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MRS. MARIE PERRAULT Bulletin of the Detroit Museum of Art, Vol. 6, No. 1 (JANUARY, 1912), p. 8 Published by: Detroit Institute of Arts Stable URL: http://www.jstor.org/stable/41934866 . Accessed: 15/05/2014 06:48 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Detroit Institute of Arts is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of the Detroit Museum of Art. http://www.jstor.org This content downloaded from 91.229.248.148 on Thu, 15 May 2014 06:48:46 AM All use subject to JSTOR Terms and Conditions

MRS. MARIE PERRAULT

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MRS. MARIE PERRAULTBulletin of the Detroit Museum of Art, Vol. 6, No. 1 (JANUARY, 1912), p. 8Published by: Detroit Institute of ArtsStable URL: http://www.jstor.org/stable/41934866 .

Accessed: 15/05/2014 06:48

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

Detroit Institute of Arts is collaborating with JSTOR to digitize, preserve and extend access to Bulletin of theDetroit Museum of Art.

http://www.jstor.org

This content downloaded from 91.229.248.148 on Thu, 15 May 2014 06:48:46 AMAll use subject to JSTOR Terms and Conditions

Page 2: MRS. MARIE PERRAULT

8 BULLETIN OF THE DETROIT MUSEUM OF ART

RECENT EXHIBITIONS RE- VIEWED.

During the month of October a spe- cial exhibition of paintings by Alexan- der Robinson was held in the Main Gal- lery. There were in all some fifty pictures of subjects from the Old World, principally Holland, Italy, Spain and Algiers. Mr. Robinson is one of the American artists who is forging to the fore in the world of art. He is known for his color, and has many honors to his credit.

Alexander Robinson was born at Portsmouth, N. H., 1869. He studied at Lowell School of Design, Boston, Mass., Boston Museum of Art and Aca- demie Julian, Paris, under Doucet and Constant. Mr. Robinson is a member of the Société International de Aquart- istes, Paris; Société des Arts et Letters, Paris; American Water Color Society; United Arts Club, London; New York Water Color Club; Labeur Art Society, Brussels; Royal Society, Belgium; Sal- magundi Club, New York; Cercles Artistiques of Bruges and Tournai.

Examples of his works are to be found in the Musee Communal a Ixelles, Brussels; Museum, Moscow; collection of Octave Maus, Museum Ixelles, col- lection of M. Wauters, Director of Royal Museum, Belgium ; and in the permanent collection of the Museum at Toledo, Ohio, by painting " Interior of a Dutch Church and also by a group of pastels.

MRS. MARIE PERRAULT. From October 7th to 23rd, Mrs. Ma-

rie Perrault who had just returned from Europe to her home in Detroit, gave an exhibition of paintings and ' sketches made during her seven years abroad, where she had been studying in Paris, Brussels and The Hague, and painting the Dutch subjects of which she is very fond. The result of her serious study was highly commented on by her many friends in Detroit. Mrs. Perrault

has made many friends abroad and is a member of several art clubs there. Many of her pictures have been pur- chased for important public and private collections of note in the European capitals. C. HARRY ALLIS. During the month of November the

many friends and acquaintances in this city of C. Harry Allis were given an opportunity to see an exhibition of his paintings in the Main Gallery, and the occasion was of much interest locally. Mr. Allis presented some eighty of his landscapes to the public gaze, and it is gratifying that so many were sold.

Before the artist's departure from Detroit some years ago for France, where he has resided the past seven years, he was remembered as a painter of landscapes in poetic mood, but at that time water-color was his stand- by medium, and it was largely through his enthusiasm that the Detroit Water Color Club, of which he was vice-pre- sident, was held together. In his present exhibition the painter had some water- colors of charm, but his oils were more in evidence.

His change in medium from water- color to oil was influenced no doubt, by his exhibition in the Salons and other places in France, where a group of water-colors as everyone knows who has visited a Salon with its enormous can- vasses and riot of color, would be somewhat over-shadowed. Anyway his working in oils has greatly increased his range of subject and execution.

THE HOPKIN CLUB PAINTERS. Unusual interest was shown in the

, exhibition of the Hopkin Club Painters which opened in the Main Gallery De- cember 4th and continued throughout the month. Large crowds gathered to view the pictures and to meet the exhib- iting artists, and many to buy pictures. Thirteen were sold on the opening night, and there was an exhibit of twenty-

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