LMFAO FINAL

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FEBRUARY 2013

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CONTENTSOLSEN TWINS .................................. 5

LMFAO ............................................... 13

DAFT PUNK........................................ 21

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ONE OF THE SAMEMary-Kate & Ashley

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CROSSxOVERMary-Kate and Ashley Olsen have long been revered for their bold fashion statements, so we were beyond excited when they launched their own label, Elizabeth and James, in 2007. Since its inception the line has grown to include jewelry, shoes and, now, menswear. Elizabeth and James is contemporary style at its best: Pieces have unexpected details that are both timeless and on-trend. We spoke with the twins—who were recently inducted into the CFDA—to gain insight into their creative process.

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SHARED CONSCIOUS"

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SHARED CONSCIOUS"

COLLABORATIONI’m inspired by art, music, travel and great vintage finds. Inspiration is everywhere. I love art and photo books. Inspiration can happen at any time, the key is to be aware of everything around you

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COLLABORATION

THE DYNAMIC DUO IS BACK IN ACTION

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We got to rock out with Party Rockers LMFAO. Sky Blu and Red Foo told us about their new Party Rock album and what we need to know about the funky group.


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BEHINDtheMadness

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Q: Why did you guys choose the name LMFAO? And where did your stage names come from?

A: Because our grandma insisted on it. She said ‘Your current name makes me wanna laugh my friggin ass off” because our current name was ‘sexy dudes’, and she didn’t like it. She said ‘We know you’re sexy dudes. Everybody does. Silly boys, put some clothes on’, and then she wrote ‘LMFAO’. Q: Nemo enim ipsam voluptatem quia

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Q: What about the name SKYBLU ?

A: So you know, my mom was pregnant and she gave birth and they were practicing something there... So I fell into the cannon and it shot me up into the sky, so the guy on stilts caught me said ‘we’re gonna name you Sky.’

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SKYBLU

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REDFOOQ: Where did the name REDFOO come from?

A: Red Foo, came from when I was younger, people used to say ‘You’s a fool!’ and i said not only am I a fool, I also have red hair. Now you might say, this is brown, but this is actually red.

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Q: So you guys just released your album ‘Party Rock’ - how do you feel that is different from other Electro/Hip-hop albums?

A: I think it’s different cause it’s the first Electro-hip-hop as we have it to-day... you know, actually, it’s not even Electro-Hiphop, it’s Party Rock.SB: And to say it’s an album is what we had to say. It’s actually a toolbox. These songs are tools to rock a party.

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There are very few dance acts that have managed to perpetuate as many myths as these two reclusive Frenchmen. Gossip around their shroud pervades more often than not.

With their Alive 2007 tour still buzzing round the forums and their fans’ sated minds whilst their live album is set for release in November, these two slippery Frenchmen are now ready to sit with Number to discuss their endless ‘experimenting’, the collapse of the record industry, why it’s Radiohead’s fault and just when exactly we can expect new material from them.

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Q: Would you say that the French music scene has experienced a big change this year? How much of a reinvention has occurred there?

A: No I wouldn’t say reinvented. I think that French music, and there’s a lot of great electronic acts coming out now, they haven’t reinvented anything, they have followed a genre but it’s really hard to be innovative in electronic music today apart from just making great elec-tronic music.

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We feel privileged and fortunate when it comes to a question of timing. But at the same time as an artist I always think there’s a way to experiment and do new things and really think that things have never been done.

I think that every artist should try and do something that hasn’t been done before and to that sense I think we are very lucky because when we made our first records in our bedroom with all our machines and going really min-imal is something that happens in the underground all the time but trying to do it in the mainstream and mixing lots of influences and sounds from Disco to Heavy Metal to Distortion and Funk was rela-tively new at the time.

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Q: When you started using the masks it was about the facelessness of Techno, yet do you feel that it has come now full circle and your robots are icons?

A: Yeah maybe. Yeah, yeah. It’s not come full circle for us but it definitely has come full circle for the robots. It’s a great achievement because one of the biggest reasons that we do that was that it was to emphasise ‘creation’ and put emphasis on the robot look and have the excuse to create once more.

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LIFE CULTURE NUMBERS

Documents

LMFAO FINAL