ZACHARY WEBBER

WORKS ACADEMIC

MATERIALS AND METHODS STUDIO: QUILT PROJECT

QUILT PROJECT

The goal of the quilt project was to explore the three dimensional properties of an abstract two dimensional subject. I worked through an iterative model making process in an attempt to understand each element of the quilt that I found unique and interesting.

MATERIALS AND METHODS STUDIO: MARKETPLACE

MARKETPLACE

An elliptical shape was chosen to create as many views into and out of the site as possible. The permanent vendor stalls are equipped with folding walls that allow them to open up to street as well as the interior courtyard space. Two trellises continue the elliptical pattern on either side and provide summer shade for pushcart vendors. Benches positioned within the courtyard reflect the overall organizational strategy of the marketplace and trees are used as a method for reengaging the corners of the lot.

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MATERIALS AND METHODS STUDIO: IDEO BUILDING

IDEO BUILDING

The aim throughout the design process was to create a well organized program in plan and section with special emphasis on bringing natural light to the work spaces within the building. The large south facing facade of the building illuminates the lobby atrium that is as tall as the highest floor. The Light from the atrium is then allowed to penetrate further into the building lighting each floor. The uppermost floor is home to the designer studios and is lit mainly by skylights. The natural light from above is diffused by translucent glass panels that prevent solar glare.

*UN BUILT

TECTONICS STUDIO: SEVEN CYCLES BUILDING

SEVEN CYCLES BUILDING

Situated in a quiet neighborhood near Porter Square in Cambridge, MA. This project is the new home for Seven Cycles’ custom bike assembly and retail facility. The design process began with a study of the surrounding areas with the primary focus being on the bike path that forms the northern boundary. By concentrating on the natural tectonic qualities of the site and its surroundings through the use of a site construct model the final design has itself taken on a tectonic quality that is closely linked to the site.

*UN BUILT

SITE CONSTRUCT MODEL:

The site construct model is a tectonic expression of the experience of walking down the bikeway. It expresses the links between the different zones and elements along the path.

TECTONIC RELIEF MODELS: Built from images taken from site construct

ITERATIVE PROCESS MODELS

FINAL DESIGN MODEL

LANDSCAPE STUDIO: NEPTUNE BURIAL SOCIETY

NEPTUNE BURIAL SOCIETY

This was a ten day mock design competition intended to give students a taste of what a real competition would be like. The project was completed in pairs and was judged anonymously by outside architects. For the two boards shown here I contributed to all of the computer renderings however the two on the upper right are entirely my own. The project consisted of designing a unique columbarium , A small chapel for worship and lots of memorial gardens. The theme of our design is the celebration of life.

Vitam Mortem:A Memorial Site

“Vitam Mortem”, or “Life through Death”, conveys that life is created after death. People who place their loved ones in the urns designated for the columbarium have the opportunity to view these urns in a way that is so much more unique than a traditional grave site. Life enc0mpasses these “urn walls”. Loved ones who come to celebrate the life of the deceased view not only the columbarium, but also extensive plant life that surrounds the spaces. This further examines life’s connection to death. Clematis vines, holly and an array of trees envelop the site, not only to integrate nature, but also to link it with the ribbon-like columbarium walls. Because the walls make their way trhough the space in such a fluid manner, they can be seen as a living, moving thing. The Neptune Society places great emphasis on nature and the environment merging with the grave site, whether it be on land or underwater.

Preliminary sketches: Encompassing spaces

Site Plan1/16”=1’-0”

Chosen because black creates a definitive line that is consistent throughout the site.

Flagstone stone was chosen so that the grass could envelope the stone in much same way as the clematis envelopes the walls.

Clematis is a hardy vine that grows well in almost all light conditions in temperate climates. It reaches full growth every summer and flowers throughout the season. It is used on the site to envelope the walls and reinforce the concept of vitam mortem.

Holly is used to line paths and help define some of the spaces on the site. It was chosen because it symbolizes everlasting life.

Grass is the constant element throughout the site and helps contribute to the fluidity of the spaces. v

SITE PROGRAM:

1: FUNERARY CHAPEL

2: COLUMBARIUM WALL

3: INDOOR/ OUTDOOR GATHERING SPACE

4: LARGE OUTDOOR GATHERING SPACE

5: DOCK

6: PARKING

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Pathway to Non-denominational Chapel Columbarium Wall

Site Section1/8”=1’-0”

Dock at Sunset

DESCRIPTIVE TEXT FROM BOARD 1

“Vitam Mortem”, or “Life through Death”, conveys that life is created after death. People who place their loved ones in the urns designated for the columbarium have the opportunity to view these urns in a way that is so much more unique than a traditional grave site. Life encompasses these “urn walls”. Loved ones who come to celebrate the life of the deceased view not only the columbarium, but also extensive plant life that surrounds the spaces. This further examines life’s connection to death. Clematis vines, holly and an array of trees envelop the site, not only to integrate nature, but also to link it with the ribbon-like columbarium walls. Because the walls make their way through the space in such a fluid manner, they can be seen as a living, moving thing. The Neptune Society places great emphasis on nature and the environment merging with the grave site, whether it be on land or underwater.

ZACHARY WEBBER

PHONE: (518)-859-6326

ADDRESS: 1928 HOLIDAY DR. SCHENECTADY, NY 12304

EDUCATION: WENTWORTH INSTITUTE OF TECHNOLOGY

BSA with a concentration in Form and Culture

ABOUT ME: Architecture has fascinated me since high school when I first began building models and drafting. I had an overwhelming urge to learn how to design my own buildings and create an architectural experience of my own. Through my education I have developed my computer rendering skills using mainly Photoshop. I enjoy learning new tricks and techniques in the rendering field and although I don’t always have the time to incorporate self-taught techniques into my projects I’m always teaching myself more. Creating architecture is stressful at times but the end result is always worth the effort. I look forward to the challenges that this field will present to me in the future.