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MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES MUNCH (1956-62) §D Lunch Mon Sep 8 Meet on Bricks @ 11:55am Bartz * Dilican * Klock * Mahoney Rusick * Speziale * Suarez, Li.

MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

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Page 1: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894);

Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12)Boston Symphony Orchestra

conductOR: CHARLES MUNCH (1956-62)

§D Lunch Mon Sep 8Meet on Bricks @ 11:55am

Bartz * Dilican * Klock * Mahoney Rusick * Speziale * Suarez, Li.

Page 2: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Closing Up Liesner

DQ1.18 (b) & (c): OxygenDQ1.18 (d): Volunteers

Page 3: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (c): Oxygen

COMPARE POSSIBLE RULES1.Actual Possession Likely2.Actual Possession Practically Inevitable3.Actual Possession Inevitable

Policies Supporting Choice … of #2 v. #3?

Page 4: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (c): Oxygen

COMPARE POSSIBLE RULES1.Actual Possession Likely2.Actual Possession Practically Inevitable3.Actual Possession Inevitable

Policies Supporting Choice of #2 v. #3?•#3 = Too difficult to meet standard–Discourages hunters fewer kills–Doesn’t reward most-of the-way labor

Page 5: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (c): Oxygen

COMPARE POSSIBLE RULES1.Actual Possession Likely2.Actual Possession Practically Inevitable3.Actual Possession Inevitable

Policies Supporting Choice … of #2 v. #1?

Page 6: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (c): Oxygen

COMPARE POSSIBLE RULES1.Actual Possession Likely2.Actual Possession Practically Inevitable3.Actual Possession Inevitable

Policies Supporting Choice of #2 v. #1?•#1 = Too uncertain in application– Yields too many disputes/lawsuits (v. higher claim

threshold for #2)–May reward ineffective/insufficient labor

Page 7: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (b): Oxygen

“Prevailing rule” (Three Formulations):

•(1) substantially permanently deprive [animal] of liberty (SPDL)•(2) [have the animal] so in their power that escape improbable, if not impossible•(3) [bring the animal] under control so that actual possession practically inevitable

MEANING OF LANGUAGE? (from last time)

Page 8: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (b): Oxygen

Property Rights in Animal IF:

•substantially permanently deprived [animal] of his liberty

MEANING OF LANGUAGE Significance of Two Separate Adverbs?

Page 9: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18(d)Apply to Pierson Facts:

Property Rights if … •substantially permanently deprived [animal] of [its] liberty

Page 10: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (b): Oxygen

Property Rights in Animal if:

•so in their power that escape was highly improbable, if not impossible •under the control of a person so that actual possession is practically inevitable

MEANING OF LANGUAGEDifference betw. underlined phrases?

Page 11: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18 (b): Oxygen

Property Rights in Animal if:

•so in their power that escape was highly improbable, if not impossible •under the control of a person so that actual possession is practically inevitable

MEANING OF LANGUAGE?Difference betw. underlined phrases?

Page 12: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18(d)Apply to Pierson Facts:

Property Rights if … •under the control of a person so that actual possession is practically inevitable

Page 13: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Liesner DQ1.18(d)Apply to Pierson Facts:

Property Rights if … •so in their power that escape was highly improbable, if not impossible

We’ll leave for you

Page 14: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Applying Legal Rule/TestApplying Legal Rule/Test1. Look for best arguments for each party– Be cognizant of structure of test– Use care with language– Utilize definitions

2. If significant doctrinal arguments for both parties, try to resolve with: – Comparisons to facts of cases– Other language from cases– Policy arguments (incl. purpose of rule)

Page 15: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

Musical InterludeShaw-1902 1908 1914-Liesner

The Most Performed Waltz in American Popular

Music

Page 16: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

LOGISTICS: CLASS #9

Group Assignment #1•Instructions Posted on Course Page– Groups of three or four students (3-3-3 or 4-2-4)– One person acts as coordinator

•I’ll explain more & take Qs during class Mon/Tues•Can start on right away (especially logistics)•Due Sun Sept 21 @ 2pm (note re Krypton briefs)•Comments & Best Student Answers from Parallel Shack Exercise Posted on Course Page

Page 17: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

LOGISTICS: CLASS #9Posted on Course Page

• Self-Quiz on Demsetz Reading for Next Week (by 9/6 @ 4 pm)

• Materials for Last Part of Unit One (Posted)– We’ll Introduce Next Friday:• A Few Pages of Reading on Escape• Two New DQs (Radium)

– 1st Two Cases (Manning & Mullett) • Quizzes Posted by next Thursday• Oxygen: Written Mullett Brief due Sun Sep 14. • In-Class Coverage Week of Sept 15

Page 18: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

ALL: EXERCISE FOR MON/TUE

Which of These Things Is Not Like the Others (and Why)?

LION FISH

BULL FOX

Page 19: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brieffeaturing

Wallpaper with Fish!

++More Oxygen(Can Never Have Too Much

Oxygen)

Page 20: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

Uniquely Appropriate for Intersection of Fish & Oxygen:

§D: Gil(martin) §B: Gil

Page 21: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

STATEMENT OF THE CASE?CRIMINAL CASE

•Government Government always brings the suit, so can say:

• “State (or U.S.) charged X with [name of crime].” -OR-

• “Criminal action against X for [name of crime].”

•Relief Requested Relief Requested always is incarcerationincarceration or finesfines; can leave unstated.

Page 22: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

STATEMENT OF THE CASE?• “State charged [names?], • [relevant description?],• with [name of crime?].

Page 23: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

STATEMENT OF THE CASE?• “State charged o Shaw, Thomas and another (or)o Three defendants including Shaw and

Thomaso Shaw to tie to name of caseo Thomas because his trial is the one that is

appealed

• [relevant description?],• with [name of crime?].

Page 24: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

STATEMENT OF THE CASE?•“State charged Shaw, Thomas and another, who removed fish from nets belonging to others …

• Can’t say “stole” or that fish “belonged to others” b/c that’s what’s at issue

• with [name of crime?].

Page 25: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

STATEMENT OF THE CASE?•“State charged Shaw, Thomas and another, who removed fish from nets belonging to others with grand larceny.

Page 26: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

PROCEDURAL POSTURE?Note that indictment is method by

which State charged Ds, so don’t need here (already in Statement of Case)

Page 27: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

PROCEDURAL POSTURE?•Thomas was tried separately. •At the close of the state’s evidence, the trial court directed a verdict for Thomas. •The state excepted [appealed].

Page 28: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

We’ll Return to FACTS After ISSUE

ISSUE: PROCEDURAL PART?

Page 29: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

ISSUE: PROCEDURAL PART?Did the trial court err in directing a

verdict for the defendant …

Page 30: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

ISSUE: SUBSTANTIVE PART?•To prove “grand larceny” state must show that defendants took property belonging to other people.•Directed verdict means state’s evidence was insufficient to show the crime. •Why did Trial Court think state’s evidence was insufficient here?

Page 31: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

ISSUE: SUBSTANTIVE PART?•To prove “grand larceny” state must show that defendants took property belonging to other people.

•Trial Court held fish at issue were not property of net-owners because nets do not create property rights when some fish can escape from nets. (“Perfect Net Rule”)•What does state say is wrong with Trial Court’s position?

Page 32: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

ISSUE: SUBSTANTIVE PART?•Trial Court held fish at issue were not property of net-owners because nets do not create property rights when some fish can escape from nets (“Perfect Net Rule”)

•State says net need not be perfect to create property rights in net-owners.

Page 33: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW Brief: Oxygen

ISSUE: Did the trial court err in directing a verdict for the defendant …[on the grounds that defendant did not commit grand larceny] …because net-owners do not have property rights in fish found in their nets where some fish can escape from the nets?

Page 34: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAWDiscussions of Shaw: Focus On

“Perfect Net Rule” Used by Trial Court

•Do our other cases support that rule?•Policy arguments for and against that rule.•When Ohio Supreme Court rejects that rule, what does it leave in its place?

FIRST: BACK TO THE FACTS

Page 35: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSSignificance of Indictment

•Issued by Grand Jury after viewing evidence presented by Prosecution (no evidence presented by defense).•Particular charges included if Grand Jury believes it saw evidence sufficient to support going forward with them.

Page 36: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSSignificance of Indictment

•Phrase “with force and arms” in indictment:• Boilerplate language traditionally used in

conjunction with anyany criminal charge • Does not mean that evidence showed guns

were actually used in this case.

Page 37: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSSignificance of Indictment

•Once trial begins, trial court only looks at evidence actually presented by parties. • Claims in indictment then effectively become

irrelevant for most purposes• Same thing happens to complaint in a civil case unless

(as in Pierson) claim on appeal is that complaint should have been dismissed before trial.

Page 38: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSOhio S.Ct. Treats State’s Evidence as

“Facts” for Purposes of Appeal•Directed Verdict in favor of defendant means that Trial Court believed that, even looking at all the evidence “in the light most favorable” to the State, State cannot win.

Page 39: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSOhio S.Ct. Treats State’s Evidence as “Facts”

•Directed Verdict = even looking at all the evidence “in the light most favorable” to the State, State cannot win.•To review Directed Verdict, appellate court must:• Treat all of state’s evidence as true• Make all reasonable inferences from the evidence in

favor of the State

Page 40: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTSOhio S.Ct. Treats State’s Evidence as “Facts”•Common to treat information from a particular source as true for purposes of appeal•E.g., allegations in declaration in Pierson

Page 41: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW: FACTS

NOW TO WHITE BOARD FOR “FACTS” FOR PURPOSES OF BRIEF

Page 42: MUSIC: CLAUDE DEBUSSY Afternoon of a Faun (1894); Nocturnes (1900); The Sea (1905); Images D’Orchestre (1905-12) Boston Symphony Orchestra conductOR: CHARLES

STATE v. SHAW SIGNIFICANT FACTS

(in chronological order)• Third parties put nets in public waters to catch fish.• Some fish that got into the nets could escape, but

“under ordinary circumstances, few, if any, fish escape.” (p.29)• Thomas and others (Ds) removed fish from the

nets.