everywhere, morning music: Bruce Pennycook text: Tessa McWatt

soprano (mezzo), flute, piano © SOCAN (1982, 2005)

q = 96

*flute

sop.

pno.

1 everywhere, morning

( ) 716

f

ff

p

mf

3

text: Tessa McWattmusic: Bruce Pennycook

1-1

( ) 7

16 coyly, directlyif

f f

the sun

comes up

( ) 7

16

l.v.

ff

mp

f

mp

3

3

3

3

10

if

the sun

comes

up

mp

sempre stacc.

l.v.

dim.

loco mp

f

ff

mp

15

dim. - - - - - - - - - - - - - - - -

1-2

br(ight)

fp "t" and si

lent

in your eyes

in your eyes

dim.

f

l.v.

mp

l.v. l.v. dim. - - - - - - - - - - -

sfz

sec.

l.v.

pp (sec.)

pp

6

6

Forcefully when I give

you

when I give

you

the

3

l.v.

l.v.

pp

sur.

f

sfz

20

ff

3 3

3

3 3

1-3

66

flow

er

from the seeds

I plan

- ted

last May

it is ev'

ry where mor

ning

mp

loco

dim. - - - - - - - - - - - - -

loco

pp

pp

p

25

mf

5

fp

Intensely

if the sun

comesup

3

3

p

ord.

p

p

p

mp

fp

30 3

3

3

3

3

1-4

bright and si

lent in

your eyes

mp

it is ev'

ry where-

mor ning-

p

mf

p

mp

p

q = 54

2 if the crescent moon at midnight

Leger, molto sostenuto

5

2-1

if

the

cres

3

cent

3

moon

at

3

mid

ni

3 ght

re

minds- me of

a tou(ch)

l.v.

mf

mf

poco rit.

3

cresc.

poco rit.

10

ppp

______________________(ch)

not e

3

nough

-

3

not

3

full

still

mp

a touch

molto sus.poco accel.

(8)

ten.

ppp

Ped.

3

3

3

3ten.

a tempo

pp

sus.

3

3

3

3

3 15

2-2

sotto voce 'mm'

3

3

3

re

minds- me of

a tou(ch)

_____________________________________(ch)

sfz

p

Distantly

'mm'

3 (as if remembering)

'mm'

ppp

sus.

mf

p

mf

p

ten. a tempo

20 3

still

a

3

touch

ten.

if

with hushed intensity

the cres

cent

- moon

at mid

- night

re minds

- me

of

a

ten.

l.v.

l.v. loco3

3

pp

3

3

3

25

pp

ppp

2-3

tou

mf ch

not e

3

nough

- not

3

full

still

fp

3

a touch.

mf

mp

mf

ff

6

6

6

6

6

6

sfz

f

3 6

6

3 3

there

f cresc. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

in the

3

da

3

rk

- - - - - - - - I

2feel

ff it

sus. ff

sec.L.H.

6

6

6

6

R.H.

3

6

6

6

l.v.

6

3

ten.

slower

p

2-4

(it)

dim. - - - pp ev

p

ry

- - - where

mor

fp

- - - - - -

pp

35

ning

- - - - -

q = 160

3 fine, I will dance the dance

Allegro vivo

ff

f

5

3-1

Fine.

f I will dance

the dance

that

takes

me

*

fff ( ) * Note durations over 2 bars start very crisply,

broaden, then shorten again. Accents do not affect durations but are meant to stand out due to their higher volume.

f

gliss.

mf 8

(sim.)

p

10

no

where

but to

a smile

pp

cresc. - - - - - - - - - - - - - - - -

f

mp

dim. - - - - - - - - - - - - -

ppp

mf

p

sfp

3-2

* Resume articulation patt.

A - sing

sfz le light

on

earth

while

hea

ppp

f

pp

pp

ff

15

p

20

ven sleeps

in the

im a

-

gin

- - a

- tion

- -

dim. - - - - - - - - - -

of

for

got

- ten

- -

p

sim.

pp

25

p

f

3-3

saints

be cause

-

l.v.

ff

* Resume 2 bar pattern

pp

ppp

ff

mf

30

f

p

e ven- though

we

are tra

vel

- lers

-

the mind

is

the

on

ly- place

we e

ver

8

(loco)

35

p

40

3-4

er

get

to

and

mf

there

there

ppp

dim. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

pp

sub f

f

p

ff

45

ev

ff

ry- where

mor

ning

ff

f

ff

f

f

4 when I draw up the map

Freely

Poco accel. - - - - - - - - - - - - - - - - - - - - - - - - - -

3

3

3

3

Slower

3

4-1

p

In tempo / deliberately

5 5

10

5

When

I

draw

up

the

map

of my world

my world

(ld)

5

Brev.

15

7

mf

4-2

Brev.

and

the

o

cean

that

con

tains

-

f dim. - - - - -

f

(ains)

in

intense

fin

ite

- - - in

fin

- - -

20

25

3

30

4-3

ite

in - fin

ite- smi

ling eyes

f

meets a land

ff

8

3

loco 5

ff

ff

molto sus.

poco allargando - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

35 pp

rit. - - - - - -ppp

mass

(ass)

of

des

dim. - - - - - - - - - -

per

- ate

- faith

ful

long

ing

p

Slower, in tempo

poco a poco accel. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 40

more forcefully

4-4

there,

hushed

there,

mf

there

f

on that

beach

on

that

bea

-

ppp

Broadly - - - - -A tempo, in '1'

45

Joyfully

3

3

3

ch

it

is

ev

ery where

-

ev

ery where

- ev

ery where

- morn

50

5

4-5

(morn)

ing

rit. - - - - - - - - - - -

q = 140

q = 140

accel.

accel.

rit.

rit.

accel.

accel.

rit.

rit.

5 two things belong to everyone

5

5-1

intenselymp Two

things

be

long

- to

ev

mp

accel.

accel.

rit.

rit.

accel.

accel.

10

ery

one

-

two

things

two

things

q = 90

q = 90

q = 120

q = 120

q = 140

q = 140

freely, poco accel.

p

15

ten.

p

more motion

5-2

lovef

and sleep

spoken slowly

belong to everyone.

slower, warmly

love

and

sleep

their

mf

ter

ri

- tor- y-

mf

3

3

20

is

time

and

in

these mo

ments

- - - - -

q = 120

q = 120

rit.

rit.

mp

25

PP

5-3

mor

freely, slower

ning

a waits

-

l.v.

PP

molto sus

ppp

PPP