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Making the Difficult Dynamic

Making the Difficult Dynamic

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Making the Difficult Dynamic. College is difficult!!!! . Music Two types: (1) memory aids, e.g. (2) ice-breakers, e.g. “Welcome to the Jungle,” “Pour ‘Sum’ Sugar on Me” . Teaching by analogy, e.g. There are two important sets associated with a surjective function - PowerPoint PPT Presentation

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Page 1: Making the Difficult  Dynamic

Making the Difficult

Dynamic

Page 2: Making the Difficult  Dynamic

College is difficult!!!!

Page 3: Making the Difficult  Dynamic

• MusicTwo types:

(1) memory aids, e.g.

(2) ice-breakers, e.g. “Welcome to the Jungle,” “Pour ‘Sum’ Sugar on Me”

aacbbx

242

Page 4: Making the Difficult  Dynamic

• Teaching by analogy, e.g.

There are two important sets associated with asurjective function

The set is the domain (what the functioneats) and the set is the range (what thefunction poops out). The inverse of does just the opposite. What does it do?

BAf :

f

AB

Page 5: Making the Difficult  Dynamic

William Shakespeare, Hamlet, 1601 (?)

Source: http://commons.wikimedia.org/wiki/File:To_be_or_not_to_be_%28Q1%29.jpg

Page 6: Making the Difficult  Dynamic

Beowulf, 11th Century

Source: http://en.wikipedia.org/wiki/File:Beowulf.firstpage.jpeg#file

Page 7: Making the Difficult  Dynamic

HWÆT, WE GAR-DEna in geardagum,

þeodcyninga þrym gefrunon,

hu ða æþelingas ellen fremedon!

oft Scyld Scefing sceaþena þreatum,

monegum mægþum meodosetla ofteah

Beowulf, 11th Century

Page 8: Making the Difficult  Dynamic

Geoffrey Chaucer, The Canterbury Tales, 14th Century

Source: http://www.bl.uk/learning/images/changing/new/large4959.html

Page 9: Making the Difficult  Dynamic

1: Whan that Aprill with his shoures soote2: The droghte of march hath perced to the roote,3: And bathed every veyne in swich licour4: Of which vertu engendred is the flour;5: Whan Zephirus eek with his sweete breeth6: Inspired hath in every holt and heeth7: Tendre croppes, and the yonge sonne8: Hath in the ram his halve cours yronne,9: And smale foweles maken melodye,10: That slepen al the nyght with open ye11: (so priketh hem nature in hir corages);12: Thanne longen folk to goon on pilgrimages,13: And palmeres for to seken straunge strondes,14: To ferne halwes, kowthe in sondry londes;15: And specially from every shires ende16: Of engelond to caunterbury they wende,17: The hooly blisful martir for to seke,18: That hem hath holpen whan that they were seeke.

Geoffrey Chaucer, The Canterbury Tales, 14th Century

Page 10: Making the Difficult  Dynamic

From Rock

to Bach

Page 11: Making the Difficult  Dynamic

Teaching from Known to Unknown

• Use something the students already know as a point of departure into new ideas and concepts.

Music AppreciationMiddle Ages / Renaissance / Baroque / Classical / Romantic / 20th Cent.

Page 12: Making the Difficult  Dynamic

Middle Ages Renaissance Baroque

S Latin text Latin text Other LanguagesHarpsichord

H Modal Major / minor

M Step-wise Step-wise Steps, skips and Within a scale leaps

R no sense of pulse very simple

F Ritonello

T Monophonic Polyphonic HomophonicPolyphonic

Page 13: Making the Difficult  Dynamic

SHMRFT

• (Sound)• Harmony• Melody• Rhythm• Form • Texture/Timbre/Tone Color

Use everyday examples…i.e. pulse/sports

Page 14: Making the Difficult  Dynamic

Beyoncé - Single Ladies• S Female vocals / rock band / electronic sounds

• H Major

• M Mostly steps and skips / simple

• R 4/4 / simple

• F Binary

• T Monophonic / thick

Page 15: Making the Difficult  Dynamic