IMA

Bellt

ower

at

the

Judi

th W

right

Cen

tre

of C

onte

mpo

rary

Art

s

IMA

Bellt

ower

, a y

ear-

long

pro

gram

ded

icat

ed to

Que

ensl

and

art e

xplo

ring

the

mea

ning

of

plac

e, is

cur

ated

by

Frej

a C

arm

icha

el. I

t is

supp

orte

d by

the

Que

ensl

and

Gov

ernm

ent t

hrou

gh A

rts

Que

ensl

and.

Frej

a C

arm

icha

el is

a N

gugi

wom

an b

elon

ging

to th

e Q

uand

amoo

ka P

eopl

e of

Mor

eton

Bay

. She

is a

cur

ator

wor

king

bro

adly

acr

oss

the

cultu

ral s

ecto

r with

art

ists

and

com

mun

ities

on

exhi

bitio

n

proj

ects

. Her

pas

t pro

ject

s ha

ve fo

cuss

ed o

n th

e pr

eser

vatio

n an

d pr

omot

ion

of F

irst N

atio

ns fi

bre

art a

nd c

olla

bora

tive

cura

toria

l app

roac

hes.

 Car

mic

hael

rece

ntly

cur

ated

 Aro

und

and

with

in, S

pace

Gal

lery

, Syd

ney

(201

8), a

nd w

as a

co-

cura

tor o

f The

Com

mut

e, In

stitu

te o

f Mod

ern

Art,

Bris

bane

(201

8). I

n 20

14, s

he re

ceiv

ed a

n Au

stra

lia C

ounc

il fo

r the

Art

s em

ergi

ng c

urat

oria

l fel

low

ship

and

the

2016

Nat

iona

l Gal

lery

of A

ustr

alia

Inte

rnat

iona

l Ind

igen

ous

Arts

fello

wsh

ip. I

n 20

17, s

he

was

aw

arde

d th

e in

augu

ral M

acqu

arie

Gro

up F

irst N

atio

ns e

mer

ging

cur

ator

aw

ard.

Fre

ja is

als

o

unde

rtak

ing

cura

toria

l pro

ject

s w

ith R

edla

nd A

rt G

alle

ry, T

he U

nive

rsity

of Q

ueen

slan

d Ar

t Mus

eum

,

and

is a

mem

ber o

f Bla

klas

h C

olle

ctiv

e.

420

Brun

swic

k St

reet

| Br

isba

ne Q

LD 4

006,

Aus

tral

ia |

ima.

org.

au |

ima@

ima.

org.

au

Ope

ning

Hou

rsTu

esda

y–Sa

turd

ay 1

1am

–6pm

| Fi

rst T

hurs

day

of th

e m

onth

11a

m–9

pm

The

IMA

is s

uppo

rted

by

the

Que

ensl

and

Gov

ernm

ent t

hrou

gh A

rts

Que

ensl

and,

and

from

the

Vis

ual A

rts

Boar

d of

the

Aust

ralia

C

ounc

il fo

r the

Art

s, a

nd th

roug

h th

e V

isua

l Art

s an

d C

raft

Str

ateg

y, a

n in

itiat

ive

of th

e Au

stra

lian

Fede

ral,

Stat

e, a

nd T

errit

ory

Gov

ernm

ents

. The

IMA

is a

mem

ber o

f Con

tem

pora

ry A

rt O

rgan

isat

ions

Aus

tral

ia.

Man

dy Q

uadr

ioTh

e C

ount

ry W

ithin

Exhi

bitio

n G

uide

Inst

itute

of M

oder

n Ar

t

22 J

une–

17 A

ugus

t 201

9

COMMIS

SION

E R S

CI R

CL

E

IMA

Bellt

ower

at t

he J

udith

Wrig

ht C

entr

e of

Con

tem

pora

ry A

rts

is s

uppo

rted

by

the

Que

ensl

and

Gov

ernm

ent t

hrou

gh A

rts

Que

ensl

and.

IMA

Bellt

ower

Par

tner

s

IMA

Prin

cipa

l Sup

port

Bris

bane

-bas

ed a

rtis

t, M

andy

Qua

drio

is a

pal

awa

wom

an w

hose

Cou

ntry

is th

e C

oast

al P

lain

s N

atio

n an

d th

e O

yste

r Bay

Nat

ion

of N

orth

and

Eas

t Tas

man

ia. F

or m

any

Abor

igin

al p

eopl

e,

Cou

ntry

is b

oth

an e

xpan

sive

exp

erie

nce

and

phys

ical

spa

ce th

at c

onne

cts

ance

stra

l, sp

iritu

al,

cultu

ral,

and

hist

oric

al re

latio

nshi

ps w

ith th

e la

nd, w

ater

s, s

ky a

nd a

ll liv

ing

thin

gs. Q

uadr

io

expr

esse

s he

r pla

ce o

f con

nect

edne

ss th

roug

h w

orki

ng w

ith b

ull k

elp,

a n

atur

al m

ater

ial t

hat

embo

dies

mem

ory

and

lived

exp

erie

nces

of h

er C

ount

ry.

Bull

kelp

gro

ws

in th

e oc

eans

sur

roun

ding

Tas

man

ia, i

n la

rge

unde

rwat

er fo

rest

s th

at s

tret

ch

acro

ss v

ast d

ista

nces

. Ind

ivid

ual s

tran

ds c

an e

xten

d be

yond

thir

ty m

etre

s in

leng

th, w

ith th

eir

root

s sy

stem

s em

bedd

ed in

the

ocea

n flo

or. B

enea

th th

e ta

ll to

wer

s th

ere

exis

ts d

ynam

ic a

nd

com

plex

eco

syst

ems,

sup

port

ed b

y th

e nu

trie

nts

from

the

fert

ile s

anct

uarie

s of

the

kelp

.1 Alo

ng th

e co

astli

ne, k

elp

danc

es o

n th

e w

ater

’s s

urfa

ce, m

ovin

g w

ith th

e cu

rren

t and

sw

ell b

efor

e ar

rivin

g on

th

e sh

orel

ine.

The

emer

genc

e of

this

mat

eria

l fro

m th

e oc

ean

spea

ks to

the

rela

tions

hip

betw

een

wat

er a

nd la

nd.

Thes

e ar

e tw

o en

viro

nmen

ts th

at h

ave

neve

r bee

n se

para

ted

with

in A

borig

inal

cul

ture

. Sal

twat

er

and

fres

hwat

er p

eopl

e co

ntin

ue th

eir r

ich

hist

ory

of s

usta

inab

ly c

olle

ctin

g, fi

shin

g an

d ha

rves

ting

food

and

mat

eria

l gift

ed fr

om th

e w

ater

s. O

n Q

uadr

io’s

Cou

ntry

, as

isla

nd p

eopl

e, th

eir l

ong

and

harm

onio

us e

ngag

emen

t with

the

ocea

n is

refle

cted

in c

ultu

ral p

ract

ices

of u

sing

kel

p to

cre

ate

wat

er c

arrie

rs a

nd o

ther

obj

ects

of m

ater

ial c

ultu

re. T

he k

now

ledg

e an

d sk

ills

of w

orki

ng th

is d

ense

le

athe

r-lik

e m

ater

ial i

nto

dist

inct

form

s dr

aws

on w

isdo

m a

nd m

emor

ies

that

reac

h ba

ck th

roug

h ge

nera

tions

.

Qua

drio

app

lies

her i

nher

ent u

nder

stan

ding

of k

elp

and

exte

nds

the

prac

tices

of h

er a

nces

tors

. Sh

e cr

eate

s a

serie

s of

bod

y-lik

e sc

ulpt

ural

form

s fr

om d

iffer

ent v

arie

ties

of k

elp.

The

var

ying

sh

apes

, siz

es a

nd te

chni

ques

app

lied

to th

e fo

rms

are

influ

ence

d by

the

natu

re a

nd te

xtur

e of

the

orga

nic

mat

eria

l. Th

e ke

lp is

abl

e to

be

re-w

orke

d ov

er a

nd o

ver a

gain

. Eac

h ne

w it

erat

ion

carr

ies

rem

nant

s of

pre

viou

s fo

rms

that

flow

into

new

sto

ries.

Col

lect

ivel

y, th

e sc

ulpt

ures

com

e to

geth

er

in a

n in

stal

latio

n th

at e

voke

s th

e un

derw

ater

fore

sts

whe

re k

elp

thriv

es a

nd fl

ouris

hes.

The

gen

tle

mov

emen

t of t

he w

orks

refe

renc

e th

e sh

iftin

g na

ture

of s

easo

nal c

hang

es, s

torm

s, a

nd h

uman

ac

tivity

. Aga

inst

thes

e fo

rces

, the

bul

l kel

p ho

lds

stro

ng.

The

rege

nera

tive

and

reve

alin

g sp

irit o

f tid

al w

ater

link

to Q

uadr

io’s

ow

n ex

perie

nces

of u

ncov

erin

g an

d cl

aim

ing

pers

onal

, anc

estr

al, a

nd p

oliti

cal n

arra

tives

of h

er A

borig

inal

her

itage

. In

Spea

king

w

ith A

lizon

(201

9), h

idde

n hi

stor

ies

of th

e Au

stra

lian

colo

nial

exp

erie

nce

are

subt

ly re

veal

ed th

roug

h a

bulle

t bel

t bur

ied

amon

g th

e ke

lp. T

his

conf

ront

ing

obje

ct b

rings

to th

e su

rfac

e st

orie

s an

d ev

ents

su

rrou

ndin

g th

e at

tem

pted

ann

ihila

tion

of h

er p

eopl

e. A

s a

conc

eale

d el

emen

t, th

e bu

llet b

elt

invi

tes

a cl

ose

view

ing

expe

rienc

e.

Kel

p is

the

key

fabr

ic li

nkin

g pa

st a

nd p

rese

nt a

nd p

rovi

des

Qua

drio

with

bot

h a

grou

nded

and

flui

d se

nse

of w

here

she

com

es fr

om a

nd w

here

she

bel

ongs

. The

resi

lient

nat

ure

of k

elp

mirr

ors

the

resi

lienc

e of

pal

awa

cultu

re a

nd c

onne

ctio

n to

Cou

ntry

, a c

onne

ctio

n th

at h

as n

ever

bee

n ce

ded.

Man

dy Q

uadr

io, c

augh

t in

time,

201

9 Bu

ll ke

lp, o

chre

, and

bee

swax

Man

dy Q

uadr

io, d

anci

ng o

n te

brak

unna

, 201

9Bu

ll ke

lp, o

chre

, str

ing,

bee

swax

, met

al, a

nd

fishi

ng li

ne

Man

dy Q

uadr

io, T

eeke

ltoom

ee,

Wyb

aloo

berr

er, P

lenp

erre

nner

, 201

9Bu

ll ke

lp, o

chre

, ti t

ree,

rive

r ree

d, a

nd

bees

wax

Man

dy Q

uadr

io, f

rom

the

tide,

201

9Bu

ll ke

lp, o

chre

, ti t

ree

and

bees

wax

Man

dy Q

uadr

io, s

peak

ing

with

Aliz

on, 2

019

Bull

kelp

, bul

let b

elt,

and

bees

wax

Man

dy Q

uadr

io is

a B

risba

ne-b

ased

art

ist

wor

king

acr

oss

scul

ptur

e, in

stal

latio

n, a

nd

mix

ed m

edia

. As

a pr

oud

pala

wa

wom

an, h

er a

rt

prac

tice

brin

gs fo

rwar

d Fi

rst N

atio

ns h

isto

ries

and

self-

repr

esen

tatio

n. Q

uadr

io is

cur

rent

ly a

Doc

tora

t can

dida

te a

t Que

ensl

and

Col

lege

of

Art,

Griffi

th U

nive

rsity

. In

2018

she

hel

d he

r firs

t

solo

exh

ibiti

on, S

peak

ing

beyo

nd th

e Vi

trin

e

at M

etro

Art

s, B

risba

ne. R

ecen

t gro

up s

how

s

incl

ude:

Unl

eash

ed, a

rtis

an, B

risba

ne (2

018)

;

Arou

nd a

nd w

ithin

, Spa

ce G

alle

ry, S

ydne

y

(201

8); H

atch

ed N

atio

nal G

radu

ate

Show

, Per

th

Inst

itute

of C

onte

mpo

rary

Art

, Per

th (2

018)

; and

Mai

war

, Bris

bane

City

Cou

ncil,

Bris

bane

(201

8).

1

Brun

swic

k St

reet

Berwick Street

Acce

ss to

gro

und

floor

IM

A G

alle

ries

via

lift

4

3 2

5

Man

dy Q

uadr

io: T

he C

ount

ry W

ithin

2 3 4 5

1 Tas

man

ia's

Gre

at K

elp

Fore

st, 2

019,

htt

ps://

ww

w.d

isco

vert

asm

ania

.com

.au/

abou

t/ar

ticle

s/ta

sman

ias-

kelp

-for

ests

1