Mirror Mirror - peterkramermusic.files.wordpress.com · Mirror Mirror was written during the Summer and Fall of 2018 and was edited during the Spring of 2019, this piece is dedicated

Mirror Mirror String Quartet

Dedicated to Hu Bo -

-

2018/19 Duration: 20’ Peter Kramer

PROGRAM NOTE Mirror Mirror was written during the Summer and Fall of 2018 and was edited during the Spring of 2019, this piece is dedicated to the memory of novelist/director Hu Bo (20 July 1988 – 12 October 2017). Movements:

1. Kyrie (I, II) — Der Doppelgänger I 2. Indigo Blue (Ikonen) 3. Interlude — Epithet 4. Der Doppelgänger II — Kyrie (III)

O, spindle, give up your secret! I cry to you in many cringing hours That circle the fruit of living time… … I turn him over. To face it. The cathedral In his sea-black eyes. The face Not mine—but one I will wear … And these tend inward to me, and I tend outward to them, And such as it is to be of these more or less I am… Fragments from: Christine Lavant, Hidden spindle in the moon (trans. David Chorlton); Ocean Vuong, Telemachus; Walt Whitman, Song of Myself

NOTE TO PERFORMERS This score consists of five contrasting and somewhat ambient movements. There is a considerable amount of interpretive freedom in this score, therefore the performers are encouraged to navigate their own way through these movements quite freely (see notes before each movement). Generally, the surface layer of most of these movements is diatonic and somewhat consonant, there are additionally several layers of articulation, dynamic swells and bowing effects that are overlaid over these simple diatonic gestures in order to problematize the surface layer. The performers should make extra effort to blur and muddy this diatonic layer by exaggerated the other layers mentioned above (think of this as a relationship between consonance and dissonance). Pitch and noise play equal roles in this piece and both should constantly be at odds with one another creating a sense of struggle, tension and occasional moments of reconciliation between these two extremes.

°

¢

Mov. 1 Kyrie I [ 55-89" ]Bow freely, slow-bow, so slowly that the sustaining sound should studder and shake slightly, roughly follow the [bracketed material] to create this effect, the studdering should be non-synchronous, song-like, with most deeply felt expression...

Copyright © 2018

Mirror MirrorIn memory of Hu Bo

Peter Kramer (2018/19)

Vln. 1

Vln. 2

Vla.

Vc.

&√

(m.s.p.) molto flau.

( ppp )

>(pochiss. accent!)

[ . .. . . . .. . . . . .. . . .. . . . . . . . ]

...always continuous w/ slight interruptions... ( < > )

(tutti)

sf

(very short pause)

...dead stop!

,

&√


( ppp )

>

[ . . . . .. . . . . . .. . . .. . . . . . .. . . . .. . ]

(pochiss. accent!) ...always continuous w/ slight interruptions... ( < > )

(tutti)

sf

(very short pause)

...dead stop!

,

B√


( ppp )

>

[ . . . . . . . . . . ... . . . . . . . . .. . . ]


(tutti)

sf

(very short pause)

...dead stop!

,

?√


( ppp )

>

[ . ... . . . . .. . . .. . . . . . ... . .. . ]


(tutti)sf

(very short pause)

...dead stop!

,

œœ

œœ

œœ

œœ

°

¢

( ritornello q=80_85 sempre )Like an echo, a whisper, smoke trails... the quarter note pulse should be executed rather freely, the performers can ever so slightly phase in and out of time with one another throughout this section.

2

Vln. 1

Vln. 2

Vla.

Vc.

44

44

44

44

&v

like blowing out a candle...

pizz.

sffz sub.

arco (s.t.) c.l.t. + bow

/≥≤0

pppmolto legato no (de)cresc... (pochiss.)

(IV)

>o (III) (IV)

( ppp )

swelling...

( < > ) ( < > ) ( < > )

5

&/≥≤0(s.t.) c.l.t. + bow


pppmolto legato no (de)cresc...

( ppp )

(IV) (III)

swelling...

( < > ) ( < > ) ( < > )

BIIIIIIV

(poco)

vlike blowing out a candle...

pizz. arco (s.t.) c.l.t. + bow

ppp

3

gliss.

IIIII

mf

> : ; ( ppp ) ( < > )

IIIII

swelling... ( ppp )

pizz.

> &/≥≤0arco (s.t.) c.l.t. + bow

molto legato

? ....


(s.t.) c.l.t. + bow

fp

>(ricochet)

: ; pp perdendosi...

∑

mf : ; ...echo

(poco)µ> >

(pochiss. accent)

mp ...dark

(gliss.)˜>

Ÿ~~~~ ....

fp

> : ;

œœœœbj

‰ œ# œ œ œ œ# œn œæææœ ™ œ œ# œ ‰ œœ œœ œœ# œœb œœ œœn

Œ ~# ~ ~# ~ ~ ~ æææ~# ~ ~ ~ œ# œ~ œœ œœ œœ

‰ œœœj

œœœj œœ œœ ™™™™ ≈ Œ ‰ œœ

œj œœ# Ó œœœbj ‰ ~ ~# ~ ~

œ ˙ ™ œ œ# œ œ œ œ# œ ≈ Ó Œ œ œ# œ Œœ# œ

2

°

¢

6

Vln. 1

Vln. 2

Vla.

Vc.

&( ppp )

...morendo...

(III)

...echo

(short)≈(IV)

>,

attacca Kyrie II

&( < > )

(III) (IV)

mf

> : ;∑≈ attacca Kyrie II

&( ppp ) no (de)cresc...

∑≈ attacca Kyrie II

?(poco)

(IV)

>(III)

pp perdendosi...

∑≈ attacca Kyrie II

œœ ‰ Œ œ œ œ œ# œ œ

œœ œ# œ ™™ ~œ ≈

~ ~# ~ Œ

œ ˙ ™ ~œ

3

°

¢

Kyrie II ( part 1 q=80_85 )The quarter note pulse should be executed rather freely, the performers can ever so slightly phase in and out of time with one another throughout this movement, however stepwise material within parenthesis should adhere to a regular pulse and act as a sort of scafolding for the material around it, pay close attention to bow positions from measure to measure, like a medieval clocktower, quasi-mechanical but not always precise.

°

¢

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

44

44

44

44

&(s.t.) w/ pressure, grainy...

p-

perdendosi...

(s.p.) molto flau.

pp

(IV)

no (de)cresc...

o(

( pp )

(III)

( pp ) : ;)

& ∑ (

(s.p.) molto flau.

(IV)

pp

o

: ; ppp : ;)

(ord.) c.l.t. + bow

ff

subito! sonorous, not harsh...: ; receding...

arco norm. (s.p.) molto flau.

( pp )

(ord.) c.l.t. + bow

ff

surging forward...

: ;

Bpochiss.

mute the open strings with the l.h. "white-noise"

(s.p.) molto flau.

p

> : ;subito! sonorous, not harsh...

(ord.) c.l.t. + bow

ff : ; receding...

&


pp

B(ord.) c.l.t. + bow

ffreceding...

: ;( &


pp

? ∑v

(s.p.) molto flau.

fp

martelé

: ;( &

pp : ;pochiss.

> ) ?(ord.) c.l.t. + bow

subito! sonorous, not harsh...

ff : ; receding...

v


mfmolto vib!

¯¯ &/≥≤0

ppmolto legato

˙ ™ Œ œ ~# ~ ~ œ ™™ ≈ œ œ# œ œ ™™ ≈ Œ

œ œ# œ œ# ˙ ™™ Œ ~ ~# ˙

Œ )) ™™ Œ ˙ ™™ Œ œ# œ œ ˙ œ œ#

œ Ó œ# œ œ ˙˙ œ Œ œ œ

4

°

¢

5

Vln. 1

Vln. 2

Vla.

Vc.

& v(cut off!)

(ord.) c.l.t. + bow

sffz … ( ff ) : ;,


(IV)

pp

-


(molto)

: ; …(( pp )

pochiss.: ;> )

( pp )

&…

(cut off!)molto!



p

> : ;

,

pp(pochiss.)

…: ; ( < > )

-sf

vmartelé

fp : ;(

pp

&: ;

pochiss.> ) Bvfp

(poco): ; … (cut off!)

&

pp ( pp ): ;

(III)

- (poco>

: ;)

& (, (I)o

: ;), (II)

pp

-subito!

?

mute the open strings with the l.h. "white-noise" and swipe with the l.h. in the given direction

(molto!)

>

: ; … (cut off!)

&

pp : ;

œœœj

‰ ˙ œ )) Œ œ œ œ œ œ# Ó™ ~

Œ æææ)) ™™ ~ ~# œ ™™ ≈ Ó œœ Œ œ# Ó œn

œ œ œ Œ œ# Ó™ œ œ# ™™ ≈ æææœ œ œ œ œ

œ œ# œ œ œ œ# œ œ 66ûû Ó™ ~ ~# ~ ™™ ≈

5

°

¢

9

Vln. 1

Vln. 2

Vla.

Vc.

&( pp )

(IV)

-

(poco)

: ; …(poco)

mute the open strings with the l.h. "white-noise" and swipe with the l.h. in the given direction

> : ; ( pp )

,(ord.) c.l.t. + bow

ff : ;

&(poco)>

: ;...perdendosi...

)( pp ) : ; v

mp

martelé

dark...: ;

&

(slight intonation change to the given quarter-tone and quickly back to norm.)


ff

µ% _

: ;& v


martelé

fp : ;(

( pp ) : ; ...cresc poco a poco...

&

(slight intonation change to the given quarter-tone and quickly back to norm.)

?(ord.) c.l.t. + bow

ff

B% _

: ; pp

(III)


(pochiss.)

let ring...

: ;&

( pp )

,?

(ord.) c.l.t. + bow

ff

surging forward...

: ; …&


(II)>

: ; pp

œ œ# œ œ Œ œ# Ó 66ùù Ó ~ ~ ~# ˙

œ œ œ œ# œ œ œ œ Œ œ# œ ™™ ≈ œœ Ó™

Œ ˙ Œ œ Œ œ œ œ œ œ œ# œ œ œ œ

Œ ˙˙ ™™ ~œ Œ ~ ~ ~ ˙

˙ Œ Œ ~œ œ œ

6

°

¢

13

Vln. 1

Vln. 2

Vla.

Vc.

&(poco)


> (: ; ...decresc poco a poco...

)(II)

martelé

fp

o

: ;,

pp

-sub.

(ord.) c.l.t. + bow

ff : ;

&(III)

pp

-o(ord.) c.l.t. + bow

ff : ; …


martelé

sffz

molto vib!

^ ¯¯: ; pp mp

^

dark...

…

(ord.) c.l.t. + bow

ff : ;


pp

&pochiss. subito...

dolce

>)

pp

Bv

(ord.) c.l.t. + bow

sffz ( ff ) : ;,&


pp(pochiss.): ;

B

…

(ord.) c.l.t. + bow

ff : ;,&

&perdendosi...

pp

-(molto!): ; …

?(ord.) c.l.t. + bow

ff : ;( &

,

pp


: ;

œ œ œ œ œ œ# œ œ œ œ œ Œ œœ# ˙

œ ˙ Œ œœ œ# œ œ ~œ Ó™ ˙ œ œ

œ ™™ ≈ ~ ~ œœœ ˙ ™™ ~ ~# ~ ~ ~ ™™ ≈ ˙

œ œ# œ Œ œ ™™ ≈ Ó ˙˙

œ œ œ œ œ œ#

7

°

¢

17

Vln. 1

Vln. 2

Vla.

Vc.

&


pp

((molto!)>

: ;

(pochiss.)

(III)>

...decreasc. poco a poco...

(IV)>

...disappearing

&(ord.) c.l.t. + bow

ff sffz

^

: ;


(III)omartelé

fp

^5 : ; ( < > )

-sf

(ord.) c.l.t. + bow

ff : ;,

( pp )


( pp )

(IV)

(pochiss.)

: ; …

&


dark...

mp

^ martelé

: ; ( pp )

-( pp ) perdendosi... p

(poco)

^

: ; …(

( pp )

3

&...cresc. poco a poco...

(pochiss.)> )pp

-

sub.

martelé

fp

^3 molto espress...: ; ( pp )

(ord.) c.l.t. + bow

?,

ff : ;


( pp )

&

~ ~# ~ Œ œ œ œ œ ~œ œ œ# œ œ ~œ œ œœ

œœœœœ Œ œ ≈ œn Ó æææœ ˙ œ œ Œ ~# ~ ™™ ≈

œ Ó œ œ œ# œ Œ ~ ~# ™™ ≈ Œ ŒœJ Ó œ

œ œ œ œ œ ™™ ≈ Ó ‰ œ Ó™ œ ˙˙ œ

8

°

¢

21

Vln. 1

Vln. 2

Vla.

Vc.

&ppp

)pp perdendosi...

(IV)

dolciss...

o-

( pp )


sffz

^

ff : ;,

&(IV)

(molto!)

...let ring: ;

(ord.) c.l.t. + bow

ff : ; sffz …

^arco norm. (s.p.) molto flau.

( < > )

-sf

(pochiss.)

: ; … ( pp )

- ((poco)>

&: ; ...cresc. poco a poco...

, (sul II) (poco)>)

( < > )

-sf


surging forward...

ff : ;&

&( pp ) perdendosi...

vmp

dark...: ; ( pp )

(overpressure)Ö

fp

^ norm.

...softly

> (pochiss.)

: ; ( pp )

œŒ ~ ~ ~ ~# ~ Œ œ ™™ ≈ ~ ~ ~ œœœ ˙

~bœ

Œ ˙œœœJ

‰ Œ Œ œ Ó œ œ Œ œ# œ œ

œ œ œ œ œ œ œ# œ œ œ œ œ Œ æææœ# ˙

œ œ# ™™ ≈ Œ œ~bb ™™™™ ≈ Ó œ œ# Œœ~n œ#

Œ œ œ

9

°

¢

25 ü

†

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

&


fp

^martelé

pp

-: ;

1.

∑ ∑...strictly in time...

2.

(( pp )


: ;

&: ; ( pp )

) ∑...strictly in time... ( pp )

- )

(pochiss...)

: ; …

&( pp )


perdendosi...

∑ ∑...strictly in time...

vmf

(molto!): ; … ( pp )

& ?,(ord.) c.l.t. + bow

ff : ; receding...

,∑ ∑

...strictly in time...

&


œÓ æææœ Œ œ œ œ

œ œ œ œ œ# ™™ ≈ Ó œ# Œ œœ ™™™™ ≈

Œ ~# ~ ™™ ≈ œ~## ™™™™ ≈ Œ ~

œ ˙˙ ™™ œ œ# Ó

10

°

¢

29

Vln. 1

Vln. 2

Vla.

Vc.

&...disappearing... ppp

) ∑

(poco vib.)

fp

^martelé

: ;∑

& ∑

(senza vib.)^

fp

martelé

: ;∑ ∑

&disappearing...

-senza vib...

: ;∑ ∑

&mp

^dark...: ; pp

(I)o

(pochiss...)

…: ;∑ ∑

mf

^

perdendosi...

œ œ œŒ

œÓ™

œ#Ó™

~n ~# Œ œ ˙˙ ™™ Œ

~œ Œ œ ™™ ≈ ~œ ™™™™ ≈ Ó

11

°

¢

33

( part 2 same tempo )

Vln. 1

Vln. 2

Vla.

Vc.

& ∑,(ord.) c.l.t. + bow

ff : ;(

(poco)


>

& ∑ ∑vmp

martelé

dark...: ;

(III)

pp


ff : ; …

& ∑ ∑ (pp ...cresc poco a poco...

), martelé

fp

^

: ; pp

,B

&(pochiss.)>5 : ;

∑3 : ;

, (II)

mp

o>

pp perdendosi...

Ó™ œ œ œ# ˙ œ œ œ œ

œœ Ó™ œ ˙ Œ

œ œ œ œ ~œ Œ œ œ

≈ ~œbb Ó™ ‰ ~œBB œ ~n ~ ~n ~# ~ ™™ ≈

12

°

¢

37

Vln. 1

Vln. 2

Vla.

Vc.

&v

(ord.) c.l.t. + bow

sffz : ;,

...decresc poco a poco...


ppp

)(II)

martelé

fp

o

: ;,

pp

-sub.

(ord.) c.l.t. + bow

ff : ;


pp perdendosi...

&


(molto!)

: ;…

pp

,martelé(IV)

fp

^

: ;>

3 dolce: ; pp

-

martelé

fp

^ (ord.) c.l.t. + bow

sffz

^

: ;5 3

Bv

(ord.) c.l.t. + bow

sffz ( ff ) : ;,&


pp(pochiss.): ; … ( pp )

- : ; dark...

mp

^ martelé

: ; ( pp )

-

&pp

-(molto!): ; …

Övfp

^

: ;(


pp : ; ...cresc. poco a poco...

(pochiss.)> )

œœœœ œ# œ œ œ œ œ Œ œ

œ# ˙ ~ ~# ~ ™™ ≈

≈ ~œbb ™™ Œ ~ ~n œ~ ™™ ≈ Ó ‰ ~œb Ó æææœ Œ ~œ#n J Œ œœœ Œ

œœœ ˙ ™™ œ œ# œ œ œ ™™ ≈ œœ Œ œ Ó œ

œ ™™ ≈ Ó ~œ

Œ œ œ œ œ œ œ# œ œ œ œ

13

°

¢

41

Vln. 1

Vln. 2

Vla.

Vc.

&

martelé

fp

^

5(: ; ...decreasc. poco a poco...

)martelé

mf

^3 : ;

(pp

)

(molto!)…: ; pp

3

&


martelé

fp

^5

( pp )

-(poco)

3 : ; … ( pp )

-fp

^

: ;(ord.) c.l.t. + bow

ff : ;

&(pochiss.): ; … ( pp ) perdendosi...

(poco)>

: ;(

( pp ) : ;3

&(pochiss.)->

: ;

martelé

fp

^3 molto espress...: ; ( pp )

?,(ord.) c.l.t. + bow

ff


: ;&

( pp ) perdendosi...

≈œ

œ œ œ œ œ œ# œ ‰~œ Œ œ œœ Œ

~œBbBb J Œ œ œn

≈ œn Ó œ Œ ‰ æææ~œBB Œ œn œ œ# œn Œœ

Œ ˙

œ œ# œ ™™ ≈ ~ ~# Ó ŒœbJ Ó œ œ œ œ œ

œ ™™ ≈ Ó ‰ œ Ó™ œ ˙˙ ~ ~ ~# ™™ ≈ Œ

14

°

¢

45

Vln. 1

Vln. 2

Vla.

Vc.

&perdendosi...

(I)

(poco)

o

...let ring: ; ( pp )

(III) poco

(pochiss.)

>

: ; …

(ord.) c.l.t. + bow

ff : ;,arco norm. (s.p.) molto flau.

fp

^martelé

: ; pp

-: ;

&(pochiss.)


>

: ; ( pp )

-

martelé

sffz

^

: ;(

( pp )

(pochiss.)>

: ;)

(molto!)

: ;…

(( pp )

3 5

&...cresc. poco a poco...

, (sul II) (poco)>)

( pp )

- B(ord.) c.l.t. + bow

ff : ;&

… ( pp )


perdendosi...

& vmp

dark...: ;

Ö

fp

^ gliss.

: ; ( pp )

(pochiss.)

o

: ; dolciss...

>(pochiss.)

: ; ( pp )


ff : ;,&

œ œ# œ ™™ ≈œ

Œ œœ Œ~œ Œ ˙

œ ™™≈ Œ œ

œ~

Œ æææ~œJ Ó œ Œ~œ Œ œ œ œ# œ œ ≈

~œ ™™Œ œ œ

œ œ œ# œ œ œ œ œ Œ æææœ# ˙ Œ ~# ~ ™™ ≈

œ~bb ™™™™ ≈ Œœ~n

~ ~# œn Œœ#

Œ œ œ œ ˙˙ ™™

15

°

¢

49

Vln. 1

Vln. 2

Vla.

Vc.

&dolce...

poco

…>(

( pp ) : ; ...disappearing... ppp

)

(pochiss.)

3 : ; …

(poco vib.)

fp

^martelé

: ;5

&perdendosi...

- )

(pochiss...)

-: ; …

molto!>3 : ;

(senza vib.)^

fp

martelé

: ;

poco

mf

>

: ;33

& vmf

(molto!): ; … ( pp ) disappearing...

- : ;∑

&arco norm. (s.p.) molto flau.

disappearing... fp

^

: ; pp

(I)o-

(pochiss...)

…: ;∑ ∑

≈~œ## ™™

Œ œn œ œ œ œnŒ ‰ ~œb Ó™

œnÓ™

œ# ™™ ≈ œœ Œ ‰ ~œ Ó™œ#

Ó™ Œ æææ~œ#J æææ~œ# ‰ Ó

œ~## ™™™™ ≈ Œ ~ ~n ~# Œ æææœ œœ ™™™™ ≈ Ó

œ œ# ™™ ≈ Œ ~œ Œ æææœ ™™ ≈

16

°

¢

53 °

¢

™™

™™

™™

™™

ü

†

™™

™™

™™

™™

( ritornello q=80_85 )

Vln. 1

Vln. 2

Vla.

Vc.

&poco>

: ;∑

[5x total]

pochiss...

...like something hanging...

>

: ; v

pizz.

sffz sub.


/≥≤0

pppmolto legato

3 3

& ∑ ∑[5x total]

∑/≥≤0(s.t.) c.l.t. + bow

pppmolto legato

& ∑ ∑[5x total]

∑ B

IIIIIIV

(poco)

v


ppp

3

gliss.

&fp

^

: ;∑


[5x total]

mf

>: ;

? ....(s.t.) c.l.t. + bow

fp

>(ricochet)

: ; pp perdendosi...

Œ ~œJ Ó™ Œ ~œbJ Ó™ œœœœnbj

‰ œ# œ œn

Œ ~# ~ ~#

‰ œœœj

œœœj œœ

~œ Ó™ œ~ Ó™ œ ˙ ™

17

°

¢

57

Vln. 1

Vln. 2

Vla.

Vc.

&no (de)cresc... (pochiss.)

(IV)

>o (III) (IV)

( ppp ) ( < > ) ( < > ) ( < > ) ( ppp )

5

&no (de)cresc... ( ppp )

(IV) (III)

( < > ) ( < > ) ( < > ) ( < > )

(III) (IV)

mf

> : ;

Bmf

> : ; ( ppp ) ( < > ) ( ppp )

pizz.

> &/≥≤0arco (s.t.) c.l.t. + bow

molto legato( ppp ) no (de)cresc...

? ∑

mf : ; ...echo

(poco)µ> >

(pochiss. accent)

mp ...dark

(gliss.)˜>

Ÿ~~~~ ....

fp

>: ; (poco)

(IV)

>(III)

pp perdendosi...

œ œ# œn œæææœ ™ œ œ# œ ‰ œœ œœ œœ# œœb œœ œœn œœ ‰ Œ œ œ

~ ~ ~ æææ~# ~ ~ ~ œ# œ~ œœ œœ œœ œœ œ# œ ™™ ~œ ≈

œœ ™™™™ ≈ Œ ‰ œœœj œœ# Ó œœœb

j ‰ ~ ~# ~ ~ ~ ~# ~ Œ

œ œ# œ œ œ œ# œ ≈ Ó Œ œ œ# œ Œœ# œ œ ˙ ™ ~

œ

18

°

¢

61

Vln. 1

Vln. 2

Vla.

Vc.

&...morendo...

(III)

(medium)

...echo

U(IV)

>,

short pause, attacca Der Doppelgänger I...

& ∑U short pause, attacca Der Doppelgänger I...

& ∑U short pause, attacca Der Doppelgänger I...

? ∑U short pause, attacca Der Doppelgänger I...

draft 08/09/18Manzanita, OR

score 10/24/18 "full moon"NYC

œ œ# œ œ

19

°

¢

°

¢

Der Doppelgänger I ( q=50_55 )dashed slurs indicate sustained dyads, bow freely sempre, circular bowing between m.s.t. and ord.

Vln. 1

Vln. 2

2

Vln. 1

Vln. 2

&

(m.s.t.) (ord.) fluatando (slowly...)

ppp

>

-

í ™™ ( ppp )

(accents always a little louder than the given dymanic)

hushed... see repetition indications for dynamics below vln. 2

5

>5

/≥≤0 /≥≤05 5 5

&


ppp

-

í ™™1.2.3.

( ppp )

mfppppp

slightly more present... (smaller circles, nearer to the tip of the bow but rotating faster...)not too loud, decresc poco a poco to...

viol-like... (slow circles encompassing around 1/3 of bow)

hushed... (accents always a little louder than the given dymanic)

>

ppp ...by the end of the repetition (alternating between small and slightly larger circles... ending very small...)

>

/≥≤05 5 5 5

&always calm and hushed, as if whispering to one another...

>

/≥≤0

>5 5 5


>

/≥≤0 /≥≤05 5

œœb œœnn ™™ œœn œœrœœn œœ

rœœb œœ œœn

rœœ œœ œœ œœn ™™ œœ œœ œœ œœ

œœ œœ œœ œœb œœ œœn ™™ œœ œœn œœ œœ œœn œœb ™™ œœ œœ œœnn ™™ œœ œœ

œœ œœ ™™ œœnb œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœb ™™ œœnn œœ œœ

œœ œœ œœn œœnb œœ ™™ œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœ

20

°

¢

3

Vln. 1

Vln. 2

Vla.

Vc.

&the repetitions should be almost imperceptible...

> î™™

, ....(ord.) c.l.t. + bow

pp

>subito! pochiss. accent sempre

(ricochet)


....

>

55 5


>5

> î™™ : ;

, ....(ord.) c.l.t. + bow

pp



(ricochet)5 5 55

B TACET

[55-89"]√(m.s.p.) molto flau.

( ppp )

>(pochiss. accent!)

[ . . . . . . . . . . ... . . ]

...always continuous w/ slight interruptions...

? TACET

[55-89"]√(m.s.p.) molto flau.

( ppp )

>(pochiss. accent!)

[ . ... . . . . .. . . .. . ]


œœ œœ œœnb ™™ œœn œœ œœ œœ œœ œœ# Œ Œœœ#n

Œœœ# ™™j ‰ Œ

œœrœœb œœ œœ

rœœ œœnn

rœœ œœ ™™ œœb œœ œœn Œ Œ Œ ‰™ œœ# j Œ

œœ

œœ

21

°

¢

4

Vln. 1

Vln. 2

Vla.

Vc.

&...strictly in time...

(long)√ TACET arco norm. (m.s.p.) molto flau.

( < > )

(tutti)

sf

>

[ . . . . . ]

( ppp ) ...dead stop!

5


....

>5

perdendosi...

(long)√ TACET arco norm (m.s.p.) molto flau.

( < > )

(tutti)

sf

>

[ . ... . . . ]


B( ppp )

[ . . . . . . . . . . ... . . . . . . . . .. . . ]

...sustaining... ( < > )

(tutti)

sf ...dead stop!

?

( ppp )

[ . ... . . . . .. . . .. . . . . . ... . .. . ]


(tutti)

sf ...dead stop!

draft 09/15/18score 10/25/18NYC

Œ Œ Œ œb rœ Œ œœ

Œ Œ œœ# ≈ Œ œœn œœn

œœ

œœ

22

°

¢

Mov. 2 Indigo Blue ( Ikonen ) [ 3-5' ]Bow on the bridge with some pitch sounding from the strings, there should also be a "white-noise" toneless sound coming from the bow against the bridge, senza vibrato sempre, the first, tenth and final chords are attacked together, otherwise change dyads freely staying together somewhat but phasing in/out of time with one another, aside from the first chord all accented dyads should by attacked asynchronously, let the harmonies blend together freely creating a continuously resonanting sound, like a halo surrounding the ensemble, the sf swells should be brief and immediately fall back to ppp... always a short pause (breath mark) when switching notes/dyads, caesuras never too long, breath marks and caesuras should create small holes/pauses within the larger continuous texture.

Vln. 1

Vln. 2

Vla.

Vc.

& ( ) ( )

/≥≤0sempre...

ppp

>(pochiss. accent sempre) very slowly and methodically...

( ),

>

(m.s.p.) sub.

(long)

( ppp )

√>

(on bridge, as before)

>

fl

&/≥≤0

ppp

sempre...


(short)≈ ( ),

>

(medium)U

> >

(m.s.p.) sub.

(long)

( ppp )

√>

( < > )

(soli)


sf

>( ppp )

B/≥≤0

ppp

sempre...


( ), (short)≈>

(medium)

U> > >

(m.s.p.) sub.

(long)

( ppp )

√>


( < > )

fl

(soli)

sf

>

? ( )

(short)

/≥≤0≈

sempre...

ppp


( ), (III)

>

(medium)U> >

(IV)o>

(II)

> >

(m.s.p.) sub.

(long)

( ppp )

√>

fl (on bridge, as before)

> >

∑ Œ œ œ œ œ œœ œ œ

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ

œ œœ œœ œ œ œ œœ œœ œœ œœ œ œ

Œ œ œ œœ œœ œ œ œ œœ œœ œœbb œb

23

°

¢

2

Vln. 1

Vln. 2

Vla.

Vc.

&/≥≤0

( < > )(soli)

sf

>( ppp ) the harmnonic motion begins to move more quickly...

≈

...like a distant organ...

fl>

&/≥≤0

( ppp ) the harmnonic motion begins to move more quickly...

fl>

≈


> > >

B/≥≤0

( ppp )

>the harmnonic motion begins to move more quickly...

> > > > >≈


> > >fl>

? /≥≤0

( ppp )

>( < > )

(soli)

sf

>( ppp )

IIIII

>the harmnonic motion begins to move more quickly...

(IV)

>(III)

> >≈


> >(III)

>fl>

œ# œ œ œ œ œ œ œ œ œ œ œ

œœ œœ œœ œœ œœ œ# œ œ# œ œn œœ œœ

œ œœ œœ œ œ œ# œ œ œ œ œ œ

œn œœ œœn œœ œb œn œ œn œ œ œ œ

24

°

¢

3

Vln. 1

Vln. 2

Vla.

Vc.

&

( ppp )

> >≈

...from this point forward slightly more continuous...

>U (IV)

>(III)

>,

subito!

(ord.) c.l.t. + bow

sffz …

^( )

&

( ppp )

fl (IV)

>≈


(III)

>

U(IV)

> > >

B( ppp )

> >≈


> >U

>

?

( ppp )

(II)

> >(III)>o

>

≈(IV)


o>

> U>

oIIIIV

>o>

œ œ œ œ œ œœ# œœ œœ œ œ# œœj

‰ Œ

œœ œœ œ œ œ œ œ œ# œ œœ## œœ œœn

œ œ œœ œœ œ œ œ œœ œœ œœ œœ œœ

œ œ œ œœ œ œœœ

œœœ œ œœ œœ

25

°

¢

4

Vln. 1

Vln. 2

Vla.

Vc.

&( )

ppp


>...resolving to...

>

(m.s.p.) sub.

[ . . . . . . . . .. . . . . . ]

( ppp )

√>

( < > )sf ( < > )sf ...dead stop!

&>

...resolving to...

>

(m.s.p.) sub.

[ . ... . . . . .. . .. ... . . . . ]

( ppp )

√>

( < > )sf ( < > )sf ...dead stop!

B > > >...resolving to...

>

(m.s.p.) sub.

[ . . . . . . . . .. ]

( ppp )

√>

( < > )sf … sub dead stop!

?> >

(IV)o>

(II)

...resolving to...

> >

(m.s.p.) sub.

[ . ... . . . . .. . .. . ]

( ppp )

√>

( < > )sf … sub dead stop!


Ó œ œ œ œ œœ œœ

œœ œœ œœ œœ œœ œœ œœ œœ

œ œ œ œœ œœ œœ œœ

œœ œœ œ œ œ œœ œœ

26

°

¢

°

¢

™™

™™

™™

™™

Mov. 3 Interlude ( q=55_60 ) ( subito a little faster! )

ü

†

™™

™™

™™

™™

°

¢

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

24

24

24

24

&

[5x total]c.l.t. + boword. (con sord)sul IV

pp freddo...

pochiss.

3

: ;,

( pp ) sub. : ;,

( pp )

(III)

[3x total]

arco (norm) s.p. subito!

( pp ) molto espress.distant...

>3 5 3

&

[5x total]c.l.t. + boword. (con sord.)

freddo...pp

5

: ;

,

sub.

( pp )

3

poco

,

: ; ( pp )

first time only [3x total]IVIII

freddo...mf sub.

arco (norm)m.s.p. subito!

( )

(poco)

IIIIV

( mf )>

5 3 3 5 5

5

&

m.s.p. (con sord.)

[5x total]

IIIII

mf freddo...

( )

(poco)

IIIII

( mf )

( )

>

III

( )>5

( )

IIIIII

>B

[3x total]arco (norm) s.p. subito!


>35

5

5

&

[5x total]c.l.t. + boword. (con sord.)

pp freddo... ...pochiss. cresc... ( pp )

3

sub.poco: ; …

arco (norm) s.p. subito!

?

[3x total]


>3

œ œ œB œn j æææœ œ œ œµ æææœj œ œ œ œ ™ œ œ œj

≈ œ œ œB ™ œ æææœj æææœ œ œ œ ™ œ œj œµ æææœ œ ™ œµ ˙˙ Œ ˙˙œœr

˙˙ Œ ˙˙œœr

‰™˙˙ œœ

r ≈Œ˙˙ œœœ

r œ ™ œ œb œb j œ œ

˙ œ œj œ ˙ œJ œ œ œ Œ œ ˙

27

°

¢

7

( tempo 1 )

ü

†

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

&( pp ) ...poco cresc...

>...poco decresc...

>3

1. as written2. (short, tutti)3. as written≈

pochiss...

( )>5

c.l.t. + bow ord.sul IV

pp freddo...

pochiss.

3

: ;,3 5

&( )

IIIII

( )>5

( )

IIIVIII

>…

∑suddenly off!

∑

c.l.t + boword.

freddo...

pp

5

: ;

,

sub.

( pp )5

5 3 3

B( pp ) ...poco cresc...

>...poco decresc...

> &IIIII

m.s.p.

mf freddo...

( )

IIIII

( mf )>

55

?( pp ) ...poco cresc...

>

...poco decresc...

> >3

,

: ;&

c.l.t. + boword.

pp freddo... ...pochiss. cresc... ( pp )

3

sub.5 3

5

œ œ œ œb œ œ ™ œ œj œ œ œ œr œœ œ œ œB œn j æææœ

‰™˙˙ œœ

r ≈Œ˙˙ œœœ

r ≈ œ œ œB ™ œ æææœj æææœ œ œ

œ œ ™ œ œ œ œ œb œ œ ˙˙ Œ ˙˙œœr

˙ œ œ ™ œ œ œj œ œJ œb œ ™ œ ˙ œ œj œ

28

°

¢

13

Vln. 1

Vln. 2

Vla.

Vc.

&( pp ) sub. : ;

,

( pp )pochiss.

3

: ;,

( pp ) sub.

U

: ;3 3

&3

poco

,

: ; ( pp )

5,

sub.

( pp ): ;3

molto!: ; …5 U5 5 5 3 3 5

&( )

III

( )>5

( )

IIIIII

>…

∑suddenly off!

∑ ∑[5x total]

B

í ™™

c.l.t.m.s.t. (freely...)

: ; î™™5

&pochiss.: ; …

∑ ∑ ∑ ∑U3

œ œ œµ æææœj œ œ œ œB œn j æææœ œ œ œµ æææœj Œ

œ ™ œ œj œµ æææœ œ ™ œµ ≈ œn œ œB ™ œ æææœj æææœ œ œ œ ™ œ œj œµ æææœj ‰™ Œ

‰™˙˙ œœ

r ≈Œ˙˙ œœœ

r Œœ œ

œ œ œ œ œ œ

˙ œJ œ œ œ

29

°

¢

°

¢

™™

™™

™™

™™

Epithet ( same tempo )senza vib. sempre, marcato and detached, c.l.t. with no bow, concentrate on both pitch and the noise of the bow on the strings

19 ü

†

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

68

68

68

68

&

( q = q. )c.l.t. (no bow)ord. molto flau.

fp ! marcato sempredetached!

^ IIo III

1.

IV

2.


^short pause...

&

( q = q. )

v

c.l.t. (no bow)ord. molto flau.


III

Io


^IV

: ;short pause...

B( q = q. )


marcato sempredetached!

fp !

^ III

v...strictly in time...

short pause...

?( q = q. )

∑v



&I ?

IIo


^short pause...


œœj ‰ œœj œœn JœJ œœbJ œœn

j ‰ ‰ œœbb J ‰ œJ œ~J œœb j ‰ ‰œœnJ ‰ œ

~nJ‰

œJ Œ ™ œœj ‰

œœJ ‰ œJ ‰

‰ œb j œœj ‰ œ#J œj œj œœj ‰ œbJ œœn#

j ‰ œ# j ‰ œb j Œ œœnnj ‰

œJ ‰ œœbb JœœnJ ‰ ‰ ~œbb J ‰ ~b ™

œ ™

Œ ™ œœj Œ ‰ œœjœj Œ œJ ‰ œJ ‰ œj

œœJ ‰ ‰ œœbb J ‰ œJ ‰ œJ ‰ œ~bb j ‰ Œ ™

‰ œj œj Œ ™ Œ œj œœj ‰ œbJ Œ œ~J ‰ œJ œJ Œ œj œj œœ

j ‰

30

°

¢

°

¢

Mov. 4 Der Doppelgänger II ( q=50_55 )dashed slurs indicate sustained dyads, bow freely sempre, circular bowing between m.s.t. and ord.

Vln. 1

Vln. 2

2

Vln. 1

Vln. 2

&


senza sord.

ppp

>

-

í ™™ ( ppp )

(accents always a little louder than the given dymanic)

hushed... see repetition indications for dynamics below vln. 2

5

>5

/≥≤0 /≥≤05 5 5

&

(m.s.t.) (ord.) fluatando (slowly...

senza sord.

ppp

-

í ™™1.2.3.

( ppp )

mfppppp

slightly more present... (smaller circles, nearer to the tip of the bow but rotating faster...)not too loud, decresc poco a poco to...

viol-like... (slow circles encompassing around 1/3 of bow)

hushed... (accents always a little louder than the given dymanic)

>

ppp ...by the end of the repetition (alternating between small and slightly larger circles... ending very small...)

>

/≥≤05 5 5 5


>

/≥≤0

>5 5 5


>

/≥≤0 /≥≤05 5

œœb œœnn ™™ œœ œœrœœ œœ

rœœb œœ œœn

rœœ œœ œœ œœn ™™ œœ œœ œœ œœ

œœn œœn œœn œœb œœ œœn ™™ œœ œœn œœ œœ œœn œœb ™™ œœ œœ œœnn ™™ œœ œœ

œœ œœ ™™ œœnb œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœb ™™ œœnn œœ œœ

œœ œœ œœn œœnb œœ ™™ œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœ

31

°

¢

3

Vln. 1

Vln. 2

Vla.

Vc.


> î™™

, ....(ord.) c.l.t. + bow

pp


(ricochet)


....

>

55 5


>5

î™™ : ;

, ....(ord.) c.l.t. + bow

pp



(ricochet)5 5 55

B TACET senza sord. (m.s.p.) molto flau.

[55-89"]√

( ppp )

>(pochiss. accent!)

[ . . . . . . . . . . ... . . ]


? TACET senza sord. (m.s.p.) molto flau.

[55-89"]√

( ppp )

>(pochiss. accent!)

[ . ... . . . . .. . . .. . ]


œœ œœ œœnb ™™ œœn œœ œœ œœ œœ œœ# Œ Œœœ#n

Œœœ# ™™j ‰ Œ

œœrœœb œœ œœ

rœœ œœnn

rœœ œœ ™™ œœb œœ œœn Œ Œ Œ ‰™ œœ# j Œ

œœ

œœ

32

°

¢

4

Vln. 1

Vln. 2

Vla.

Vc.



( < > )

(tutti)

sf

>

[ . . . . . ]


5


....

>5

perdendosi...


( < > )

(tutti)

sf

>

[ . ... . . . ]


B( ppp )

[ . . . . . . . . . . ... . . . . . . . . .. . . ]


(tutti)

sf ...dead stop!

?

( ppp )

[ . ... . . . . .. . . .. . . . . . ... . .. . ]


(tutti)

sf ...dead stop!

Œ Œ Œ œb r œ Œ œœ

Œ Œ œœ# ≈ Œ œœn œœn

œœ

œœ

33

°

¢

5

Kryie III ( tempo Kyrie II )

°

¢

™™

™™

™™

™™

Vln. 1

Vln. 2

Vla.

Vc.

14

14

14

14

44

44

44

44

&


pp


ff : ;(

(poco)


>v

(ord.) c.l.t. + bow

sffz : ;,


...decresc poco a poco... pppdolciss...

)

&vmp

martelé

dark...: ;

(III)

pp


ff : ; …(molto!)


: ;…

pp

,martelé(IV)

fp

^

: ;5

Bpp ...cresc poco a poco...

,)

martelé

fp

^

: ; pp

,B

vsffz

(ord.) c.l.t. + bow

( ff )

B% _: ;

,&


pp

? &3 : ;

,(II)

mp

o>

pp perdendosi... pp

-(molto!): ; …

gliss.

(poco)

: ;

Ö

fp

^

: ;(


pp

œ œ œ# ˙ œ œ œ œ œœœœ œ# œ œ œ œ œœœ Œ

Œ œœ Ó™ œ ˙ Œ ≈ ~œbb ™™ Œ ~ ~n œ~ ™™ ≈ Ó

Œ œ œ œ œ ~œ Œ œ œœœœ ˙ ™™ œ œ# œ ~œ œ

Œ ‰ ~œBB œ ~n ~ ~n ~# ~ ™™ ≈ œ ™™ ≈ Œ ~œ ~œ

Œ œ œ

34

°

¢

10

Vln. 1

Vln. 2

Vla.

Vc.

&

martelé(II)

fp

o

: ;,

pp

-sub.

(ord.) c.l.t. + bow

ff

µ% _: ;


pp perdendosi...

martelé

fp

…

(^

: ; ...decreasc. poco a poco...

)5

&>

3dolce: ; pp : ;

-

martelé

fp

^ (ord.) c.l.t. + bow

sffz

^

: ;


fp

^5

martelé

( < > )

-sf

(poco)

3: ; … ( pp )

5

3

&(pochiss.): ; … ( pp )

5

: ; dark...

mp

^ martelé

: ; ( < > )

-sf

(pochiss.): ; … ( pp ) perdendosi...

&: ; ...cresc. poco a poco...

(pochiss.)> )(pochiss.)->

: ;

martelé

fp

^3 molto espress...: ;

œœ# ˙ ~ ~# ~ ™™ ≈ ≈

œ ™œ œ œ œ œ œ# œ

‰ ~œb Œ Œ æææœ œ ™ Œ ~œ#n J Œ œœœ Œ ≈ œn Ó œ Œ ‰ æææ~œBB Œ œn

œ ™™ ≈ ≈ æææœœ Œ œ Ó œ œ œ# œ ™™ ≈ ~ ~# Ó

œ œ œ œ# œ œ œ œ œ ™™ ≈Ó ‰ œ Ó™

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&martelé

mf

^3 : ;

(pp

)

(molto!)…: ; pp perdendosi...

[3x total]

(I)

(poco)

o

...let ring: ; ( pp )

3

& -fp

^

: ;(ord.) c.l.t. + bow

ff : ;


(pochiss.)>

: ; ( pp )

-

[3x total]

sffz

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3

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: ;(

( pp ) : ; ...cresc. poco a poco...

, (sul II) [3x total] (poco)>)

3

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ff


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^ gliss.

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: ;

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: ; …

(ord.) c.l.t. + bow

ff : ;,arco norm. (s.p.) molto flau.

fp

^martelé

: ; pp

-: ;

[5x total]

poco

dolce...

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( pp ) : ; ...disappearing... ppp

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[5x total]

perdendosi...

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molto!>3 : ;

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(ord.) c.l.t. + bow

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perdendosi...

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(molto!): ; … ( pp ) disappearing...

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(pochiss...)

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≈ Œ œ ≈~œ## ™™

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Œ æææœ# ˙ Œ ~# ~ ™™ ≈ œ~## ™™™™ ≈ Œ ~ ~n ~# Œ æææœ

œ#Œ œ œ œ ˙

˙ ™™ œ œ# ™™ ~œ## ≈ Œ ~œ Œ æææœ ™™ ≈

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(pochiss.)

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(poco vib.)

fp

^martelé

: ;

poco>

: ;∑

3

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(senza vib.)martelé

: ;

poco

mf

>

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∑ ∑3

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c.l.t.m.s.t. (freely...)

B

: ; ...like an echo...

...freely, out of time...

...perdendosi...

...

& ∑ ∑ ∑ ∑

‰ æææ~œb Ó™œn

Ó™ Œ ~œJ Ó™

œ#Ó™ Œ æææ~œ#J æææ~œ# ‰ Ó

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[2x total]

pochiss...


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: ; v

pizz.

sffz sub.


/≥≤0

pppmolto legato

no (de)cresc... (pochiss.)

(IV)

>o (III) (IV)

( ppp )

3

5

&[2x total]

∑/≥≤0(s.t.) c.l.t. + bow

pppmolto legato

no (de)cresc... ( ppp )

(IV)

B[2x total]

∑IIIIIIV

(poco)

v


ppp

3

gliss.

mf

> : ; ( ppp ) ( < > ) ( ppp )

pizz.

> &

&


[2x total]

mf

>: ;

? ....(s.t.) c.l.t. + bow

fp

> : ; pp perdendosi... : ; mf : ; ...echo

(poco)µ> >

...in rilievo...

: ; ( sf ! )

Œ æææ~œbJ Ó™ œœœœnbj‰ œ# œ œn œ œ# œn œ

æææœ ™ œ œ# œ ‰ œœ

Œ ~# ~ ~# ~ ~ ~ æææ~# ~ ~ ~ œ#

‰ œœœjœœœj œœ œœ ™™™™ ≈ Œ ‰ œœ

œj œœ# Ó œœœbj ‰

œ~ Ó™ œ ˙ ™ Ó™ ≈ œ œ œ# œ œ# œ œ œ œ# œ ≈ œ œ œ œ œ œ œ œ

39

°

¢

30

Vln. 1

Vln. 2

Vla.

Vc.

&( < > ) ( < > ) ( < > ) ( ppp )

...morendo...

(III)

...echo

(long)√(IV)

> long pause...

&(III)

( < > ) ( < > ) ( < > ) ( < > )

(III) (IV)

mf

> : ;∑√ long pause...

&/≥≤0arco (s.t.) c.l.t. + bow

molto legato( ppp ) no (de)cresc...

∑√ long pause...

?

(pochiss. accent)

: ; mp ...dark

(gliss.)˜>

Ÿ~~~~ ....

fp

>: ; (poco)

(IV)

>(III)

pp perdendosi...

no fermata

(s.t.) c.l.t. + bow

-: ;long pause...

draft 08/09/18Manzanita, OR

score 10/24/18 "full moon"NYC

edited 03/30/19NYC

œœ œœ# œœb œœ œœn œœ ‰ Œ œ œ œ œ# œ œ

œ~ œœ œœ œœ œœ œ# œ ™™ ~œ ≈

~ ~# ~ ~ ~ ~# ~ Œ

œ# œ œ ≈ œ œ# œ Œœ# œ œ ˙ ™ ~

œÓ™ œ

œ

40

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Mirror Mirror - peterkramermusic.files.wordpress.com · Mirror Mirror was written during the Summer and Fall of 2018 and was edited during the Spring of 2019, this piece is dedicated