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Sony Pictures Entertainment
Motion Pictures Television Home Entertainment
Digital Productions
• Columbia / Tristar• Screen Gems• Classics• Worldwide
Acquisitions• WW Marketing/Dist.
• Production & Distribution
(Domestic, Int’l)• Networks• Crackle / Digital
Studio
• Worldwide HE• Local Acquisitions• Digital/Physical
Distribution
• Imageworks / SPA• Colorworks• Post Production• Worldwide Product
Fulfillment (WPF)
Corporate
• Finance
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• Technology
Michael Lynton Chairman & CEO
Amy PascalCo- Chairman
Bob Osher President Sony PicturesDigital Productions
Man Jit SinghPresidentWW SPHE
Steve MoskoPresidentSony Pictures Television
Jeff BlakeVice Chairman, SPEChairman, WW Mktg. & Distribution, CTMPG
David HendlerChiefFinancial Officer
Spencer StephensChief Technology Officer
• IT • Human Resource
Stephen AndujarChief Information Officer
George Rose EVPWW People & Org.
Spencer Stephens Chief Technology Officer, SPE
• Areas of focus:
– Workflow improvement and optimization from lens to living room
– Creating a better consumer offering
– Content protection (with Digital Policy)
– Technology expertise for government affairs, anti-piracy and litigation.
• Spencer has worked at Disney creating the TV Animation digital production group, and at Warner Bros where his work ranged from consumer delivery to studio design to running a post facility. He started as a software engineer building data communications products.
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Technology
Andrew LivingstonManager
Digital Policy
Scot BarbourVice President
Production Technology
Masaki NakayamaExecutive Director
Technology Operations
Yoshi TakashimaExecutive Director
Advanced Technology
Open Executive Director
Advanced Technology
Tim WrightVice President
New Media & Technology
Spencer Stephens CTO
Production Post Production
- Strategic development of Production and Post Production technology.
- Liaison between Creatives and Engineers/3rd parties.
- Test, train, deploy and support new technologies for pre-production through to post.
- Integration of digital islands in production, and production applications into Smart Studio and production backbone.
Operation Sony-SPE Collaboration
- Technology development and business model creation for new formats w/Sony and industry partners
- Collaboration between Sony and SPE to create new professional and consumer electronics products
- Promotion & facilitation of SPE content for Sony’s global sales & marketing activities
Media Formats/EncodingDigital CinemaPicture Standards
- Development of 4k/UHD consumer offerings for BD, etc.
- DCI (Digital Cinema Initiative) technology working group
- Workflow for 4k/UHD mastering including Sony 4K service
- Technical liaison w/ Sony and other CE companies on TVs, disc and digital players including formats
Content DeliveryContent ProtectionInteractivity
- Works with vendors and licensees of review and development of content protection systems
- Works with anti-piracy on technology solutions
- Develop new interactivity standards to add value to the consumer experience, in particular using HTML 5 to replace legacy technology
- Web services expertise for consumer delivery and the Smart Studio
Digital Policy Deal Review
- Leads review of most SPHE and SPT licensing deals worldwide.- Maintains our content protection schedules and usage rules templates, and ensures key stakeholders are involved in policy development.- Provides training, education and events on technology, digital policy and non-technical subjects in UK and elsewhere.
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Content Creators
Standardization Body
Hollywood Studios
Technology Companies
Retailers
• SMPTE• BDA• DECE / UltraViolet• AACS, etc.
Digital Content Distributors
• Directors• Producers• Director of Photography• Editors • Sound Mixers • Colorist, etc.
Theatre Owners
Leverage SPE’s Network for Sony Business
Channel Operators
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Collaboration Policy
• Xxxx
• Xxxx
• Xxxx
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Thank you.
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• Focus: Mass Market films • Releases per year : 10-12• Budget Range: $15M - $200M+• Past successes include:
• Spiderman franchise• Men in Black franchise• Bond franchise • The Social Network• American Hustle
• Focus: Genre films (Thriller, Horror and Urban genres)• Releases per year: 4-6• Budget Range: $10-$50M• Past successes include:
• Resident Evil franchise• Burlesque• Think Like a Man I, II • About Last Night
• Focus: Art House, Foreign, and Independent films
• Acquires completed films• Dramas, documentaries, and foreign films on 50-300 screens• Releases per year : 18-20• Budget Range: $50K- $5M• Past successes include:
• An Education• The Secret in Their Eyes
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Andy DavisPresidentPhysical Production Columbia Pictures
Doug BelgradPresident Columbia Pictures
Motion Pictures
Columbia/Tristar Screen Gems Classics
Glenn Gainor PresidentProduction Physical Production
Clint CulpepperPresident Screen Gems
Michael BarkerCo-President
Tom BernardCo-President
Scripted Production• Comedies (Community, Seinfeld, etc.)• Dramas (Breaking Bad, Damages, etc.)• Serialized dramas (Young and Restless, etc.)
Non Scripted Production• Quiz /Game shows (W.O.F., Jeopardy!, etc.)• Talk Shows (Dr. Oz, etc.)• Talent / Variety (Sing-off, etc.)• Reality (Shark tank, etc.)
• SPT operates 124 channels feeds for 804 million homes in 159 countries in 22 languages
• Drama / Action (AXN)• Youth / Anime (Animax)• Movies (Sony movie channel)• 3D (3Net) – JV w/ Imax and Discovery • Other investments (HBO, Showtime, etc.)
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Television
Production Channels Digital
Ed LammiEVPProductionSony Pictures Television
Phil SquyresSVPProductionSony Pictures Television
Andy Kaplan President Worldwide NetworksSony Pictures Television
Eric BergerEVPDigital Networks Sony Pictures Television
• Crackle audience: Male skew, tech savvy• Crackle mobile app: 20MM downloads• Crackle TV downloads: 13MM downloads• Original series – Extraction, Cleaners, etc. • 51.1M Monthly streams• 29.3M Monthly unique viewers• 93% Ad completion rate • 100 minutes per user
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• Fully equipped feature mixing stages (x 5) • Television mixing stages (x5)• The renowned scoring stage • DVD audio restoration and mastering suites• ADR stages (x3), Foley stages (x3), etc.
• Past Releases• Pearl Harbor (2001)• This Is It (2009)• Transformers: Revenge of the Fallen (2009)• Toy Story 3 (2010)• Pirates of the Caribbean: On Stranger Tides
(2011)
• Film and Digital Camera Dailies• DI (Digital intermediate) and Digital Mastering • Theatrical, Library Titles, Episodic Television, Trailers• Conform (BaseLight 1 & Smoke)• Restoration (Dirt, scratch, breathing) • Distribution Products (DCPs, Internet, etc..)• Archival Elements (Video, Digital, YCMs)• Over 1 PB of disk storage + 8 PB tape storage capacity
• Past Releases• This Is It (2009) • Salt (2010)• The Karate Kid (2010), etc.
Bill Baggelaar SVP Colorworks
Tom McCarthyEVPPost Production Facilities
Post Production
Sony Pictures Colorworks Post Production Sound
• Develop and produce original animated feature films for theatrical and home entertainment release.• Past successes include:
• Surf’s Up (Academy Award ® nominated)• Cloudy with a Chance of Meatballs I, II • Smurfs I, II• Arthur Christmas (3D) • Hotel Transylvania (3D)
• Academy Award® winning, state-of-the-art visual effects and animation unit of Sony Pictures Digital • Live-action visual effects and character animation, all- CG animation, and stereoscopic 3D imagery for Sony and other studios. • Past Success include:
• The Polar Express (Warner)• Beowulf (Paramount) • Alice in Wonderland (Disney)• Amazing Spiderman I, II
Rob BredowCTOImageworks
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Digital Production
Sony Pictures Animation Imageworks
Randy Lake EVP and GMDigital Production Services