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Movies and Culture. Pressure to be Thin: The Plague of Hollywood The Korean Wave among Asian Countries The great decrease in Markets and Box Office Earnings in Taiwanese Cinema Caribe: Social Implications in Costa Rica. Pressure to Be Thin: The Plague of Hollywood. Some Facts:. - PowerPoint PPT Presentation
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Movie and Culture
Movies and Culture
Pressure to be Thin: The Plague of HollywoodThe Korean Wave among
Asian CountriesThe great decrease in Markets and Box Office
Earnings in Taiwanese CinemaCaribe: Social Implications in Costa
Rica
Pressure to Be Thin: The Plague of Hollywood
Some Facts:
The average American woman is 54 and weighs 140 lbs.The average
television icon is 57 and weighs 100 lbs.The average American model
is 511 and weighs 117 lbs.Most fashion models are thinner than 98%
of American women
An Infectious Disease
Todays Hollywood places a considerable amount of pressure upon
its actresses to be extremely thin and waif-like. As a result, most
American women experience a similar pressure the pressure to look
like Hollywood stars.
Yesterdays Hollywood
1930s: Bette Davis illuminates Hollywood at 52 and an average
weight.
1950s: Marilyn Monroe becomes Americas top pin-up icon at 55.5
and roughly 130 lbs.
The shift toward rail-thin models and actresses began in the
1960s when Twiggy, 57 and 91 lbs., emerged on to the
scene.
Todays Hollywood
Today, many female Hollywood stars are extremely thin.
Exposure to such unhealthy and unrealistic ideas of body image
negatively affects young girls and women through depression, the
loss of self-esteem, and the development of eating
disorders.
Kirsten Dunst: 57, 115 lbs.
Kate Bosworth: 55, 100 lbs.
The Results
80% of women admit that they are insecure about their bodies
compared to those in the media.In the U.S., 5 to 10 million people
suffer from eating disordersOf those with eating disorders, more
than 90% are women between the ages of 12 and 25.
The Bottom Line
The National Eating Disorders Association lists as one of the
contributing factors to eating disorders cultural pressures that
glorify thinness and place value on obtaining the perfect body.
While Hollywood continues to promote these images through its
movies, American women will continue to suffer the
consequences.
Korean Wave among Asian Countries
Korean Wave among Asian Countries
Many Korean movies and TV dramas are very popular in Asian
Country, including China and Japan. Most Asian countries share
Confucian culture Korean culture professes nonviolenceThe quality
of Korean culture and communications
Korean Wave among Asian Countries
Korean cultural products convey similar Asian Ideas. Implicit way
of love in Asian Culture.
Korean Wave among Asian Countries
Korean Drama and Movie Winter Sonata : Fairytale Love story.Dae
Jang Geum: Korean Traditional Drama. The Host : Current Popular
Movie in Korea.
Korean Wave among Asian Countries
Source: Korean Film Council (KOFIC).
Good
8020
5050
6040
7030
Korea
Usa
Top Ten Films Ratio Between Korea and USA
Sheet1
1998200220042006
Korea80506070
Usa20504030
Sheet2
Sheet3
Taiwanese Cinema
IntroductionOver the fifty years the Taiwanese cinema has
experienced the germination, growth, maturity, and decline.Current
Issues: The great decrease in markets and box office
earnings.
History1. Propaganda tools against communism.2. The early 60s: Most
movies emphasized the morality and ethics of humanity, and avoided
darkness in the society.3. The 70s: Patriotism became the major
theme because Taiwan withdrew from the united nations and broke off
with Japan and U.S.A.. 4. In the middle of 80s: The freedom of
speech had been achieved. The diversification of movies was
developed and movies were not political tools any more.
Issues
Commercial movies made in Taiwan lacked creativities and concrete
stories. (1) The lack of new ideas during the late 80s cause the
decay of Taiwanese cinema. (2) The globalization and convergence,
large number of foreign movies crowd into Taiwan and carve up most
markets. Thus, Taiwanese cinema turned into a new era of art
movies. Foreign films reached 98% of the total earnings this year.
(Government Information Office: Taiwan Cinema 2006)Art movies win
many awards all over the world and gain a lot of international
attention. However, these art movies of brilliant results still
have a small market in Taiwan. They only increase the reputation of
Taiwan but do not bring economic benefits.
Comparison of two kinds of movies
Art movies1.Director-centered2.Overspending easily because of the
persistence of the director.3.Too conceptualized and hard to
achieve wide acceptance.
Commercial movies1.Lack creativity2.Because of the strong support
of government, quality of the products is neglected.
The government policies and current situation
(1)To support cinema industries through funding.(2)To set cinema
industry development as one of the 13 sub plans of the Challenge
2008 National Development Plan.(3)To join WTO, Taiwanese government
signed an agreement to remove the restriction of the screen numbers
of foreign movie imports, which deprived the protection of movie
industries in Taiwan.
CritiqueThe government on the one hand actively supports the
Taiwanese movies through funding; on the other hand totally opens
up the import of foreign movies.
The development cannot rely only on money, and the government
should realize the impact of their policies.
Evaluation of the government policies
In 2005, the government information office spent over 3.9 million
US dollars on funding Taiwanese movies (Government Information
Office: Taiwan Cinema 2005), but the total box office earnings of
Taiwanese movies are less than 1.5 million (Government Information
Office: Taiwan Cinema 2006).
Conclusion
The major problem is not the capital.The producers of art movies
need to understand the markets and do proper promotions.The
producers of commercial movies need to have more original and
creative ideas in making each movie.
Critical thinking
To analyze more deeply, the attitude of the producers and the
audiences is the root cause of the development of Taiwan cinema
industries.
(1)The lack of talent.: In Taiwan, arts and cultural related subjects are not respected because people do not think they have economic benefits.
(2)The cinema education in Taiwan still focuses on the theory, rather than the technology (personal interviews, October 15, 2006).
(3)To improve the cinema education is more
significant.