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HSC Year 12 Module C Essay - Poetry of Ted Hughes

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    Advanced English

    Module C: Representation and Text

    Formative Task 2

    Various representations of events, personalities or situations lead to conflicting perspectives.Discuss this statement through detailed analysis of the poetry of Ted Hughes and ONE

    related text.

    Various representations and points of view can cause incompatible perceptions of events,

    personalities and situations as composers make deliberate choices to create purpose.

    In Ted Hughes collection of Birthday Letters he represents himself as innocent and nave, to the

    deceptive, self-destructive Plath, reflecting the nature of representation as he contests 35 years of

    public discourse towards his portion of blame in Plaths suicide. Radical feminist poet, Robin

    Morgan also reflects the various representations of perspectives in the form of polemic poetry

    seen in Arrangement. Here she uses her poem as a weapon to damage Hughes reputation,

    blaming him for Plaths death harshly.

    In the deliberate choices of Hughes within Fulbright Scholars he creates conflicting

    representation through a double perspective. This is seen as he reflects Plath as unstable, out of

    control and provocative. Within the poem Hugh represents Plath initially through the perspective

    of his younger self alluding to 1940s Hollywood, seen as he states Noted your long hair, loose

    waves Your Veronica Lake Bang. Writing in Plaths own form of confessional poetry, here, he

    reveals Plaths capacity for deception, continuing such connotations with a series of statements.

    Thus Hughes reveals how his perspective is limited by his understanding of time as it conflicts

    with hindsight. His later retrospect is embodied in his poem through the repetition of peach,areference to the noticeable different in flavour due to age, established by T.S Elliot as he stated Do

    I dare eat a peach? This intertextual reference to Lovesong of J. Alfred Prufrock can be seen as a

    parallel into the younger perspective of Hughes, and the knowledge he has gained with hindsight.

    Similarly within Your Paris Hughes reflects an understanding of representation through hindsight

    in the listing Grin for the cameras, the judges, the strangers, the frighteners. In this he suggests an

    element of insecurity which Plath doesnt express for the camera. This exemplifies the way in

    which a different for and medium such as photography can be limited in comparison to a form

    such as poetry, however highly subjective. Consequently Hughes perspective within Fulbright

    Scholars and Your Paris reveals through conflicting perspective that although poetry is based onautobiographical experiences, they are also constructs of an artist who has manipulated both

    language and experience to influence the reader.

    A conflicting perspective is furthermore created in Plaths poem Daddyas her work contradictsHughes nativity. Plaths poem represents an expression of outlet, highlighting through everydayexperiences, the concerns of her time, she states I have lived like a foot for thirty years In this

    simile she foregrounds the submissive role of women to men, critiquing the domestic

    containment and her own gender role. She continues with a sense of repression as she states

    Scrapedflat by the roller of wars, wars, wars.This metaphor, in its repetition is suggestive ofviolence inflicted by the patriarchal powers, and further questions the patriarchal role of women,

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    suggesting subtle, feminist values. Lastly a sustained metaphor of male dominance is referenced

    within the terms daddy, black shoe and fresco seal. Within sustained metaphor she also giveshistorical references to WWII, and Nazism stating a German, Hitler and war machine reflecting

    the post-WWII context she, and Hughes wrote in. These references of sustained metaphor

    however created a sense of victimization, and oppression by male figures, reflecting her

    challenging and conflicting perspective.

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