New Music for Handbells and Handchimes · New Music for Handbells and Handchimes ... MMOMSM503450B Piano Score $3.00 ... The final section pairs the quarter note theme with thick

Summer 2010

New Music for Handbells and Handchimes

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Presented by Jeffers Handbell Supply, Inc.1-800-JHS-BELL • www.HandbellWorld.com

1: Away in a Manger arr. Bob BurroughsWho doesn’t like a piece that sounds harder than it is? This charming arrangement of the tune Cradle Song features optional handchimes and varied handbell techniques. A flowing accompaniment of eighth notes accompanies the melody for most of the piece. 4-5 octaves/opt. handchimes Level 2+MMOMSM30140 $2.75

2: Praise, My Soul, the King of Heaven arr. Tim WaughTim Waugh has set this familiar hymn text to a brand new tune in G Minor. Designed as a large festival piece, the piece calls for SATB choir, handbells, and organ with optional piano, 3-5 octave handchimes, and timpani. However, the piece can be done in many ways, including with handbells alone.3-5 octaves opt. handchimes, SATB choir, organ, piano, timpani Level 2+MMOMSM30345 Handbell Part $3.00MMOMSM503450 SATB $1.85MMOMSM503450A Full Score 15.00MMOMSM503450B Piano Score $3.00MMOMSM503450C Organ Score $3.00MMOMSM503450D Timpani Part $2.00

3: Flexible Hymn Accompaniments, Set 2 arr. Sondra TuckerEach tune contains an introduction or interlude, a traditional and an alternate harmonization, with instrumental duet and vocal descant parts as an added bonus. This approach allows for a variety of ways to give a fresh, unique sound to congregational singing. Contains: Alleluia, Sing to Jesus; We Gather Together; Come, Christians, Join to Sing; Praise Ye the Lord, the Almighty and For the Beauty of the Earth. 3-5 octaves w/ organ Level 2MMOMSM30141A $5.00MMOMSM30141 Full Score/Organ Part $20.00

4: A Medieval Procession arr. Charles PeeryThe tune Orientis Partibus is given a quaint, modal treatment reminiscent of its earliest use: as a carol in which the congregation sang “Hail, Sir Donkey!” in honor of it carrying Mary. The ringers process while playing simple patterns, then play the body of the piece when at the tables. Although the hand drum, finger cymbals, and tambourine are optional, the piece sounds markedly better when they are included. 3-5 octaves/opt. percussion Level 2MMOMSM30132 $3.00 5: O Love, How Deep, How Broad, How High arr. Philip RobertsThe tune Deo Gratias is given a fresh, varied setting, which is a pleasant departure from the staid nature of the original. For 3-5 octaves, this piece will give your handbell choir a chance to work on expressive ringing, with dynamic changes and tempo flexibility. 3-5 octaves Level 2+MMOMSM30844 $3.00

6: This is the Day arr. Charles PeeryOriginally an antiphonal piece for double chorus, this arrangement has the organ and handbells in dialogue. “This is the day the Lord has made,” an exerpt from Psalm 118, is often used as an introit on Easter. It would be appropriate for any festive worship service. Easy and majestic. 3-5 octaves/opt. organ (included) Level 2+MMOMSM30710 $3.00

7: Reprise arr. John BehnkePaul Manz was asked to write an organ reflection on his great choral masterpiece E’en So, Lord Jesus, Quickly Come. His composition was reflective, poignant and culminated in a glorious restatement of the tune of this great piece. This arrangement of that organ work captures all of the beauty and love that Dr. Manz put into his into his reflection.3-6 octaves/opt. handchimes Level 3MMOMSM30850 $3.00

8: Londonderry Gardens arr. Charles PeeryTwo Irish tunes, Down By the Salley Gardens and Londonderry Air, are creatively intertwined. Although both tunes can be found as hymn tunes as well as other more vernacular uses, the emotive qualities of these melodies are transcendent. Subtle for services of remembrance, worship with a Celtic flavor, or near St. Patrick’s Day, we’re sure your handbell choir will enjoy ringing this piece, whenever you use it. 3-5 octaves/opt. handchimes Level 3MMOMSM30922 $3.00

9: On Jordan’s Stormy Banks I Stand arr. Sharon RogersThis spirited composition on the traditional American melody The Promised Land can be used as a good teaching tool, as it employs multiple ringing techniques. The beginning forte section, written in F minor, is a lively contrast to the slower middle section in F Major, using bells, chimes and later adding mallets. The piece climaxes to an exciting conclusion with ponderous minor chords.3-5 octaves/opt. handchimes Level 2MMOMSM30706 $3.00

10: O God, Beyond All Praising arr. Philip YoungUsing the stately tune Thaxted (from Holst’s The Planets), this approachable arrangement begins sedately, with simple chords accompanying the melody, occasionally set in the bass clef. Both the chord thicknesses and the excitement build, leading to a fortissimo ending. Great for concert or worship. 3-5 octaves/opt. handchimes Level 2MMOMSM30705 $3.00

11: The Holly and the Ivy arr. John BehnkeAt times lilting, at other times rhythmic, this arrangement is imbued with enthusiasm and a sense of humor. The “prickle” and “berry” verses are set in minor keys, providing a wonderful contrast and allowing a welcome return of the major key for the final verse. The handbell parts are optional but add lots of of sparkle.2-3 or 3-5 octaves w/ SATB and pianoMMOMSM501720HB reproducible HB parts $14.00MMOMSM501720 SATB $2.25

12: O Savior, Blessed Savior James BieryTwo texts are provided: the traditional Eucharistic Latin text for this chant melody and an English text, “Savior, listen while we sing”. The piece may be sung as an unaccompanied motet or the optional handbell and C or B-flat instrument parts may be added. Keyboard part may be played from either the choral score or full score.3 octaves w/ SATB, KB and opt. C or Bb instrument MMOMSM505115B repro. HB and inst. parts $15.00MMOMSM505115A Full Score $17.00MMOMSM505115 SATB $1.85

13: All Creatures of Our God and King arr. JC and JI HarrisThis hymn arrangement begins with resonant octaves and chords marching in majestic quarter notes in 6/4 meter. It becomes more intense with high register sequences adorning the single line melody. The final section pairs the quarter note theme with thick throbbing chords in malleted bass bells. The bell resonance and the driving rhythm will make this piece a joy to ring.4-5 octaves Level 3MFLHB384 $3.95

14: Count Your Blessings arr. Matthew PrinsA familiar hymn receives a unique harmonic treatment in this tender, graceful arrangement. The tune is carried in the soprano bells, with later alto harmony added. Chords in the tenor range add interest. Rhythms are uncomplicated but there is some easy syncopation throughout. Try this setting for a new flavor, enhancing a simple hymn tune.5 octaves/opt. handchimes Level 3+MFLHB388 $3.95

15: Highlander’s Lament arr. Malcolm WilsonThe unmistakable Scottish flavor of this handbbell arrangement with additional percussion is a real attention-grabber. The piece is a trio between high, middle, and low bell registers, keeping all ringers equally busy and resulting in a wonderful resonance in either the 2 or 3 octave setting. Rhythms include dotted quarter-eighth combinations and even-eighth scalar patterns at a moderate tempo. Percussion for bodhran, drum, or tambor adds delightful color.2-3 octaves Level 2+MFLSB431 HB or HC/opt. percussion $2.95

16: His Praise Endureth Forever Matthew PrinsThis is an emotionally intense original work that will benefit from good ringing techniques. A single line melody expands to a duet and then into vibrant chords. Support is provided by almost constant eighth note patterns and tolling bass notes. The challenge for ringers will be keeping these elements in balance. Rhythms are easy; tonality moves from E to D major and back, and there are frequent accidentals to keep everybody alert.4-5 octaves handbells or handchimes Level 3+MFLHB389 $3.95

17: It Is Well with My Soul arr. Brian ChildersHandbell soloists will enjoy the performance possibilities of this beautiful hymn setting. Imaginative counter-themes in the piano and an optional Bb trumpet part add complexity to the bell melody throughout. The trio in the the middle section is especially effective. The trumpet part is optional but adds much depth to this piece, while the piano accompaniment needs a competent level of facility.Solo w/ piano and opt. Bb trumpetMFLHB383 $3.95

18: The Joy of Christmas arr. Robin BentonThe familiar carols O Come All Ye Faithful, Silent Night and Good King Wenceslas receive some unique rhthmic twists in this medley. Syncopation and tension of duplet versus triplet eighth notes will keep ringers alert and focused. This is a subtle and sophisticated Christmas choice.3 octaves Level 3MFLHB386 $3.95

19: Melodic Moods Fred MerrettThis is a tuneful, uncomplicated piece scored in quarter and eighth notes, with lots of echoes for amusing contrast. Textures thicken and rhythms gain complexity as the “moods” change. This is a fine teaching piece for early ringers, with easy transitions from 3/4 to 4/4, and opportunities for developing musical interpretation.3 octaves w/ 3 oct. handchimes Level 2+MFLHB387 $3.95

20: Nimrod arr. Robin BentonBenton brings us another arrangement from Edward Elgar, whose lush harmonies seem well-suited to the resonance of handbells. Nimrod, the “mighty hunter before God,” is the inspiration here, giving an unusual subject and a colorful music experience for performance in worship or concert. Easy rhythms of quarters and eighths and rich chords with minimal accidentals account for the level three rating.3-5 octaves Level 3+MFLHB385 $2.95

21: Ode to Jesu, Joy of Man’s Desiring arr. William GrossThese two well-loved tunes receive a unique blending in this bronze level arrangement. It is a rhythmic melange of duplet and triplet eighth notes imbedded in meters of 6/8, 9/8, 12/8, 3/4, 5/4 and 6/4. Key centers are C, F, Eb and Ab with some accidentals along the way. Introductory measures are rung, but syncopated mallet patterns become the norm as the piece progresses. This is a fascinating piece with lots of tonal and technical colors and rhythms that drive from beginning to end.3-7 octaves/opt. handchimes Level 6MFLHB375 $4.95

22: Praise the Lord with Shouts of Joy William GrossThis original work is a study in handbellbell techniques, especially focusing on percussive sounds. Highly syncopated rhythms will take practice and intense focus in the beginning and ending sections. A contemplative treatment of the theme in the middle section offers delightful contrast. The piece centers in the key of C, but there are frequent accidentals that add surprising tonal color. It is challenging but will be a joy to perform.5 octaves w/ 5 oct. handchimes Level 5MFLHB368 $3.95

23: Shall We Gather at the River arr. Brian ChildersFlowing arpeggiated chords in the piano accompany the handbell melody to this lyrical traditional hymn. Beginning and ending sections are scored for bells from C6 to D7 range and may be arranged in a bell tree configuration for playing ease. The main body of the piece utilizes the bells from D5 through A6, with a lovely duet between the piano and bells in the middle section. The piano setting requires some technical facility, but adds great beauty to this arrangement.Solo w/ piano/opt. bell tree MFLHB382 $3.95


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Copyright © 2010 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

All rights reserved. Printed in U.S.A. www.MorningStarMusic.comReproducing this publication in any form is prohibited by law without the permission of the publisher.

The CCLI License does not give permission to copy this music.

Timothy H. Waugh

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œœœœœœœœœœœœœœœœ

œœœœœ œœœœœœœœ œœ

MaestosoSk Sk

LV

49œœœœœœœ

œœœœœœœ

œœœœœœ œ


œœ œœœ œ R

50 œœœœœœ œœ

œœœœœœœ œœœ

œœ œœœœœœœœœ

œœœœœœœœœ


Sk Sk

51

œœœœœœœœœœœœœœœœœ œœ

œœœœœœœœ œœœœœœ

œœ

MSM-30-345

6

Praise, M

y Soul, the King of H

eaven (cont.)

&

?

œb œ œ œ œ œ œb œ œ# œb œœœœ

œœœœ

œœœœbb

œœ

œ œ œ œ œ œ œb œ œb œ œ œ œ œ œb œ œ#

)

optional

(

&

?

b

b

43

43



œœœœœœœœ

Introduction or Interlude

q = 1042 ..........

3œœœœœœ

œœœœœœœ

œœœœœœœ..

4

œœœœœœœ

œœœœœœœ

œœœœœœ...

5œœœœœœ

œœœœœœœœœœœœ œ

œœœ œœœ œœœœœ œ

&

?

b

b

6œœœœœœ

œœœœœœœœœœœ#

œœœœœœœœ

œœœœœœ##

7œœœœœœ


œœœœœœœœœ

œœœœ

8œœœœœœ


œœ œœœ œœ.

9 œœ œœ œœœœ

œœœœ œœœœ

œœœœœœ

( ) 10.....U

...

.u

14

MSM-30-141A




Praise Ye the Lord, the AlmightyPraise to the Lord, the Almighty

( )

optional3, 4 or 5 OctavesHandbells used: 25, (32), (39)

Sondra K. Tucker, ASCAP Based on LOBE DEN HERREN

from Ander Theil Des Erneuerten Gesang-Buchs, Stralsund, 1665

3-octave choirs omit bells in ( ).

Flexible H

ymn A

ccompanim

ents, Set 2

5


23 24 25 26

27 28 29 30

[ ]

[ ]

[ ]

[ ]

31 32 33 34

m*

R

m

m

m

m

m

m

m

m

*Measures 31-38, stems down = martellato; stems up = R.

R

[ ]

m

[ ]

m

m

[ ]

m

m

[ ]

m

m

[ ]

35 36 37 38

m

m

m

m m

m

m

m

m

m

[ ]

m

m

[ ]

m

m

m

m

[ ]

MSM-30-132

5

7

8

9

10

Handbells

Group 1

f

Group 2

11

12

13

14

Group 3

Group 4

15

16

17

18

Group 5 Group 6

19 20 21 22

[ ]

MSM-30-132

4

A Medieval Procession




For the Gateway Ringers, 2008

3, 4, or 5 Octaves of Handbells

3, 4, or 5 octavesHandbells used: 28, (36), (41)

optional

optional

3 octave choirs omit notes in ( ).4 octave choirs omit notes in [ ].

1

Charles E. Peery

2

3

4

5

6

Finger Cymbals

Tambourine

Hand Drum

The first eighteen measures are intended as a processional. The ringers should be divided into six groups. Each two-measurepattern is one group, and each group enters as directed and continues, in a layered effect, until everyone is at the tables andthe director signals the beginning of measure 19.

The optional percussion parts may be played by ringers not involved in the piece. If percussion is not used, begin at measure7. The percussion parts may continue to the end of the piece, may stop and start at pre-selected points, or may end atmeasure 19. Additional percussion instruments and patterns may be used.

Tune: ORIENTIS PARTIBUS, Medieval French melody (PD).Music: Newly composed, and copyright © 2009 with this publication.

MSM-30-132

3

&

?

b

b

32œœœœœœœ œœ

œœœœœœœœœœœœ œ œœœœ

Setting II: Alternate Harmonization

33.......œœœœœœœ J

œœœœœœœ

..

.œœœ Jœ

œœœœ

34 œœœœœœ œœœœœœœ

œœœ œ œœœœ

35œœœœœœ

œœœœœœœœ

œœœœ œ œœœœ

36 ..œœœœœ Œ

œœœœœœ

.œœœ Œœœœœ

&

?

b

b

37.........

38œœœœœœ

œœœœœœœœœ

œœœœœ œœœ

39.......œœœœœœœ J

œœœœœœœœ

..

.œœœ Jœ œœœœ

40 œœœœœœ œœœœœœ

œœœ œ œœœœœ

41œœœœœœ

œœœœœœœœœ

œœœœ œ œœœœ

42 ..œœœœœ Œ

œœœœœœœ#

.œœ Œœœœœœ

#

&

?

b

b

43 ..


œœœœœœ

.œœœœœœ

œœœ

44

œœœœœœœœ

œœœœœœœ

œœ œœœœœœœœœœœ

œœœœœœœœ

45.......

##

...

.#

46œœœœœœœœ#

#œœœœœœœ

œœœœœœœœœœœœœœ# œœœœ

œœœœœ

47

œœœœœœœœœ

œœœœœœœ

œœœœœœœnn

œœœœœœœœ

œœœœn

&

?

b

b

48...œœœœœ


œœœœœœœœ

œœœœ

49 œœœœœœœœœ

œœœœœœ#

œœœœœœœ

œœœœœ#

( ) 50 œœœœœœœœœœœœœœbb


œœœ œœœœb œœœœ

51 ..œœœœœ


œœœœœœœœ œœœœœ

52 .....U

...

.u

16

MSM-30-141A

&

?

b

b

11œœœœœ

œœœœœœ


œœœœœœœœ

Setting I: Standard Harmonization

12......œœœœœœ J


...

.œœœœ

J

œœœœœœœœœ


œœœœœœœœ

œœœœœœœœ

( ) 14 œœœœœœœœœœ

œœœœœœœœœœ œœœœ

œœœœ

15...œœœ

œœœ œœœœœœœœ

œ œ

&

?

b

b

16.........

17œœœœœ

œœœœœœ


œœœœœœœœ

18......œœœœœœ J


...

.œœœœ

J

œœœœœœœœœ


œœœœœœœœ

œœœœœœœœ

( ) 20 œœœœœœœœœœ

œœœœœœœœœ œœœœ

œœœœ

21...œœœ

œœœ œœœœœœœœ

œ œ

&

?

b

b

22.........

23

œœœœœœœ

œœœœœœœ


œœœœœœœœ

24

œœœœœœœœœœœœœœœœœœœœœœ œœœ

..

25œœœœœœœ

œœœœœœœ


œœœœœœœœ

26



œœœœœœœ

œœœœ

&

?

b

b

27............

28 œœœœœœœœœ

œœœœœœœœœ

œœœœ œœœœ

( ) 29 œœœœœœœœœœœœ

œœœœœœœ#

œœœœœœœœ

œœœœ#

30...œœœœ

œœœœœœœœ

œœœœœœœœ

œ œœœœœ

31 .....U

...

.u

15

MSM-30-141A

39 40 41 42

mp R

43 44 45 46

47 48 49 50

m*

R

*Measures 47-48, stems down = martellato; stems up = R.

ff

m

m

m

R

m

R

[ ]

m[ ]

m[ ]

m[ ] [ ]

[ ]

51 52 53 54

[ ]

[ ]

[ ]

MSM-30-132

6

A M

edieval Procession

6


17 18 19

mf

f

( )

( )

20 21 22

ff

[ ]

[ ]

23 24

mf

cresc.

rall.

f

a tempo

25 26 27

[ ]

[ ][ ]

( )

[ ]

mf

[ ]

( )

( )

( )

( )

MSM-30-844

4

7 8

a tempomf

rall.

a tempo

9 10 11

mp

mf

( )

( )

12 13 14

dim. e rit.

15 16

a tempo

f

rall.

a tempo

mf [ ]

MSM-30-844

3

O Love, How Deep, How Broad, How High




For Terri Johnson

Level 2+


optional

optional


Philip L. RobertsTranquil (q = 96)1 2

Tune: DEO GRATIAS (AGINCOURT HYMN), 15th century English (PD).Music: Newly composed, and copyright © 2010 with this publication.

mp

3 4

( ) ( )

( )

[ ]

5 6

rit.

[ ]

MSM-30-844

2

55 56 57

[ ]

[ ] [ ]

58 59 60

m

m[ ]

MSM-30-132

7

38 39

( ) mf

( )( )

( )

40 41

dim. e rit.

[ ]

[ ]

42 43 44

mp

p

slower

dim. e rit.

pp

Tranquil (q = 96)45 46

mp

MSM-30-844

6

28 29 30

[ ]

[ ]

[ ]

rit.

[ ]

[ ]

[ ]

( )

31 32

mp

5 octave choirs double eighth notes 8va

mfa tempo

f

( ) ( )

( )

[ ]

33 34

dim. e rit.

mp

molto rit. e dim.

[ ]

Maestoso (q = 92)35 36 37

f

rall.

a tempo

[ ]

[ ][ ]

[ ]

( )

[ ]

[ ]

MSM-30-844

5

O L

ove, How

Deep, H

ow B

road, How

High

7


&

?

&

?

b

b

b

b

43

43

43

43

..

..

..

..

13 wwwwwwwwwww

13 wwww

14

∑

∑

œœ œ œ

h = hd

h = hd

15

∑

∑

# œœ œ œ

16

∑

∑

N œœ œ œ

&

?

&

?

b

b

b

b

17

∑

∑

17

œœ œ œ

18

∑

∑

œœ œ œ œnœ

19

∑

∑

..

. .

20 œœœœœ

œœœœ

∑

∑

MSM-30-710

HB

Org.

HB

Org.

4

&

?

&

?

b

b

b

b

5

Œ œœœœ œœœœœœœœœœ

Œ œœœœœœœœœ

œœœœ5

Ó

Ó

[ ]( )

6 Ó Ó

Œ œœ œœ œœ

Œ œ œ œœ œ œ

( )[ ]

7

Œ œœœœœ

Œ œœœœ

Ó

Ó

( )

8 ....œœœœ

jœœœœŒ>

œnŒ > œn

...œœœ J

œœœ

∑

∑

( ) ( )

&

?

&

?

b

b

b

b

9 Ó

Ó

9

Œ œœ

Œ œ œ

10

∑

∑

..œœjœœ

œ. > œn .œ Jœ

11

Œ œœœœœœœœœœ

œœœœœœ

œœœœœœ

œœ œœ œ œ œ œ

12 ..œœ J

œœ

.œ jœ...

œœœ .œ Jœ . œ

MSM-30-710

HB

Org.

HB

Org.

3

&

?œ œ œ œ# œ œ œb œ œ œ œ

œœ œœ##œœ

œœœœbb œ

œœ

œ œ œ œ œ œb œ œ œ œ œ œb œ œ

3,4, or 5 OctavesHandbells Used: 26, (32), (38)

optional

optional

&

?

&

?

b

b

b

b

22

22

22

22

1 wwwwwwwww

∑

∑

f

Maestoso (h = 60)SK

Handbells SK

[ ]( )

Organ

2

∑

∑

3 wwwwwwwww

wwww

( )[ ]

f

Ped.

4

∑

∑

MSM-30-710

2

This is the Day (Haec est dies)

For the Celebration Ringers, Webster Groves Christian Church, Webster Groves, Missouri

Charles Peery




Tune: Jacobus Gallus, 1550-1591 (PD)Music: newly composed, and copyright © 2010 with this publication.

3, 4, or 5 Octave Handbells and Organ

Level 2+


5 octave choirs double top note throughout.

47 48

mf

rall.

[ ]

a tempo

49 50

[ ]

f

( )

( )

51 52 53

[ ]

[ ]

[ ]

54 55 56

ff

rit.

molto rit.

[ ]

MSM-30-844

7

&

?

&

?

b

b

b

b

22

22

22

22

29 œœœœœ

œœœ

29

Œ Œ

30 œœœœœ

œœœœ

∑

∑

31 Ó Ó

œ# œ.œ Jœ œ œ œ œ

hd = h

hd = h

( )[ ]

32 œœœ##œœœ..œœ Jœœ

œœœœ

N Ó Ó

( )[ ]

&

?

&

?

b

b

b

b

33 NN Ó

Ó

33

Œ œœ œœ œœ

Œœ œ œœ œ œ

( )[ ]

34

Œœœœœœœ


Œ œœœœœœœ

œœœ

Ó Ó

( )[ ]

35 Ó

Ó

Œ œœ œœ œœ

Œœ œ œœ œ œ

( )[ ]

36

∑

∑

œœ œœ œœ œœn œœ œœ œœ œœœ œ œ œœ œ œ œ

œ œ œ œ

MSM-30-710

HB

Org.

HB

Org.

6

&

?

&

?

b

b

b

b

21 ## œœœœœ

œœœ21

∑

∑

[ ]

22 NNœœœœœœ

œœ

∑

∑

23 œœœœœ

œœœ

∑

∑

24 œœœœœ œn

œ œ œnœœ

∑

∑

&

?

&

?

b

b

b

b

25 Œ

Œ

25 œœ œ œ

26 œœœœœ

œœœœ

œœ œ œ

27 œœœœœ

œœœœ

œœ œ œ

28 œœœœœ

œœœ

œœ œ œ

MSM-30-710

HB

Org.

HB

Org.

5

This Is the D

ay

8


&

?

bbb

bbb

22

22

23

23

25 . œœœœœœœœœœœœœœœœ œœ œœ

ƒ( )

( ) 26.. œœ œœ œœœœœœ œœœœ œœœ œœœœ œœœ œœœ œ Œ œ Œ..

œœœœœœ

( ) ( ) 27 ..œœœœœœœœœœœœœ œœ œ

œ œ œ..

œœœœœœœœ

( )28 œ œ

œ œ œœ œ œœ3

&

?

bbb

bbb

23

23

22

22

23

23

29 .. œœœœœœœœœœœœœœ œ œ

œ œ œ œwwœœœœœœ

( )( ) 30

.

.œœœœœœœœœœœœœœœœœœœœ œœœ œœœ

œ Œ Œ..

œœœœœœœœ

31 ..œœœœœœœœœœœœœœœ œœ œœœ

œ œ œ Œ.. œœ

œœœœœœ

( ) ( ) ( ) 32

wwww

&

?

bbb

bbb

23

23

33 ..œœœ

œœœœœœœœœœœœœ Œ œ Œ

œ œœ œ Œ œ œ.. Œ

Ï

34œœœœœœœ

œœœœœœœœœœœœœœœœœœ


œœœœœœ Œ Œ œ œ œ

35 œœœœœœœœœœœœœœœœœœœœ


œœœœœœ œœ œ œ œww

&

?

bbb

bbb

36œœœœ

œœœœœœœœ

œœœœœnn œœœœœ

œœœœœœœœ

n

( ) 37 œœœœœ# nn œœœœ

œœœœœœœœœn

œœœœœœœœœœœœœœbb œœœœœœ

œ..

œœœœœ

œœœœß

38œœœœœœ

œœœœœœ

œœœœœœœœœœœœœœœœœœ œœœœ

œ œ œ œœœœœœœ

œœœ..

< >< >< >

MSM-30-850

4

( ) ( ) ( ) ( ) ( ) ( )

&

?

bbb

bbb

9

.. œ œ œ

.. Œ F

10 . œ œ œ œ3

11œ œ œ œ œ œ

12 œ œ œ œ œ œœœ

œ

œœ

3 3

&

?

bbb

bbb

13 . œ œ œœœ œœ œœ œœ œœ œœ œœ3

14 . œ œ œœ œœ œœ œœ œœ œœ œ3œ Œ Ó Œ œ

15 . œ œ œœœ œœ œœ 3 œœ œ

16

&

?

bbb

bbb

17

..œœ œœœ

œœœœ

.. Œ f

18 . œ œœœœœœœ

19 . œ œ œ

20 œ œ

&

?

bbb

bbb

21 . œ œœœœœœœ

22 . œ œ œœ

œ Œ

23 . œ œ œœœ œ Œ œ

24œ œ œ œ

MSM-30-850

3

&?

œ œb œ œ œ# œb œb œ œœœ

œœbb œœœ

œœœœbb œ

œœbb œœœ

œ œb œb œ œ œb œ œ œb œb œ œ œb œ œ œb œb œ œ

3, 4, 5 or 6 octavesHandbells used: 25, (32), (39), (42)

( )

optional

optional

&?

‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚

‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚

3, 4, 5 or 6 octavesHandchimes used: 15, (16), (17), (18)

optional

&

?

bbb

bbb

23

23

Ó Œ œ œ œ

Ó Ó

Adagio (h = 60)

P

2 . œ œ œ

3 . œ œ œ

4 œ œ

&

?

bbb

bbb

5 . œ œ œ œœ œœ

6 . œ œ œ œœ œ

Œ œ

7 . œ œœ œœ

œ œ

8

w

MSM-30-850

2 Reprise




(Reflections on E'en so, Lord Jesus, Quickly Come)3-6 Octaves Handbells and Opt. 3-6 Octaves Handchimes

Paul O. ManzArr. John A. Behnke, ASCAP

3 oct. choirs omit notes in ( ) 4 oct. choirs omit notes in < >

This arrangement is based on the organ solo, Reprise (Reflections on "E'en so, Lord Jesus, Quickly Come"), MSM-10-950, copyright © 1997,which is based on the original publication for SATB Choir "E'en So, Lord Jesus, Quickly Come", copyright © 1954, renewed 1982,and copyright © assigned 1987 to Birnamwood Publications. Used by permission. All rights reserved.

&

?

&?

b

b

b

b

43

43

43

43

..

..

..

..

44

44

44

44

37

Œœœœœœœ


Œ œœœœœœœœ

œœ37

œœŒ Ó

œ Œ Óœ

[ ]( )

38 œœœœœœœœ

œœœœœœœœnn œœœœ

œœœœœœœœ

œœœ

œ œ œ œjœ ‰ œ œœœ œ œ œ

∑

∑

( )[ ]

39 1 œœœœ Œ Œ

œœœœ Œ Œ

1 œœ œ œ

h = hd

h = hd

( )[ ]

&

?

&

?

b

b

b

b

44

44

44

44

40 œœœœœœ œœœ

œœœ œœœœœœ œœœ

œœœ œœ

œœ40

Œ œœœ

Œ œ œ

Slower

( )[ ]

Slower

41 œœœœœœ œœœ

œœœ œœœœœœ œœœ

œœœœ..œœ J

œœ

.œ jœ œ œ

rit.

rit.

42 œœœœœ


œœœœœ

w

( ) ( )[

( )[ ][ ][ ]

SK

SK

43 wwwwwwwwww

wwwww

( )[ ]

MSM-30-710

HB

Org.

HB

Org.

7

&

?

bbb

bbb

nnn

nnn

39..


œœœœœœœœœœ œœœœ œœœœŒ œ Œ œœœ

œœœœœœ

.

.

< >40

œœœœ œœœœœ

œœ

rit.

41 .....n

n Uœ œ œ

...

.n

uŒ Ó

Slower

< >

P

&

?

42 . œ œ œ···· ··· ··Ó · ···· ··

p

43 . œ œ œ·· · ···· ·· ···· ··

44œ œ ·· ··· ······ ·· ··· ··

45 . œ œ œ···· ···· ····Ó · ···· ··

&

?

46 . œ œ œ···· ··· ··· ·· ······ ··

47 . œ œ œ·· ··· ····· ··· ······ ··

48

w ·········

·····

49 ....··

,œ œ œ

......······

, Œ Óp

&

?

22

22

50 w ·..···......······

π

51 w········

vib.

vib.

vib.

vib. 52 ww·······

vib.

vib.

vib.

vib. 53 ww·U

·····u

vib.

vib.

vib.

vib.

MSM-30-850

5

&

?optional

optional

œ œ œ œ œ œb œ œœœ

œœœœ

œœœœ œb œ œ3, 4, or 5 Octaves

Handbells used: 25, (32), (37)

œ œ œ œ œ œ œ œ œ œ œ œ œ œb œ œ

&?

‚ ‚ ‚ ‚ ‚ ‚ ‚2 OctavesHandchimes used:10

‚ ‚ ‚

&

?

44

44

1

‰ œ œ œ œ œ œ œŒ œ œ œ

œ œ œœ œœ

Andante espressivo

P

2 œ œ œ jœ,U œ œ œ

œ œœ

Jœœu ‰ Œrit. a tempo

3 œ œ œ œ œ œ œ œœœ œœ œœ œ

Ó Œ œ

&

?

4 œ œ œ œ œ œU

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rit.

5

Œ œ- œ-Œ

œ œ ‰ jœ ‰ jœ œ œœ

a tempo

LV LV

6

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œ œœ ‰ jœ ‰ jœ ‰ jœ.. œœœœ

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MSM-30-922

2




Londonderry Gardens3, 4, or 5 Octaves Handbells and opt. 2 Octaves Handchimes

Tunes: LONDONDERRY AIR, Irish folk song (PD); DOWN BY THE SALLEY GARDENS, Irish folk song (PD).Music: Newly composed, and copyright © 2010 with this publication.

Charles E. Peery

3 octave choirs omit notes in ( ).4 octave choirs omit notes in < >.

Reprise

Londonderry G

ardens

9


&

?

19 œœ œœ œœœœ

œœœœ

œœœjœœ œœ jœœ jœœ œœ jœ œ œ

cresc.

20

œ-œ-

œ œ œ œœ ‰jœ œ jœ

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21

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œœ œ œLVLV

&

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23

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œœ œ œ œ œ œ œ œ-

24

Œ œœ- œœ

-œ-

œ

œœœ-

œ œ œ ‰ jœ œ-

œœ

&

?

25

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- œœ- œœ

-œ œ œ

œ-

œœ ‰ jœ ‰ jœ ‰ jœ..-

œœœœ< >

26œ- œœœ- œœœ

-œœœ-

œ œ œ œ œ œ Œœ- œ Œ ‰ jœ

rit.

< > < >

27 ..œœ- œœ œœ

jœœœœU

œ œ œ

œ œ œ œ Uu

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π

< >

&

?

28 .œ- jœ œ œ œ œ Œ ‚ ‚ ŒÓ Œ ‚

R

29 œ œ œ œ œ œ œ.. œŒ ‚ ‚ ‚

‚ Œ Óww

30 .œ jœ œ œ œ œ Œ‚ ‚ ‚

‚ Œ Ó

MSM-30-922

4

&

?

7 Œ œ- œ-

œ-

‰ œ œ œ œ œ Œœœ-

œ Œ ‰ jœ < > < >

8

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‰

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rit.

a tempo

< >

9

.œ- jœ-Œ œ- œ-

œœ œ œ œ œœ-

œœ œ œ

&

?

10

- œ- œœ- œ-œœ œ œ œ œœ œ œ œ

11

œ- œ- œ- .œ-‰

œœ œ œ œ œ œ œ œ-

R

12

Ó Œ ‰ jœ-

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œ -

LVLV

&

?

13

.œ- jœ- Œ œ- œ-

œœ œ œ œ œœ-œœ œ œ

simileLV

14

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œœ œ œ œ œœ œ œ œ

15

œ- œ- œ- .œ-‰

œœ œ œ œ œœ œ œ œœ-

œœœœ

&

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16

Ó Œ œœ

œ œ œ œ œœœ Œ-

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π

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jœœ œœœœ

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R

18 œœ œœœœJœ œ Jœ Jœœ œ Jœ

jœœ œœ jœœ jœ œœ jœœ

MSM-30-922

3

&

?

31 œ œ œ œŒ.‚ ‚ ‚ ‚

p

32 .œ jœ œ œ œ œŒ œœœ

œœœœ

œœœœœ

œ œ œ œœ

< > 33 œ œ œ œ œ œ œœœ

œœœ

œœœ

œœœ

œœ œ œ œ

( )

&

?

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œœœ

œœœ œœ

œ œ œœ œ œ

( )< > 35 œœ œœœœœ

œœœ..œœ Jœ Jœœ ‰ Œœœ œœ œœ œ œ œ œ œ Œ

œœ

f RLV

36 ...œœœjœœœ œœ œœ œœ

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œœ Jœœ œ Jœœ

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37 ‰ œ œœœœœœœœœœ œœœœ œœœ œœœ œœœ œœœ œ œœ

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39 jœœœœœœ-œœœœ-

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Jœœ œœ

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ƒ( )< >

&

?

40 œœœœ œœœœœœœœœœœbb œœœœœ

œœœœ œœœœœœœœœœœ œœ œœb œœœœ

b

œœœ œœb œœ œ œœœ œ œ œœ œ œœ

LV R accel.

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a tempo

42 ..œœjœœ œœ œœ œ œœ œœ œ œœ

œœ œ œœœ œœ

MSM-30-922

5

&

?

56

œœœ œ œjœ œœ jœœ

57

œ œ œ œ œ œ œœ

jœœ œœ jœ œ œ

58 Œ

œ-

œ-

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&

?

43

43

59

.œ- jœ-Œ œ- œ-

œœ œ œ œ œœ-

œœ œ œ

60

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œœ œ œ œ œœ œ œ œ

61

...œœœ Jœ œ œ

....

.

p

62œ œ œ œ œœœœœœœœœœ œœ

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&

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63 œ œ œ œ œ œœ œ œœ

œ œ œ œ œ.

64 œœ

œœ

œœœœ

œœœœœœ œ œœ

œœ œ œœ œ œœ œ.


œœœœœœœœ

œœœœœœœœœ œ

œœ œ œœ œ œœ œ. œ œ

66.........

U

....

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ƒ

&

?

67

œ œ œ

œœœ œ œœF

rallentando e morendo al fine68

œ œ œ

...p

69 ...œ œ œ 3

...π

70 ......···+

......·

∏

mallet treble bells only.

< >

MSM-30-922

7

&

?

43 Œ œœ-

œœ-

œ-

œœœ œ

œ œ œ œ ‰ jœ œ-œœœœœ

œœœ

P

44

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-œ œ œ

œ-

- œœ ‰ jœ ‰ jœ ‰ jœ.. œœœœ< >

45œ- œœœ- œœœ

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rit.

< > < >

&

?

46 ..œœ- œœ œœ

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‰ Jœœ ‰ Œ< >

a tempo

47 .œ jœ œ œ œ.œ- Jœ-

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‰ œ œ œ œ œ œ œœœ œœ

48 œœ œ œœ-œ œ œ œ œ œœ

-œœ-

.œ

‰ jœ-œ- œ œ

- Œ œœœœ

&

?

49 œ œ œ .œ jœ.œ- Jœ-œ-œ-‰Jœ-

œ œ œ œ œ œ- œœœœ

50 .œ œ œ œ œ œœœ-

œ œœ œœ œœ œœ œ-

œ œ œ œ œ œ-

œ-

œ

51 ..œœ jœ œ œ œ œ.œ- Jœ-

Œ œ-œ-

œ œ œ œ ‰ jœ œ œ œ-

&

?

52 œ œ œ œ œ œ œ- œ-œ-œ-

œ œ œ œ œ œ œ œ

53 .œ jœ œœ œœ œœ œœœ- œ-œ-

.œ- ‰œ œ œ œ œ œ œœ- œœœ œœ œœ

œœ

54 Œ œ

œœ œ œ œ œœœ Œ-

55 .œ jœ œ œ Jœ œœ Jœjœ œ jœ

MSM-30-922

6 On Jordan’s Stormy Banks I Stand




3, 4, or 5 Octave Handbells and opt. 3 Octave Handchimes

Level 2


optional

optional

3 octavesHandchimes used: 15


1

Sharon Elery Rogers, ASCAPSpirited (q = 96)2 3 4

Tune: PROMISED LAND, from W. Walker, Southern Harmony, 1835 (PD).Music: Newly composed, and copyright © 2009 with this publication.

Sk

f

R

SkR

5 6 7 8

Sk

R

[ ]

m

mf

m

MSM-30-706

On Jordan’s Storm

y Banks I Stand

10


23 24 25

LV

LV

LV

LV

LV

LV

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26 27 28 29

[ ]

LV

[ ]

LV

[ ]

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LV

30 31 32 33

LV

R

34 35 36

mp

(melody)mf

mp

MSM-30-706

5

9 10 11 12

m

13 14 15 16

rit.

A little slower (q = 88)17 18 19

mp

mp

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LV LV

20 21 22

LV

d

LV LV R

MSM-30-706

4

O G

od, Beyond A

ll Praising

37 38 39

40 41 42

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Spirited (q = 96)43 44 45 46

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m k

m

MSM-30-706

6

9 10 11 12

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13 14 15 16

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mf

LV R

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21 22 23 24

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MSM-30-705

4

O God, Beyond All Praising




For the Bell Ringers of The First Baptist Church, Henderson, North Carolina,in honor of three members of the group who have served in the armed forces in the Persian Gulf and Iraq:

W.O.3 Charles Goghill, U.S. Army, Ret.; Captain Parker Jackson, U.S. Marine Corps;and 3rd Class Petty Officer Patrick Jarrell, U.S. Navy.

3, 4, or 5 Octaves of Handbells and opt. 3 Octave Handchimes


optional

optional

Tune: THAXTED, Gustav Holst, 1874-1934 (PD).Music: Newly composed, and copyright © 2009 with this publication.

3 octavesOptional Handchimes used: 7

3 octave choirs omit notes in ( ).3 and 4 octave choirs omit notes in [ ].

Philip M. Youngq = 60 1 2 3 4

mp

mf

5 6 7

8

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MSM-30-705

3

25 26 27 28

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33 34 35 36

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38 39 40

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MSM-30-705

5

11


57 58 59

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MSM-30-705

741 42 43 44

45 46 47 48

f

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49 50 51 52

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53 54 55 56

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MSM-30-705

6

&

?

2-3 OctavesHandbells Used: 15, (21)

œ œ œ œ œ œb œ œ œ œ œ œœ

œ œ œ

optional

œ œ œ œb œ

optional

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?

b

b

4

3

4

3

4

4

4

4

4

3

4

3

Allegro ( q = ca. 128 )

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3

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56

6

112

2

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b

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4

3

4

3

1317

17

&

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b

b

30∑

œ

(Unison Voices)

œœ

œœ

mer ry or gan, Sweet

∑

31∑

œœ

œœ

sing ing in the

∑

32

˙

˙

f

œœ

œ

˙

˙

œ

33

˙

˙

œ

œ

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œ

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34

˙

˙

œœ

œ

˙

˙

œ

35

˙

˙

Œ

˙

˙Œ

- - -

MSM-50-1720HB

John A. Behnke, ASCAP

Commissioned by the Marquette County Chamber Chorale and Marquette Male Chorusfor the fifteenth “A Christmas Tapestry – Music for the Season”

SATB and Piano,with 2-3 Octave Handbells

The Holly and the Ivy


All rights reserved. Printed in U.S.A. www.MorningStarMusic.com

Tune: THE HOLLY AND THE IVY, Traditional English (PD).Music: Newly composed, and copyright © 2010 with this publication.

Reproducible Part for 2-3 Octave HandbellsHandbells

Purchaser may reproduce this page for instrumentalist provided the above copyright notice is included.

&

?

b

b

b

b

b

b

b

b

b

b

118∑

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sing ing in the

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119

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120

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.

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121

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122

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123

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b

124

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126

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127

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.

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TD

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.

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.

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.

128

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.

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.

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129

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130 ˙

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.

131

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.

132

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.

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.

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133

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.

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134

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.

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135

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b

4

4

4

4

136

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137

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138 ˙

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.

139

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.

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.

140

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143

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144

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145

∑

∑

146

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œ

œœ

œ

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MSM-50-1720HB

Purchaser may reproduce this page for instrumentalist.

Reproducible Part for 2-3 Octave Handbells(page 3 - The Holly and the Ivy)

&

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b

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36

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46

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48

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50

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51

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52

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65

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b

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b

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b

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66

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&

?

b

b

b

b

b

b

b

b

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723

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Slower ( q = ca. 88 )75

41

41

116

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117

∑

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mer ry or gan, Sweet

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- - -

MSM-50-1720HB


Reproducible Part for 2-3 Octave Handbells(page 2 - The Holly and the Ivy)

&

?

3 OctavesHandbells Used: 17

œ œb œ œ œb œ œb œ œ œb œ œ

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b

b

b

b

b

b

4

4

4

4

In flexible chant tempo ( q = ca. 76 )

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˙

˙

p

˙

2

˙

˙

˙

˙ ˙

3

Ó

˙

˙

˙

4

˙

˙

˙

˙ ˙

5

Ó

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˙

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6

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8

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b

b

b

b

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8

9

8

9

4

4

4

4

4

2

4

2

4

4

4

4

9

Ó

˙

˙

˙

10

˙

˙

˙

˙ ˙

e = e11

∑

∑

122

2

14

∑

w

poco rit.

15

∑

˙

a tempo

16

Ó

˙

˙

˙

17

˙

˙

˙

˙ ˙

&

?

b

b

b

b

b

b

8

9

8

9

4

4

4

4

18

Ó

˙

˙

˙

19

˙

˙˙

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20

∑

∑

21

Ó

œ

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22

w

w

w

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23

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MSM-50-5115B

James Biery

Commissioned by St. Anne Catholic Church, Houston, Texas,Jim Ross, Director of Music and Liturgical Ministry,

Matthew McCue, Handbell Choir Director and Organist,for the 2007 Pilgrimage to Eastern Europe

SATB and Handbells,with opt. Instrument in C

O Savior, Blessed SaviorAdoro te devote


All rights reserved. Printed in U.S.A. www.MorningStarMusic.com

Tune: ADORO TE DEVOTE (ADORO DEVOTE), Mode V chant (PD).Music: Newly composed, and copyright © 2010 with this publication.

Reproducible Part for HandbellsHandbells

Purchaser may reproduce this page for instrumentalist provided the above copyright notice is included.

The H

olly and the Ivy (2-3 Oct. V

ersion)

O Savior, B

lessed Savior

12


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poco stringendo

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MSM-50-5115B

*The choir and organ observe the caesura while the B5 sounds through the silence.


Reproducible Part for Handbells(page 2 - O Savior, Blessed Savior/Adoro te devote)

All C

reatures of Our G

od and King

13


Count Y

our Blessings

14


Highlander’s L

ament

15


His P

raise Endureth F

orever

page(s) of music omitted

16


It Is Well w

ith My Soul


17


The Joy of C

hristmas


18


Nim

rod

Melodic M

oods

19


Ode to Jesu, Joy of M

an’s Desiring

20


Praise the L

ord with Shouts of Joy!

21


22


Shall We G

ather at The R

iver


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MMOMSM30140 Away in a Manger 2+ 4-5 Opt. Handchimes Burroughs $2.75

MMOMSM30345 Praise, My Soul, the King of Heaven 2+ 3-5 Opt. Handchimes Waugh $3.00

MMOMSM303450 Praise, My Soul, the King of Heaven SATB parts Waugh $1.85

MMOMSM30345A Praise, My Soul, the King of Heaven Full Score Waugh $15.00

MMOMSM30345B Praise, My Soul, the King of Heaven Piano Score Waugh $3.00

MMOMSM30345C Praise, My Soul, the King of Heaven Organ Score Waugh $3.00

MMOMSM30345D Praise, My Soul, the King of Heaven Timpani Part Waugh $2.00

MMOMSM30141A Flexible Hymn Accompaniments, Set 2 2 3-5 w/ organ Tucker $5.00

MMOMSM30141 Flexible Hymn Accompaniments, Set 2 Full Score/Organ Part Tucker $20.00

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MMOMSM30844 O Love, How Deep, How Broad, How High 2+ 3-5 Roberts $3.00

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MMOMSM30922 Londonderry Gardens 3 3-5 Opt. Handchimes Peery $3.00

MMOMSM30706 On Jordan’s Stormy Banks I Stand 2 3-5 Opt. Handchimes Rogers $3.00

MMOMSM30705 O God, Beyond All Praising 2 3-5 Opt. Handchimes Young $3.00

MMOMSM501720HB The Holly and the Ivy 2-3,3-5 2-3 or 3-5 oct./ reproducible Behnke $14.00

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MMOMSM505115B O Savior, Blessed Savior 3 Reproducible HB/ inst. parts Biery $15.00

MMOMSM505115A O Savior, Blessed Savior Full Score/ Kybd Part Biery $17.00

MMOMSM505115 O Savior, Blessed Savior SATB parts Biery $1.85

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MFLHB388 Count Your Blessings 3+ 5 Opt. Handchimes Prins $3.95

MFLHB431 Highlander’s Lament 2+ 2-3 HB or HC/ Opt. Percussion Wilson $2.95

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MFLHB383 It Is Well with My Soul Solo w/ piano and opt. B-flat trumpet Childers $3.95

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MFLHB385 Nimrod 3+ 3-5 Benton $2.95

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MFLHB368 Praise the Lord with Shouts of Joy 5 5 w/ 5 oct. handchimes Gross $3.95

MFLHB382 Shall We Gather at the River Solo w/ piano/ opt. bell tree Childers $3.95

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