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!"#$%&' )*+", -*.',/0"1 MY WORK 234567829 !"#$%&' )*+", -*.',/0"1 MY WORK

My Work: Art of Richard Louis Goldstein

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This is a complete collection of my late father's work. He was an incredibly talented illustrator, graphic designer and caricature artist.

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Page 1: My Work: Art of Richard Louis Goldstein

!"#$%&'()*+",(-

*.',/0"1((M

Y W

OR

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234567829

!"#$%&'()*+",(-*.',/0"1((MY WORK

Page 2: My Work: Art of Richard Louis Goldstein
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!"#$%&'"(#)*+%,-#%.#/'012,3#$%4'5#6%7358*'"

!77458,28%,9#:2'"8*,9#;*5'("*,9#)45'0'2"9#

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Page 4: My Work: Art of Richard Louis Goldstein

!

"#$%&'()*+!,-./##0+12%#3*+245+678'(4+9%+624+:;#**+<#=58*7'4+>+?&'%2+:24()@'

Page 5: My Work: Art of Richard Louis Goldstein

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CONTENTS

"#$%&'()$*&#++ + + + + + + ,

-.%/0+1&%2+ + + + + + + 3

4.5.6*#7+8.%$&&#+9(:;*<<*&#<+ + ++++++++!=

=>?@+-(%&A7+B.;*/0+C%*A+927$)D:&&2+ ,!

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Page 6: My Work: Art of Richard Louis Goldstein

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When I think about Richard’s artwork, what first comes to mind

"#$%&'$())(*'+%$'(#'$,"%&$,&"-&$&'$-*'(%'.$&"#$/"+'#0$1%$,(#$

2(3"-(/$%4$,(%-&$&"2$.*(,0$5'$,(#$67"'%$(+.$84-7#'.0$5"#$/"+'#$

,'*'$67"-9$(+.$#7*'0$5"#$.*(,"+3#$*'2"+.'.$7#$%&(%$/"8'$,(#$

)*'%%:$*"."-7/47#;$(+.$4&$#4$87++:<

The first drawing I saw him do must have been one of his

bug-eyed cartoons, the ones with stink lines and flies buzzing

(*47+.$%&'$2("+$#7=>'-%;$,&"-&$,(#$#42'$)44*$#-&27-9;$

)4##"=/:$2'0$?:$247%&$7+.47=%'./:$4)'+'.$,"%&$(#%4+"#&2'+%0$

54,$.".$&'$.4$%&(%@<$A+.$24#%$"2)4*%(+%/:;$1$/(73&'.$47%$/47.$

at the zaniness of it, the first of many times that I would find

2:#'/8 $3'%%"+3$"+$%*47=/'$,"%&$47*$%'(-&'*#$(%$B'2)/'$C'%&$A2"0$

C7%$"%$,(#$(/,(:#$,4*%&$"%0

D449"+3$=(-9;$,&'+$,'$2'%$(%$%&'$(3'$48 $E$F2'G$(+.$HI;$1$9+',$

+4%&"+3$48 $&"#$(*%"#%"-$"+#)"*(%"4+#;$(/%&473&$?(.$?(3(J"+';$($

#(%"*"-(/$24+%&/:$1$,(#$,'//$(-67("+%'.$,"%&$&(.$%4$='$4+'$48 $

%&'$/"9'/:$-7/)*"%#0$K'*&()#$%&'$-(*%44+#$847+.$4+$LBK$#%"-9'*#$

:47$-47/.$3'%$(%$3(#$#%(%"4+#;$(+.$-'*%("+/:$27-&$/(%'*;$%&'$

drawings of R. Crumb were a vital influence on his drawing. I

%&"+9$"%$,(#$4+'$48 $M"-&(*.N#$3*'(%$#4**4,#$%&(%$&'$8'/%$&"#$

.*(,"+3#$.".+N%$67"%'$2'(#7*'$7)$%4$O*72=N#;$,&4$&'$P"','.$(#$

%&'$='#%$(%$#9'%-&"+3$)'4)/'$"+$(+$"2)*42)%7$2(++'*0$

Q&(%'P'*$:47*$P"',$4+$%&(%;$%&'$%&"+3$"#;$M"-&(*.$,(#$47*#0$A+.$

,'$=(#9'.$"+$&"#$3/4*"47#$%(/'+%0$$

Q&'+$M"-&(*.$=*(+-&'.$47%$"+%4$)("+%"+3;$,'$(//$2(*P'/'.$(%$

&"#$P'*#(%"/"%:0$1+$(.."%"4+$%4$(//$%&'$#9'%-&=449#$&'$/'8%$7#$(+.$(//$

%&'$)("+%"+3#;$%&'*'$(*'$(/#4$)"'-'#$/4#%$%4$7#;$#7-&$(#$%&'$#%("+'.$

3/(##$,"+.4,#$&'$.".$$84*$2:$24%&'*N#$&47#'$4+$L%(+#=7*:$

AP'+7'$"+$R(+$S7:#;$O(/"84*+"(0$Q&'*'$.".$&'$/'(*+$%4$.4$

#%("+'.$3/(##@$B&(%$,(#$M"-&(*.$T$7+(8*(".$%4$%*:$+',$%&"+3#;$

&7+3*:$%4$/'(*+;$(+.$&()):$%4$%'//$:47$&"#$+'U%$&("*=*("+'.$

#-&'2'0$A"*=*7#&'.$#+'(9'*#;$K'%$V*'".'/#$(+.$($&4#%$48 $4%&'*$

".'(#$="*%&'.$"+$8*4+%$48 $7#$(//0

B&"#$=449$#&4,#$&"#$*(+3'$(#$(+$(*%"#%;$(+.$&4)'87//:$-4+P':#$

%&'$>4:$"+$,&"-&$&'$#&(*'.$&"#$(*%$,"%&$&"#$8*"'+.#$(+.$/4P'.$

4+'#0$1%$,(#$(+$&4+4*$%4$='$*'+.'*'.$=:$M"-&(*.$"+$)'+$(+.$"+90$

5'$,(#$3'+'*47#$,"%&$&"#$.*(,"+3#;$%4$%&'$)4"+%$%&(%$"+'P"%(=/:$

#42'$,'*'$/4#%0$1+$/"3&%$48 $&"#$7+%"2'/:$.'(%&;$1N2$#7*'$,'$(//$

,47/.$&(P'$#(P'.$'P'*:$/(#%$4+'$48 $&"#$)"'-'#0$C7%$%&'*'N#$($/4%$

&'*'$%4$#(P4*0

It’s beyond heartbreaking that he is not here among us to flip

%&*473&$%&"#$=449;$(+.$/(73&$(+.$#2"/'$,"%&$7#;$=7%$"%$"#$"+$%&'#'$

)(3'#$%&(%$&'$/"P'#$4+$(+.$.'/"3&%#$7#$,"%&$&"#$/"+'$(+.$,"%&$&"#$

,"%;$*'2"+."+3$7#$%4$#2"/'$(%$/"8'N#$(=#7*."%"'#;$%&'$(//$%44$=*"'8 $

joys and inevitable sorrows. May you find Richard Louis

W4/.#%'"+$"+$%&'#'$)(3'#;$(+.$"+$:47*$&'(*%0

$ $ $ $ $ $ $$$$$$$$$?(*9$L722'*$

$ $ $ $ $ $ $$$$$$$$$X'=*7(*:$Y;$ZIH[

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EARLY WORK

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MAGAZINE CARTOONSUBMISSIONS

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1980 EUROPE TRIP SKETCHBOOK

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DOODLES&

CARTOONS

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ì TRUTH & PAINîUNFINISHED COMIC STRIP

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PROFESSIONAL WORK

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RED = Final File Size/Bleed LineBLACK = Page Size/Trim LineMAGENTA = Margin/Safe Art Boundary

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� � � � � � � � � � � � � � � � � � � �� � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � ��

� � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � �� � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � ! � � � � � � � � � � � ! � � � � � � �

" � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �# � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � ! � � � � � � � � � � � � � � � � � � � � � � �" � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

$ � � � ! � � � � � � � � � � � � � � � � � � � � � � � � �% � � & � � � � � � � � ! � � � ' � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � ! � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � �

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CARICATURES

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PAINTINGS

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REFLECTIONS

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!"#$"%&'()'*$"%+,,+-).)#'$),+)')/,0+1")23'4%),0$)4+)$3")5'26('%&)

,* ),0%)*'74/()3,7")4+)8,,&/'+&)94//#-)$%(4+1)$,):'%7)7(#"/* )4+)

$3")#0+/413$;))<()7,7):'#)4+)$3")3,0#"-)=4#4$4+1):4$3),0%)&"'%)

*%4"+&)>/'&(#)?$0%7'+-):3,)3'&)2,7")$,)5"):4$3)3"%;)@"'%)

*%4"+&#-)(,0)'%"),0%)*%4"+&#;)>%'2")'+&)A"#/4"-)7()#4#$"%#-):"%")

'/#,)4+#4&";)B'74/(;)!,0)'%"),0%)*'74/(;))

83"+)$3")#'&-)#$%4&"+$):'4/),* )$3")1'%&"+"%C#)/"'* )5/,:"%)*"//)

silent, I could hear a dog barking far off in the distance. And

+,$34+1)"/#";)D,$34+1)4+)$3")5'26('%&),* ),0%)3,7";)E0#$)#4/"+2";))

F+&)$3"+).)+,$42"&)4$;)D,)54%&#;).)2,0/&)+,$)#"")$3"7;).)2,0/&)

+,$)3"'%)$3"7;).)#'$)4+)')=,4&)5"%"*$),* )/4*";)F+&).)=,:"&)+,$)

to get out of that chair until something – anything – filled the

"7G$(-)#4/"+$-)234//4+1)='2007;))

Off in the distance, I noticed the rolling green pasture I often

346"&),0$)$,)'#)64&;)84$3)7()5"/,="&)(,0+1"%)5%,$3"%-)H423'%&;))

And remembered the day we were fishing for pollywogs in a

G,+&)$3'$)#'$)4+)$3")74&&/"),* )$3'$)="%&'+$)G/'4+;).):'#)'5,0$)

II)'+&)H423'%&):'#)J;)8")/'(),+),0%)5"//4"#-)2'%"*%""-),+)$3")

:'%7)1%'##-)/"'+4+1)4+$,)$3")70%6()2,/&):'$"%)'#)&""G/()'#):")

2,0/&-),="%)$3")"&1"),* )$3")G,+&-)$,)1%'5)#,7"),* )$3")#K04%7()

G/'(*0/)2%"'$0%"#;)83"+)'//),* )')#0&&"+-)H423'%&)%"'23"&)4+)$,,)

deep and slid headfirst into the murk and out of sight. I jumped

$,)7()*""$-)3"/G/"##-)'+&)#47G/()2%4"&),0$-)4+)&"#G"%'$4,+-)L<()

5%,$3"%M))<()5%,$3"%MN))'1'4+-)L<()5%,$3"%M))<()5%,$3"%;N))

3"/G/"##;))F/,+";))O,:"%/"##;))L<()5%,$3"%MN))<()5%,$3"%MN)).):'#)

#2%"'74+1)*%,7)7()3"'%$;))

<()2%4"#),* )G'4+):"%")477"&4'$"/()#0GG/'+$"&)5()')541-)3,$)

P,/$),* )P,():3"+-)7,7"+$#)/'$"%-)3")#3,$)$3%,013)$3")$,G),* )$3")

:'$"%-)#64774+1)'+&)3,GG4+1),+)$3")#0%*'2")/46"),+"),* )$3")%"&)

'+&):34$")5,55"%#),0%)&'&-),* )5/"##"&)7"7,%(-)6"G$)4+)34#)

fishing tackle box. I was so happy to have my brother back with

7";)9")#3'%"&)7()%"/4"*;)F)541)1%4+),+)34#)*'2";)9"):'#)*0//),* )

/4*";)F$)$3")5,$$,7),* )$3'$)&""G-)&'%6-)G/'2"-)'//)'/,+"-):3"%")+,)

,+")2,0/&)%"'23)347-)3"):%"#$"&)2,+$%,/)'+&)5%,6")$3%,013;))

B,%)#,7")$47")+,:-)H423'%&)3'#)5""+)#/4GG4+1)4+$,)')&""G-)&'%6-)

G/'2";))

9")2,0/&)+,$)1"$),0$;))

H423'%&)4#)+,$)2,74+1)5'26;))

<()3"'%$)4#)5%,6"+;).)3'=")/,#$)7()5%,$3"%;).)'7)#'&;).)'7)#'&;))

<()5%,$3"%)4#)1,+";)))

H423;))H423'%&;))Q3)H423'%&;))Q3)H423'%&;))<()&"'%-)5"/,="&)

5%,$3"%;))83(R))Q3):3(R))

84$3)5%,6"+)3"'%$#-)4+)G'4+-)4+),0%)#"'%23)*,%)G"'2"-):"):'+$)

$,)6+,:):3(;)8")1%,G")*,%)'+)'+#:"%;)F)%"2"+$)2,+="%#'$4,+;))

F):,%&;))F)2,77"+$;))F+)"7'4/;))F+)"SG%"##4,+;))83(R))Q3)

H423'%&-):3(R))

.+)$3")<,0%+"%C#)T'&&4#3-):")#'()$3")*,//,:4+1):,%&#U)

IVV

Page 147: My Work: Art of Richard Louis Goldstein

!!!"#$%&'%!()!*$+%!,-)+$./0)1!2!

"3-+4.5-4./!/-0!64+&(!6-)7-!-0!7+0%/0(!%774+()85!/4!-)9!6)&&:1!!

;<!=%')&<:!!>.+!=+)08(9:!!?)7-%+(!6%9!@%+/!4= !/-%/!64+&(:!!

A*08/.%&&<B!%!C)+(!=.&&!4= !&)=0!C+4,0!/-0!9)&0870!)8!/-0!C%7,<%+(:!!

D/!&)850+0(:!3-+00!')8./09:!E4.+:!F8(!7-)+@0(:!F8(!/-08!/44,!

flight. A gentle, warm breeze caressed my skin and excited the

6)8(!7-)'09!60!-%*0!-.85!48!/-0!&%//)70!+44= !4= !/-0!@%/)4!4*0+!

/-0!<0%+9!)8!/-0!-4'0!)8!6-)7-!?)7-%+(!%8(!D!5+06!.@:!!

#$%&'%!()!*$+%!,-)+$./0)!2!

"3-+4.5-4./!/-0!64+&(!6-)7-!-0!7+0%/0(!%774+()85!/4!-)9!6)&&:1!!

F9!<4.85!C4<9B!?)7-%+(!%8(!D!60+0!C09/!C.(()09:!G0!60+0!HI!

'48/-9!%@%+/:!D!&4*0(!-)'!%8(!-0!&4*0(!'0:!J00@&<:!G0!54/!)8/4!

%!&4/!4= !/+4.C&0!/450/-0+:!F8(!-%(!%!&4/!4= !=.8:!K),0!

'%,)85!/-0!L4.,.@!C+4/-0+9B!6-4!&)*0(!48!4.+!9/+00/!%8(!

6%8/0(!/4!C0!'0'C0+9!4= !4.+!7&.CB!6%&,!4*0+!&%+50!()+/!7&4(9!

C0/6008!4.+!-4.90!%8(!%!C+)7,!6%&&!%/!/-0!=%+!08(!4= !4.+!<%+(B!

C0=4+0!)/!6%9!&%8(97%@0(B!)8!HMM!(05+00!9'45!&%(08!%)+!

7-%+%7/0+)9/)7!4= !9.''0+9!)8!/-0!*%&&0<!)8!/-0!HNOM9B!C%7,!

%8(!=4+/-B!.8/)&!/-0<!74&&%@90(B!%9!@%+/!4= !%8!)8)/)%/)48!+)/0!60!

(+0%'0(!.@:!>+!7%*4+/)85!)8!%!(%+,!5%+%50!80P/!(44+!6)/-!/-0!

;%8)7,!9)9/0+9!%9!@+0/0089:!>+!9)//)85!)8!4.+!C0(9B!.8(0+60%+!

dresser drawers open, outfitted with two of our dad’s fishing

@4&09B!@+0/08()85!60!60+0!%/!K%,0!Q%7-.'%B!@.&&)85!)8!

?%)8C46!3+4./:!!R0!&44,0(!.@!/4!'0!%8(!/+.9/0(!'0B!

.8748()/)48%&&<:!A*08!/-0!(%<!D!/4&(!-)'!/4!9)/!48/4!%!&%+50!HS!C<!

TS=44/!C4P!=+4'!4.+!U4-88<!L0*08!>;FB!480!'%8!%+'<!/4<!

assault rifle, at the top of the staircase, and I sent him careening

down to the ground floor on the cardboard toboggan. We were

)8!/-0!D8()%8!V.)(09!/450/-0+:!G0!60+0!C&44(!C+4/-0+9:!G0!9/)&&!

%+0:!!

Close. Very close. And yet, in the closeness, very different.

>*0+!/-090!<0%+9B!D!-%*0!&0(!/-0!&)=0!4= !%!+)9,!'%8%50+B!

')8)')W)85!/-0!(4689)(0B!%&6%<9!74870+80(!'49/!%C4./!'<!

9%=0/<!%8(!907.+)/<:!!

F8(!)8!/-%/!/)'0B!'<!(0%+!C+4/-0+!?)7-%+(!X.9/!&)*0(!&)=0:!34!/-0!

=.&&09/:!R)9!%+/:!R)9!'.9)7:!R)9!-.'4+:!R)9!)8*08/)489B!

74870@/9B!50/!+)7-!Y.)7,!97-0'09B!6%<9!/4!'08(!/-0!64+&(:!R0B!

&),0!4.+!(%(B!64.&(!84/!C0!/)0(!(468:!#<!%8<C4(<:!R0!6%9!

%&6%<9!+0%7-)85!)8B!()55)85!(00@0+B!%8(!74')85!.@!6)/-!/-0!

'49/!)89@)+0(!%8(!7+0%/)*0!/-)859!/-%/!74.&(!74'0!=+4'!%!9)85&0!

-.'%8!C0)85B!%8(!'4+0:!F8(!-0!6%9!%&6%<9!+0%7-)85!4./!/44:!!

R)9!&4*0!6%9!C4.8(&099:!J%8)0&:!J%8%:!;0B!4.+!@%+08/9B!4.+!

9)9/0+9:!!

F%+48!%8(!A/-%8!2!J0CC)0$9!%8(!'<!,)(9:!R0!6%9!/-0!7&%99)7!

"=.8!.87&0:1!J+0%')85!.@!0P7)/)85!%(*08/.+09!6)/-!/-0'B!

turning those dreams into a film script, and playing a leading

role as Daniel cried “action!” and began rolling the film. In

"K)=0!%8(!3)'09!4= !D&&05%&!?%70+9!DDB1!?)7-%+(!9/%++0(!%9!

HZT

Page 148: My Work: Art of Richard Louis Goldstein

“Mack,” a police officer who exploded out of the trunk of

!"#$%&'()*+$,-.)+%/)0"/$&&"12)"#/)3+/%+%/)%4%+53#%)3#.3).-%)

,+36#/)7$.-).-%$+)-"#/()"*34%).-%$+)-%"/(8)9:$;%)"#/)<$=%()3; )

>&&%,"&)?"1%+()>>@)7"().-%)(%A6%&).3)9:$;%)"#/)<$=%()3; )>&&%,"&)

Racers I,” which featured a smoke-filled room, loud music, and

")&"+,%)B33&)."*&%8)C#/).-%)("#/)1"(.&%)13=B%.$.$3#()".)

D"#-".."#)E%"1-2)7-%+%)?$1-"+/)736&/)B+%.%#/).3)*%),$4$#,)

.-%)*35()/+$4$#,)$#(.+61.$3#()7-%#%4%+)B%3B&%)7"&F%/)*52)(3).-".)

#3)3#%)736&/)34%+-%"+).-%$+).3B)(%1+%.)*6$&/$#,)B&"#(8)G%).33F)

them into his confidence. They trusted their uncle

6#13#/$.$3#"&&58)<-%5)&34%/)-$=)6#13#/$.$3#"&&5)"#/)-%)&34%/)

.-%=)*"1F8))

C#/)3; )136+(%)-$()&34%)/$/)#3.)(.3B).-%+%8)H+$%#/(8)E6($#%(()

"((31$".%(8)G%)/%1+$%/).-%)7%&;"+%)(.".%2)"#/).-%)."I%()

confiscated to fund it, and yet he ran his own private welfare

(.".%8)>#)-$()&".%+)5%"+()"()")&"#/&3+/2)-%)(-"..%+%/)=5.-()"*36.)

the tightfisted rent collector. He acted as if his job as a property

37#%+)7%+%).3)-%&B)B%3B&%8)>=",$#%).-".8)>#)-$()3.-%+)*6($#%(()

dealings too. Dedicating himself selflessly to the interests and

7%&;"+%)3; )-$()1&$%#.(2)*6($#%(()"((31$".%(2)"#/)%=B&35%%(8)G%)

.33F)$.)B%+(3#"&&58)C&&)3; )$.8)D5)*+3.-%+)?$1-"+/)7%#.).-+36,-)

&$;%)"()$; )-$()=$(($3#)7%+%).3)-"4%)"()=61-);6#)"()B3(($*&%)"#/)

*+$#,)"()="#5)3; )6()"()B3(($*&%)"&3#,);3+).-%)+$/%8)>)F#37)=5)

"&33; )="##%+)3;.%#);+6(.+".%/)-$=8)C#/)#3.)J6(.);3+)7-".)$.)7"()

"*36.)=%).-".)-%)7"()=$(($#,)36.)3#8)E6.2)=3+%)$=B3+."#.&52)

7-".)$#)&$;%)>)7"()=$(($#,)36.)3#).338))

:$F%)-$()B"(($3#);3+)1"+(8)?$1-"+/)7"()#3.)")1"+)13&&%1.3+8))))

?$1-"+/)7"()($=B&5)1+"K5)"*36.)1"+(8)L-%#)>)=34%/).3)

E%+F%&%5);3+)13&&%,%2)>),"4%)-$=)=5)*+$,-.)*&6%)MNOP)0"="+32)

7-$1-)>)*36,-.);+3=)36+);"=$&5);+$%#/)!"4%)Q36#,)5%"+()*%;3+%)

"#/)(.$&&)(=%&&%/)3; )!"4%'()1$,"+8)C()")(-37)3; ),+".$.6/%2)"#/).-%)

*%,$##$#,)3; )-$()1"+)1+"K%2)-%)(3&/).-".)1&"(($1)=6(1&%)1"+)"#/)

.+"/%/)6B)R)3+)/37#)R).3)")!".(6#)ESTMU8)<3).-$()/"52)%4%#)=5)

.73)*35()R)C"+3#)"#/)V.-"#)R)/3)#3.);3+,$4%)-$=).-".)

$#/$(1+%.$3#8)E6.)$.)/$/)#3.)(.3B).-%+%8)C))TWUX8)C)9:%)1"+8@)#3.)

="#5)3; ).-3(%)&%;.2)$; )%4%+8)C):%I6(8)C)Y",6"+8)<-%)*+$,-.)+%/)

0"/$&&"12)&$1%#(%)B&".%)9Z>!)0C!2@)"#/)3#8)C#/)3#8)>.)7"()

B"(($3#8)<+6%)B"(($3#8)C&&)-%"+.8))

G$()"+.)7"().-%)("=%8)!+"7$#,2)1"+.33#$#,)%4%+5.-$#,8)C#/)

=6($18))

C#/)&$;%8)?$1-"+/)7"()B"(($3#".%8)E36#/&%((8)0+"4$#,)&$;%8))

<-$+(.$#,);3+)&$;%8)G%)F#%7).-".)3B%##%((2)*%#%43&%#1%2)&34%)$()

.-%)3#&5)7"5).3),%.).-%+%8)?%"&&5),%.).-%+%8)[%#6$#%)

%#,",%=%#.8)C#/)-%)&34%/8):$F%).-%)B"(($3#)"#/)&34%).-".)

B+3B%&&%/)-$=)"()")*35);+3=).-%)*3..3=)3; )")=6+F5)B3#/)3#%)

/"5).3).-%)7"+=),+"(()"#/)/+5)&"#/2)7-%+%)-%).33F)=5)-"#/)

"#/)7%)7"&F%/)-3=%).3,%.-%+8))

?$1-"+/)$()#3.)13=$#,)*"1F8))

C#/)?$1-"+/)$()7$.-)6()$#).-$()+33=8)C#/)-%)7$&&)&%"4%)7$.-)

6(8)L%)7$&&)1"++5)-$=)7$.-)6();3+%4%+8)G"#/)$#)-"#/8)D"5)-$()

=%=3+5)*%);3+)")*&%(($#,8))

D$1-"%&)[3&/(.%$#!%1%=*%+)O2)TUM\

MWO

Page 149: My Work: Art of Richard Louis Goldstein

!"#$%$#&%'#("#)*)+",-./01#23+#,-3')#34 #"35#&-3#6/3&#()7#"35#

6/3&#,-%,#("#$%$#&%'#,-)#(3',#.(83+,%/,#8)+'3/#./#("#9.4)1#:#

&359$#/3,#;)#,-)#8)+'3/#:#%(#,3$%"7#&.,-35,#-.(1#<)#&%'#,-)#

smartest, wisest, most caring and selfless person. Every

$)=.'.3/#:#(%$)7#:#&359$#%'6#-.(#%;35,1#<)#0%*)#,-)#;)',#%$*.=)#

)*)/#,-350-#.,#&%'/>,#%9&%"'#&-%,#:#&%/,)$#,3#-)%+1#!"#$%$#$.$#

)*)+",-./0#,3#(%6)#)*)+"3/)#)9')#-%88"#%/$#,-%,#=3/,+.;5,)$#,3#

-.'#'%$/)''1#<)#$.$/>,#6/3&#-3&#,3#(%6)#-.(')94 #-%88"#;)=%5')#

he thought of others first. No matter how bad life was for him,

-)#&3++.)$#%;35,#("#;+3,-)+#%/$#:1#?*)/#,-350-#-)#$.$/>,#-%*)#

money to spare, he would offer me money, buy me things, or try

to pay my bills. He was the most selfless person I knew.

:#/)*)+#$+)%(,#%;35,#("#&)$$./0#$%"7#;5,#:#$+)%(,#34 #35+#

4%,-)+#$%50-,)+#$%/=)1#@/$#/3&#:#&.99#/)*)+#-%*)#,-%,1#?*)+"#

05"#:>*)#$%,)$7#:#=3(8%+)$#,3#("#$%$#%/$#+)%9.A)$#,-%,#:#&359$#

never find anyone like him. He is definitely one of a kind.

:#%9&%"'#$+)%(,#%;35,#-%*./0#6.$'#%/$#,-350-,#%;35,#-3&#95=6"#

,-)"#&359$#;)#,3#-%*)#%#0+%/$8%#9.6)#-.(1#<)#&359$>*)#'83.9)$#

,-3')#6.$'#%'#(5=-#%'#-)#'83.9)$#()7#%/$#/3&#:#&.99#/)*)+#;)#

%;9)#,3#'))#,-%,1#

!"#$%$#&%'#,-)#=339)',#%/$#(3',#45/#$%$#,3#-%*)#0+3&./0#581#

<)#'83.9)$#("#;+3,-)+#%/$#:#+3,,)/#%/$#&)#-%$#)*)+",-./0#&)#

=359$#-%*)#)*)+#&%/,)$1#2+3(#,-)#+)$#B%$.99%=#?9$3+%$3#

=3/*)+,.;9)#-)#;350-,#43+#("#;+3,-)+#,3#,+.8'#,3#C)+(5$%#%/$#

,-)#B%+.;;)%/1#D)#$.$#.,#%99#%/$#-%$#'3#(5=-#45/1#:#-%*)#'3#

many great memories filled with laughter and love that I share

&.,-#("#$%$1#!3',#34 #%99#&)#93*)$#=3()$"#(3*.)'1#!"#;+3,-)+7#

$%$7#%/$#:#&359$#%9&%"'#E53,)#(3*.)'#%/$#)*)+"3/)#)9')#&359$#

-%,)#.,#;)=%5')#,-)"#/)*)+#6/)&#&-%,#&)#&)+)#,%96./0#%;35,1#:#

03,#("#')/')#34 #-5(3+#4+3(#("#$%$#%/$#,-%,#.'#3/)#34 #,-)#;)',#

0.4,'#-)#)*)+#0%*)#()1

23+#,-)#8%',#=3589)#34 #")%+'7#("#$%$#=-%/0)$1#<)#$.$/>,#9%50-7#

=+%=6#F36)'7#,)99#45//"#',3+.)'7#3+#)*)/#'(.9)#(5=-1#<)#&%'#

$)8+)'')$#%/$#$.$/>,#6/3&#-3&#,3#-%/$9)#.,1#:,#&%'#%99#,33#(5=-#

43+#-.(#,3#-%/$9)1#<)#93*)'#("#;+3,-)+#%/$#:#'3#(5=-7#,-%,#:#

6/3&#,-%,#&-%,#-)#&%'#4))9./0#./'.$)#-%$#,3#;)#,-)#&3+',#4))9./0#

ever because he would not selfishly leave us if it wasn’t too much

,3#-%/$9)1#:#&.99#/)*)+#4599"#5/$)+',%/$#&-"#-)#-%$#,3#9)%*)#%/$#

("#9.4)#&.99#/)*)+#;)#,-)#'%()#&.,-35,#-.(1#G-)+)#.'#%#-39)#./#

("#-)%+,#,-%,#&.99#/)*)+#;)#+)89%=)$1#

G-%/6#"35#,3#)*)+"3/)#43+#,-)#'5883+,#%/$#93*)1#H35#%99#6/)&#

("#$%$7#&-3#-)#+)%99"#&%'#&-)/#-)#&%'#-%88"#%/$#-.(')94 #%/$#

,-%,>'#-3&#&)#%99#-%*)#,3#+)()(;)+#-.(1#

#:#93*)#"35#$%$1

I%/%#J39$',)./I)=)(;)+#KLMN

MOP

Page 150: My Work: Art of Richard Louis Goldstein

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