MEDIA PACK 20l8 - d2za3ehoutsbfq.cloudfront.net · MEDIA PACK 20l8 Reach your target audience in TV production & broadcasting through Broadcast’s sponsorship & marketing portfolio

MEDIA PACK

20l8Reach your target audience in TV production & broadcasting

through Broadcast’s sponsorship & marketing portfolio

BROADCAST WEEKLYBROADCASTNOW.CO.UK Breaking news, e-shots, newsletters

BROADCAST NETWORK BROADCAST CUSTOM MICROSITE

SPECIAL SUPPLEMENTS

SPONSORED BY

PORTFOLIO

SEPTEMBERI O

CTOBER 2017

DRAMATIC EFFECTSDINOSAURS BROUGHT TO LIFE

CYBER SECURITYHOW TO PROTECT YOUR ASSETS

IBC PREVIEW OUR GUIDE TO THE BEST NEW TECH

MACHINE LEARNING AN INTELLIGENT WAY TO SAVE TIME?

TECHNOLOGY I PRODUCTION I POST I PLAYOUT

TECHCH

BROADCAST TECH QUARTERLYBROADCAST INTERNATIONAL

WORLD OF LOCATIONS

World of locations N

OVEM

BER 2016 -APRIL 2017

Screen International, Broadcast, shots and K

FTV www.maltafilmcommission.comPh

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WHERE STORIES ARE TOLD

MALTA

Brought to you by

World of locationsShowcasing the world’s f ilm, TV & commercial locations

K F T VF o r m e r l y K E M P S

NORTHERN IRELAND £43m production fund

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RECRUITMENT

MEDIA PRODUCTION SHOW

BESPOKE EVENTS Roundtables, breakfast seminarsBROADCAST AWARDS

TALIA LEVINESenior Sales [email protected](0)208 102 0858

RICHARD HEWESSenior Account [email protected](0)208 102 0851

FOR MORE INFORMATION PLEASE CONTACT

Broadcast is the essential source of business information about the British TV industry, at home and around the world.

We have evolved to keep our readers informed via a raft of platforms. Our relaunched website and dedicated apps for tablet and mobile are used to deliver news, via two daily email newsletters and breaking story alerts.

These digital products dovetail with our weekly print magazine, which provides deeper insight and analysis, top-level interviews and ratings data.

Broadcast sits at the heart of the industry, serving large and small production compa-nies, the post-production community and the UK’s PSB and commercial broadcasters. We are also a leading authority on TV around the world, and the powerful emerging digital players such as Netflix, Apple, Facebook and Amazon.

We have played a leading role in the drive for TV to improve its gender balance and its wider diversity, and Broadcast has led the debate over the future of the BBC. Our journalism is fast, accurate and independent and we are the key forum for debate in the TV industry.

Editor, Broadcast

28% CEO/head of organisation25% Senior management15% Management10% Non-management9% Freelance/self-employed6% Owner/proprietor4% Other3% Entry level

45% TV production & distribution companies20% Broadcasters/pay-TV networks12% Technology providers9% Facilities (studio, post & media hubs)6% Digital platforms5% Industry watchers3% Government/policy/education

75% UK 25% Rest of the worldBroadcast International launched in 2016, which will increase the international reach

In addition to the above, Broadcast is distributed at a number of the leading industry trade shows including Edinburgh International TV Festival and MipTV and Mipcom in Cannes.

63% of our subscribers visit the site on average 20 times a month

60% of our audience are directly responsible for the annual purchasing budget

60,000Social media reach across Facebook, Linke-dIn & Twitter

16,000 Print readership

75,000Online Users of the Website

2,200 people attend the Broadcast Awards and the Broadcast Digital Awards – the most hotly anticipated events in the industry calendar

INTRO & REACH

BY GEOGRAPHIC BREAKDOWN

BY ORGANISATION TYPE

BY JOB TITLE

FOR MORE INFORMATION CONTACT



CHRIS CURTIS [email protected](0)208 102 0827

ROBIN PARKER Features [email protected](0)208 102 0873

ALEX FARBER Web Editor [email protected](0)208 102 0834

MANORI RAVINDRAN International Editor [email protected] (0)208 102 0920

JAKE BICKERTONTechnology and Facilities [email protected](0)7881 875 517

EDITORIAL COMMERCIAL



JESSICA ATKINS Recruitment & Classified Account Manager [email protected] (0)208 102 0846

ALISON PITCHFORDManaging Director of Publishing and Events, [email protected]

YOUR TEAM CONTACTS

PRODUCTION

JONATHAN COOKEProduction [email protected](0)208 102 0825

NEIL SINCLAIRDigital Production [email protected](0)208 102 0888

CHRIS DINNALLProduction [email protected] +44 (0)20 8102 0848

CORPORATE SUBSCRIPTIONS

MATTHEW WRIGHTSales [email protected](0)208 102 0934

MEDIA SHOW AND BROADCAST TECH

CHARLOTTE WHEELEREvent Director,[email protected](0)7702 381 808

NINA BHALLAMarketing [email protected](0)20 8102 0945

MARK CHAPMANSales Manager [email protected](0)208 102 0896

NEWS AND ANALYSISBroadcast sends two newsletters a day with the latest breaking news and exclusive headlines from the industry. The week’s big themes are unpicked with expert analysis and comment in every issue of Broadcast.

SPECIALIST SECTIONS IN PRINT & ONLINEAs well as general news and analysis, the magazine and website spotlight major sections of the television business. Multiplatform news brings readers the latest from the frontline of changing viewing habits and platform innovations, while Commissioning showcases the biggest new shows. Technology and Facilities carries all the latest from worlds including kit and post-production.

FEATURESL �Interviews with top-level producers, creatives,

commissioners and executivesL �In-depth analysis of creative, business and regulatory

issues and the ratings performances of shows and channels

L �Regional production focusesL ��Production and commissioning case studiesL �Roundtable debatesL ��Analysis and discussion of international shows,

formats markets and distributionL �Regular focuses on issues facing the technical

sectors, including post-production, outside broadcast and kit technology, and studios

BEHIND THE SCENESInsights, tips and anecdotes from producers, directors and writers on the development and production of TV’s biggest and most original commissions, revealing the challenges, obstacles, solutions and eureka moments. Plus detailed on-set visits talking to a wide range of crew members and performers in the thick of production.

SPECIAL THEMESGenre-themed issues covering production, trends and technical issues related to everything from drama to music:L �Annual Indie SurveyL �Annual Distributors SurveyL �Rights and finance analysisL �International specialsL ��Plus news-led specials dedicated to specific

broadcasters and hot industry topics

INTERNATIONALBroadcast’s international coverage consists of news, interviews and analysis of the major trends in the global television business – seen through a British lens. The magazine and website cover all aspects of the international broadcasting, production and distribution sectors, with daily news online and more in-depth coverage on a weekly basis. Plus a brand new monthly newsletter sent to the most influential global buyers and commissioners, as well as internationally focused issues for markets including Mip TV and Mipcom.

INTERNATIONAL

I N T E R N A T I O N A L


INTERNATIONAL


INTERNATIONAL



INTERNATIONAL

I N T E R N A T I O N A L INTERNATIONAL



INTERNATIONAL


CONTENT HIGHLIGHTS

NEWS FEATURES INTERNATIONAL

BY PETER WHITE

Amazon’s European content chief Georgia Brown has urged producers to widen the scope of genres they pitch to the SVoD service after establishing a London-based commissioning team.

Speaking for the fi rst time since being named director of European originals, Brown told Broadcast’s Commissioning Forum that Amazon is interested in “intimate” stories.

She cited Blueprint Television’s Hugh Grant-fronted BBC1 political drama A Very English Scandal, which it is co-producing in the US, and BBC1 thriller Doctor Foster as the type of “risky conversation starter” that she would like to order.

Brown said that Amazon wants to have a “signifi cant voice” across the region. She aims to order shows that can air in the UK, Europe and around the world, but said the company is prepared to be fl exible in terms of rights arrangements.

Previously, SVoD services have tended to want producers to bring them fully formed ideas. However, Brown said that Amazon wants to start conversations earlier.

“We don’t need fully formed scripts or bibles,” she said. “We want producers to pick up the phone and pitch an idea; to tell us what talent they’re talking to, which directors they like working with. We’ll be able to give them a

very quick steer as to whether that’s something we want.”

Brown added that the fi rm will be relatively hands-off in the pro-duction process. She said: “I don’t want people thinking we’re never going to give you a script note. Of course we are, but we just want to steer you in the right direction.”

She also stressed that Amazon does not rely on “algorithmic com-missioning”, an accusation often made by linear broadcasters.

“If we had some algorithm to fi nd a hit, I’d be sat in the Maldives with a gin and tonic. It’s that gut feeling when you hear a pitch or get a script, there’s no words that can describe it. The robots are defi -nitely not taking over,” she said.

GLOBAL CONTENTMeet Cannes’ big buyers P21

DRAMA DEBATETop producers and execs weigh in P16

MIPCOM HOT PICKSThe best dramas, docs & formats in the world P27

SVoD platform sets up UK commissioning team and urges indies to bring it ‘intimate’ stories

Amazon sets out Euro plans

13 OCTOBER 2017 BROADCASTNOW.CO.UK

The former Fremantle Media International exec said: “One of the fi rst things that people said to me when I got the job was: ‘If I have a show set on Mars, I’ll bring it to you.’ But we get so much stuff in that sci-fi genre, and I am open to much more intimate and different types of storytelling.”

Brown has also made her fi rst appointments, hiring BBC Films exec Beth Pattinson, who exec produced Oscar-nominated feature fi lm Brooklyn, to head the European development slate.

Ram Murali, who was a development and production executive in Amazon’s Los Angeles offi ce, has moved to London to join the European team.

A Very English Scandal: Amazon is co-producingthe Hugh Grant-fronted BBC1 political drama

The best dramas, docs P27

CLIENTS

FULL PAGE

Trim 297 x 210mm Bleed 303 x 216mm

DOUBLE PAGE SPREAD

Trim 297 x 420mmBleed 303 x 426mm

Gutter allowance 15mm

1/2 HORIZONTAL186 x 130mm

1/4 HORIZONTAL186 x 65mm

1/2 VERTICAL

90 x 272mm

Wow, 15 years old and still the most

watched TV platform19 million homes tune into Freeview every day!

That’s at least 36 million eyes on us.

Probably more like 72 million actually.

Or more if you count dogs, cats, budgies and goldfi sh.

Which we probably should, shouldn’t we?

Wow. 200 million eyes. Thanks!

17 March 2017 | Broadcast Indie Survey | 15 broadcastnow.co.uk

T elevision has transformed beyond recognition

over the past 30 years. Changes in distribution

and a revolution in consumption habits have

intensified competition across the industry, but have

also created fantastic opportunities for those busi-

nesses agile and brave enough to embrace them.

The changing worldIt isn’t just the rise in new technology that is driving

change in the sector, but also the impact of external

factors beyond its control. Last year saw a seismic

shift in the global political landscape and, whilst the

full effect of the political events in the US and the UK’s

decision to leave the EU are yet to be fully realised,

it is obvious that the world has changed drastically

in a very short space of time.

Will the impact of this cultural movement towards

more protectionist attitudes damage an industry

that has increasingly looked to global markets to

distribute its content? Or will the upheaval force

companies to be more ambitious in their approach

and to look further afield to find audiences? Only

time will tell, but all production companies need to

review their business models and ensure they are

planning for change now.

The issue of Brexit will, of course, be of immediate

concern to the UK’s television industry because

the sector is so closely linked to Europe – approxi-

mately £370m a year of programme sales alone,

according to the Royal Television Society. Questions

are already being asked about the maintenance of

the ‘country of origin principle’, which allows UK

broadcasters to provide services across the EU under

a single Ofcom regulatory framework, and whether UK

content will continue to qualify as European in order

to benefit from EU production quotas. And, of course,

there are significant concerns about the future of the

many EU citizens who form part of the diversity of our

creative sectors.

Amidst this uncertainty, Mayor of London Sadiq

Khan has publicly reassured the industry that he is

committed to a strong future for film, TV and other

creative sectors as he aims to make London “the most

film-friendly city in the world”. His new Cultural Infra-

structure Plan is designed to address talent, skills and

infrastructure to ensure that the industry continues to

grow. According to his research, there is still plenty of

room for optimism, as inward investment into the UK

film and television industry reached £1.35bn in

2016, an 18% increase over the previous year.

Technology and innovationThe industry itself also continues to change at an

incredible pace. Whilst linear TV providers still have a

strong place in the viewing habits of the public, the

sustained rise and proliferation of SVoD platforms

such as Netflix and Amazon Instant Video proves

that those in the industry may have to adapt if

they want to remain successful in the future. The

changing commissioning structures these new

players are bringing to the market have been seen

as a challenge by some.

However, the continuous rise in demand for quality

content, coupled with the sheer number of viewing

platforms and the increasingly global audiences they

Reliable support in an uncertain worldBarclays’ head of media, Lorraine Ruckstuhl, shares her outlook for the television production sector

and explains how the lender is adapting its proposition to meet the industry’s changing needs

give access to, mean that the future remains bright for

those production companies with exciting new ideas.

At Barclays, we recently adapted our television

lending proposition to reflect these changes in the

industry and ensure that the production companies

with good ideas receive the financial support they

need. We are the first UK clearing bank to match

repayment against a licence stream lasting up to

three years after delivery.

We also have the ability to use our contract

receiv ables finance proposition, which potentially

takes production debt ‘off balance sheet’ and means

there is no further recourse to our clients’ businesses

throughout the length of the contract. These innovations

provide far swifter access to cash than traditional

structures and enable production companies to recycle

the money to fund new projects. These are just two of

the ways we have adapted our services to help our

television clients adapt to the changes they face.

These innovations provide far swifter access to cash than traditional structures

CONTACT INFORMATIONContact Lorraine RuckstuhlTel +44 (0)7917 503 442Email [email protected] barclayscorporate.com

COMMERCIAL FEATURE

SPECS & RATES

PREMIUM OPTIONS (£)

OPTIONS (£)

Discover the hidden depths of our

planet’s oceans

Visit us at MIPCOM Stand P3.B38 • • • • •

bbcworldwidesales.com

7 x 50’ • • • • •

A BBC Studios Natural History Unit production, co-produced with BBC America, Tencent, WDR, France Télévisions and CCTV9

A BBC Open University partnership

170911_BP2_Broadcast_DPS_v2.indd 2 14/09/2017 16:21

FULL COVERWRAP 30,815

Front cover only 15,540Premium full page 4,975Full page facing matter 4,060Double-page spread 7,405Half-page horizontal/vertical 3,460Quarter-page horizontal solus strip 2,705Half-page vertical book-ends 6,705




HOME AND NEWS CPM(£)

Super MPU 600 x 300 75Super leaderboard 970 x 250 65Skyscraper 160 x 600 50MPU 300 x 250 70Leaderboard 728 x 90 60Skins (x2) 133 x 976 9,190/wk

RUN OF SITE CPM(£)

Super MPU 600 x 300 65Super leaderboard 970 x 250 55Skyscraper 160 x 600 45MPU 300 x 250 50Leaderboard 728 x 90 30

TRAFFIC BY PLATFORM SUBSCRIBER %

Desktop 68 Mobile 26Tablet 6

NEWSLETTERS:L DAILY L INTERNATIONAL L RATING L BRIEFINGSL TARGETED: Position your message in

relevant content to reach a highly qualified audience

L PROVEN: Online advertising has a positive impact on brand awareness

L INTERACTIVE: Encourage clients and customers to interact with your web presence

L FLEXIBLE: Update your message throughout the course of your campaign

L MEASURABLE: Receive detailed analysis of page impressions and clicks on your ad

Broadcast has a rich inventory of targeted e-newsletters with unrivalled levels of reader engagement, guaranteeing your advertising message maximum exposure and impact.

PRICING STARTS FROM £2,995

E-SHOTS

E-shots are received by an 8,000 opted- in subscriber base and are an ideal way to promote a product launch, generate interest in a white paper study or drive traffic to an exhibition stand.

PRICING STARTS FROM £2,995

MPU

OUR REACH*

Unique Users 84,262Sessions 203,643Page Views 468,417SESSIONS BY DEVICEDesktop 63.7%Mobile 30%Tablet 6.3%* Average based on month of November 2017

DIGITAL OPPORTUNITIES

BROADCASTNOW.CO.UK




BROADCAST CLASSIFIEDS Broadcast Classifieds is the destination for anyone seeking comprehensive information on broadcast products and services, as well as equipment and busi-ness opportunities.

L Our regular Focus section highlights specific industry sectors within the Classified pages

L Marketplace allows you to select your preferred ad size to highlight your services at a price that meets your budget

L The ‘Little Guides’ series puts your message in front of targeted industry people

L Our Classified Solutions offer competitive pricing to match each and every budget

BROADCAST CLASSIFIED

Broadcast carries more than eight out of 10 UK broadcast vacancies so you can be confident that you are advertising in the best place. Our targeted circulation provides the perfect opportunity to reach the best candidates within the industry. Broadcast creates a one-stop solution to find your perfect candidate quickly and efficiently, saving you both time and money.

BROADCASTJOBS.CO.UK ENHANCEMENTS

Broadcast Jobs offers a number of upgrade enhancements to make your job stand out from the rest.

JOB OF THE WEEK Sits on the homepage of the editorial site (broadcastnow.co.uk) and the jobs homepage and links to job on broadcastjobs.co.uk. Also goes out on the broadcastnow.co.uk weekly newsletters.

BROADCAST OFFERS BOTH ONLINE AND PRINT OPTIONS:L The appointments page is split across six columns, with a variety of styles and

shapes of advertL Colour and setting are free of chargeL Broadcastjobs.co.uk attracts more than 11,700+ unique users each monthL Choose from creative options including job

L 140,000+ ANNUAL UNIQUE USERS OF BROADCASTJOBS.CO.UKL MORE THAN 13,000 WEEKLY JOB ALERT OPT-INS

REGULAR CLIENTS INCLUDE:

RECRUITMENT & CLASSIFIEDS

FEATURED/HOMEPAGE JOBPresence on the homepage of the job site, offering the opportunity to attract passive job-seekers as well as those who are actively search-ing by sector.

FOR MORE INFORMATION CONTACT JESSICA ATKINSRecruitment & Classified Account Manager [email protected] 0208 102 0846

Broadcast surveys are highly anticipated throughout the year and are used by companies as a reference and research tool.

Our annual supplements provide you with a fantastic opportunity to align and support the chosen theme/sector.

ANNUAL REPORTS AND SURVEYS

APPRENTICESHIPS: Why TV is lagging behind –

and what can be done about it

SPECIAL REPORT

TRAINING

DISTRIBUTORS

2017

SURVEY

SVOD COMES OF AGE DRAMA RENAISSANCE BREXIT IMPACT

COMPLETING THE FUNDING PUZZLE




Reach your target audience in TV production and broadcasting through Broadcast’s native advertising platform, Broadcast Network. WHAT IS IT AND WHY?L Broadcast Network allows advertisers to work with Broadcast’s expert

editorial staff to craft high-quality, engaging articles for readers in print and online.

L It is a great way to be creative and working with our industry experts ensures that commercially supported content is just as relevant and engaging as other types of content.

L Every article will appear in one weekly issue of Broadcast and in line with our own content on broadcastnow.co.uk within section pages, search results and our newsletters.

L Choosing Broadcast Network also provides an opportunity to deliver content on our sister site Screen Daily, a market-leading brand in international film production.

YOUR BRANDINGYour logo and information will appear on every article you commission and you will have a dedicated author page on broadcastnow.co.uk to allow readers to browse a collection or series of articles throughout the year. PACKAGE ELEMENTSL Collaboration on content with our editorial teamL Inclusion within print and onlineL Promotion through broadcastnow.co.uk, social media and our

daily newsletters.

NETWORK




ule – the more content the better! We can also include surveys, reports and case studies.

L Profiles of all employees, client logos and potential testimonials.

L Video and interactive content to be added throughout the 12 months.

L Support from the Broadcast editorial team. Copy will be edited and approved.

L Promotion of the microsite through print, digital, newsletter, social media and subscriber marketing – at appro-priate times to new content appearing on the microsite and for driving sub-scribers to existing content.

L Agreed number of reasonable changes to the microsite across the 12 months.

L Quarterly meeting/conference call with the Broadcast team to discuss further content and microsite developments. This will also include a report of traffic to the microsite and our recommendations.

L We will promote the microsite and relevant content to our sister brands, Screen International and shots when necessary.

COST: POAFor further editorial support such as collaborations, interviews and native pieces, there will be an additional cost of £500 per piece.

Broadcast’s development team will build a custom microsite for you. We will manage the design, traffic, content and creativity.

BENEFITSL Working with BroadcastL Expanding beyond your usual audi-

ence and tapping into Broadcast’s strong subscription base

L Increased awarenessL Focused contentL Faster developmentL Cost-effectiveL SEO advantageL Focused pathL Effective brandingL Less crowded homepageL Great for implementing user-

generated social media content into a product campaign

PACKAGE ELEMENTSBased on a 12-month period, you will receive the following elements:L Full build, design and launch

promotion (4-6 weeks to build)L Account manager and introduction to

team working on the microsite and their roles.

L Personalised URL leading on from broadcastnow.co.uk/

L Rolling content to be uploaded by Broadcast based on an agreed sched-

CUSTOM MICROSITE




Broadcast TECH is a bi-monthly magazine about the technology that is used to make and deliver TV in the UK and across Europe.

Through a combination of news, comment articles, in-depth features and data-driven surveys, it provides a comprehensive overview of the tools and techniques used to create the most popular and innovative content.

Each issue includes the latest product news, behind the scenes fea-tures, CEO interviews and tips and insight from leading creatives.

DISTRIBUTIONAs well as being sent to the 32,000 weekly readership of Broadcast magazine, Broadcast TECH is distributed at key trade shows NAB, IBC, the Media Production Show and BVE, while a digital edition of the magazine is emailed to 6,000 recipients.

TECH

SEPTEMBERI O

CTOBER 2017

DRAMATIC EFFECTSDINOSAURS BROUGHT TO LIFE

CYBER SECURITYHOW TO PROTECT YOUR ASSETS

IBC PREVIEW OUR GUIDE TO THE BEST NEW TECH

MACHINE LEARNING AN INTELLIGENT WAY TO SAVE TIME?


TECHCH

2017D

ECEMBER

PRIMITIVE VFXHUMANISING THE NEANDERTHAL

SPATIAL AUDIOIMMERSIVE SOUND FOR VR AND AR

TAKING FLIGHTEYE-CATCHING DRONE FOOTAGE

GOING LOCALEASING THE PAINOF REVERSIONING


TECH

TECHNOLOGY SURVEY Broadcast TECH’s annual technology survey lifts the lid on the broadcast industry’s attitude towards technology. Through a comprehensive survey of senior industry figures and interviews with key decision-makers, the survey reveals spending priorities and exposes the industry’s relationship with manufacturers and products.

SPECIAL REPORTS

SHOW PREVIEWS AND REVIEWSEssential guides to the key broadcast and technology trade shows and conferences with distribution at NAB, IBC, the Media Production Show and BVE.



FEBRUARYVFX for TV

MARCHSports Tech Innovation

MAYAI and Machine Learning Forum

JUNEMedia & Entertainment Security Summit

JULYTV 2025

SEPT8K forum

OCTIP Summit

NOVArchive Forum

BROADCAST EVENTS 2018

BROADCAST DIGITAL AWARDS

Becoming a Broadcast networking event partner provides a host of branding, networking and data capture opportunities – in print, online and face to face. Not only do Broadcast events allow you to align your brand with the leading title in your industry, but they also offer an unparalleled method of meeting a key target audience in a high-profile business environment.

Broadcast can host a variety of targeted networking and thought-leadership events led by our esteemed editorial team, from round tables to seminars and tailored sector-specific con-ferences. Coverage may also form the basis of a dedicated feature that appears within the follow-up issue of the magazine.

Examples of events Broadcast runs

L Roundtables

L Breakfast briefings

L Half/full-day conferences

L Networking drinks

The Broadcast Awards is the most hotly anticipated event in the industry calendar, recognising and rewarding the UK’s most groundbreaking and successful TV shows. Judged by some of the industry’s biggest names, the awards cover all key genres and look to reward creativity, quality and originality. Taking place at the Grosvenor House Hotel, Park Lane, in February 2018, the Broadcast Awards is attended by more than 1,500 of television’s most influential individuals.

Now celebrating its 14th year, the Broadcast Digital Awards is a unique industry event. It is the only ceremony of its kind to recognise the very best in multichannel television and celebrate the best projects and work carried out over the past 12 months, with a focus on the theme of convergence and bridging the gap between TV and online. The awards also embrace new kinds of content for new platforms while still celebrating the role of traditional TV in the digital world. The Broadcast Digital Awards will take place at The Brewery, London, in July 2018.

FEBRUARY7th – Broadcast Awards

JUNE12th – 13th – Media Production Show

JULY4th – Broadcast Digital Awards

1 February 2017

Grosvenor House Hotel Park Lane

London

Winners & Finalists

NETWORKING EVENTS & INDUSTRY AWARDS

NETWORKING AND THOUGHT LEADERSHIP EVENTS THE BROADCAST AWARDS BROADCAST EVENTS 2018

ANDWINNERS

FINALISTS

THE BREWERY LONDON5 JULY 2017

Following 2017’s successful move to our new venue, Olympia West Halls, we will once again deliver the best kit launches, exclusive production services and the biggest line-up of leading industry speakers covering the hottest topics. You won’t see this high level of content and brands anywhere else in the UK in 2018!

THE MEDIA PRODUCTION SHOW

The Media Production Show is a two-day event for those working in the creative industries, featuring key exhibitors presenting their products and services across pre-production, production, post and content distribution, and providing a high-calibre free seminar programme featuring some of the biggest names in the industry.

With a successful track record and a reputation for organising high-end conferences and industry awards, The Media Production Show brings together key players to debate, network, share success stories and discuss hot trends around the world. Some of the popular sessions from the 2017 show included: The Planet Earth II Showcase, VFX & Cinematographers Masterclasses, Importance of Sound on Location, Spy in the Wild Showcase, Colourists: Making the Grade, Sherlock Showcase, YouTube and Beyond and many, many more.

KEY EXHIBITOR AREAS ON THE SHOW FLOOR INCLUDE:

There are several ways in which you can be part of this exciting event:

L SHOW BAR – EXCLUSIVE

L VISITOR REGISTRATION

L VISITOR BADGES

L VISITOR LANYARDS

L VISITOR BAGS

L MEMBER LOUNGE PACKAGES

L HOSTED LUNCHEONS

L DRINKS RECEPTIONS

L WORKSHOP SESSIONS

L PRESS LOUNGE

L SPEAKERS GREEN ROOM

L SEMINAR THEATRE PARTNERSHIPS

L CATERING AREAS

L Archive L Audio L AV L Camera hire & equipment L Crewing services L

Distribution L Kit hire (film & TV) L Legal & finance L Lighting L Live events & productions L Locations & location services L Manufacturers L Music Production L On-set services L Outside broadcasting L Playout L Post-production houses L Recruitment L Set design & rigging L Studios L

VFX L VR

OLYMPIA, LONDON

n Film/TV production companyn Broadcast manufacturer/OEMn Production servicesn Educational/trainingn Facilities housen PR/advertising/marketing/agencyn Audio/AV & lightingn Reseller/distributer/trade buyern IT/systems integrator

TOP 10 ORGANISATION TYPES BY ATTENDEES

n Over £1m

n £250,001-£1m

n £50,001-£250,000

n £10,001-£50,000

n Up to £10,000

n No buying responsibility

ATTENDEES BY ANNUAL BUYING BUDGET

EXHIBITION

VISITOR BREAKDOWN

OPPORTUNITIES TO EXHIBIT

SPONSORSHIP OPPORTUNITIES

31%

20%

13%7%

18%

11%

30%15%

12%

9%7%

7%4%

8% 8%

Exhibiting packages start from £1,400. This includes six months of exhibitor marketing campaigns across all of Media Business Insight’s print titles, email, websites and social media channels.

FOR MORE INFORMATION CONTACT CHARLOTTE WHEELER Event [email protected] 381809MARK CHAPMAN Sales [email protected] 8102 0896

Documents

MEDIA PACK 20l8 - d2za3ehoutsbfq.cloudfront.net · MEDIA PACK 20l8 Reach your target audience in TV production & broadcasting through Broadcast’s sponsorship & marketing portfolio