Mozart's Succinct Thorough-Bass 4

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    THE MUSICAL TIMES.-MARCH 1,1861.

    THE MUSICAL TIMES, No. 56. No. 57.tntb*inging Qlas ircuIar. -JIIaeMARCH 1st, 1861. 5K_______6 76 _6- 3MOZART'S 1*Sirjr 1Ai Cf:t

    .vsrsm mTTATsTTr1TT~YCrtir r4f>TTr-rf%T USUCCINCTTIHOUR (-lBJ3A SUHOUUOj.*TRANSLATED FROM TIlE GERMAN BY

    SABILLA NOVELLO.(Concluded from page 413, Vol. 9.)

    VI.Before proceding further, the student mustlearnby memoryall the intervalsbelonging o thefollowinggeneral, simple, and double figuring;and the teacher should frequenltyexercise himupon these chords.Remark.-The ineof separations merelyused todivide heimpliedntervalsrom hewritten nes.In playing three-note chords, the followingtableshowsthe impliedintervals:-1. 2. 3. 4. #4. 5. 6. 7. 8. 9. 10.Implied intervals. 0. 4. 5. 5. 2. 3. 3. 3. 3. 3. 8.or 6. or or8. 8. 5.

    In playing our-note hords, hefollowing ableshewsthe implied ntervals:-1. 2. 3. 4.#4. 5. 6. 7. 8. 9. 10.Impliedntervals. . 4. 5. 5. 2. 3. 3. 3. 3. 3. 8.6. 8. 8. 6. 8.8.'5. 5. 5. 5.Remark.-Whenwofigures remarked bove hefundamentalote, hethirdntervalughtobeknownby memory,n order o play four-notehords: forexample- 4. 5.7.4. 5. 6. 7.8. 9.5. 6.h7.8. 9.2. 2..3.3.3.3.3.3.4.4. 4. 4. 4.Impliedntervals.. 5. 4. 6. 8.8. 5. 5. 5. 8. 8. 5. 5. 5.or or 3. 8. or 8.2. 3. 6.3. 6.

    or5.10. 6. 7. 8. 10. 7. 8. 8. 9. 9. 9. 10.#4. 5. 5. h5. 5. 6. 6. 7. 6. 7. 8. 8. &c.#6. 3.. 3. 8. 2. . . 3. . 4. 5.or or6. 3.Remark.-Insomecases,a chordmustbe in fiveparts, n order oprepare he followingchord; and forthesame eason,ome undamentalenornotesmustbeaccompaniedya four-notehord, sshownnNos.54 to 57:-

    No. 54. No. 55.

    7 7 .98 9 '6 I-3 3 ,I- . r I - I. Ji-r1-(V-,JI cJ I4U I II I I 'j d- O

    * Reprintedby permission from Novello's Library or the diffusionof Musical Knowledge. Vol. IV.

    A beginnermust also be carefulthat the twohands be not either too near or too far from eachother. The right hand should not exceed thespace of these two octaves with their chords:_ 'L'-- Dissonant and distantprogressions-tmustbe avoided. In close progressions,he aug-mented second is bad in descending, but toleratedin ascending; see No. 58:-

    No. 58.Bad. Improved. Allowable. I-/- j -- :t J :F# -i-M - -,6 , , 6 &C. #6# 3 5 # 3 5- F_ 11 I - 3---- -FIl F IFr [DPi [r Kn I rr

    _, I Good. . Good.J , Bad.

    I6 6 XI& #6 #G 0 A_8 6 t$I : Qr 1112a0 A 4I -

    ,y Improved. Allowable. Good.I . Good.

    6 9 87 6 5r s r n II . 7 63 nii( r - A- -- pI lI I U,.. Bad. I 1 Improved.

    #6 ' #6Allowablehene rBasstandsg.- Allowable when the Bass stands high.

    J_ P-- .,I I A---1 1 I '^1t9 8 &c. &c. &c.

    _X X2-^Hl IIrx _ 1Bad. Bad.VII.

    THE SIX HAZARDOUSPROGRESSIONS.First progression. The second beneaththe right hand ;-

    -- T 'f . . . I | .. I I ,,- I

    eiI

    i- r I...R -- -.--1L 1. . . . I { .__ I

    I

    m-- 1 - c..J- -1 _I A--l

    ttwJ. I _ . 114 r I I r I -j I1, I d F I I

    3

    I

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    THE MUSICAL TIMES.--MARCnI, 1861.No. 59.rTwo Fifthsb.

    , ~2 6 2 6--1 sr 2 - trlrBad. Improved.2

    -N Ordescending. N.B. The position

    The othertwo positionsaregood in ascendinganddescending:-No. 62. t if-|-1- Good, ascending_ F b and descending in#:4 6 &c. &c. the chord of the~-c J- :j: i l J- s - $4t-:Also bad,Third progression. The fifthafter thesixth,or the sixth after the fifth.Remarlc.-Also in a contrarymovement.No. 63.

    / Two fiths.

    Tw sIfs I 16 Good. Gocd.6 66 5 5 665 5 &c. &c.Bad-.^ J H-ro-vedl.lBad. Improved.

    ---- I ,-f6 56

    Improved.

    A-/ F.,(r -S - -(5W-5 - 2 I6 3-_, 11 - P i r? n - ? I-

    _y/_j - 1 Two fifths.5--6 6 ff--i4 6Ai5 6 56 6 4 3 6 43-

    \ Good. Good. Bad. Improved.

    y Mt I I |, i5 5 5No.N60B. g i r r - r f4. | t - Good. Good. Better. Bad. Good. Worse.I : I - Fourtlh rogression. Two or more sixths inGood 1inminor keys. direct movement in both hands:In No. 60, the consecutive fifths are not er- No 64.roneous,becausethe latter one (whichcompletes ,the chord of the second)is diminished; but the | 2 ||-4two otherpositionsarepreferable. -Second progression. The augmentedin the middle part of the right hand :-No. 6C1._ Two fifths.

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    THE MUSICAL TIMES.-MARCII 1, 1861.

    6 6 ^6 64 . 4 3 45 4 30=f7t1: r r-: r tr jJ-.Improved. Better., ,i:- - (' -:.-1t ^ ^-Ji:sl--:-.-.5 6 5

    #6 l A3 t? 4y^r-i- 4 J r r fr-j-Verybad. Improved.5 6 6 56 4 67 4 t_66

    N' Good. Good.Fifth progression. The tliree sevenths above,accompanied by the third and fifth:-No. 65.Two fifths.

    5 5bt7 S St _ T7 5 7 5^-^^ rlUp riB r 1l=1 "Bad. Improve. . lImproved.The two other positions are good in descending.2 fifths.

    7 7 7 7$ h l tl $ ^t?a -F:--11 oU1-J-t-- j oN- Bad. Improved. Somewhatworse. Good.7 7 7 7 T5 I I 5 2 or 5' -: 1;r-ft r 1; rIt-- =Bad. Improved. Good. Good. l)ividedHarmony.riJ-1:-- -~- P6 7 5 6

    Bad. Improved.

    ~t ^ - r--^o - ..-7 ; 6 7 :

    Good.

    6 7 " 5

    '- Good. Bad.

    ji-u-- SJ --tl-- r {---

    Improved.The other positions good.

    Sixth progression. The twoninths above andin the middle, followed by g, and when the bassdescends a third:-.No. 66. . -.-J_i_^^ jCI-Li , '-/-e--~~4,-- 1 69 5 9 6

    t-4 r_19$_^1 r-wAl-y WJeBad . Improved.

    Twofifths.

    6 6

    6 6

    9 5 9 5@^ r, fJr(jj^J h1 (Good osition. Also bad,

    Improved, or good.I/ Two fifths.r i - r l6 6

    - - rf r- r r- -tr9 5 9 5er ltJ J _ r--r J [J1_ [J r-(jI lBa(dn. Improved.

    -1----i- - n r -6 69 9;--I=: ji . r1 J " -::r 1-% Goodposition.Remnark.-In these examples of the ninth, theimperfect ifth s omitted, n minorkeys, andtheminor

    I r I- I - I T I la -- L

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    THE MUSICAL TIMES.-MARCH1, 1861.HE MUSICAL TIMES.-MARCH1, 1861.third doubled in its place; in major keys, when theninth is prepared, the fifth may be retained, and thefollowing 6 can be played in succession in rapid notes.In these hazardous progressions, the fault mosteasily committed is a consecutive fifth; thisgreat error must be avoided in all keys, bydoubling or omitting intervals, or by contrarymovement.

    third doubled in its place; in major keys, when theninth is prepared, the fifth may be retained, and thefollowing 6 can be played in succession in rapid notes.In these hazardous progressions, the fault mosteasily committed is a consecutive fifth; thisgreat error must be avoided in all keys, bydoubling or omitting intervals, or by contrarymovement.TO CORRESPONDENTS.

    We cannot undertake to return ofered contributions; the authors, there-fore, will do well to retain copies.We would request those who send us country newspapers, wishing us toread particular paragraphs, to mark the passage, by cutting a slipin the paper near it.Colored Envelopes aresent to all Subscribers whosepayment inadvanceis exhausted. The paper wilt be discontinued where the Subscriberneglects to renew. We again remind those who are disappointed ingetting back numbers, that only the music pages are stereotyped,and of the rest of the paper, only sufficient are printed to supply thecurrent sale.

    Notices of concerts and other information supplied by our friends in thecountry, must beforwarded as early as possible after theoccurrence,otherwise they cannot be inserted. Our correspondents must spe-cifically denote the date of each concert, for without such date nonotice can be taken of the performance. All communications mustbe authenticated by the proper name and address of the writer.

    TO CORRESPONDENTS.We cannot undertake to return ofered contributions; the authors, there-fore, will do well to retain copies.We would request those who send us country newspapers, wishing us toread particular paragraphs, to mark the passage, by cutting a slipin the paper near it.Colored Envelopes aresent to all Subscribers whosepayment inadvanceis exhausted. The paper wilt be discontinued where the Subscriber

    neglects to renew. We again remind those who are disappointed ingetting back numbers, that only the music pages are stereotyped,and of the rest of the paper, only sufficient are printed to supply thecurrent sale.Notices of concerts and other information supplied by our friends in thecountry, must beforwarded as early as possible after theoccurrence,otherwise they cannot be inserted. Our correspondents must spe-cifically denote the date of each concert, for without such date nonotice can be taken of the performance. All communications mustbe authenticated by the proper name and address of the writer.

    3trief Qhronitle of the last fionth.ANDOVER.-TheAndover Choral Society gave a thirdpublic rehearsal,at the Town Hall, on Tuesday, the 12thof February. The first part of the programmeconsistedof sacred, and the second part of secular music. Themusic was very correctlysung.ATHERSTONE.-The horalSocietygavea miscellaneousconcert, in the CornExchange, on the 4th of February.The programmeconsisted of selections from the Messiah,Creation, nd Judas Maccabaeus,ith variousglees, songs,and madrigals. Mr. Halfyardconducted,and Mr. Stevensand Mr. Bailey accompanied.AVENUE-ROAD,EGENT'SARK.-Onl the 4th of Feb-ruaryan examination and musical performance ook placeof the pupilsof the LondonSocietyforTeachingthe Blindto Read, and for training them in industrial occupations.The programme consisted of choruses and organ andpianofortesolos.BELMONT,URTAM.-Aneworgan,built by Mr.Postill,of York, for the Cturch of Belmont, was opened on the20th of January.BEWDLEY.-OnSunday, the 17th inst., Sermons werepreachedin behalf of the Organistand Choir of St. Ann's.The Choir performed several pieces from the works ofMozart, Kent, Ebdon, &c., with great precision. TheCantate for the Evening Service was composed by theOrganist,Mr. F. R. Lyne.BIRKENHEAD.-Apirited concert was given on Satur-day, the 26th of January. Thc artistes were Mr. andMrs. Scarisbrick, Miss Annie Fletcher, Mr.Ryalls, andMr. Surge, who contributed to the gratification of anumerousaudience.BIRTLEY, DURIAM.-A concert was given on Mondayevening, January 28th, in the Catholic School, Birtley.by Mr. J. F. Swinburne,organistof the church, with hisjuvenile choir. The programme onsistedof glees, catches,songs, &c.BOROUGHBRTDGE.-Ononday, February 11th, themembers of the Boroughbridge Church Choir gave aconcert in the National School. The selection consistedof songs, duets, glees, &c. The whole of the performers,with the exception of Miss Helena Walker, and Messrs.Rhodes and Marshall,of the Ripon CathedralChoir,wereamateurs.

    3trief Qhronitle of the last fionth.ANDOVER.-TheAndover Choral Society gave a thirdpublic rehearsal,at the Town Hall, on Tuesday, the 12thof February. The first part of the programmeconsistedof sacred, and the second part of secular music. Themusic was very correctlysung.ATHERSTONE.-The horalSocietygavea miscellaneousconcert, in the CornExchange, on the 4th of February.The programmeconsisted of selections from the Messiah,Creation, nd Judas Maccabaeus,ith variousglees, songs,and madrigals. Mr. Halfyardconducted,and Mr. Stevensand Mr. Bailey accompanied.AVENUE-ROAD,EGENT'SARK.-Onl the 4th of Feb-ruaryan examination and musical performance ook placeof the pupilsof the LondonSocietyforTeachingthe Blindto Read, and for training them in industrial occupations.The programme consisted of choruses and organ andpianofortesolos.BELMONT,URTAM.-Aneworgan,built by Mr.Postill,of York, for the Cturch of Belmont, was opened on the20th of January.BEWDLEY.-OnSunday, the 17th inst., Sermons werepreachedin behalf of the Organistand Choir of St. Ann's.The Choir performed several pieces from the works ofMozart, Kent, Ebdon, &c., with great precision. TheCantate for the Evening Service was composed by theOrganist,Mr. F. R. Lyne.BIRKENHEAD.-Apirited concert was given on Satur-day, the 26th of January. Thc artistes were Mr. andMrs. Scarisbrick, Miss Annie Fletcher, Mr.Ryalls, andMr. Surge, who contributed to the gratification of anumerousaudience.BIRTLEY, DURIAM.-A concert was given on Mondayevening, January 28th, in the Catholic School, Birtley.by Mr. J. F. Swinburne,organistof the church, with hisjuvenile choir. The programme onsistedof glees, catches,songs, &c.BOROUGHBRTDGE.-Ononday, February 11th, themembers of the Boroughbridge Church Choir gave aconcert in the National School. The selection consistedof songs, duets, glees, &c. The whole of the performers,with the exception of Miss Helena Walker, and Messrs.Rhodes and Marshall,of the Ripon CathedralChoir,wereamateurs.

    BRAINTREE.-On he 18th of January, the Band of the12th Essex Rifle Volunteersgave a vocaland instrumentalentertainment at the Corn Exchange. In the vocaldepartmentwere Miss Lizzie Wilson and Messrs.Portwayand Coker. Dr. Roiley, organist of Braintree Church,conducted the concert, and Mr. S. Fuller was the leader.The programmecompriseda good selection of music, bothvocal and instrumental,which was well rendered.

    BRISTOL.-The Rifle Volunteer Band gave a perform-ance of music, on the 7th of February, at the VictoriaRooms, when there were upwardsof 1400 people present,and many were unable to obtain admission. The band-music,which was very creditablyplayed, was interspersedwith vocal pieces, accompanied in some instances by theinstruments. Concerts of this nature will assist in im-proving military bands, which are at present by no meansin a state of efficiency.BRIXTON.-A concert took place, on the 12th of Feb-ruary, at the Institution, Brixton, when the followingartistesappeared:-Madame Lemmens Sherrington,MissGerard,Miss A. Goddard, Miss Chatterton, Mr. Genge,and Mr. Kialmark. The principal pieces of interestduring the evening were Madame Sherrington's " Sulmargine,"with variations,and Miss Gerard's " Una vocepoco fa," both of which were much applauded. MissChatterton'sperformanceon the harp,and Miss Goddard'spianoforteplaying, served to make this a most attractiveconcert.

    BRENTWOODEssex.)-The members of the HarmonicSociety in the above town gave their first concert for theseason on Thursday, the 21st ult. The soloists wereMisses. Matz, Gouges and Bartington,whowere warmlyapplauded. Mr. Brown,organist, conducted.CANTERBURY.--The Glee and Madrigal Society con-tinue to give weekly concerts at the Guildhall Concert-room. The vocalists are Messrs. Plant, Newsome, Rodes,and Gough. Conductor,Mr. Irons.CASTLEFOnD.-OnMonday, the 11th of February, theChoralSocietyat this place gave their annual performanceof Handel's Messiah, when the following vocalists wereengaged:-Mrs. Sunderland, Mr. Westmoreland (tenor,fromYork Minster), and Messrs. Kaye and Elswortlh,ofLeeds. The band and chorus was augmented for theoccasionfrom Leeds and the neighbourhood. Mr. Mortonofficiatedas leader of the band; and Mr. J. Lancaster,ofLeeds, conducted. There was a numerous attendance,and the whole performancereflects credit on those whotook part in it.CHELSEA.-On he 24th of January,the ChelseaVocalAssociationgave an evening concert in the New VestryHall, King's Road,at whichthe followingartistesassisted:Miss Poole, Miss Bleaden, Miss Howard,and the MissesStuart, and Messrs. Smeaton, Tempest, and Penna, vo-calists; Dr. Gilbert, horn; and Miss Brinsmeadand Mr.Cole, pianoforte. Miss Poole sang with great taste twoIrish ballads, and several of the other soloists were muchapplauded. The members of the Association performedtheir part with credit. The choruses were given withspirit and precision. The concert went off well in allrespects; such performances will be appreciated inChelsea, where local entertainments are by no meansplentiful.CHESTER.-On Monday, the 21st of January, Mr.G. H. Cromach, the blind organist of Hartford Church,gave a concert in the Music Hall. Miss MariaWilson,of Hull, and Messrs. Plowman, Hird, Hudson, andHolmes, fromYork, were the vocalists. Mr. W. Turner,organist of the Parish Church, Bridlington, presided atthe pianoforte.CHIPPING-NORTON.-Twooncerts were given in theTown Hall, on the 24th of January, at 3 o'clock, and at7 o'clock. The singers were chiefly belonging to theWorcester and Cheltenham Philharmonic Societies, as-

    (Contlnuednpage11.)

    BRAINTREE.-On he 18th of January, the Band of the12th Essex Rifle Volunteersgave a vocaland instrumentalentertainment at the Corn Exchange. In the vocaldepartmentwere Miss Lizzie Wilson and Messrs.Portwayand Coker. Dr. Roiley, organist of Braintree Church,conducted the concert, and Mr. S. Fuller was the leader.The programmecompriseda good selection of music, bothvocal and instrumental,which was well rendered.

    BRISTOL.-The Rifle Volunteer Band gave a perform-ance of music, on the 7th of February, at the VictoriaRooms, when there were upwardsof 1400 people present,and many were unable to obtain admission. The band-music,which was very creditablyplayed, was interspersedwith vocal pieces, accompanied in some instances by theinstruments. Concerts of this nature will assist in im-proving military bands, which are at present by no meansin a state of efficiency.BRIXTON.-A concert took place, on the 12th of Feb-ruary, at the Institution, Brixton, when the followingartistesappeared:-Madame Lemmens Sherrington,MissGerard,Miss A. Goddard, Miss Chatterton, Mr. Genge,and Mr. Kialmark. The principal pieces of interestduring the evening were Madame Sherrington's " Sulmargine,"with variations,and Miss Gerard's " Una vocepoco fa," both of which were much applauded. MissChatterton'sperformanceon the harp,and Miss Goddard'spianoforteplaying, served to make this a most attractiveconcert.

    BRENTWOODEssex.)-The members of the HarmonicSociety in the above town gave their first concert for theseason on Thursday, the 21st ult. The soloists wereMisses. Matz, Gouges and Bartington,whowere warmlyapplauded. Mr. Brown,organist, conducted.CANTERBURY.--The Glee and Madrigal Society con-tinue to give weekly concerts at the Guildhall Concert-room. The vocalists are Messrs. Plant, Newsome, Rodes,and Gough. Conductor,Mr. Irons.CASTLEFOnD.-OnMonday, the 11th of February, theChoralSocietyat this place gave their annual performanceof Handel's Messiah, when the following vocalists wereengaged:-Mrs. Sunderland, Mr. Westmoreland (tenor,fromYork Minster), and Messrs. Kaye and Elswortlh,ofLeeds. The band and chorus was augmented for theoccasionfrom Leeds and the neighbourhood. Mr. Mortonofficiatedas leader of the band; and Mr. J. Lancaster,ofLeeds, conducted. There was a numerous attendance,and the whole performancereflects credit on those whotook part in it.CHELSEA.-On he 24th of January,the ChelseaVocalAssociationgave an evening concert in the New VestryHall, King's Road,at whichthe followingartistesassisted:Miss Poole, Miss Bleaden, Miss Howard,and the MissesStuart, and Messrs. Smeaton, Tempest, and Penna, vo-calists; Dr. Gilbert, horn; and Miss Brinsmeadand Mr.Cole, pianoforte. Miss Poole sang with great taste twoIrish ballads, and several of the other soloists were muchapplauded. The members of the Association performedtheir part with credit. The choruses were given withspirit and precision. The concert went off well in allrespects; such performances will be appreciated inChelsea, where local entertainments are by no meansplentiful.CHESTER.-On Monday, the 21st of January, Mr.G. H. Cromach, the blind organist of Hartford Church,gave a concert in the Music Hall. Miss MariaWilson,of Hull, and Messrs. Plowman, Hird, Hudson, andHolmes, fromYork, were the vocalists. Mr. W. Turner,organist of the Parish Church, Bridlington, presided atthe pianoforte.CHIPPING-NORTON.-Twooncerts were given in theTown Hall, on the 24th of January, at 3 o'clock, and at7 o'clock. The singers were chiefly belonging to theWorcester and Cheltenham Philharmonic Societies, as-

    (Contlnuednpage11.)

    6