. All rights res

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with

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Page 79: Linotype Gold - A

AgincourtPostScript Single MasterPostScript Name: AgincourtPlainFont Metrics File: 49651___.PFMFont Outline File: 49651___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1993

abcdefghijklmnopqrstuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

1234567890 $%&(.,;:'"!?)

While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 80: Linotype Gold - A

AgrafieLLPostScript Single MasterPostScript Name: AgrafieLLFont Metrics File: LT_53183.pfmFont Outline File: LT_53183.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday

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Page 81: Linotype Gold - A

Airstream ITCPostScript Single MasterPostScript Name: AirstreamITCFont Metrics File: AIRSTITC.PFMFont Outline File: AIRSTITC.PFB(c) Copyright Galapagos Design Group, Inc. 1994-1995

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 82: Linotype Gold - A

Aldus LT RomanPostScript Single MasterPostScript Name: AldusLT-RomanFont Metrics File: LTe52121.pfmFont Outline File: LTe52121.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 83: Linotype Gold - A

Aldus LT Roman, ItalicPostScript Single MasterPostScript Name: AldusLT-ItalicFont Metrics File: LTe52122.pfmFont Outline File: LTe52122.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 84: Linotype Gold - A

Aldus RomanSCPostScript Single MasterPostScript Name: Aldus-RomanSCFont Metrics File: AFRSC___.PFMFont Outline File: AFRSC___.PFBCopyright 1988-1991 Adobe Systems Inc.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were

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Page 85: Linotype Gold - A

Aldus RomanSC, ItalicPostScript Single MasterPostScript Name: Aldus-ItalicOsFFont Metrics File: AFIOF___.PFMFont Outline File: AFIOF___.PFBCopyright 1988-1991 Adobe Systems Inc.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual

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Page 86: Linotype Gold - A

AleOrnamentsRotatoLLPostScript Single MasterPostScript Name: AleOrnamentsRotatoLLFont Metrics File: ALEORL__.PFMFont Outline File: ALEORL__.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrsABCDEFGHIJKLMNOPQRS1234567890 .,;:While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There

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Page 87: Linotype Gold - A

AleOrnamentsSpiratoLLPostScript Single MasterPostScript Name: AleOrnamentsSpiratoLLFont Metrics File: ALEOSL__.PFMFont Outline File: ALEOSL__.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuABCDEFGHIJKLMNOPQRSTU1234567890 While the basic shapes of our letters have not changed much in hundreds of years there have been thousands of variations on the theme There are special types for telephone books

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Page 88: Linotype Gold - A

AleSignsBlackLLPostScript Single MasterPostScript Name: AleSignsBlackLLFont Metrics File: ALESBLL_.PFMFont Outline File: ALESBLL_.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

123456789

While the basic shapes of our letters have not changed

much in hundreds of years there have been thousands

of variations on the theme There are special types for

telephone books newspapers and magazines and for

the exclusive use of corporations Some typefaces have

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Page 89: Linotype Gold - A

AleSignsCageLLPostScript Single MasterPostScript Name: AleSignsCageLLFont Metrics File: ALESCL__.PFMFont Outline File: ALESCL__.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

1234567890

While the basic shapes of our letters have not changed

much in hundreds of years there have been thousands

of variations on the theme There are special types for

telephone books newspapers and magazines and for

the exclusive use of corporations Some typefaces have

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Just keep examining every low bid quoted for zinc etchings12

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Page 90: Linotype Gold - A

AleSignsLLPostScript Single MasterPostScript Name: AleSignsLLFont Metrics File: ALESL___.PFMFont Outline File: ALESL___.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 While the basic shapes of our letters have not changed much in hundreds of years there have been thousands of variations on the theme There are special types for telephone books newspapers and magazines and for the exclusive use of corporations Some typefaces have a

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Page 91: Linotype Gold - A

AleSignsWhiteLLPostScript Single MasterPostScript Name: AleSignsWhiteLLFont Metrics File: ALESWL__.PFMFont Outline File: ALESWL__.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyz

ABCDEFGHIJKLMNOPQRSTUVWXYZ

123456789

While the basic shapes of our letters have not changed

much in hundreds of years there have been thousands

of variations on the theme There are special types for

telephone books newspapers and magazines and for

the exclusive use of corporations Some typefaces have

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Page 92: Linotype Gold - A

AleTransportLLPostScript Single MasterPostScript Name: AleTransportLLFont Metrics File: ALETL___.PFMFont Outline File: ALETL___.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQ1234567890 (While the basic shapes of our letters have not changed much in hundreds of years there have been thousands of variations on the theme There are special types for telephone books newspapers and magazines and for

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Just keep examining every low bid quoted for zinc et12

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Page 93: Linotype Gold - A

Alexa, ItalicPostScript Single MasterPostScript Name: AlexaFont Metrics File: XA______.PFMFont Outline File: XA______.PFBCopyright 1985-1994 Adobe Systems Inc.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 94: Linotype Gold - A

AlexieLLPostScript Single MasterPostScript Name: AlexieLLFont Metrics File: ALEXIELL.PFMFont Outline File: ALEXIELL.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them

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Page 95: Linotype Gold - A

Algerian CondensedPostScript Single MasterPostScript Name: AlgerianCondensedPlainFont Metrics File: 58357___.PFMFont Outline File: 58357___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 96: Linotype Gold - A

Amelia LLPostScript Single MasterPostScript Name: AmeliaLLFont Metrics File: LT_51868.PFMFont Outline File: LT_51868.PFBThe digitally encoded machine readable outline data for pro

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 97: Linotype Gold - A

Americana LTPostScript Single MasterPostScript Name: AmericanaLTFont Metrics File: LTe50253.pfmFont Outline File: LTe50253.PFBCopyright (c) 1988, 1995, 1999 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to

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Page 98: Linotype Gold - A

Americana LT, ItalicPostScript Single MasterPostScript Name: AmericanaLT-ItalicFont Metrics File: LTe50254.pfmFont Outline File: LTe50254.PFBCopyright (c) 1988, 1995, 1999 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to

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Page 99: Linotype Gold - A

Americana LT, BoldPostScript Single MasterPostScript Name: AmericanaLT-BoldFont Metrics File: LTe50255.pfmFont Outline File: LTe50255.PFBCopyright (c) 1988, 1995, 1999 Adobe Systems Incorporated.

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Page 100: Linotype Gold - A

Americana LT ExtraBoldPostScript Single MasterPostScript Name: AmericanaLT-ExtraBoldFont Metrics File: LTe50256.pfmFont Outline File: LTe50256.PFBCopyright (c) 1988, 1995, 1999 Adobe Systems Incorporated.

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Page 101: Linotype Gold - A

AmericanTypewriter LT CnPostScript Single MasterPostScript Name: AmericanTypewriterLT-CondFont Metrics File: LTe51090.pfmFont Outline File: LTe51090.PFBCopyright (c) 1990, 1991, 1994 Adobe Systems Incorporated.

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Page 102: Linotype Gold - A

AmericanTypewriter LT Cn, BoldPostScript Single MasterPostScript Name: AmericanTypewriterLT-BoldCondFont Metrics File: LTe51093.pfmFont Outline File: LTe51093.PFBCopyright (c) 1990, 1991, 1994 Adobe Systems Incorporated.

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Page 103: Linotype Gold - A

AmericanTypewriter LT CnAPostScript Single MasterPostScript Name: AmericanTypewriterLT-CondAFont Metrics File: LT_11089.pfmFont Outline File: LT_11089.PFBCopyright 1985-1994 Adobe Systems Inc.

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Page 104: Linotype Gold - A

AmericanTypewriter LT CnA, BoldPostScript Single MasterPostScript Name: AmericanTypewriterLT-BoldCondAFont Metrics File: LT_11091.pfmFont Outline File: LT_11091.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 105: Linotype Gold - A

AmericanTypewriter LT LightPostScript Single MasterPostScript Name: AmericanTypewriterLT-LightFont Metrics File: LTe51088.pfmFont Outline File: LTe51088.PFBCopyright (c) 1990, 1991, 1994 Adobe Systems Incorporated.

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Page 106: Linotype Gold - A

AmericanTypewriter LT LightAPostScript Single MasterPostScript Name: AmericanTypewriterLT-LightAFont Metrics File: LT_11087.pfmFont Outline File: LT_11087.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 107: Linotype Gold - A

AmericanTypewriter LT LightCnPostScript Single MasterPostScript Name: AmericanTypewriterLT-LightCondFont Metrics File: LTe51092.pfmFont Outline File: LTe51092.PFBCopyright (c) 1990, 1991, 1994 Adobe Systems Incorporated.

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Page 108: Linotype Gold - A

AmericanTypewriter LT LightCnAPostScript Single MasterPostScript Name: AmericanTypewriterLT-LightCondAFont Metrics File: LT_11094.pfmFont Outline File: LT_11094.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 109: Linotype Gold - A

AmericanTypewriter LT MediumPostScript Single MasterPostScript Name: AmericanTypewriterLT-MediumFont Metrics File: LTe50035.pfmFont Outline File: LTe50035.PFBCopyright (c) 1985, 1987, 1990, 1991 Adobe Systems Incorpor

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Page 110: Linotype Gold - A

AmericanTypewriter LT Medium, BoldPostScript Single MasterPostScript Name: AmericanTypewriterLT-BoldFont Metrics File: LTe50036.pfmFont Outline File: LTe50036.PFBCopyright (c) 1985, 1987, 1990, 1991 Adobe Systems Incorpor

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Page 111: Linotype Gold - A

AmericanTypewriter LT MediumAPostScript Single MasterPostScript Name: AmericanTypewriterLT-MediumAFont Metrics File: LT_11096.pfmFont Outline File: LT_11096.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 112: Linotype Gold - A

AmericanTypewriter LT MediumA, BoldPostScript Single MasterPostScript Name: AmericanTypewriterLT-BoldAFont Metrics File: LT_11095.pfmFont Outline File: LT_11095.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 113: Linotype Gold - A

AmigoPostScript Single MasterPostScript Name: AmigoFont Metrics File: IG______.PFMFont Outline File: IG______.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 114: Linotype Gold - A

AndreasPostScript Single MasterPostScript Name: AndreasFont Metrics File: HY______.PFMFont Outline File: HY______.PFBCopyright 1985-1994 Adobe Systems Inc.

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Page 115: Linotype Gold - A

Angryhog ITCPostScript Single MasterPostScript Name: AngryhogITCFont Metrics File: ANGRYHOG.PFMFont Outline File: ANGRYHOG.PFB(c) Copyright 1994-1996 International Typeface Corporation

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Page 116: Linotype Gold - A

AnnaITCPostScript Single MasterPostScript Name: AnnaITCFont Metrics File: LT_70014.PFMFont Outline File: LT_70014.PFBURW Software, Copyright 1994 by URW

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Page 117: Linotype Gold - A

AnnaITCSCPostScript Single MasterPostScript Name: AnnaITCSCFont Metrics File: A051800D.PFMFont Outline File: A051800D.PFBCopyright URW Software, Copyright 1994 by URW

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make the best of it.

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Page 118: Linotype Gold - A

Antique Olive CE BlackPostScript Single MasterPostScript Name: AntiqueOliveCE-BlackFont Metrics File: AQCBL___.PFMFont Outline File: AQCBL___.PFBCopyright 1988-1994 Adobe Systems Inc.

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Page 119: Linotype Gold - A

Antique Olive CE LightPostScript Single MasterPostScript Name: AntiqueOliveCE-LightFont Metrics File: AQCL____.PFMFont Outline File: AQCL____.PFBCopyright 1988-1994 Adobe Systems Inc.

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Page 120: Linotype Gold - A

Antique Olive CE RomanPostScript Single MasterPostScript Name: AntiqueOliveCE-RomanFont Metrics File: AQCR____.PFMFont Outline File: AQCR____.PFBCopyright 1988-1994 Adobe Systems Inc.

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Page 121: Linotype Gold - A

Antique Olive CE Roman, ItalicPostScript Single MasterPostScript Name: AntiqueOliveCE-ItalicFont Metrics File: AQIC____.PFMFont Outline File: AQIC____.PFBCopyright 1988-1994 Adobe Systems Inc.

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Page 122: Linotype Gold - A

Antique Olive CE Roman, BoldPostScript Single MasterPostScript Name: AntiqueOliveCE-BoldFont Metrics File: AQCB____.PFMFont Outline File: AQCB____.PFBCopyright 1988-1994 Adobe Systems Inc.

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Page 123: Linotype Gold - A

AntiqueOlive LT BlackPostScript Single MasterPostScript Name: AntiqueOliveLT-BlackFont Metrics File: LTe50356.pfmFont Outline File: LTe50356.PFBCopyright (c) 1989, 1994, 1999 Adobe Systems Incorporated.

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Page 124: Linotype Gold - A

AntiqueOlive LT BoldCondPostScript Single MasterPostScript Name: AntiqueOliveLT-BoldCondFont Metrics File: LTe50471.pfmFont Outline File: LTe50471.PFBCopyright (c) 1989, 1995, 1999 Adobe Systems Incorporated.

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Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 125: Linotype Gold - A

AntiqueOlive LT CompactPostScript Single MasterPostScript Name: AntiqueOliveLT-CompactFont Metrics File: LTe50470.pfmFont Outline File: LTe50470.PFBCopyright (c) 1989, 1995, 1998 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have

Just keep examining every low bid quoted for zinc etchings.8

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Page 126: Linotype Gold - A

AntiqueOlive LT LightPostScript Single MasterPostScript Name: AntiqueOliveLT-LightFont Metrics File: LTe50352.pfmFont Outline File: LTe50352.PFBCopyright (c) 1989, 1994, 1999 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations.

Just keep examining every low bid quoted for zinc etchings.8

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Page 127: Linotype Gold - A

AntiqueOlive LT NordPostScript Single MasterPostScript Name: AntiqueOliveLT-NordFont Metrics File: LTe50472.pfmFont Outline File: LTe50472.PFBCopyright (c) 1989, 1995, 1999 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwABCDEFGHIJKLMNOPQRSTU1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and

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Page 128: Linotype Gold - A

AntiqueOlive LT Nord, ItalicPostScript Single MasterPostScript Name: AntiqueOliveLT-NordItalicFont Metrics File: LTe50473.pfmFont Outline File: LTe50473.PFBCopyright (c) 1989, 1995, 1999 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWX1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the

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Page 129: Linotype Gold - A

AntiqueOlive LT RomanPostScript Single MasterPostScript Name: AntiqueOliveLT-RomanFont Metrics File: LTe50353.pfmFont Outline File: LTe50353.PFBCopyright (c) 1989, 1994, 1998 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to

Just keep examining every low bid quoted for zinc etchings.8

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Page 130: Linotype Gold - A

AntiqueOlive LT Roman, ItalicPostScript Single MasterPostScript Name: AntiqueOliveLT-ItalicFont Metrics File: LTe50354.pfmFont Outline File: LTe50354.PFBCopyright (c) 1989, 1994, 1998 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday

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Page 131: Linotype Gold - A

AntiqueOlive LT Roman, BoldPostScript Single MasterPostScript Name: AntiqueOliveLT-BoldFont Metrics File: LTe50355.pfmFont Outline File: LTe50355.PFBCopyright (c) 1989, 1994, 1998 Adobe Systems Incorporated.

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to

Just keep examining every low bid quoted for zinc etchings.8

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Page 132: Linotype Gold - A

AquinasPostScript Single MasterPostScript Name: AquinasPlainFont Metrics File: LT_70016.PFMFont Outline File: LT_70016.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 133: Linotype Gold - A

Aquitaine InitialsPostScript Single MasterPostScript Name: AquitaineInitialsPlainFont Metrics File: 71678___.PFMFont Outline File: 71678___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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1234567890 $%&(.,;:'"!?)

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in hundreds of years, there have been thousands of variations

on the theme. There are special types for telephone books,

newspapers, and magazines, and for the exclusive use of

corporations. Some typefaces have a leisurely look about them

Just keep examining every low bid quoted for zinc etchings.8

Just keep examining every low bid quoted for zinc etchings.10

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Page 134: Linotype Gold - A

Arcadia LTPostScript Single MasterPostScript Name: ArcadiaLTFont Metrics File: LTe50551.pfmFont Outline File: LTe50551.PFBCopyright (c) 1990 Adobe Systems Incorporated. All Rights R

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 135: Linotype Gold - A

Arcadia LT APostScript Single MasterPostScript Name: ArcadiaLT-AFont Metrics File: LT_10552.pfmFont Outline File: LT_10552.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 136: Linotype Gold - A

Ariadne RomanPostScript Single MasterPostScript Name: Ariadne-RomanFont Metrics File: ARIA____.PFMFont Outline File: ARIA____.PFBCopyright 1988-1991 Adobe Systems Inc.

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& .,;: !?While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations.

Just keep examining every low bid quoted for zinc etchings.8

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Page 137: Linotype Gold - A

Arid ITCPostScript Single MasterPostScript Name: AridITCFont Metrics File: ARID____.PFMFont Outline File: ARID____.PFB(c) Copyright 1995-1997 International Typeface Corporation

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Page 138: Linotype Gold - A

Arioso LTPostScript Single MasterPostScript Name: AriosoLTFont Metrics File: LTe51354.pfmFont Outline File: LTe51354.PFBThe digitally encoded machine readable software for produci

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1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were born with unusual, yet casual shapes and make the best of it.

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Page 139: Linotype Gold - A

AristocratPostScript Single MasterPostScript Name: AristocratPlainFont Metrics File: 48190___.PFMFont Outline File: 48190___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1994

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Page 140: Linotype Gold - A

ArnoldBoecklin LTPostScript Single MasterPostScript Name: ArnoldBoecklinLTFont Metrics File: LTe50357.pfmFont Outline File: LTe50357.PFBArnold Boecklin is a trademark of Heidelberger Druckmaschin

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Page 141: Linotype Gold - A

Arnova ITCPostScript Single MasterPostScript Name: ArnovaITCFont Metrics File: ARNOVA__.PFMFont Outline File: ARNOVA__.PFB(c) Copyright 1995-1997 International Typeface Corporation

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday typographic expectations. Others were

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Page 142: Linotype Gold - A

ArribaPostScript Single MasterPostScript Name: ArribaPlainFont Metrics File: LT_70021.PFMFont Outline File: LT_70021.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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Page 143: Linotype Gold - A

Arriba ArribaPostScript Single MasterPostScript Name: ArribaArribaPlainFont Metrics File: LT_70023.PFMFont Outline File: LT_70023.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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Just keep examining every low bid quoted for zinc etchings.8

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Page 144: Linotype Gold - A

Arriba Arriba PiPostScript Single MasterPostScript Name: ArribaArribaPiPlainFont Metrics File: 5219A___.PFMFont Outline File: 5219A___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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theme. There are special types for telephone books, newspapers, and

magazines, and for the exclusive use of corporations. Some typefaces

have a leisurely look about them while conforming to everyday

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Page 145: Linotype Gold - A

Arriba PiPostScript Single MasterPostScript Name: ArribaPiPlainFont Metrics File: 3916A___.PFMFont Outline File: 3916A___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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1234567890 $%&(.,;:'"!?)

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hundreds of years, there have been thousands of variations on the

theme. There are special types for telephone books, newspapers, and

magazines, and for the exclusive use of corporations. Some typefaces

have a leisurely look about them while conforming to everyday

Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 146: Linotype Gold - A

ArtistePostScript Single MasterPostScript Name: ArtistePlainFont Metrics File: 57639___.PFMFont Outline File: 57639___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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Just keep examining every low bid quoted for zinc etchings.8

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Page 147: Linotype Gold - A

Atmosphere ITCPostScript Single MasterPostScript Name: AtmosphereITCFont Metrics File: ATMSPHRE.PFMFont Outline File: ATMSPHRE.PFB(c) Copyright 1994-1996 International Typeface Corporation

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Page 148: Linotype Gold - A

Audio LH PiPostScript Single MasterPostScript Name: AudioLH-PiFont Metrics File: AUDI1___.PFMFont Outline File: AUDI1___.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 149: Linotype Gold - A

Augustea OpenPostScript Single MasterPostScript Name: AugusteaOpenPlainFont Metrics File: 53191___.PFMFont Outline File: 53191___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1994

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Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 150: Linotype Gold - A

Auriol FlowersOnePostScript Single MasterPostScript Name: Auriol-FlowersOneFont Metrics File: ALFL1___.PFMFont Outline File: ALFL1___.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 151: Linotype Gold - A

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Page 152: Linotype Gold - A

Auriol LTPostScript Single MasterPostScript Name: AuriolLTFont Metrics File: LTe50970.pfmFont Outline File: LTe50970.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 153: Linotype Gold - A

Auriol LT, ItalicPostScript Single MasterPostScript Name: AuriolLT-ItalicFont Metrics File: LTe50971.pfmFont Outline File: LTe50971.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 154: Linotype Gold - A

Auriol LT, BoldPostScript Single MasterPostScript Name: AuriolLT-BoldFont Metrics File: LTe50972.pfmFont Outline File: LTe50972.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 155: Linotype Gold - A

Auriol LT, Bold ItalicPostScript Single MasterPostScript Name: AuriolLT-BoldItalicFont Metrics File: LTe50973.pfmFont Outline File: LTe50973.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 156: Linotype Gold - A

Auriol LT BlackPostScript Single MasterPostScript Name: AuriolLT-BlackFont Metrics File: LTe50974.pfmFont Outline File: LTe50974.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 157: Linotype Gold - A

Auriol LT Black, ItalicPostScript Single MasterPostScript Name: AuriolLT-BlackItalicFont Metrics File: LTe50975.pfmFont Outline File: LTe50975.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights R

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Page 158: Linotype Gold - A

Auriol VignetteSylviePostScript Single MasterPostScript Name: Auriol-VignetteSylvieFont Metrics File: ALVSY___.PFMFont Outline File: ALVSY___.PFBCopyright 1988-1991 Adobe Systems Inc.

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Page 159: Linotype Gold - A

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Page 160: Linotype Gold - A

AvantGarde LT Book, ItalicPostScript Single MasterPostScript Name: AvantGardeLT-BookObliqueFont Metrics File: LTe50012.pfmFont Outline File: LTe50012.PFBCopyright (c) 1985, 1987, 1989, 1990, 1991, 1992, 1997, 199

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Page 161: Linotype Gold - A

AvantGarde LT Book, BoldPostScript Single MasterPostScript Name: AvantGardeLT-DemiFont Metrics File: LTe50013.pfmFont Outline File: LTe50013.PFBCopyright (c) 1985, 1987, 1989, 1990, 1991, 1992, 1997, 199

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Page 162: Linotype Gold - A

AvantGarde LT Book, Bold ItalicPostScript Single MasterPostScript Name: AvantGardeLT-DemiObliqueFont Metrics File: LTe50014.pfmFont Outline File: LTe50014.PFBCopyright (c) 1985, 1987, 1989, 1990, 1991, 1992, 1997, 199

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Page 163: Linotype Gold - A

AvantGarde LT CondBookPostScript Single MasterPostScript Name: AvantGardeLT-CondBookFont Metrics File: LTe50529.pfmFont Outline File: LTe50529.PFBCopyright (c) 1989, 1990 Adobe Systems Incorporated. All Ri

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Page 164: Linotype Gold - A

AvantGarde LT CondBook, BoldPostScript Single MasterPostScript Name: AvantGardeLT-CondDemiFont Metrics File: LTe50531.pfmFont Outline File: LTe50531.PFBCopyright (c) 1989, 1990 Adobe Systems Incorporated. All Ri

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Page 165: Linotype Gold - A

AvantGarde LT CondMediumPostScript Single MasterPostScript Name: AvantGardeLT-CondMediumFont Metrics File: LTe50530.pfmFont Outline File: LTe50530.PFBCopyright (c) 1989, 1990 Adobe Systems Incorporated. All Ri

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Page 166: Linotype Gold - A

AvantGarde LT CondMedium, BoldPostScript Single MasterPostScript Name: AvantGardeLT-CondBoldFont Metrics File: LTe50532.pfmFont Outline File: LTe50532.PFBCopyright (c) 1989, 1990 Adobe Systems Incorporated. All Ri

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Page 167: Linotype Gold - A

AvantGarde LT ExtraLightPostScript Single MasterPostScript Name: AvantGardeLT-ExtraLightFont Metrics File: LTe52009.pfmFont Outline File: LTe52009.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

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Page 168: Linotype Gold - A

AvantGarde LT ExtraLight, ItalicPostScript Single MasterPostScript Name: AvantGardeLT-ExtraLightOblFont Metrics File: LTe52010.pfmFont Outline File: LTe52010.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

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Page 169: Linotype Gold - A

AvantGarde LT MediumPostScript Single MasterPostScript Name: AvantGardeLT-MediumFont Metrics File: LTe52011.pfmFont Outline File: LTe52011.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

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Page 170: Linotype Gold - A

AvantGarde LT Medium, ItalicPostScript Single MasterPostScript Name: AvantGardeLT-MediumOblFont Metrics File: LTe52012.pfmFont Outline File: LTe52012.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

abcdefghijklmnopqrstuvwxyzABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890 $%&(.,;:'"!?)While the basic shapes of our letters have not changed much in hundreds of years, there have been thousands of variations on the theme. There are special types for telephone books, newspapers, and magazines, and for the exclusive use of corporations. Some typefaces have a leisurely look about them while conforming to everyday

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Page 171: Linotype Gold - A

AvantGarde LT Medium, BoldPostScript Single MasterPostScript Name: AvantGardeLT-BoldFont Metrics File: LTe52013.pfmFont Outline File: LTe52013.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

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Page 172: Linotype Gold - A

AvantGarde LT Medium, Bold ItalicPostScript Single MasterPostScript Name: AvantGardeLT-BoldOblFont Metrics File: LTe52014.pfmFont Outline File: LTe52014.PFBCopyright (c) 1991 Adobe Systems Incorporated. All Rights

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Page 173: Linotype Gold - A

AvenidaPostScript Single MasterPostScript Name: AvenidaPlainFont Metrics File: 90196___.PFMFont Outline File: 90196___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1994

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Just keep examining every low bid quoted for zinc etchings.8Just keep examining every low bid quoted for zinc etchings.10

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Page 174: Linotype Gold - A

Avenida AltsPostScript Single MasterPostScript Name: AvenidaAltsPlainFont Metrics File: 9019B___.PFMFont Outline File: 9019B___.PFBCOPYRIGHT ESSELTE LETRASET LTD., 1990

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were born with unusual, yet casual shapes and make the best of it.

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Page 176: Linotype Gold - A

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Page 177: Linotype Gold - A

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Page 178: Linotype Gold - A

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Page 180: Linotype Gold - A

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Page 181: Linotype Gold - A

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Page 182: Linotype Gold - A

Avenir LT 55 Roman, Bold ItalicPostScript Single MasterPostScript Name: AvenirLT-HeavyObliqueFont Metrics File: LTe50341.pfmFont Outline File: LTe50341.PFBAvenir is a Trademark of Heidelberger Druckmaschinen AG,

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Page 184: Linotype Gold - A

Avenir LT 65 Medium, ItalicPostScript Single MasterPostScript Name: AvenirLT-MediumObliqueFont Metrics File: LTe50345.pfmFont Outline File: LTe50345.PFBAvenir is a Trademark of Heidelberger Druckmaschinen AG,

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Page 185: Linotype Gold - A

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Page 186: Linotype Gold - A

Avenir LT 65 Medium, Bold ItalicPostScript Single MasterPostScript Name: AvenirLT-BlackObliqueFont Metrics File: LTe50347.pfmFont Outline File: LTe50347.PFBAvenir is a Trademark of Heidelberger Druckmaschinen AG,

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