March Lesson Developing Oral Communication Skills

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    1. Articulation

    2. Speechwriting

    3. Delivery

    3.1 Managing Stage Fright

    3.2 Modes of Delivery3.2.1 Reading a script

    3.2.2 Reciting from memory

    3.2.3 Extemporaneous speaking

    3.2.4 Impromptu speaking3.3 Other skills

    3.3.1 Emceeing

    3.3.2 Presentation skills

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    At a hotel somewhere in Asia. The call wasrecorded and later published in the FarEastern Economic Review. Here goes....

    Room Service (RS): Morny. Ruin sorbees.Guest (G):Sorry, I thought I dialed room-service

    RS: Rye..Ruin sorbees..morny! Djewish to odor

    sunteen??G: Uh..yes..I'd like some bacon and eggs

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    RS: Ow July den?

    G: What??

    RS: Ow July den?...pry, boy, pooch?G : Oh, the eggs! How do I like them? Sorry,

    scrambled please.

    RS: Ow July dee baychem...crease?G: Crisp will be fine.

    RS : Hokay. An San tos?

    G: What?

    RS: San tos. July San tos?

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    G: I don't think so

    RS: No? Judo one toes??

    G: I feel really bad about this, but I don't knowwhat 'judo one toes' means.

    S: Toes! Toes!...why djew Don Juan toes? Ow

    bow english mopping we bother?

    G: English muffin!! I've got it! You were saying'Toast.' Fine. Yes, an english muffin will be

    fine.

    RS: We bother?

    G: No...just put the bother on the side.RS: Wad?

    G: I mean butter...just put it on the side.

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    S: Copy?

    G: Sorry?

    RS: Copy...tea...mill?

    G: Yes. Coffee please, and that's all.

    RS: One Minnie. Ass ruin torino fee, strangle

    ache, crease baychem, tossy singlishmopping

    we bother honey sigh, and copy....rye??

    G: Whatever you say

    RS: Tendjewberrymud

    G: You're welcome.

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    Refers to the particular way by which the

    sounds of a language are commonlyproduced in actual speech. For vowel sounds, it is important to know the:

    Part of the tongue raised highest

    Shape of the lips Position of the tongue

    For consonant sounds, it is essential to know the: Articulators

    Point of articulation

    Manner of articulation

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    Consonant sounds*

    Exercises:

    1. Learning to speak in IPA2. Tongue Twisters

    3. Phonetic Foolishness

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    vest west vest best

    veil wail groove grew

    vine wine roving rowing

    Viper wiper west rest

    vast fast wine Rhine

    very berry vine fine

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    vest navel west wood

    vine drive once wagon

    vivid several worry narrow

    verb arrive few were

    vote carve twelve twine

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    Listen to the following words and repeat

    Thursday without teeth think bathroom path

    third nothing method

    throw breathless booth

    Thelma mythology wrath

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    Read the following word pairs, be careful tomake the distinction between the two sounds.

    three free thin sin

    Thor soar pass path

    both boat fought thought

    tore Thor moth moss

    frilled thrilled three free

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    She sells seashells by the sea shore.

    The shells she sells are surely seashells.

    So if she sells shells on the seashore,

    Im sure she sells seashore shells.

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    Peter Piper picked a peck of pickled pepper,

    A peck of pickled pepper Peter Piper picked,

    If Peter Piper picked a peck of pickled pepper,

    Wheres the peck of pickled pepper that PeterPiper picked?

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    If you pronounced HEAD, DEAD and BEAD

    Youll hear the last word rhymes with DEED

    And in this poem you will find

    many items of this kind.

    For instance:

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    DEAR and FEAR and HEAR but BEAR

    GEAR and TEAR but WEAR and TEAR

    YEAST and LEAST and PLEASED but PLEASANT

    BEAST and BREAST and PLEASE but PEASANT

    MEAT and PEAT but SWEAT and GREAT

    The last word rhymes with FREIGHT and WEIGHT

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    Quite different again is HEIGHT

    Which sounds like BITE, INDICT and LIGHT

    The next line should be read with care:

    The PRAYING PRAYER SAYS his PRAYER.

    BEAN and LEAN and MEAN but MEANT,

    Note G in GET, in GEM and GENT.

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    VICE but CREVICE ADVICE DEVICE,

    LICE but MALICE POLICE CONCISE.

    We say DREAMT but also DREAMED,

    The latter rhyming with ESTEEMED.

    CREW and BLEW and NEW but SEW,

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    COW and ROW but SOW and ROW

    MEASLES does not sound like MEASURE

    The same applies to TREASON and TREASURE

    BRAID and MAID and LAID but SAID,

    TREAT but THREAT and THREAD and TREAD

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    A prison is often called JAIL,

    Which word is also written as GAOL

    Now note the difference with GOAL,

    Which rhymes with FOAL, and DOLE and ROLL

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    First say DANGER then ANGER,

    Mind the latter rhymes with CLANGOR

    COUNT but COUNTRY, SOUTHERN but SOUTH;

    DISGUISE but BRUISE, YOUTH but MOUTH.

    AUNT is not like VAUNT and TAUNT,

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    BROOK but BROOCH and BROOD but BLOOD;

    HOOD but MOOD and FOOD but FLOOD;

    MINT but PINT and CORK but WORK;

    DULL and GULL and HULL but FULL

    OUR but FLOUR but TOUR and POUR

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    We say BONE and LONE but GONE.

    Pronounce your choice like DON or DAWN.

    TONE and STONE and THRONE but DONE;

    PHONE and HONE and SCONE but NONE.

    Now, reader, always bear in mind

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    The difference between WIND and WIND,

    The latter rhymes with RIND and KIND

    Can you pronounce without mistakes - -

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    MacLEOD-QUAY- RACHEL-ACHE

    PETAL-PENAL-WANT-PANT-SLANT:

    VAN-FAN-RABBLES- GRAND andGRANT?

    I dont blame you if you cant!

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    In long words, unstressed vowels evendisappear,

    phenomenon called elision, also known asdeletion.

    Often, these vowels are associated withconsonants

    which can become syllabic. Note the following

    examples:

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    The phonetic effect of liaison is to make theconnections such that the end sound of oneword actually becomes integrated into thesound of the succeeding word. If a word

    ends in a consonant and is followed by aword beginning with a vowel, the finalconsonant of the first word becomes thereleasing consonant of the next word. Note

    these examples:

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    Its an apple. May I ask?

    Come in. Did you see her?

    I give up. Where is the office?

    She loves him. He likes her.

    Meet him. I always tie it.

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    Prosody refers to the overall sound pattern youmake for phrases and sentences. As youproduce the sequence of consonants and

    vowel of the words you are putting together,

    you also overlay a sound contour on thesequence. Without this, your speech willsound like that of the robots or talkingcomputers in old movie-speaking in a

    monotone, completely expressionless.

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    Rhythm is the repeating beat of what we say.The beats that make up the rhythm of asentence are called stresses. Stress issometimes called accent.

    English has four stresses:

    [/] - primary ; very strong and very long

    [^] - secondary; strong and long

    [\] - tertiary; weak and short No mark- weak; very weak and short

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    1. How are you?

    2. Youre so nice

    3. I dontknow.

    4. I have the answer.

    5. Do you know the answer?

    6. Thats a new phone, isnt it?

    7. Pleased to meet you.

    8. Thats a good school.9. I learned a lot!

    10. Excuse me!

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    How do I love thee? Let me count the ways.I love thee to the depth and breadth and heightMy soul can reach, when feeling out of sightFor the ends of Being and ideal Grace.I love thee to the level of everyday's

    Most quiet need, by sun and candle-light.I love thee freely, as men strive for Right;I love thee purely, as they turn from Praise.I love thee with a passion put to useIn my old griefs, and with my childhood's faith.I love thee with a love I seemed to loseWith my lost saints, --- I love thee with the breath,Smiles, tears, of all my life! --- and, if God choose,I shall but love thee better after death.

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