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    View fromNybroviken

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    View fromDjurgrdsbron

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    View fromSkeppsholmen

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    Auditorium- Nobel Night

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    View fromStrandvgen

    Hov

    slag

    argata

    n

    N o b e l k a

    j e n

    Museika

    jen

    Museiparken

    p o s s i b

    l e c o n n e c

    t i o n

    possibleextension

    ~2000m

    Trucklift

    Busdrop-off

    Deliv

    ery

    Taxi

    dro

    p-off

    Nobeltrdgrden

    Teatergata

    n

    Blasieholmsgatan

    SdraB

    lasieholmskajen

    Nybrokajen

    Siteplan 1:500

    Auditorium Nobelsalen

    NobelGarden

    Nobelhuset

    Our work inthe secondphase of this competitionisbased onthe

    confirmationof ourprincipal strategiesfor theoverall urbansetting of

    thenew NobelCentreas a free-standingsolitairesitting nextto anew

    publicgarden, theplacement of theauditoriumon thetop floor,as the

    highest,most visibleand recognisablefeature of thenew institution,

    anda wellbalanced overallarchitecturalappearance expressingdignity

    andcivic identity reflecting thevirtues of theNobel Institution.After

    contemplatingthefeedbackandchangesmadetotheprogramme

    as wellas our personalexperience of theNobelPrize ceremony in

    December2013, thefollowingthemes becamekey subjects forus for

    further investigation:Building Volume;UrbanSetting; Garden;Open

    GroundFloor;Internal Organisation;Auditorium;Formand Expression.

    Building Volume Nobelhuset

    Theplacement of the new building as a solitaireremainsfundamental

    toour urban andarchitectural considerations,reflecting thenotion of a

    house as a civicbuilding. Thereductionof the programmeby15% as well

    as our considerationto locate museumprogrammealsoon basement floors

    givesus theopportunityto substantiallyreduce thevolumeby6 m in height,

    5 min length and 3.5 min width. In thisway thecharacter of thebuilding as

    ahouse isstrengthened, tying in moreharmoniouslywith itsurban context

    whilst maintaining itsstatus as a solitaireon Blasieholmen alongwith the

    NationalMuseum.

    Urban Setting

    Themodification tothe positioning of thebuilding isrelated toa number of

    factors: the refinementof thegarden topography, theclarification of the

    location of theentrances in relation tothe open ground floor as well as the

    enhancement of the quality of theurban spacealong Hovslagargatan. We

    proposetoplace thebuilding at aslight angletowards thenorthern building

    block on Hovslagargatanopening thespace of the street towardsthe water.

    In thisway it not onlystrengthens itsstatus as a solitaire,but allows usto

    create aninviting front of houseareaat thecorner of Hovslagargatanand

    Nybrokajen, which will be designatedfor agenerousentrance and drop off

    zonenext to themain water front entrance. Thisis madepossiblethrough

    ourrecommendation toreduce thelength of theramp leading tothe

    underground carpark based on the reorganisation of deliveryaccess.

    Garden Nobel GardenInrelation to our considerationsregarding thepositioning of thebuilding

    wehave alsorefined therelationship between thetopographyof the

    garden, thehouseand the quayline. Wesuggest aligning the ground level

    of thehousewith the existing ground level of thegarden onemetre

    abovethe quayline. In thiswaythe housesitsin thegarden and already

    introducesanotion of nature even on itsmore urban, north-eastern side.

    In addition wepropose tosoften thegarden edgetowards thequayline by

    introducing a gradualand undulating tiering of thetopographyfollowing

    amore natural flow of forms, integrating thelandscapeapproach of the

    existing museumpark. Anatural stonewith integrateds tairsdefinesthe

    main stepping lines, whiletheground surfacesin the parkalter between

    gravelled stoneand water boundporoussurfaces. Wefurthermorepropose

    tolay anatural stone surfacearound theentirebuilding, which alsoflows

    insidethebuilding and becomesthemain surfacematerial for all public

    areas. In thiswaythe spatialrelationship between insideand outsideis

    subtlystrengthened, supporting theideaof avery open and publicground

    floorand smooth transition between insideand outside.Theplanting of

    trees will follow therandomsystem of themuseumpark with additional

    HorseChestnut and Mapletrees alsoon the north-eastern sideof the new

    building.

    V

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    Garden loggia

    Entrance HallEntrance

    Nobelkaje

    n

    Exhibition

    Trucklift

    Delivery

    Education

    Hovslagargatan

    Caf Shop

    Entrance

    Garden loggia

    Northelevation 1:500

    Southelevation 1:500

    Ground floor 1:200

    Form and Expression Faade

    Through subtleset-backswithin the volumethebuilding maintainsthe

    dispositionof abase,middleand a top sectionand as such relatesthe

    building tothe typologyof manyinnercity civicbuildings. Thefaade

    coversthevolumeon allsides as a homogenous layerand unifiesthe

    building complex. Theverticalswithin each volumetricunitare emphasized,

    whereasthehorizontality of floor slabsis subordinate. Weproposethe

    faadeas a single-layer,post-beammetal construction with an external

    sun protection systemon thesouthern side. Whilethefillingsare either

    glassfor transparency ornatural stoneon glasspanes foropaquenessor

    solidity,we proposetheexternal finsin brassor galvanisedsteel. In thisway

    depending on thetimeof the dayand theactivitiestalking placeinside

    thebuilding createsboth a sense of dynamiclight-and opennessas well as

    afeeling of calm grounded-and solidness, mirroring thetradition as wellas

    the ambition of the new institution.

    East elevation 1:500

    NOBELHUSET

    Structureconcept

    West elevation 1:500

    NOBELHUSET

    Open Ground Floor

    Ourideaf orreorganizing thebuilding allows ustoproposea veryopen and

    freelyaccessiblepublicground floor. Apart fromfour main cores,whichwe

    haverelocated intothe fourcorners of thebuilding, theentire ground floor

    areais free forpublicactivities, such as infodesk, caf, shop,education

    and flexibleexhibition area. Theseactivitiesare madevisiblethroughlarge

    entrances, windows and agarden loggiat owardsthesouthern side, allowing

    direct visual and physical transitionsbetween insideand out. A central

    sculptural spiral stair, in closeproximitytoan additionalstair andelevators,

    introducesroutesup and down, providing easyaccessto thediverse

    functionswithin thebuilding. In thisway theground floor adoptsavery

    activerole, introducing theactivitiesinsideas well as letting themspill over

    intothe publicrealm.

    Threelargeentrances towardsthe eastern, southern andwestern side

    support thisconcept of publicoutreach and interaction, creating agenerousstreet-likespacein the centreof thebuilding. Whilemaintaining

    the waterfront entrance as one of the main entrances, especiallyfor the

    annual ceremonyon 10th December,we areproposinganequallyimportant

    entrance on thewestern side, which will receivemainlypedestrianvisitors

    coming fromtheNationalMuseum and theunderground stationnext to

    Kungstrdgrden. In addition wesuggest opening up the garden sidewith a

    publicgarden loggia, stretching the entirelength of the southern elevation.

    Thisnot onlyprovidesaninviting atmospheretowardstheNobel Garden,

    but alsobringsthegarden insidethe building, making ita vitalpart of the

    new institution. Theopen ground floorand the new garden both create a

    new publicdestinationforthe everydaylifeof thecitizensof Stockholmand

    visitorsalike.

    Open ground floor

    Firstbasement

    Ground floor

    First floor

    Second floor

    Third floor

    Fourth floor

    Fifth floor

    Roof

    Skin

    Second basement

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    Programdistribution

    Ground Floor

    Firstbasement

    First floor

    Second floor

    Third floor

    Fourth floor

    Fifth floor

    Internal circulationNobel Path

    Second basement

    MEP

    MEP

    Storage

    Parking

    Parking

    Open Ground Floor Museum Second floor

    Ground floor

    Exhibition

    Caf

    Wintergarden

    Shop

    Entrance hall

    Education

    Firstbasement

    Parking

    Exhibition

    Garderobe

    Toilets

    Toilets

    Possible

    connection

    toNational

    Museum

    Possible

    connection to

    Metroaccess

    tunnel

    Longitudinal section 1:500 Cross section 1:500

    First floor

    Exhibition

    Offices

    Conference

    Terrace

    6.75m

    21.5m

    34.8m

    40.7m

    6.75m

    21.5m

    34.8m

    40.7m

    Internal Organisation Circulation and Nobel Path

    Everyorganisationalideawe proposeisalways influencedbyour undisputed

    decision in thefirst phase of thecompetitionto placethe auditoriumon

    thetop floor. Under thepremises of reducing the building volumeas well

    as establishing greater efficiency and orientationbetween the various

    activities,we proposeacirculationthat maintainstheidea of thevertical

    route as a publicpath, guidedbythe activities of themuseumleading tothe

    auditoriumon theuppermost floor. In order toaccomplish thiswe proposeto

    split themuseuminto three sections; temporaryexhibition on thefirstand

    second floors; permanent exhibition on thefirst basement floorand open

    exhibition spacesdistributed throughout thepublicareason all floorsalways

    in connection with thevertical circulation. In thisway theopen exhibition

    functionslike a Nobel Path connecting all functionsand floors and making

    themall part of theNobel Communityand as such reflectswhat this

    building isabout, aplace tomeet, gather, dine, celebrate, work, study, learn,

    see, enjoyand find inspiration.

    Although thegrandspiral stair on theground floor connectsthemajor public

    functions such as caf,education, shop, temporaryexhibition,parts of the

    permanent exhibition, conference and someoffices on ground, first and

    firstbasement floorswith a strong symbolicgesture, it primarilyrepresents

    theinviting but alsodynamicand representationalcharacter of thenew

    institution. Thisgrand stairis supported by a second main stair connecting

    all floorsand sitting at the right hand sideof themain waterfront entrance in

    direct spatialrelationship toa largegroup of elevators. Together theyform

    thebasis of a clearand comprehensiblevertical circulationsystem, which

    connectsall diverseactivities. Following theideathat parts of themuseum

    can becomean open exhibition and bespread throughout theentire building,

    thedistribution of all other functions support thedynamiccharacter for the

    new Nobel House. Theoverall corelayout not onlyprovidesa maximum

    of flexibilityfor fenestration but alsostructuresthebuilding intotwoouter

    zonesand oneinnerzone, through which thepublicpath oscillates.

    Auditorium

    Administration / Offices

    Restaurant

    Permanent exhibition

    Temporaryexhibition

    Conference

    Education

    Shop

    Visitor service

    Library / Research

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    Auditorium Banquetmode

    Auditorium 800 peopleAuditoriumNobel Night 1400 people

    Auditorium Panoramic windows Auditorium Banquet mode

    Longitudinalsection 1:200

    Second floor

    Exhibition

    Library / Research

    Offices

    Third floor

    Offices

    Restaurant

    Kitchen Exhibition

    Fifth floor

    Office / VIP Foyer / Bar

    Void

    Auditorium

    Fourth floor

    Auditorium

    Terrace

    Foyer/Exhibition

    Breakroom/VIP

    Auditorium Nobelsalen

    Following the privilege of experiencing the Nobel PrizeCeremonyin

    December 2013 manyof our considerationsand thoughtsabout therole

    of the ceremonial spacewhereconfirmed, in particular ourperception of

    arespectful and professionalyetat thesame timeintimateand personal

    atmosphere. Although theStockholm Concert Hall was not purpose-built for

    theNobel PrizeCeremonyit establishesa beautifuland strong atmospheric

    setting for one of the finest exchanges of humangratitudein the world. This

    experience influencedour approach for theadvancement of our design for

    thisspecialspace. In light of thediscussion about flexibilitywe established

    thecriteriathat theauditoriumfirstand foremost hasto performat itsbest

    for theNobel PrizeCeremony. Thereforeany other use of the auditorium

    will always follow thespatialrules and atmosphereestablished by the

    Nobel Night. Wewere confirmedin our belief that it will bethe unique

    character of thisauditorium, which will make it a desirablespace rather

    thana neutral, multipurpose and predominantlyflexiblespacewithoutcharacter. In addition tothese considerationswe observedthat thepeople

    flow at theNobel PrizeCeremonydoes not necessarilyrequirea largefoyer

    spacein front of theauditoriumitself, as most peoplearrive, organise their

    coatson the ground floorand take up seatsin a relativelyshort timeand

    afterwardsleavethe building quickly toreach the cityhall in timefor the

    Nobel Banquet.

    Based on thesecontemplationswe proposeavery compact horseshoe

    typeauditoriumwith aslopedflexibleparquet flooranda lowerand upper

    galleryring. Thecurvedseating linesand thestage, which almost actslike

    aproscenium, together establisha veryintimateatmosphereenhancing a

    closerelationship between theaudience and thestage. Wepropose toenter

    theauditoriumaxiallyfrom the watersidewherea group of sixelevators

    allow for fluent visitor flow, supported by thestaircase vis--vis,directly

    connecting theauditoriumwith the ground floor. Whilewe maintain afoyer

    spacein front of the auditoriumoverlooking thequay of Strandvgen, the

    entireauditoriumitself becomesa grand spacewith largepanoramic

    windows on either sideof the audience allowing formaximumdaylight as

    wellas dramaticviews over thecity. In thisway Nobelsalenestablishes

    apublicpresence in thecity, crowning thebuilding notmerelyby

    architectural form but by the experience of human interaction.

    According to theuser requirementsweprovideflexibilityby establishing a

    sequential rather thana paralleluse of theauditorium. Thisis possibleby

    integrating aflexiblefloor systemfor the parquetandlowergallerylevel.

    For theNobel Night theauditoriumaccommodates 1400 seatsincluding

    aflexiblerow of chairsat theouter ring of both galleries. Theauditorium

    can alsoaccommodate 800- 900 seatsby excluding theuppergalleryvia

    acurtain that dropsfrom the ceiling following thecircularform of the

    parquetspace. Thiscurtain can further bedropped toparquet level sothat

    the 400-500 seatsavailableon parquet floor providea suitableatmospherefora medium sizeevent. In addition theflexibleparquetandlower gallery

    floor can belifted tothe finishedfloor level of themain foyerspaceand

    provideaneven floor surfacefor theentire fourth floor. In thisconditionthe

    auditoriumcan beused as a largeor small banquet hall depending on the

    position of theparquet curtain. In all constellationsthereis sufficient foyer,

    mingling and break outspace.

    Cross section 1:200

    Auditorium 400 people

    Nobelhuset