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& # 44 œkpq = 120Swing
œ. ‰ œ. jœ œb- œv œ œ œ œ œ œb^ œ-F œb^ œ œ œk œ.p Ó ‰ Jœ œ œn
& #5
œ œ œb œ- œ œ œ œ œ œb- œ œ ˙ œv œn œ> w ‰ Jœn œ œb œ- œb^
& #10
œ œb œ œ œ- œb œ> ˙ œn œ œ .˙n œ Œ œbF
œ œ œn^ Œ œn œ œ œ
& #15
Œ œ œb> œ œ œb>ß w œfœ ‰ jœ œb- œv œn œ œ œ œ œ œ
ƒœb^ œ œ œ œ>
& #20
w ‰ Jœƒœb^ œ œ œ- œ. Œ ‰ jœ>≤Ó
Copyright 2007 Jamey Simmons ASCAP
Walk the WalkJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent with thetongue while still keeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsAlto Sax
&# cAlto Sax
jœf
Latinq = 140
œ œ œ-œ. ‰ jœ œ œ œ œ œ œb⁄ œ œ œ œ
-œ. Œ œ œb .˙ œn
v
&#
5œpœ œk œ.
Œ œ œ œ œ œnvÓ ‰
.œn>
f
˙ ˙ .œ jœ>wU
Copyright 2007 Jamey Simmons
Gentle WaveJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsAlto Sax
& ## 44 œkfq = 120
œ. ‰ œ Jœ œ- œ œ œ œn œ ˙ ‰ Jœn œ œn- œ. ‰ jœ> w
& ##5
.œpjœ ˙ .œn jœ ˙ Œ œ œn œk œ. ‰ Jœ ˙ œ œ œ Œ œn>
Fœ œ#> œ
& ##10
œ- œ- ‰ Jœ# œ œ œ- œ œn œ- œ. ‰ Jœ œ œn œ ˙ Œ œPœ œ- œ œ œ œn œ ˙
& ##15
‰ Jœ œ œ œ œ œnF
w w œ-ƒœ. ‰ Jœ- œ. œ- œ. ‰ Jœ- œ. œ œn> œ
& ##20
œ Œ œv Œ œv ‰ jœv Ó
Copyright 2007 Jamey Simmons ASCAP
Jamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature, dynamics, and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent with thetongue while still keeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
Swing AheadMTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTenor Sax
& bb cTenor Sax
œ-
P
q = 140
œ œ œ œ œ œ œb>
f
œ> œ ‰ Jœ œ œ Ó œ
Pœ œ œn>
& bb
4
œ œ œ œ œ- œ- œ œ œb> œ œ œ œ œ œ
> œœ œ œ œ
> œœb œ œ œb
>
ß
& bb
8
w œn-
f
œ. ‰ Jœ Œ œ
- úwU
Copyright 2007 Jamey Simmons
Sand WalkerJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTenor Sax
& # 44 œnfq = 120Swing
œ œb œ œv œ- œ. ‰ Jœn> œ œ œb œ œn^ œ- œ. ‰ Jœ> w
& #4
Œ œpœ œ œv Ó œ œ œv Œ œ œ œ œ œn w Œ œ
Pœ œ œv
& #9
Œ œ œ# œ œ> œ Œ œ œn œ œ œ œ œ# œ œ œ ‰ jœ#> œ Œ œF
œ œn œ œ œ
& #13
œn œ œ œ œb œ œ ˙ œnv œ> ˙ ‰ Jœfœ œn œ œ œb œ- œv œ-
ƒœ. ‰ Jœn> ˙
& #18
‰ Jœ œn œ œ œ œ# œ3
œ œ# œn œb œnß ˙ w Œ œ>≤ƒÓ
Copyright 2007 Jamey Simmons ASCAP
Jamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature, dynamics, and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent with thetongue while still keeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
Blues CruiseMTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsBari Sax
& bb cBaritone
Sax
œ-
P
q = 140
œ œ œ œ œ œ œb>
f
œ> œ ‰ Jœ œ œ Ó œ
Pœ œ œn>
& bb
4
œ œ œ œ œ- œ- œ œ œb> œ œ œ œ œ œ
> œœ œ œ œ
> œœb œ œ œb>
ß
& bb
8w
‰ Jœ-
f
œ^œv œ œ> w
U
Copyright 2007 Jamey Simmons
Sun TuneJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsBari Sax
& b c Jœf
Swingq = 120
œ œb œb œ œb œ œv œ- œ. ‰ Jœb> œ œ œb œ œn^ œ- œ. ‰ Jœ> w
& b5
Œ œpœ œ œv Ó œ œ œv Œ œ œ œ œ œb w Œ œ œ œ œv
& b10
Œ œ œ# œ œ> œ Œ œ œn œ œ œ œ œ# œ œ œ ‰ jœ#> œ Œ œF
œ œb œ œ œ
& b14
œb œ œ œ œb œ œ ˙ œbv œ> ˙ ‰ Jœfœ œb œ œ œb œ- œv œ- œ. ‰ Jœb> ˙
& b19
‰ Jœ œb œ œ œ œ# œ3
œ œn œb œb œbß ˙ w Œ œ>≤Ó
Copyright 2007 Jamey Simmons
The Wind UpJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent with thetongue while still keeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTrumpet
&# cTrumpet in Bb
jœf
Latinq = 140
œ œ œ-œ. ‰ jœ œ œ œ œ œ œb⁄ œ œ œ œ
-œ. Œ œ œb .˙ œn
v
&#
5œpœ œk œ.
Œ œ œ œ œ œnvÓ ‰
.œn>
f
˙ ˙ .œ jœ>wU
Copyright 2007 Jamey Simmons
On the BeachJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTrumpet
? bbb cTrombone Jœf
Swingq = 120
œ œb œb œ œb œ œ œ- œ. ‰ Jœb> œ œ œb œ œn^ œ- œ. ‰ Jœ> w
? bbb5
Œ œpœ œ œ Ó œ œ œ Œ œ œ œ œ œb w Œ œ œ œ œ
? bbb10
Œ œ œn œ œ> œ Œ œ œb œ œ œ œ œ- œ- œ. ‰ Jœn> œ Œ œF
œ œb œ œ œ
? bbb14
œb œ œ œ œb œ œ ˙ œb^ œ> ˙ ‰ Jœfœ œb œ œ œb œ- œ œ- œ. ‰ Jœb> ˙
? bbb19
‰ Jœ œb œ œ œ œ# œ œ œb œb ˙ w Œ œ>≤ƒ
Ó
Copyright 2007 Jamey Simmons
The Blue ZoneJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent with thetongue while still keeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTrombone
? b cTrombone Jœ
f
Latinq = 140
œ œ œ- œ. ‰ Jœ œ œ œ œ œ œb⁄ œ
œ œ œ- œ. Œ œ œb .˙ œb^
? b5
œ
p
œ œ- œ. Œ œ œ œ œ œb^Ó ‰
.œb>
f
˙ ˙ .œJœ> wU
Copyright 2007 Jamey Simmons
On the BeachJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsTrombone
&?
bbbbbb
ccPiano
Swingq = 120
œœfŒ
˙> ˙>˙b ˙b
œ# œ œ œœœb> œœœ œœœvœ# œ œ œœnn œœ œœbn
œ œ œ œ- œ. ‰ Jœœœ>œ œ œ œ- œ. ‰ œœœn>
wwwwww
&?
bbbbbb
comp in any rhythm5
‰ JœPœ œ œ œ’ ’ ’œœœb
œ œb œ œ> ˙’ ’ ’œœb
‰ Jœ œ œ œ œ
’ ’ ’œœœbœ#- œ. ‰ Jœ> ˙
’ ’ ’ ’
&?
bbbbbb
9
‰ Jœ œ œ œ- œ’ ’ ’œœœb
œ œb œ œ> ˙Œ ‰ Jœœœnb > ˙˙
Œ œF
œ œ œ œ>
Ó Œ ‰ Jœœœn˙ ˙˙ ˙bn
Copyright 2007 Jamey Simmons ASCAP
Hittin' ItJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsPiano
&?
bbbbbb
13
œf
œb œ- œb œ œbk∑
œ œb œk œœk œœk œœ.Ó œœk œœnn k œœbb .
Œ ‰ Jœœn ˙UŒ ‰ jœœœbb ˙Ó Œ œU
2 Hittin' It
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to play those with the correct rythm.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent while stillkeeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsPiano
&
?
bb
bb
c
cPiano
Sambaq = 180
œ
Fœ^
œ œœ œ#jœœœ jœn
.œ Jœ .œ J
œ
jœœœ jœ# œœœ
.œJœ ˙
œ œœ œ#jœœœ jœn
.œ Jœ .œ J
œ
&
?
bb
bb
4
jœœœ jœ# œ
œœ
.œJœ œ œ
œ œœb œnjœœœ jœb
.œjœ .œ J
œ
jœœœb jœn œœœ
.œ jœ ˙
œ
f
œ œ œ œ œœ
œ œ œ œ œ œœ
&
?
bb
bb
8
.ÛJÛ |
Eb7(13) D 7(#9)
∑
Û Û Û^Œ Û Û
G-7
∑
Û^Œ ˙#U
Ó˙˙n
Copyright 2007 Jamey Simmons ASCAP
SambaJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsPiano
& b cGuitar Jœf
Swingq = 120
œ œb œb œ œb œ œv œ- œ. ‰ Jœb> œ œ œb œ œn^ œ- œ. ‰ Jœ> w
& b5
Œ œpœ œ œv Ó œ œ œv Œ œ œ œ œ œb w Œ œ œ œ œv
& b10
Œ œ œ# œ œ> œ ’ ’ ’ ’F 7 Bb7
’ ’ ’ ’A-7 D 7
’ ’ ’ ’FC7(9)
& b14
œb œ œ œ œb Û ÛF 7
| Û Û>Eb7 F 7
| ‰ Jœfœ œb œ œ œb œ- œv
& b18
œ- œ. ‰ Jœb> ˙ ‰ Jœ œb œ œ œ œ# œ œ œb Û |Eb7(#9)
|
& b22
Œ œ>≤ Ó
Copyright 2007 Jamey Simmons
Wound UpJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent while still
keeping the line LEGATO. 4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsGuitar
&# cGuitar
jœf
Latinq = 140
œ œ œ-œ. ‰ jœ œ œ œ œ œ œb⁄ œ ’ ’ ’ ’
B-7 E 7
’ ’ ’ ’A-7
&#
5œpœ œk œ.
Œ œ œ œ œ œnvÓ ‰
.œn>
f
˙ ˙ .œ jœ>wU
Copyright 2007 Jamey Simmons
On the BeachJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsGuitar
? bbb c Jœf
Swingq = 120
œ œb œb œ œb œ œ œk œ. ‰ Jœb> œ œ œ œ œb œ œ œn .˙? bbb
5
’ ’ ’ ’walk
pEb7
’ ’ ’ ’Ab7
’ ’ ’ ’Eb7
’ ’ ’ ’ ’ ’ ’ ’Ab7
? bbb10
’ ’ ’ ’ ’ ’ ’ ’EbMaj7 F-7 œ- œ- œ. ‰ Jœn> œ Œ œ
Fœb œ œ œ
? bbb14
œb œ œ œb œ œ ˙ œb^ œ> ˙ ‰ Jœfœ œb œ œ œb œ- œ œ- œ. ‰ Jœb> ˙
? bbb19
‰ Jœb œ- œb- œ œn œb- œb œb> ˙ œ œb œ œ Œ œ>≤ƒ
Ó
Copyright 2007 Jamey Simmons
Blue FoundationJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to play those with the correct rythm.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent while stillkeeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsBass
? # cBass Jœ
f
Latinq = 140
œ œ œ- œ.‰ Jœ œ œ œ œ œ œb⁄ œ
œ œ œ- œ.Œ œ œb .˙ œn^
? #5
’ ’ ’ ’p
Bb-7
’ ’ ’ ’Eb7
‰.œn>
f
˙ ˙ .œJœ> wU
Copyright 2007 Jamey Simmons
On the BeachJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsBass
ã c œ
Swingq = 170
œ œy
ŒF ‰ JœŒ œ œ œ œ œ
yŒ œ œ ‰ Jœ
Œ œ œ œ œ œyŒ œ œ ‰ Jœ
Œf
xstick shot
x ‰ jx x∑ ’ ’yœ yœ fill
œ œ
ãEns.
5
.Ûp JÛ Ó .Û JÛ Ó .Û JÛ Ó ’ ’Û Û Û Û fill
ã9
y y y y y yŒP
Ride Cym.
y Œ yy y y y y yŒ y Œ y «2
ã13
.Û JÛ Ó ’ ’Û Û Û Û fill .Û JÛ Ó ’ ’Û Û Û Û fill
ã17
3
yœ yœ yœ
3
yœ
yœ yœœf Œ œ Œ3
yœ yœ yœ
3
yœ
yœ yœœ Œ œ Œsolo
’ ’ ’ ’ ’ ’ ’ ’
ã21
œœpœœ ‰ œœ œœ œœ œœŒ œ ‰ Jœ Œ
‰ jœœ œœ œ œ œy
ƒœ Œ œ ‰ Jœ |
U short solo
Copyright 2007 Jamey Simmons ASCAP
Taking a Swing at It
Jamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsDrum Set
ã cDrum Set Û^
p
’ ’.ÛJÛ> fill y
Closed Hi Hat+Cross stick
yx y y x y yœ ‰ Jœ œ ‰ J
œyx y yx y yx yœ ‰ Jœ œ ‰ Jœ
’ ’Û-Û. ‰ Û> fill
ã5
’ ’Û-Û. ‰ Û> fill y yx y y x y y
œ ‰ Jœ œ ‰ J
œyx y yx y yx yœ ‰ J
œ œ ‰ Jœ .Û>
FJÛ>Û Û>
ã9
| Û^Û^ .Û>
JÛ>Û Û>’ ’ ’ ’fill yœ
f
yœ yœ Œ yœ yœœ œ œ Œ œ œyœ Œ Óœ Œ Ó
Copyright 2007 Jamey Simmons ASCAP
SambaJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsDrum Set
& b c Jœf
Swingq = 120
œ œb œb œ œb œ œv œ- œ. ‰ Jœb> œ œ œb œ œn ^ œ œ ‰ jœÓ Œ ‰ Jœ wœ .˙
& b5
Œ œpœ œ œv Ó œ œ œv
Œ œ œ œ œ œbÓ Œ ‰ Jœ w ˙ Œ œ œ œ œv& b
10
Œ œ œ# œ œ> œ Œ œ œn œ œ œ œ œ# œ œ œ ‰ jœ#> œ Œ œF
œ œb œ œ œ
& b14
œb œ œ œ œb œ œ ˙ œbv œ> ˙ ‰ Jœfœ œb œ œ œb œ- œv œ œ ‰ jœb > ˙Jœb ˙
& b19
‰ Jœ œb œ œ œ œ# œ3
œ œn œb œb œbßæ wæ ŒRit. œ
°fœ œn œb œb œn w
U
Copyright 2007 Jamey Simmons
Keep 0n Keepin' OnJamey Simmons
Some notes to the performer:
1. Before playing this song look at the key signature and time signature. Are there any notes you don'trecognize? If not, consult your fingering chart.
2. Next sing or tap through just the rhythms. If there are some you don't understand, isolate those andtry to tap a few notes at a time.
3. Remember in the swing style the underlying rhythm is a triplet. Your teacher can help you improve atthis "swing feel" in your playing. Remember that the "AND" of the beats get a slight accent while stillkeeping the line LEGATO.
4. For a really swinging example of this swing style listen to the Count Basie big band's song "SPLANKY".
Have fun!!!!
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsVibes
&# cVibes œ-
p
Latinq = 100
Jœ œœvœœkœœ.‰ œœ.
jœœ.‰ œœ>
jœœ>˙ œœbn
vœœkœœ.‰ œœ.
jœœ
&#
4
œœ œœbn k˙>
‰ jœ œ œ œk œn
œ œ œ œ œ œ œnv
œœbbvœœ œœ>œœœœn
&#
8
œ
°
œ œ œ ˙bU
Copyright 2007 Jamey Simmons
Bossa NovaJamey Simmons
MTSBOA All Midstate Jazz Auditions - Cycle 1 - use in odd-numbered audition yearsVibes