19
Mannerism Slides #11-13 Before: High Renaissance After: Baroque

MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Embed Size (px)

DESCRIPTION

How to identify Mannerism… Renaissance: Harmony / perfection (e.g. Golden Mean) Realistic but idealized human anatomy (based on antiquity) Linear Perspective Contrapposto – natural pose Chiaroscuro (subtle use of lights and darks to show depth) Organized compositions Mannerism: Complex characters / compositions / subjects Dramatic, theatrical, and sometimes overly stylized Crisp and Frozen shapes Muscular and / or elongated figures (exaggerated bodies) Distorted / strange perspective views (not linear perspective) Figures are serpentinata (serpent-like) / complex poses Use of dramatic and / or unrealistic lighting effects

Citation preview

Page 1: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

MannerismSlides #11-13

Before: High Renaissance After: Baroque

Page 2: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Mannerism (1520-1600)

• “Mannerism” is the period between the High Renaissance and the Baroque (1520-1600 AD)

• Works from this period show more emotion than before

• Mannerism uses some of the Renaissance characteristics but abandons others

• Mannerism is from the term “di mariera,” referring to a work of art done according to an acquired style rather than depicting nature - often the art was very individual in style, but there are some shared characteristics…

Page 3: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

How to identify Mannerism…

Renaissance:• Harmony / perfection (e.g. Golden Mean)• Realistic but idealized human

anatomy (based on antiquity)• Linear Perspective• Contrapposto – natural pose• Chiaroscuro (subtle use of

lights and darks to show depth)

• Organized compositions

Mannerism:• Complex characters /

compositions / subjects• Dramatic, theatrical, and

sometimes overly stylized• Crisp and Frozen shapes• Muscular and / or elongated

figures (exaggerated bodies)• Distorted / strange perspective

views (not linear perspective)• Figures are serpentinata

(serpent-like) / complex poses• Use of dramatic and / or

unrealistic lighting effects

Page 4: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Slide # 11: El Greco.The Burial of Count Orgaz(1586) Oil on canvas

What technical elements do you see?

What Renaissance aspects do you see?

What Mannerist aspects do you see?

Page 5: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Artist:His name means “the Greek”

Composition:Artist divides composition by the celestial / terrestrial worlds

Places himself in the work (7th figure in from the left)

Uses triangular compositionDramatic lighting (chiaroscuro)

Page 6: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 7: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 8: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 9: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

What distinct features identify this work as a clear example of Mannerism as opposed to a High Renaissance work?• Triangular composition• Elongated arms, legs, fingers, bodies, and neck - his is done to give the body “elegance”• Artist of this time seemed more interested in they style than the subject matter, trying to be different in his approachAre there any other strange things you notice about the piece?How about…•…the scantily dressed angel?•…the small figure in the back?•…the Christ child?

Slide #12 Parmagianino. Madonna with the Long Neck. (1534-1540 AD). Oil on canvas.

Page 10: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Details…

Page 11: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

Slide #13 Giambologna. Abduction of the Sabine Woman. (1583 AD) Marble.

Page 12: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

How is this Mannerism?

Meaning of the Work:

How does this piece show technical advances beyond those of Michelangelo in terms of sculpture?

Based on the story of Roman invading their neighbors, the Sabines, in order to obtain wives so that the population of Rome (under its founder, Romulus) could continue and thrive.

Page 13: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque

What makes the following works Mannerism?

Page 14: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 15: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 16: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 17: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 18: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque
Page 19: MANNERISM SLIDES #11-13 Before: High Renaissance After: Baroque