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There are various approaches used by educators when it comes to teaching music. Here
are four of the most popular music education methods.
1. The Orff Approach
Public Domain Image from Wikimedia Commons
The Orff Method is a way of teaching children about music that engages their mind and
body through a mixture of singing, dancing, acting and the use of percussion
instruments (i.e. xylophones, metallophones, glockenspiels). Lessons are presented with
an element of "play" helping the children learn at their own level of understanding.
The Orff Method is a way of teaching children about music that
engages their mind and body through a mixture of singing, dancing,
acting and the use of percussion instruments (i.e. xylophones,
metallophones, glockenspiels). Lessons are presented with an element
of "play" helping the children learn at their own level of understanding.
What is Orff-Schulwerk?
Also known as the Orff Method, Orff Approach or Music for Children; it
is a way of introducing and teaching children about music on a level
that they can easily comprehend. Musical concepts are learned
through singing, chanting, dance, movement, drama and the playing of
percussion instruments. Improvisation, composition and a child's
natural sense of play are encouraged.
Who created the Orff Approach?
This approach to music education was developed by Carl Orff, a
German composer, conductor and educator whose most famous
composition is the oratorio "Carmina Burana." It was conceived during
the 1920s and 1930s while he served as music director of the Günther-
Schule; a school of music, dance and gymnastics that he co-founded in
Munich. His ideas were based on his belief in the importance of rhythm
and movement. Orff shared these ideas in a book titled Orff-
Schulwerkwhich was later revised and then adapted into English
as Music for Children.
What types of music and instruments are typically used?
Folk music and music composed by the children themselves are mostly
used in the Orff classroom.Xylophones (soprano, alto,
bass), metallophones (soprano, alto, bass), glockenspiels (soprano and
alto), castanets, bells, maracas, triangles, cymbals (finger, crash or
suspended),tambourines, timpani, gongs, bongos, steel drums
and conga drums are but some of the percussion instruments used in
the Orff classroom. Other instruments (both pitched and unpitched)
that may be used include:
afuches
claves
cow bells
djembe
rainmakers
rhythm sticks
sand blocks
shakers
tap-a-tap
tick tock
tone block
vibra slap
wood blocks
What is a typical lesson like?
Although Orff teachers use many books as frameworks, there is no
standardized Orff curriculum. Orff teachers design their own lesson
plans and adapt it to suit the size of the class and the age of the
students. For example, a teacher may choose a poem or a story to
read in class. Students are then asked to participate by choosing
instruments to represent a character or a word in the story or poem. As
the teacher reads the story or poem again, students add sound effects
by playing the instruments they selected. The teacher then adds
accompaniment by playing Orff instruments. As the lesson progresses,
students are asked to play Orff instruments or add other instruments.
To keep the whole class involved, others are asked to act-out the story.
What about songs and notation?
In the Orff classroom, the teacher acts like a conductor who gives cues
to her eager orchestra. If the teacher selected a song, some students
will be chosen as instrumentalists while the rest of the class sings
along. Parts may or may not be notated. If notated, it should be simple
enough for the students to understand. The teacher then provides
students a copy of the notes and/or creates a poster.
What are the key concepts learned?
Using the Orff approach, students learn about rhythm, melody,
harmony, texture, form and otherelements of music. Students learn
these concepts by speaking, chanting, singing, dancing, movement,
acting and playing instruments. These learned concepts become
springboards for further creative pursuits such as improvisation or
composing their own music.
Sample Simplified Format
This is a very simple lesson plan format that may be used for young
children:
Choose a poem.
Read the poem to the class.
Ask the class to recite the poem with you.
Recite the poem together while keeping a steady beat (i.e. tapping
hands to knees).
Choose students who will play the instruments (i.e. xylophones and
glockenspiels).
Ask students to play certain notes on cue words. Instruments must
match words.
Add other instruments, choose students to play these instruments
(i.e. Chinese bell).
Discuss the days lesson with the students (i.e. Was the piece easy or
difficult?).
Assess students' comprehension by asking relevant questions.
Put away all instruments.
Note: It's important that students maintain correct rhythm and learn
proper mallet technique.
Carl Orff Quotes
Here are some quotes by Carl Orff to give you a better understanding
of his philosophy:
"Experience first, then intellectualize."
"Since the beginning of time, children have not liked to study. They
would much rather play, and if you have their interests at heart, you
will let them learn while they play; they will find that what they have
mastered is child's play.
" Elemental music is never just music. It's bound up with movement,
dance and speech, and so it is a form of music in which one must
participate, in which one is involved not as a listener but as a co-
performer."
2. The Kodaly Method
Getty Images
The Kodaly Method's philosophy is that music education is most
effective when started early and that everyone is capable of musical
literacy. Singing is stressed as the foundation for musicianship and the
use of folk and composed music of high artistic value.
What is the Kodaly Method?:
The Kodaly Method is a way of developing musical skills and teaching
musical concepts beginning in very young children. This method
usesfolk songs, Curwen hand signs, pictures, movable-do, rhythm
symbols and syllables. It was first introduced in Hungary but is now
used in many countries, either alone or in combination with other
methods.
Who created this method?:
The Kodaly Method is an approach to music education based on the
philosophies of Zoltan Kodaly. Zoltan Kodaly was a Hungarian
composer, author, educator and expert on Hungarian folk songs.
Although this method wasn't exactly invented by Kodaly, it was
developed by his colleagues and students in the mid-20th century
based on his teachings.
What were Zoltan Kodaly's goals and philosophies?:
Elevate the level of teacher training.
Improve musical literacy in schools.
Everyone is capable and has the right to musical literacy.
Singing is the foundation of musical learning.
Music education must begin with the very young.
The importance of using folk music (native folk songs and folk songs
of other countries) and music of high artistic value.
Incorporating games, movement, playing instruments, reading and
writing music with singing.
Sequential process following a child's natural learning development:
Aural - oral - kinesthetic
Written - pictoral - abstract
Read - recognized
What types of music and instruments are used in the
classroom?:
Songs of high artistic value, both folk and composed, are used in the
Kodaly classroom. Songs that are in the pentatonic scale are
emphasized at the beginning level. According to Kodaly, "Nobody
wants to stop at pentatony. But, indeed, the beginnings must be made
there; on the one hand, in this way the child's biogenetical
development is natural and, on the other, this is what is demanded by
a rational pedagogical sequence." Other songs that may be used
include chants, dancing songs, lullabies, nursery rhymes, songs for
circle games and story songs.
What are the musical instruments used? :
The voice is the main musical instrument of this method. In his words,
"Singing connected with movements and action is a much more
ancient, and, at the same time, more complex phenomenon than is a
simple song." Various rhythm and tonal instruments are also used,
including xylophones and recorders.
What is a typical lesson like and what are the key concepts
learned?:
Although the Kodaly Method follows a set sequence, the materials used
in teaching musical concepts varies depending on the age of the
student. The sequence followed may be simplified as: listen - sing -
understand - read and write - create.
Using this method under the guidance of a certified Kodaly teacher,
students can develop listening skills, sight-singing, ear training, learn
how to play instruments, compose, improvise, sing, dance, analyze,
read and write music.
Zoltan Kodaly Quotes:
"Only art of intrinsic value is suitable for children! Everything else is
harmful.”
“We should read music in the same way that an educated adult will
read a book: in silence, but imagining the sound.”
"To teach a child an instrument without first giving him preparatory
training and without developing singing, reading and dictating to the
highest level along with the playing is to build upon sand.”
"Teach music and singing at school in such a way that it is not a
torture but a joy for the pupil; instill a thirst for finer music in him, a
thirst which will last for a lifetime."
3. The Suzuki Method
Public Domain Image from Wikimedia Commons
The Suzuki Method is an approach to music education that was
introduced in Japan and later reached the United States during the
1960s. Although this method was originally developed for the violin, it
is now applicable to other instruments including the piano, flute and
guitar.
The Suzuki Method is an approach to music education that was
introduced in Japan and later reached the United States during the
1960s. Although this method was originally developed for the violin, it
is now applicable to other instruments including
the piano, flute and guitar.
What is the Suzuki Method?
The Suzuki method, also known as the "mother-tongue approach," is a
method of teaching music that stresses the importance of parental
influence and involvement. Parents and teachers work together to
achieve a common goal. Parents are expected to attend lessons and
serve as nurturing teachers at home.
Using this method students learn:
Discipline
Poise
Confidence
Proper posture
Technical mastery
Musicianship
Proper intonation and phrasing
Who created this method?
The Suzuki method was developed by an accomplished Japanese
violinist and educator named Dr. Shinichi Suzuki. He was born on
October 17 (or 18), 1898 in Nagoya, Japan and died on January 26,
1998 in Matsumoto, Japan. Suzuki played for the Imperial Court of
Japan and formed the Suzuki Quartet with his siblings. He also became
president of the Teikoku Music School and founded the Tokyo String
Orchestra. For his many contributions, the Emperor of Japan appointed
Suzuki as Order of the National Treasure.
What is the philosophy behind this method?
This method was based on Suzuki's observation of children when he
was in Germany. He observed that children are able to learn their
mother tongue with no difficulty. He noted that children who are born
in German households naturally learn to speak the German language.
In the same manner, children who are born in a Japanese household
would naturally adapt their native tongue. He concluded that all
children can develop musical ability and the child's environment can
greatly influence his/her development.
What are the basic elements of the Suzuki Method?
The basic elements of the Suzuki method are:
Children should be exposed to good music at birth.
Children should receive violin instruction at an early age.
It is not only the music teacher who serves as educator; the child's
parents or guardians also play a vital role in the child's musical
development.
Students learn by observation then imitation
Children become adept with their instruments before learning to
read music.
Playing by memory
Attention to detail
Repetition
Aside from individual lessons, students attend group lessons at least
once a week.
Public performances
What is a typical lesson like?
The Suzuki Method follows a set sequence and each instrument has its
respective repertoire; beginning from simple and then progressing to
more difficult pieces. Using the "Talent Education Movement," children
start taking lessons by age 2 or 3. Suzuki students are first exposed to
great classical recordings and music pieces that they will eventually
learn. Background music will constantly be playing while children are
at school to immerse them in music. The belief behind this is that
children will learn to develop good musical ears; able to detect
changes in pitch, timing, tone, etc. Students learn by observation; they
learn as a group. Social interaction and cooperation is fostered among
students.
Quotes by Shinichi Suzuki
To give you a better understanding of this method, here are some
quotes from its creator; Dr. Shinichi Suzuki:
"Character first, ability second."
"Teaching music is not my main purpose. I want to make good citizens,
noble human beings. If a child hears fine music from the day of his
birth, and learns to play it himself, he develops sensitivity, discipline
and endurance. He gets beautiful heart."
"Musical ability is not an inborn talent but an ability which can be
developed. Any child who is properly trained can develop musical
ability just as all children develop the ability to speak their mother
tongue. The potential of every child is unlimited.
4. The Dalcroze Method
Copyright 2008 Steve West (Digital Vision Collection)
The Dalcroze method, also known as Dalcroze Eurhythmics, is another
approach used by educators to teach musical concepts. This method,
which connects music, movement, mind, and body, was developed by
Emile Jaques-Dalcroze. Learn more about the Dalcroze method through
this primer.
What is the Dalcroze Method?:
The Dalcroze method, also known as Dalcroze Eurhythmics, is another
approach music educators use to foster music appreciation, ear-
training and improvisation while improving musical abilities. In this
method, the body is the main instrument. Students listen to
the rhythm of a music piece and express what they hear through
movement. Simply put, this approach connects music, movement,
mind, and body.
Who created this method?:
This method was developed by Emile Jaques-Dalcroze, a Swiss
composer, music educator and music theorist who studied with Gabriel
Fauré, Mathis Lussy and Anton Bruckner.
More on Emile Jaques-Dalcroze:
Dalcroze was born on July 6, 1865 in Vienna, Austria. He became a
professor of harmony at the Geneva Conservatory in 1892; by which
time he started developing his method of teaching rhythm through
movement known as eurhythmics. He founded a school in Hellerau,
Germany (later moved to Laxenburg) in 1910, and another school in
Geneva in 1914, where students learned using his method. Dalcroze
died on July 1, 1950 in Geneva, Switzerland. Several of his students,
such as ballet teacher Dame Marie Rambert, used eurhythmics and
became influential in the development of dance and contemporary
ballet during the 20th century.
What are the key elements of the Dalcroze Method?:
This method has 3 facets:
Eurhythmics (Greek for "good rhythm") - Musical expression
through movement; developing musical skills through kinetic
exercises. Students learn rhythm and structure by listening to music
and expressing what they hear through spontaneous bodily
movement. For example, note values and rhythms are represented
by stepping and clapping.
Solfege (fixed-do) - Helps develop ear-training and sight-singing
skills.
Improvisation - Using instruments, movement and voice.
What is a typical lesson like?:
Although it is generally referred to as a method, there is really no set
curriculum. Dalcroze himself didn't like his approach to be labeled as a
method. Hence, each teacher uses a different approach based on
his/her interests, training and skills while keeping in mind the age,
culture, location and needs of the students.
What are the key concepts learned?:
The Dalcroze Method helps foster imagination, creative expression,
coordination, flexibility, concentration, inner hearing, music
appreciation and understanding of musical concepts.
What trainings are available to teach this method?:
Dalcroze Certificate - Requires a Bachelor's degree in Music; may
teach children.
Dalcroze License - Requires a Masters degree in Music; may teach
adults.
Diplome - Given after completing studies from the Jaques-Dalcroze
Institute in Geneva, Switzerland; may teach other teachers and
award certifications.
In the United States, colleges that offer a certificate and license in the
Dalcroze Method include: Carnegie Mellon University, Columbia College
and University of Maryland, College Park.