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Three Major Influences
Native (indigenous) peoples Europeans
– Mostly from Spain and Portugal– Others around the Caribbean
African– Through slaves imported against their will– Areas close to Caribbean and the East
Coast of Brazil
Indigenous Influences Aztec
– Mexico– Wooden Drums, Flutes and all types of percussion
instruments Maya
– Central American lowlands– Long wooden trumpets and human bones
Inca– Andes Mountains– Bamboo flutes and panpipes
Many of these instruments still found in Latin American Music– Ex.: flutes, ocarinas
Ecuador
“Corazas” By Inkhay
– Ancient Ecuadorian rhythm called yumbo
– Played on pentatonic panpipes
Called payas
Response:1. Does this song
sound native or influenced by music from Europe? Explain:
2. What does the drumbeat remind you of?
Innovations from Europe Stringed instruments
– Harps, guitars, etc.– Hybrids
Charango– Made like a guitar with a sound box made from an Armadillo’s
shell
Harmony– Singing or playing more than one note to form chords
Genres– Mariachi-arrived from Spain, but is identified world-
wide as a typical Mexican style – Tango-influenced by Gaucho (Argentinean Cowboy)
music from the Pampas.
Peru
“Adiós Pueblo de Ayacucho”
By Inkhay A well known song from
Peru Includes harp, quena flutes,
charango,and guitar
Response:1. Do you think the
harp was developed in Peru or brought to South America from Spain?
2. Are there one or two flutes playing in this song? What makes you think so?
Brazil
“Puxa Vida” By Tico da Costa
This song is about all the things a husband does for his wife even though he doesn’t want to:– Shopping– Washing the dishes– Cleaning the house…
…just because he loves her.
Response:– What are some of
the words that describe the mood of this music?
African Influences Instruments
– Marimba-descended from the balafon
– Variety of percussion instruments
Ex.: Shékeres, pandaretas, steel pans, batas
Syncopation– Complex rhythms– Hitting the “beats
between the beats”
Call and response– Chorus answers the
lead Improvisation Genres
– Rumba, salsa, mambo, merengue, son, calypso, soca, reggae, capoeira, Bossa Nova
Mexico
“El Butaquito” By Los Pregoneros
del Puerto-Veracruz
– Original version of “El Cielito Lindo”
Response:1. Does this song
contain a call-and-response vocal form? Explain:
2. When the harpist plays solo, do you think it is a planned-out melody, or do you think the musician is improvising on the spot? Explain:
Puerto Rico
“Morena Monta en mi Guagua”
By Los Pleneros de 21
– Folk song– About a kid who invites
a dark-haired girl to ride in his car
– Strong African and Spanish influences
Response:1. In the introduction
to this song, which instruments do you think are African in origin and which one is Spanish?
2. The vocal style is called “call-and-response.” Describe in your own words.
Cuba
“Pa’ lo Latino” By Tony Martinez &
the Cuban Power
– Based on Cuban son (a traditional form)
– Lots of brass and percussion
– Latin Jazz flavor
Response:1. Name all the
instruments you hear in this piece.
2. If you tap your feet or move your head to the rhythm, do you notice anything unusual when the horns come in?