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Music of the Middle Ages

Music of the

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Music of the. Middle Ages. Middle Ages. (Medieval Period). Middle Ages. (Medieval Period). - PowerPoint PPT Presentation

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Page 1: Music of the

Music of the

Middle Ages

Page 2: Music of the

Middle Ages

Page 3: Music of the

Middle Ages(Medieval Period)

Page 4: Music of the

Middle Ages(Medieval Period)

Relatively small feudalistic territories formed in the absence of Roman imperial protection. Christianity continued to spread over Europe under Roman Catholic authority. Widespread illiteracy in absence of printed material. Books were handmade and very expensive.

Page 5: Music of the

Feudalism

Relatively small areas of land controlled by local "warlords", "land barons", etc., who provided protection for residents on his lands in exchange for tribute.

Page 6: Music of the

Gregorian Chant(Plainchant, Plainsong)

Single unaccompanied melody over sacred text in Latin. Comprised total musical content of Catholic worship in early medieval period. Named for Pope Gregory I(reigned 590-604) who codified them during the sixth-century, establishing uniform usage throughout the Western Church.

Page 7: Music of the

Hymn to St. John(Ut Queant Laxis)

•Ut queant laxis •Resonare fibris•Mira gestorum•Famulituorum•Solve poluti•Labii reatum•Sancte Johannes

Page 8: Music of the

Gregorian Chant

(Plainchant, Plainsong)

Listening: Hymn to St. John (“Ut Queant Laxis” Fowler, p. 384).

Page 9: Music of the

Organum

Chant with two or more voice parts moving at first in parallel perfect intervals. This style eventually became known as "Ars Antiqua" (the old art). a. parallel- separate parts move together, same direction and distance. b. melismatic- one part fixed, the other moves, especially on one syllable.

Page 10: Music of the

Evolution of

Heighted Neumes- symbols (ecphonetic notation) around a single line drawn over the text for pitch reference. More lines were gradually added for more accurate pitch reference, leading to the development of the modern staff.

Notation

Page 11: Music of the

Evolution ofNotation

Heighted Neumes12th Century

Page 12: Music of the

Evolution ofNotation

Heighted Neumes13th Century

Page 13: Music of the

“The New Art,” addition of rhythmic notation which began with the composers Leonin and Perotin in the “Notre Dame School” (Paris).

Ars Nova

Page 14: Music of the

Ars Nova and the Notation of

Rhythm

Listening: Perotin’s Viderunt Omnes. Example: Melismatic Organum, Ars Nova.

Page 15: Music of the

Secular Music Troubadors- medieval folk

musicians of southern France (Provence) and England. Trouveres- medieval folk musicians northern France. Minnesingers- medieval folk musicians of Germanic northern Europe.

Page 16: Music of the

Prendes i Garde(Be on your guard)

Take care, lest anyone see usIf someone sees us, tell me.

It’s just there in that wooded grove.Take care, lest anyone see us.

That pleasant lass was looking after the animals,“Charming brunette, I would like to meet with you”

Take care lest anyone see us,If someone sees us, tell me.

Page 17: Music of the

Secular Music

Listening: Guillaume d’Amien’s Prendes i Garde (Fowler, pp. 386-387). Example: Troubador 13th century monophonic song.

Troubadors