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One of the nice new features in Adobe’s InDesign CS3 is the ability to place multiple graphics at a time. InDesign gives you a small preview of each graphic next to the place cursor. You can scroll through the selected graphics by pressing the right or left arrow keys until you reach the one you wish to place. You can even remove a graphic from the list by hitting the Esc key.
A little known option is that if you hold down the Option key (Alt key on a PC) and click on a graphic frame — it will replace the existing graphic with the new one you currently have loaded! This Multiplace-and-Replace combination is a terrific time saver for designers who produce catalogs, or other projects with a large number of placed graphics.
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VOLUME 1NOV. 2007
The Cat is out of the bag...Apple releases OSX 10.5 Leopard
We have been testing Apple’s latest OS release and we like what we see
With the release of OSX 10.5 Apple has put out a very nice, evolutionary release. Overall the whole system has a fresher look and we have found the biggest bang-for-the-buck to be the changes that Apple has made to make your everyday work go smoother and faster. Apple lists over 300 new features to their operating system but there are a few that really stand out.
The Finder: For those of you that are iTunes users, you will feel right at home in the new Finder. The wow factor here is with the Cover-Flow view along with Quick View. We find ourselves using this more and more. You
can now browse through your files just like you do Album Covers in iTunes. No more trying to guess which is the right image, just browse in Cover-Flow. Once you are at the file you want, click the space bar to open it up in Quick View. You can even scroll through the pages of a PDF file without opening Acrobat or Preview.
Spaces: This would be number 2 on our most used features. Spaces gives you up to 16 virtual desktops. You can assign applications to open in a specific space or let it open in all spaces. Moving from space to space is just a click away. It is a great way to keep the clutter down to a minimum. You can view all spaces at once and drag applications and windows to reassign them. A great example of this is I keep Space number 1 for my email, instant messaging and calendar, space 2 for
my FileMaker work, space 3 for my FTP client and space 4 for my graphic apps.
Feel free to give us a call at the CRP Prepress department for any questions regarding Leopard.
We’re Here For You...Prepress Contact InfoManager: Charlie Bohm 617-241-5100 [email protected]
Second Shift Lead: David Doane (4pm-12)Third Shift Lead: Dan Smith (12-7am)617-241-5100 [email protected]
Your tips & techniques guide to preparing files for print production at CRP
Inaugural Issue
5 Common Mistakes
Here are the top 5 most common mistakes we see at CRP when preparing files to print
1. Missing/Incorrect FontsMissing/Incorrect fonts has been at the top of this list for years. So many versions of the same typeface exist that we can’t always make substitutions to fix type without risking a different look or causing the text to reflow. Always include the exact fonts used in your file. The use of a good font management tool is recommended.
2. Incorrect Page Size SettingIncorrectly specified page settings cannot always be fixed by simply scaling up or down, so make sure your document size is your trim size. Leave decisions such as grind off to CRP.
3. Missing and Unlinked GraphicsYour page layout document shows the image, but the actual file is missing. It could have become unlinked when saved in a folder that differs from the original location. With missing links, graphics on the page layout document will output in low-res or cannot be output at all. Make sure links are up to date.
4. Inadequate Bleeds/Page MarginsBleed photos and other graphics that extend to the edge of a page must be set up to overlap the trim margins by at least an 1/8th inch to avoid white along the edges. Also be sure you understand what the margin requirements are for the piece you are printing in order to avoid images or text getting cut off or being too close to the trim.
5. Failure to Use Preflight SoftwareIf your software program has a preflight or “collect for output” feature, be sure to use it. The newer version will help you collect all the fonts and images, search for missing items and avoid careless mistakes. Be sure to double check that all files are there after you collect for output because some fonts may not be collected properly.
Personalized Help DocumentsWe want to help you prepare better documents. With the various operating system versions
between Mac and PC, the various versions of software available and the different versions of PDF there is an infinite number of ways to successfully prepare your files for print at CRP.
Send an email to our Prepress Manager, Charlie Bohm at [email protected] outlining the operating system and version, your application and version, and if you have the full version of Adobe Acrobat, list that version also. We will send you a document outlining the proper procedures and settings for creating files for print at CRP.
We also have several other documents outlining best practices for file preparation, especially for cold-web printing.
Picking Colors Just Got EasierWe know how difficult it can be picking just the right color for your
project. Whether it is a spot color or a CMYK mix, how can you be sure what you are seeing on your screen or your internal proofs is going to print the way you intended.
With this in mind, we have created several color charts. The first shows a wide selection of CMYK process builds and the numbers used to achieve them; the second shows all of our stocked PMS Spot colors in 100%, 50% and 10%; and the third shows our house colors and their best CMYK conversion in 100%, 75%, 50%, 20% and 10%.
Let us know which chart(s) you would like and if you would like to see it on offset or newsprint stock. We will create a proof that is profiled to the press and specified stock.
This will provide you with an excellent tool for picking a spot or process mix color for printing.
CRP is happy to create custom help documents to assist you in your file creation.
The MIT Tech
Color Selection GuideReading the Color ChartProcess colors are composed of a mixture of
Cyan, Magenta, Yellow and Black
Example:Pantone159Mix1, 74, 100, 7
The FIRST Digitis the CYANdot percentage.
11% Cyan
The SECOND Digitis the MAGENTAdot percentage.
7474% Magenta
The THIRD Digitis the YELLOWdot percentage.
100100% Yellow
The FOURTH Digitis the BLACKdot percentage.
77% Black
HOUS
E SP
OT C
OLOR
S AN
D CM
YK E
QUIV
ALEN
TS 100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 108SPOT
CMYKMIX0, 6, 95, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 116SPOT
CMYKMIX0, 12, 100, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 1235SPOT
CMYKMIX0, 30, 95, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 021SPOT
CMYKMIX0, 53, 100, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 165SPOT
CMYKMIX0, 68, 98, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 160SPOT
CMYKMIX6, 71, 100, 32
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 159SPOT
CMYKMIX1, 74, 100, 7
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 1655SPOT
CMYKMIX0, 68, 90, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 199SPOT
CMYKMIX0, 100, 65, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 240 SPOT
CMYKMIX21, 90, 0, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 2627SPOT
CMYKMIX84, 100, 7, 33
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 280SPOT
CMYKMIX100, 78, 5, 18
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 301SPOT
CMYKMIX0, 30, 95, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 3125SPOT
CMYKMIX89, 0, 20, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 3272SPOT
CMYKMIX98, 0, 42, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 340SPOT
CMYKMIX100, 0, 74, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 361SPOT
CMYKMIX75, 0, 100, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 369SPOT
CMYKMIX0, 30, 95, 0
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 362SPOT
CMYKMIX78, 2, 98, 9
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 383SPOT
CMYKMIX26, 3, 93, 17
100%100%
75%75%
50%50%
20%20%
10%10%
100%100%
75%75%
50%50%
20%20%
10%10%
PANTONE 382SPOT
CMYKMIX28, 0, 92, 0
C
M
Y
CM
MY
CY
CMY
K
CRP__HouseSpot copy.pdf 2/20/07 2:59:09 PM
CYAN
MAGENTA
YELLOW
BLACK
GRAYS 10% 20% 30% 40% 50% 60% 70% 80% 90%
Charles River Publishing
Color Selection GuideReading the Color ChartProcess colors are composed of a mixture ofCyan, Magenta, Yellow and Black
Example:Swatch #109
CMYK82A082A0
The FIRST Digitis the CYANdot percentage.
880% Cyan
The SECOND Digitis the MAGENTAdot percentage.
220% Magenta
The THIRD Digitis the YELLOWdot percentage.
A100% Yellow
The FOURTH Digitis the BLACKdot percentage.
00% Black
PROC
ESS
COLO
RS
0 = 0%1 = 10%2 = 20%3 = 30%4 = 40%5 = 50%6 = 60%7 = 70%8 = 80%9 = 90%A = 100%
Uselowercaseletters formore exactcolor mixesa=1b=2c=3d=4e=5f=6g=7h=8i=9(ie: 5i=59)
#2 S 0A00#2 S 0A00
#3 S 00A0#3 S 00A0
#4 S 0380#4 S 0380
#1 S A000#1 S A000
#5 S 0810#5 S 0810
#6 S 07A0#6 S 07A0
#7 S 3700#7 S 3700
#9 S A0A0#9 S A0A0
#10 S 0AA0#10 S 0AA0
#11 S AA00#11 S AA00
#8 S A710#8 S A710
#12 S 5400#12 S 5400
#13 S 0400#13 S 0400
#14 S 7300#14 S 7300
#16 S 8020#16 S 8020
#17 S 8050#17 S 8050
#18 S 8080#18 S 8080
#15 S A100#15 S A100
#19 S 6080#19 S 6080
#20 S 4080#20 S 4080
#21 S 2080#21 S 2080
#23 S 02A0#23 S 02A0
#24 S 03A0#24 S 03A0
#25 S 04A0#25 S 04A0
#22 S 01A0#22 S 01A0
#26 S 06A0#26 S 06A0
#27 S 15A0#27 S 15A0
#28 S 1660#28 S 1660
#30 S 0774#30 S 0774
#31 S 3AA0#31 S 3AA0
#32 S 1AA0#32 S 1AA0
#29 S 1880#29 S 1880
#33 S 0770#33 S 0770
#34 S 0640#34 S 0640
#35 S 0440#35 S 0440
#37 S 0A10#37 S 0A10
#38 S 1A00#38 S 1A00
#39 S 5A00#39 S 5A00
#36 S 0A50#36 S 0A50
#40 S 3800#40 S 3800
#41 S 1830#41 S 1830
#42 S 2850#42 S 2850
#43 2000#43 2000
#44 4000#44 4000
#45 6000#45 6000
#46 0200#46 0200
#47 0400#47 0400
#48 0600#48 0600
#49 0020#49 0020
#50 0040#51 0040
#51 0060#51 0060
#52 7888#52 7888
#53 0110#53 0110
#54 0320#54 0320
#55 0410#55 0410
#56 0610#56 0610
#57 0620#57 0620
#58 0710#58 0710
#59 0820#59 0820
#60 0A30#60 0A30
#61 0A70#61 0A70
#62 0880#62 0880
#63 08A0#63 08A0
#64 0A01#64 0A01
#65 0A22#65 0A22
#66 0A33#66 0A33
#67 1410#67 1410
#68 1500#68 1500
#69 3310#69 3310
#70 2300#70 2300
#71 3400#71 3400
#72 3500#72 3500
#73 3600#73 3600
#74 4600#74 4600
#75 5500#75 5500
#76 6600#76 6600
#77 7700#77 7700
#78 8A00#78 8A00
#79 AA01#79 AA01
#80 7500#80 7500
#81 8500#81 8500
#82 A500#82 A500
#83 A300#83 A300
#84 A001#84 A001
#85 4100#85 4100
#86 4110#86 4110
#87 5010#87 5010
#88 5020#88 5020
#89 5030#89 5030
#90 5040#90 5040
#91 6020#91 6020
#92 8030#92 8030
#93 8040#93 8040
#94 8060#94 8060
#95 3020#95 3020
#96 3040#96 3040
#97 4030#97 4030
#98 10A0#98 10A0
#99 30A0#99 30A0
#100 50A0#100 50A0
#101 60A0#101 60A0
#102 70A0#102 70A0
#103 7080#103 7080
#104 5070#104 5070
#105 2060#105 2060
#106 4140#106 4140
#107 6260#107 6260
#108 6061#108 6061
#109 8280#109 8280
#110 82A0#110 82A0
#111 5054#111 5054
#112 A0A1#112 A0A1
#113 A0A2#113 A0A2
#114 A0A3#114 A0A3
#115 A0A4#115 A0A4
#116 A0A5#116 A0A5
#117 00A1#117 00A1
#118 1280 #118 1280
#119 0140#119 0140
#120 0150#120 0150
#121 0160#121 0160
#122 0180#122 0180
#123 0260#123 0260
#124 0360#124 0360
#125 0480#125 0480
#126 1680#126 1680
#127 1440#127 1440
#128 0330#128 0330
#129 0331#129 0331
#130 0333#130 0333
#131 0335 #131 0335
#132 0552#132 0552
#132 0663#132 0663
#134 0771#134 0771
#135 0882#135 0882
#136 0AA1#136 0AA1
#137 0AA3#137 0AA3
#138 3220#138 3220
#139 3330#139 3330
#140 0001#140 0001
#141 0002#141 0002
#142 0003#142 0003
#143 0004#143 0004
#144 0005 #144 0005
#145 A5a03#145 A5a03
#146 A4d00#146 A4d00
#147 05i9f0#147 05i9f0
#148 04cA0#148 04cA0
#149 0A6b0#149 0A6b0
#150 6e010#150 6e010
#151 5e0e0#151 5e0e0
#152 6010#152 6010
#153 A022#153 A022
#154 A60f#154 A60f
#155 2200#155 2200
#156 3030#156 3030
#157 08aA7g #157 08aA7g
#158 4330#158 4330
#159 640A#159 640A
Charles River Publishing www.charlesriverpublishing.comOne Bunker Hill Industrial Park ftp://ftp.charlesriverpublishing.comBoston, MA 02129 [email protected]: 617.241.5100Fax: 617.241.5111
Desktop Publishing Basics
“A listing of basic things you need to know when preparing
your files for printing at Charles River Publishing”
Rev.1 5/06
Items to Supply
Hard Copy: Hard Copy can be supplied as lasers
(preferred) or a screen ready PDF file.
Fonts: Supply all fonts used in your document, including
fonts used in placed eps graphics.
Graphics: Supply all graphics used in the document.
Images should be linked and not embedded. If you are
supplying a “flattened” file that was originally created using
multiple layers in Adobe Photoshop or Illustrator, send the
layered file also.
How to Build Your Files
Page Size: Build your document to the final trim size of
your publication. We generally do NOT use the standard
8.5” x 11” or similar sizes because of our press cutoff.
Please check with customer service or sales if you are
uncertain of the correct final size.
Safety Margins: Any live copy should be a minimum of
.375” (.5” preferred) away from the edge of any product
that has finishing done in line. This is necessary to avoid
marking as the press cuts and folds the just printed paper.
Bleeds: Should be set to .25” for jobs that stitch and trim.
Photos and Tints: Should be adjusted for dot gain.
Newspaper presses have dot gain in the 30% range.
• Maximum shadow dot should not exceed 85%
• Highlight dot should be 3%-5%
• Open up midtones and three quarter tones.
Choose colors and tints carefully - remember the dot gain
and how it can affect legibility.
Graphics Resolutions:
Photos should be 220 ppi at 100%.
Scanned linework should be 1270 dpi at 100%.
Type Rules:
Reverse type must be 10pt or larger. If using a serif type
use a bold version when reversed.
Avoid having fine type that is made up by more than 2
process colors.
Avoid black text over darker screen tints.
Be sure to use actual fonts for stylizing vs. application
stylizing features (bold, italic, etc.)
Defining Colors:
The final document you send to us should contain only the
colors needed, defined in their correct colorspace. Colors
should be defined as either a CMYK build for jobs printing
in 4/C process or as a PANTONE Spot color.
When using PANTONE spot colors be sure to use one
version of the color throughout your document and
graphics, PANTONE colors are named with C, CV, CU at
the end, these will all be seen as different colors.
When creating black plus spot color jobs do not create
any colors that are made up of 4/C process.
Sending Your Files to Charles River Publishing
We highly recommend that you preflight your files prior to
sending them the CRP for production. Popular preflight
programs are Flightcheck and PitStop. Some applications
also come with their own preflighting tools. These tools
should also be used to “collect” the job files. You can send
us your files with the following methods:
Disk - CD, DVD, Zip and Floppy
Email - As an attachment (less than 5mb)
FTP - ftp://charlesriverpublishing.net
Please contact your customer service rep or salesperson
for access information.
Common Fonts
Type 1Preferred font - be sure to include both
screen and printer font.
True TypeOK to use
Open Type OK to use
Multiple Master OK to use, but have seen some issues.
Double-Byte AKA Identity-H, try to avoid using these.
We have had problems processing these
fonts.
These guidelines are provided as a quick overview of file prep guide-
lines for Charles River Publishing. For more detailed information con-
tact your Charles River Publishing representative or see our other
“Prepress Help Desk” documents.
Converting RGB images to CMYK in Photoshop for printing at Charles River Publishing
The following instructions outline a quick procedure for applying simple, consistent color
correction and conversion of images for printing at Charles River Publishing. These in-
structions assume the use of RGB as the starting color space. The screen shots are
from Photoshop CS. The ISONewsprint icc profile is included with these instructions,
along with the instructions on how to install it.
1 - From the Image menu go to Adjustments/Levels
2 - Click on the Options Button
! ! 3 - Set the options to these settings, !
! ! click OK. (You can select Save as
defaults to have these options come up
each time.)
Releasing Files for Print“A listing of items and procedures to follow when sending your filesto Charles River Publishing for printing”
Rev.1 6/06
Items to SupplyHard Copy:Include laser proofs that match the most recent version ofyour files. 100% to size is preferred (you may print tiledout lasers and tape proofs together for oversized pieces).If reduced laser are supplied, please indicate the reduc-tion size.
Items to Color Match:If you have any specific colors you want to match duringprinting provide examples. These can be:
• Ink Drawdowns• Color Swatches• Previous Printed Samples
Artwork:Label any transparencies or reflective copy with the pagenumber they appear on and the file name of any low-resFPO files. It is a good idea to keep a photocopy of any art-work you release.
Color Mark-up: (see example on back of sheet)The color mark-up should be at 100% scale. If this is notpossible, indicate the percentage of its intended size.Instructions:Check your mark-up against the print estimate to makesure that CRP has everything needed to process your job,including paper stock, inks, quantity and delivery instruc-tions
Disk Directory:Include a printout of all files on the disk being given toCRP, with all folders open to show contents. Again be sureto include all fonts and linked images.
Label your Disk:Include company name, job name, date and brief listing ofwhat’s on the disk. If sending multiple disks, indicate “oneof three,” etc.
A note on sending files electronically:If sending your files via FTP or email it is still good prac-tice to send the other items mentioned. Many of the itemslisted are needed more at the proofing and printingstages. Sending you files electronically allows us to get ajump start on preflight and production.
ChecklistFile Information! Disk directory or window printout (with all folders open)! Final set of 100% laser printouts. Tile and tape togetherif necessary.! Color printouts clearly marked for color breaks, knock-outs, FPOs, bleeds, etc.
Fonts! All fonts (printer and screen) included! All fonts used in placed graphics! Fonts placed in a separate folder marked FONTSText & Rules! All unwanted items deleted! All rules set to a numerical value (not hairline)Colors! All colors properly defined (CMYK, spot colors)! All colors used in placed files follow the same namingconvention as page layout files! All unused colors deleted
Support Files! Most current version of all placed files included. Makesure each file has a unique name. Verify proper placementof all modified files and check links.! Support files placed in appropriately labeled folders(FPO/low-res, hi-res, source, etc)! Resolution of hi-res images should be at least 220 dpiat 100% of final size for web and 300 dpi at 100% forsheetfed. (if unsure please call)! Resolution of line art should be at least 800 dpi! All sizing, cropping or rotating of images done in theoriginal art program
PDF Files! All fonts embedded! Make sure files are PDF format! Make sure all images are hi-res! CMYK color space! PDF X1A format preferred (contact CRP for settingfiles)
Miscellaneous! Include storyboard or folding dummy if applicable! Include finishing and bindery information
NEWSLETTERHuma Nitatis Per Seacula
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Lorem ipsum dolor sit amet, consectetaur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,
quis nostrud exercitation ullamcolaboris nisi ut aliquip ex ea
commodo consequat. Duis auteirure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.Excepteur sint aliquam is
nostrud exercitation ullamoccaecat cupidatat non proident.
QUARTA DECIMA ET QUINTA DECIMA EODEM MODO TYPI
Et tam neque pecun modut est neque
nonor et imper ned libidig met, consectetur
adipiscing elit, sed ut labore et dolore
magna aliquam. Bis nostrud exercitation
ullam mmodo consequet. Duis aute in
voluptate velit esse cillum dolore eu fugiat
nulla pariatur. Neque pecun modut est
neque nonor et imper ned libidig met,
consectetur adipiscing elit. At vver eos et
accusam dignissum qui blandit est praesent
luptatum delenit aigue excepteur sint
occae. Et exercitation ullamco laboris nisi
ut aharumd dereud facilis est er expedit
distinct. Nam libe soluta nobis eligent
optio est congue nihil impedit doming id
Lorem ipsum dolor sit amet.
EORUM CLARITATEM VESTIG ATIONES !
JULY 23, 2005
!
PAGE 1
Mirum Notare QuamDuis aute irure dolor in reprehenderit in voluptatevelit esse molestaie cillum.Tia non ob ea soluad incommod quae egen ium
improb fugiend. O"cia deserunt mollit
anim id est laborum Et harumd dereud facilis est er expedit distinct. Nam liber teconscient to factor tum poen legum odioque civiuda et tam. O"cia deserunt mollitanim id est.
Neque pecun modut est neque nonor et imper ned libidig met, consecteturadipiscing elit, sed ut labore et dolore magnaaliquam is nostrudexercitation ullam mmodo
consequet. Duis autein voluptate velit esse cillum."Lectores Leger#
Lorem ipsum dolor sit amet, consectetauradipisicing elit, sed do eiusmod temporincididunt ut labore etdolore magna aliqua. Ut enim ad minim veniam, quis nostrudexercitation ullamcolaboris nisi ut aliquip ex ea commodoconsequat. Duis auteirure dolor in reprehenderit in voluptate velit esse
demopg.pdf 1
6/21/06 11:51:16 AM
Ghosted 4/C Box.4/C is 70% ofFull Value.File Name:red_car_ghost.tif
Pantone 29225C
Screen TintsSpecify the colors and percentage used for the screen tints. If run-ning black type over a ghosted 4/C image, take the black out of the ghosted area so the type will read more clearly.
Layout shown at 75% of final sizePage size is 8.5 x 11
Type is 100m and 100y
All type 100K unlessnoted otherwise
fill is 90Y and 10 Mboarder is 100M, 30Yand 10C - commonthrougout job
Spot gloss varnishFile name:car_logo.eps
Spot gloss varnishPLEASE ADD 30% Black DROP SHADOW!File name:
F.P.O.
File Name:red_car_lowres.tif
Color Mark-up example
Spot ColorsSpecify where spot colors vs. CMYK are used
Spot ColorsSpecify where spot colors vs. CMYK are used
Write in the MarginsWrite your instructions in the margins of the laser printout. When
marking up the color in the elctronic file, be sure that instructions are
on a separate layer that clearly states “not to be printed”.
Common ElementsCommon elements can be mentioned once instead of being repeated
Drop ShadowIf shadows are to be created by the printer, specify their placement, width, direction and color. Provide a sketch or sample if possible. Also indicate if the shadow should be varnished
FPO ImagesBe sure to indicate any areas where an image may be for position only.
VarnishSpecify the type of varnish - e.g., gloss, satin, dull, etc. and whether the coverage is spot or overall.
Common ElementsCommon elements can be mentioned once instead of being repeated
Need to send files to CRP?
email is [email protected]
FTP is ftp://ftp.charlesriverpublishing.net (contact your representative for log-in information)
