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Aaron Gervais
April 2004
Duration: 8’30
INSTRUMENTATION
• Three flutes: first player doubles on piccolo
• Soprano, alto, tenor, baritone saxophones
• Two percussionists:
Player 1:
• High–pitched snare drum with sticks
• Suspended cymbal with bow and sticks
• Nutshell rattle
• Large sheet of aluminum foil played with brushes
• Two woodblocks: high, low
Player 2:
• Large bass drum with soft beaters
• Medium–pitched snare drum with brushes and sticks
• Three suspended triangles with small beater: high, medium, low
• Two violins, viola, cello, double bass
NOTATION
• Saxophone multiphonic and quartertone fingerings are provided in parts only, not
in the score. For alternatives to given fingerings, see Jean-Marie Londeix’s Hello!
Mr. Sax and Daniel Kientzy’s Les sons multiples aux saxophones.
• All flute quartertones are to be played using embouchure changes, not fingerings,
unless the player is confident that the particular fingering used will not adversely
affect the tone quality of the note.
• String over–pressure of two types is used: a pitchless croaking sound, marked
over-pressure: croak, and a pitched scratching sound, marked scratch tone.
Quartertone notation:
Increase/Decrease in the airiness of a flute sound from:
normal articulation, mostly air, then back to normal
articulation.
Crescendo from silence to piano, then decrescendo to silence.
Airy tone; almost no pitch.
Falloffs: the end of each note glissandos down slightly and also
diminuendos. The decrescendo from forte to mezzo forte in this
example applies to the attack of each note, not to the
decrescendo that accompanies each falloff.
Flute harmonics. When the player decrescendos,
s/he should allow the harmonic to drop down to the
fundamental.
Flutes play the chromatic pitches in the range
of the boxes, improvising syncopated
chromatic runs as fast as possible. Flute I plays
with an adjusted embouchure so that all notes
are a quartertone sharp. Flute II plays all notes
staccato. Flute III uses a normal articulation.
Winds: embouchure glissando to an indeterminate pitch.
Strings: glissando to an indeterminate pitch.
Fingered glissando (chromatic scale) to highest
possible pitch while diminuendoing to silence.
Strings: highest possible pitch on the two highest strings.
Saxophones: key click tremolo, indeterminate pitches. Possibly tremolo
between left-hand and right-hand keys.
Saxophones: pitched tongue slap.
The cellist slowly releases the touch-
fourth harmonic so that the pitch drops
back down to the fundamental. S/he
then increases bow pressure so that the
first partial above the stopped string
becomes present.
!"
!"
!"
!"
!"
!"!"
!"
!"
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Transposed ScoreWaltz-like
Waltz-like
e = 140
e = 140
Nothing
Copyright © 2004, Aaron Gervais. SOCAN.
Aaron Gervais
Flute I
Flute II
Flute III
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Percussion I
Percussion II
Violin I
Violin II
Viola
Violoncello
Contrabass
!
"
!
"
!
"
!
"
#sempre senza vib.
$p% %&%'( ) ) $ $ $ $ $ $ $
#sempre senza vib.
$ $ $ $ $ $ $ $ $
#sempre senza vib.
$ $ $ $ $ $ $ $ $
#sempre senza vib.
$ *pp&' +
p& & & & # $ $ $ $ $
#sempre senza vib.
$ )pp
&p
& & & & # $ $ $ $ $
#sempre senza vib.
$ $ $ $ $ $ $ $ $
#sempre senza vib.
$ $ * &+p
&+ &%$
%$ $ $ $
,cross-stick
SD RH*LH
-p
sn/on
$&. $$&+ )%
) $ both hands)mf
&& &&mp
&& && && $$$& #
pp
$$$& #$$& #
$$& #$$$& #
sf
$$& # &/
$$&01
,BD )#
soft beater
p l.v.$ $ LH
SD
& & )mf
sn/on
& & & & &brushesswish
&&&)RH
mp
(add LH ad. lib.)
&2+ & &
2+ & # &2
# &2+ &
2
#sempre senza vib.
$pp%
3&'' ( ) ) *col legnojeté
mp
&&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4p
$ $ $ $ $&&4
#sempre senza vib.
$ $ *tastojeté
mp
&&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4 &&4p
$ $ $ $ $&&4
#sempre senza vib.
$ $ *tastojeté
mp
&4 &4 &4 &4 &4 &4 &4 &4 &4 &4p
$ $ $ $ $&4
5sempre senza vib.
$ -ppp
3&%& 13& 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ##
5sempre senza vib.
$ pizz.
ppl.v.
&6 + ) ) *mp
l.v.
$ $ $ $ $ $&' +
10
10
1020
20
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
, $$$& #$$$& #
$$$& #$$$& #
pp sub.
$$$& #$$$& $$&+ $$$& $$&+ $$$& # $& $& $$$& $$& $$& $$& $$$& $$&+ $$$& #
$$$& #$$$& #
$$$& #
ff
$
, & # & # & # & #
sf
rim buzz
$&/
&2
& & # &2 # & # & &2& & # & # & # &2 # & # & # & # & # &2&2&2&2+ )
3
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $
4 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ## 3& ##
'*3& ## 3& ##
( 3& ##
)
&3 ##&3& #
#
4 $ $ $ $ $ $ $ $ $ $ $* Slowly release harmonic, then increase bow pressure to reach the next harmonic (octave up) of the string.
$ $ $ $ $
Nothing
2
2630
30
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ $ $ $ $ $ $ $ $ $ $ $ $ &6 #
%# $ $ $ $ $ $ $ $ $ $ $ $
mf
&3%
%% #
#&3% #
#
# $ $ $ $ $ $ $ $ $ $ $ $mf
&3%%
%##
&3% #
#
# $ $ $ $ $ $ $ $ $ $ $ $f
& # & #
# $ $ $ $ $ $ $ $ $ $ $ $mf
& # & #
# $ $ $ $ $ $ $ $ $ $ $ $mf
& # & #
# $ $ $ $ $ $ $ $ $ $ $ $f
& # & #
, $sf pp&/
$& $$$& $$$& #$$$& #
$$$& #
f p f p
$$& $$& $$&handmute
mf
$$& # *
/# )
sf
&/3
pp
$$&+ $$$& #$$$& #
$$$& # ) -mf
&/+3
mp
near edgerim shot - # &/17 $ $
, $ $mp&2
# &2
# &2
# & # $sf
$$&/+ ) ) $ $ $
brush tap
mf
) &/
&/ - &
/ )f&2/
#% $
3 3
# $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $ $ $ $ $ $ $ $ $ $ $
4 &3 ##
ff
&31 - ) ) $ $ $ $ $ $ $ $ $ $ $ $
4 $ $ $ $ $ $ $ $ $ $ $ $ $ $
Nothing
3
40
40
40
Slower
Slower
e = 120
e = 120
50
50
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
#& #
f
& # & &6%
$8 $ $ $ $ $ $ $ $ $ $ $
#&3% #
#&3% #
#&3%( &
%$8 $ $ $ $ $ $ $ $ $ $ $
# &3% #
#&3% #
#&3%( &
%$8 $ $ $ $ $ $ $ $ $ $ $
# & # & # 99999%
$8 $ $ $ $ $ $ $ $ $ $ $& & #+
# & # & # & # &8# $ $ $ $ $ $ $ $ $ $ $
# & # & # & # &8# $ $ $ $ $ $ $ $ $ $ $
# & # & #
%99999& & #
+
- $8 $ $ $ $ $ $ $ $ $ $ $
, $ $ $ $8mf
cross-stick
0 0 0 0 0 )pp
$$$& #$$& $$& $$& $$$& # ) )
ppp
&:+ ) -
pp
$&. $$$& $$$& #$$$& #
f$ $
3
, $ $ $ $8 $ )mf
&2
&2
# & &2
& &+ &2
pp
&2
&2 )3
) -mp
&2. & &
2# &2
# & # & # &+ &2
# $ *f%
&% & & &)%
$8 $ $ $ $ $ $ $ $ $ $ $
# $ )#
f%&6 & &
( )%
) $8 $ $ $ $ $ $ $ $ $ $ $
# $ $ $ $8 $ $ $ $ $ $ $ $ $ $ $
4 $ $ $ $8 $ $ $ $ $ $ $ $ $ $ $
4 $ $ $ $8 $ $ $ $ $ $ $ $ $ $ $
Nothing
4
5560
60
;;
;;
;;
;;
;;
;;
;;
;;
;;
;;
;;
;;
;;
;;
Even slower
Even slower
q = 55
q = 55
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ * )8 $ $ $ $ $ $solo&% #
fff
& #
%$ $
# $ * )8 $ $ $ $ $ $mf
&3%
%% #
#&3% #
# $ $
# $ * )8 $ $ $ $ $ $ &3%%
%##
&3% #
# $ $
# $ *pp
key clicks
0008 0008 $ $ $ $ $ $f
& # & #
mf
< $
# $ * key clicks
pp0008 0008 $ $ $ $ $ $
mf
& # & #
mf
< = >
# $ * key clicks
pp0008 0008 $ $ $ $ $ $
mf
& # & #
mf
< = >
# $ * key clicks
pp0008 0008 $ $ $ $ $ $
f
& # & #
mf
< $
, $p pp
0 * )3 )8mp
$$$&/
$$&/+
pp
$$&+ $$$& $$$& #$$$& #
$$&+ $$$&%
) -mf
mp
&/+ - # $ $&/17 > ) $$$& #
pp
$$$<%
3
, & #
p
$$&+ ) )8mp
&2
&2+ &+ $$$&
2$ $ $
mf
) &/ &/ -&/ )f&2/
#
% $ $ >cross-stick
mp0+ ) *
3 3
# $ * )8 $ $ $ $ $ $ $ $ $ $
# $ * )8 $ $ $ $ $ $ $ $ $ $
# $ * )8 $ $ $ $ $ $ $ $ $ $
4 $ * )8 $ $ $ $ $ $ $ $ $ $
4 $ * )8 $ $ $ $ $ $ $ $ $ $
Nothing
5
6770
70
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# )mp
&%
(= #
% %$ $ )
mp
&%
(= #
% %$
mp
=%
>%
# )mp
&( = #
% %$ $ )
mp
&( = #
% %$
mp
=>%
# )mp
&( = #
% %$ $ )
mp
&( = #
% %$
mp
= >%
# $ $ $ $ $ $
# = # & $ $ < $ = >
# = # & $ $ < $ = >
# $ $ $ $ $ $
, $$$< $$$< $$$< $$$< $$$< $$$= )#
mp
$&.%
$$& &:
, $ 0+ ) * > $ $ * 0+ ) > brushes>mf&2 &2 &2 &
2/+ *3
# $ $ $ *p%
3&&& 3& 3= 3& * >imitate saxes
mp
3=&& >
# $ $ $ *p%
3& 3& 3= 3& * >imitate saxes
mp
3= >
# $ $ $ * ?p%
3&' 3& 3= 3& * >imitate saxes
mp
3=' >
4 $ $ $ III
pp, $
III
mf3 >
4 $ $ $arco
II
pp
, $II
mf
3 >
Nothing
6
85
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
!
decrease airiness
#"$ #" #3
#" "#
3
" #" #3
#" #" #3
#"$ #" #3
#" "#
3
" #" #3
#" #" #3
#"$ #" #3
#" "#
3
" #" #3
#" #" #3
! # #"$ #" # #" #" # #" " # " #" # #"$ #" # #" #" # #" #" # #" #" # #"$ " # " #" # #" #" # #" #"3 3 3 3 3 3 3 3 3 3 3 3
! #" #" #" #" #" #" #" #" #" #" #" #" #" " $ #" #" #" " $ #" #"
!p
key clicks
% % % % % %% % % % % % % % % %% % % % % % % % % %% % % % % % % % % %% % % % % % % % % %% % % % % % % % % %% % % %3 3 3 3 3 3 3 3 3 3 3 3
! & & &
! & & &
! & & &
' & & &
'brush swish$
mp
%%%()
&to BD
& &
!f
col legno battutojeté
""*$$ ""* ""* ""* ""* $ $mf
ord.""' &&+ ,
""+""'- ,
""'$$ &&+ ,
3
""' &&+ ,
mp
"".+""'- , # $
f
""'. &&+ ,
""'( &&+ ,
mf
""' &&+ ,
3
$f
""')(*(&&+ ,
""+5 3 3 3
!f
col legno battutojeté
""*/ ""* ""* ""* ""* $ $mf
ord.
""'
&&
0 , ""0
""'
1 , ""'
/ &&
0 ,3
""'
&&
0 ,mp
""0
""'
1 , # $f
""'
. &&
0 , ""'
&&
0 ,mf
""'
&&
0 ,3
$f
""'
&&
0 , ""05 3 3 3
2col legno battuto
f
jeté
""*/ ""* ""* ""* ""* $ $mf
ord.""' &&+ , ""+
""'- , ""'/ &&+ ,
3
""' &&+ ,
mp
""+""'- , # $
f
""'/ &&+ , ""' &
&+ ,mf
""' &&+ ,
3
$f
""' &&+ , ""+
5 3 3 3
3f
col legno battutojeté
"*/ "* "* "* "* $ $mf
ord."' &+ , "+ "'- , "'/ &+ ,3
"'(/ &+ ,mp
"+ "'- , # $f
"' &+ , "' &+ ,mf
"'( &+ ,3
$f
"' &+ , "(+5 3 3 3
3col legno battutojeté
f
"*/ "* "* "* "* $ 4 & &5
Nothing
9
88molto rit.
molto rit.
""
""""""
""
""""""
""
""
""
""
""""
90
90
e = 60
e = 60
Expressive and aggresive
Expressive and aggresive
C"
C"C"C"
C"
C"C"C"
C"
C"
C"
C"
C"C"
e = 120 / q = 60
e = 120 / q = 60
D;
D;D;D;
D;
D;D;D;
D;
D;
D;
D;
D;D;
!;
!;!;!;
!;
!;!;!;
!;
!;
!;
!;
!;!;
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
#.&& .& )
3
.& .& )3
.& &)
3
* .& *%
.&mp
&%
= # *%
$ -ff%
& &*%
# ) .&& .& ) .& .& ) .& & * .&6 *%
.&mp
&%
= # *%
$ff%
&'(
&' &*%
3 3 3
# .& .& .& .& .& & * .&6 *%
.&mp
&%
= # *%
* # )#&1
ff%&'(& & # *%
# 0 0 0 0 0 00 0 0 0 0 0 0 0 0 00 0 0 0 0 0 0 00 0 0 0 0 0 0 0 0 0 0 0 0 0 0( )%
* # &' &-
ff%&' &- )#
%&&0 0 0 0
3 3 3 3
# $ $ $ * #&-
ff
&%
)#
%&-1
# $ $ $ff
&&&/&
'' ###
&&&===
# $ $ $ * #&&
ff
&%
)#
%&&1
, $ $ >cym. bowed* 0
ff% 0:. -) ) * $
, $ $ $ff
BD - soft beaters
l.v.&/+ ) ) * $
#&&/1 - &&/% ##( -
3
&&/6( ) &&/ ##( -mf
&&6( &&/1 - )f
&&%6%6 ## )%
pont.
mp
&& ## )%
$ )fff
ord.&E6&E &E
&E'* &E
&E'3
# &&/
. - &&/
' ##
+ -3
&&/
+ ) &&/
##
+ -mf
&&+
&&/
. - )f
&&& ## )
%
pont.
mp
=='pp
(add vib.)
< )fff
ord.senza vib.&E6 &E &E &E' * &E &E'3
? &&/1 - &&/ ##( -
3
&&/( ) &&/ ##( -
mf
&&(&&/1 - )
f
&&6 ##
%)mp
pont.&& ## )
%$ # )
fff
ord.&E6 &E &E &E' * &E &E'3
4 &/1 - &/6 #( -3
&/( ) &/ #( -mf
&%( &/1 - )f
& #
%)mp
pont.=6pp
(add vib.)
< senza vib.ord.
fff
&/6 # & =3
4 $ $ $fff
&/6 # & =
Nothing
10
!"
!"
!"
!"
!"
!"
!"
!"!"
!"
!"
!"!"!"
93 !#
!#
!#
!#
!#
!#
!#
!#!#
!#
!#
!#!#!#
!$
!$
!$
!$
!$
!$
!$
!$!$
!$
!$
!$!$!$
$"
$"
$"
$"
$"
$"
$"
$"$"
$"
$"
$"$"$"
""
""
""
""
""
""
""
""""
""
""
""""""
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
% & ff
'(
'3 '
& ff&
' ')(*
3
+ *'
ff
'3
&
'#
& ff
'
&
')3
& ff
'
&
'$
&& ff
'3 ,
ff
'-$ . '-) ( '( . '-#
%&
% .& ff
')(
& ff
' ' '
& &+ *
')
ff
'3
&
'
& ff
'
&
'$3
& ff
'
&
'
&& ff
'3 ,
ff
'-'
.'-/(
'( .
'-'/
% & ff
'( '3 '&& ff
' ')(*3
+ * 'ff
'3
&'& ff
'&
'3
& ff
'&
'#&& ff
'3 ,f
'01 '0) . '2 '2) . '01 ') ' '
%ff
,) ( ,$ ( +ff
3) ( 3$ ( +solo
.aggresive tone
fff
'0(
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'0# (
('( .
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, (
+ff
'0$( '# ( '$ ,# '$ ' '#4ff
'# (('0( '1
3
4 '# '# *
%,,,0#
)) (((
'''(((
3330
#)) (
((
(posible)
p
+f
' ( '' ' ' ' '' ( '/ ( ''/
%ff
, ( +ff
'0# ( '1( ' ( '#( '( '1 ( '( '# (
ff
'1 ( ') ( 4 '5 '0)( . '01 ' '1
6 + +w/ stick
7208 4 . * 9 9 +
sn/on
mf
SD
)))3
6 + + '0
l.v. * 9 9 +mf
)))3
% + +':) ': ':) ':/': ':
':(f
con vib.'/ ' '3
' ' '3
% + +':) ': ':) ':/ ': ': ':(con vib.
f
'/ ' '3
' ' '3
% + +':) ': ':) ':/ ': ': ':(f
con vib.'/ ' '3
' ' '3
; , ( ' ( 30/ ( , 3
; , ( ' ( 30/ ( , 3
Nothing
11
98
100
100
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# ) &F5 ) &F& ) &F'( &( ) &F- ) &F ) &F&( )&F( )
&F%6( )&/630 1
# )&F
)&F%
)&F(
&( )
&F%
)&F6
)&F%6( )
&F( )&F%
)&/6 (
# - & &' & &' &: &/ ) &5 &' &/ &5 &' & & & &/' - &/' #( &/' & & &:' - & &5 &' & &' &/' - &/ #( &/' &5 &' &ff
& &/6 #
# )&&(
& &5(
& &/& #
)&/&(
&5 && &-
&/'( - * -
&/&( - * )&&( & #
)3 3
#&/ # &/& & ) &/& &( ) &&( * &/& &% - &/61 ) * =/6 *
#& & & &% # &6 # &%6 & & & &% # &6 # &%6 & & & &% # & # &% & &6 =
# & &&) ) &( & &6 G& &5 & & &6 G &/6 # - &6 & & ) & & ) &( & &6 & & & &63
, $$$< $$$< $$$<
, $$$< $$$< $$$<
#&6 & &
3
& & &3
&6 & &3
& & &3
&6 & &3
& & &3
#&6 & &
3
& & &3
&6 & &3
& & &3
&6 & &3
& & &3
# &6 & &3
& & &3
&6 & &3
& & &3
&6 & &3
& & &3
4 < < <
4 < < <
Nothing
12
K!!
K!!
q = q
q = q
Waltz-like and carefree
Waltz-like and carefree
q = 90
q = 90
101 !;
!;
!;!;
!;
!;
!;
!;!;
!;
!;
!;
!;
!;
;;
;;
;;;;
;;
;;
;;
;;;;
;;
;;
;;
;;
;;
q = 50
q = 50
Still
Still
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
#&
*30 1
> >pp
&' &' <8' <8'$ $8 > .&'
mf% .&. - )
#&
* > > flt
pp$$$&'
$$$<8' $ $8 > * .&&%
#&
* > >pp
& &' <8
<8' $ $8 $
# *soli
)fff
&F( &/ #
) $ $8 $ $8 $
#&6 * * *
mf& &' &' & & &' $8 $ $8&' & &' > *
f
&H/
. -pp
&+3
33
# & soli
)fff
&F5(&/ #
) $ $8 $ $8 $ #
# & * >mf& &' &' & & &' $8 $ $8 $&' & &'3
33
, $$$= #
sf&+ &
/3 )mp&
:&
: ) &:
&: ) $8to nutshell rattle $ $8 $&
:&
:3 3 3
, $$$= # &+ )mp& & &
ppp
3 triangles
$$$48 $ $8 $
#&
* >mf
scratch tone+/( )
+/( )+/( ) $8 $ $8 $
#&
* >mf
scratch tone+/( )
+/( )+/( ) $8 $ $8
=B
' #
mf% &. -pizz.
&+
# & * >mf
scratch tone+/( )
+/( )+/( ) $8 $ $8 > ? * &B&%
4 & * >mf
scratch tone
+/( ) +/( ) +/( ) $8 $ $8 $
4 & * >mf
scratch tone+/( ) +/( ) +/( ) $8 &&'' ==- * $8 $
Nothing
13
107 D;
D;
D;
D;
D;
D;
D;
D;
D;
D;
D;
D;
D;
D;
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# * .&&mf% .&1 - ) * $ $
#mf.&. - ) * > $ $
# .&&mf% .&. - ) > $ $
# >f
&H/-
. -pp& # < <
# < < <
#f
&/H
&1 -pp
& # = < <
# *f
&/H&1 -pp
&( = < <
, $ $ $
, $ $ $
# * &B
&mf% &. -
pizz.
& & & & & & & && & & & & & & & & & & & & & & & && & & & & & & & & # & # &3 3 3 3 3 3 3 3
# &' & & & & & & & &' & & & & & & & &' & & & & & &3
?mf&. -
pizz.
&& & & & & & & & & & & && & & & & & & & & & & & && & & & & & & & & &3 3 3 3 3 3 3 3 3 3
4 &B&mf%&1 - pizz.& & & & & & & & & & && & & & & & & & & & & & & & & & && & & & & & & & & & & & & &
3 3
4 $ $ $
Nothing
14
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
110
110
110 ""
""
""
""
""
""
""
""
""
""
""
""
""
""
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
#"
""
""
""
""
""
""
""
""
""
""
""
""
""
""
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
$ % %& ' #()mf*#(+ , - ' '
mp
.&$ % %& %
$ % %& #(mf* #(+ , - ' #()
mf* #(/ , -mp
.&
) % .&
) % %& %
$ % %& 0#(&
mf* #(/ , - 'mp
.&% .&) %
%& 0 ' #(*
$ . *%& 0
f
(12) / ,
pp
( % ( 0%& %& %
$ . *%& '
f
(12) / ,
pp
(3 . ( 0%& %& %
$ .*
%& %f
(21
)+ , - 0%& %& %
$ .*
%& 0 'f
(21$+ ,pp
(4 ( 0%& %& %
5 % %& %nut shell rattle'
mf
'''.&
% %& %
5 % %& % ' &0% %& %
$ ( ($ *%&( % ( '
arco
(6
)mf* (/ ,
pizz.
( ( ( ( ( () ( ( 0%& %& %3 3 3
$ () ( *%&
arco
(6
mf* (/ , pizz.
(3 ( ( ( ( ( ( 0%& %& %
7 ($ % (*
%&( ( 0 'arco
(6
)mf* (/ ,
pizz.
() ( 0%& %& '
arco
.6 %
*3
8 ($ (*
%&( ( % 0arco(6&
mf*(+ ,
pizz.( ( (& ( ( ( 0%& arco
pp
. (&
. . *8 % %& % %&
pp.) (
&& . . *
Nothing
15
116120
120
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# .&mf%.&1 - ) * .&6
mf%.&1 - ) * > > >8 $ $
# * .&&mf%.&1 - ) * $ > >8 $ $
#mf
.&1 - ) * > $ > >8 $ $
# *ff
&H/' . -
p
&+ = = >%
> >8 >p
== <<
# > *ff
&/H1 -p ff
&( = = >%
>8 $ $
# >ff
&/H&1 -p
& # = >%
> >8 $ $
#ff
&/H1 -p
& # = = =% > >8 $ $
, $ >mf
$$$= > >8 $ $
, $ >mf$$$4 > 8> $ $
#arco
&B
mf%&. -
pizz.
& >%
) -pontarco
f
&1% pp
& & =8 &1 - ) *pp
& * > * &3 3 3 3 3
# *arco
&B
&mf% &. -
pizz.
& *%
pontarco
)#
% f
&1pp
&( & # =8 &. - ) *pp& * > * &
?mf
&1 -pizz.
&( >%
> >8 >pp
pontarco&
* > *&
4 > ? &B6mf%&1 - pizz.& >
%> >8 >
pp
pontarco&
* > *&
33
3
4ppp
< = > * IIItasto
ppp
& =8 <
Nothing
16
121
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ > *pp
&%6 * &% *3 &%6 + ) &%+ ) &%6 # ) &% # )
%$ $
# $ >pp
&6 * & * &63 ) &+ ) &6 + * & & &6 & &6 &
7
%$ $
# $ $pp& * & * &6 & &6 & %
$ $
# == ## * > == <<%
$ $ $
# > * && << << <<%
$ $
# $ $p
<<66 << ==66 #### ) ==66 #### )
# $ $p
<<%' << ==%' #### ) ==%' #### )
, > *pp& $
p& * > $ > &
:+ ) * > &:+ ) *
, > *pp
0 $p
0 * > $ > 0:( ) * > 0:( ) *
# = # & = < %$ $ $
# = # & = < %$ $ $
? & & = & < = >%
$ $
? & & = & < = >%
$ $
4 +1 - ) $ $pizz
pp
&6( ) * > $
Nothing
17
127 !"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
!"
Waltz-like
Waltz-like
e = 140
e = 140
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ $ > * *8 )mf
&/' &' &' # &' #
%$ $ $ $
# $ $ > * *8 $ )mf
&/' &' &' # &' #
%$ $ $
# $ $ > * *8 $ $ )mf
&/ & & # & #
%$ $
# $ $ > * *8 $ $ $ $key clicks
p000 000 000 000 000 000
# $ $ > * *8 $ $ $key clicks
)p000 000 000 000 000 000 000 000
# ==66 #### ) ==66 #### ) ==66 #### )8 $ $ * key clicks
p000+ 000 000 000 000 000 000 000 000 000
# ==%' #### ) ==%' #### ) ==%' #### )8p
&' # & # & # & # & # & #
%, > &
:+ ) * > &:+ ) * > & *8 aluminum foil w/ brushes
mf
0/( ) ) 0/( ) ) 0/( ) ) $ $ $
, > 0:( ) * > 0:( ) * > 0 *8mf
0( ) ) 0( ) ) 0+ ) ) $ $ $
# $ $ > * *8 )ppp
tasto&' &' &' # &' # &' # &' #
% $ $ $
# $ $ > * *8 )pp
tasto&' &' &' &'ppp
& &' &' # &' # &' # &' #
%$ $
? $ $ > * *8 $ )pp
tasto&' &' &' # &' # &' # &' #
% $ $
? $ $ > * *8 )tasto
pp
&' &' &' # &' # &' &'ppp
&5 & & # & # & # & #
%4 )
p
ord.&'
4 $ $ > * *8mf
pizz& # $ )arcotasto
pp
& & & # & # & # & #
ppp
& &)
%
Nothing
18
136 !!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
Slower, suspenseful
Slower, suspenseful
q = 50
q = 50
140
140
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
" # # # $f p
%&' #( %)
f
%&$3 %
*)
f
%&
*$f
%&%+
% #
*)
" # # # , )#
f
%&$+p
%( % # ,f f
%&( %&%*
-3
" # # # , )#
f
%&+p
%( % # , $f f
%&% %&' % # )*
" # - , )mf
%( %*
)* mf
%( %*
)* * mf
%( %*
)mf
%( %* *
)* mf
%( % )* mf
%( %* *
)*%(
" #ppp
, %% #
p mf
%( %*
)mf
%%( %*
)* mf
%( %* *
)mf
%%( %*
)* mf
%( %* *
)mf
%'( %$
* *)
mf
%( %* *
" # # # , )#
mp
%&+ - ,p
%&( , -3
" # # # , )#
mp
%&+ - #
. # # # # #
. # # # # #
" # tasto
pp
//'$ // 00 %%( %%$$
3
%% %% %%11 %%% ## %%% 00
" # tasto
p//' // // %% %% %%'% %%' 00
2 #mp
tasto
//'$ // // //
3 % #
tasto
mf
//$// 00 00 //
3 ord.%' #
*
tasto
f
//1 // // //
Nothing
19
Slower
Slower
q = 45
q = 45
141 4!
4!
4!
4!
4!
4!
4!
4!
4!
4!
4!
4!
4!
4!
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
"f
%&
*$
f
%&% #
(*
to picc.%+ )# , # # # ,5 ,
solo
pp
%6&'( )to flute
,5
" )#
f
%&%+*
% #( $ - # ,p%' - # ,5
f
inhale
78 ) , ,5
"f
%&'f
%&$
*- # ,
p%' - # ,5
f
inhale
78 ) , ,5
"mf
% )* mf
%%( %* *
, ,p
%6%( ) , %6( ) , %6%( ) , %6( ) , %6%( ) , %6( ) ,5f
inhale
78 ) , ,5
" )mf
%$( %* *
)* mf
%( %*
# ,p
%$ - # ,5f
inhale
78 ) , ,5
" # # # # ,5f
inhale
78 ) , ,5
" # # # # ,5f
inhale
78 ) , ,5
. # # # # ,5f
inhale
78 ) , ,5
. # # # # ,5f
inhale
78 ) , ,5
" %% %% %%%% ## %%
mf
%%*
,p
col legno battuto
&& &&3
,&& &&3
,&& &&3
,&& &&3
,&& &&3
,&& &&3
,5f
inhale
78 ) , ,5
" %% ## %%%' %% %%mf
%% %% ,*
col legno battuto
p
&&
3
,&& &&3
,&& &&3
,&& &&3
,&& &&3
,&& &&3
,5f
inhale
78 ) , ,5
2p00$$ %%
mf%% 00 -
*over-pressure: croak
mf
7&9( ) , 7&( ) , 7&9( ) , 7&( ) , ,5 inhale
f78 ) , ,5
3p
00 %%$$
mf
%%' 00 ## ,
*,
col legno battuto
p
&& &&3
,&& &&3
,&& &&3
,&& &&3
,5f
inhale
78 ) , ,5
3p
00 %%mf
%' /*
# # ,5 inhale
f78 ) , ,5
Nothing
20
!;
!;!;!;!;!;!;
!;
!;
!;
!;
!;
!;
!;
146 !"
!"!"!"!"!"!"
!"
!"
!"
!"
!"
!"
!"
Sudden and lively
Sudden and lively
e = 170
e = 170
150
150
;"
;";";";";";"
;"
;"
;"
;"
;"
;"
;"
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
# $ $510''
ff
& & & & & & & & & & & &
p
& & &
# )pp&3 *
%* $5
ff
& & & &' & & & & & &' & &
p
& & &
#pp& &' + &+ )
%* $5
ff
& & & &6 & & & & & & & &p
& & &3
# $ $510''
ff
& & & & & & & & & & & &p
& & &%
# $ $5ff
&' & & &' & & & & & & & &p
& & &%
# $ $5ff
& & & & & & &' & & &' & &p
& & &%
# $ $5ff& # & # & #
& # &p
&%
,2 WBsoft mallet
aluminum foil w/ brush
mppp ppp
0 & # &+ ) * $510'' cym. w/ stick
SD
mf
)0 # & & )0 # & & )0 # & & )0 # & & )0pp
&( $$$&
%
,sn/offSD
pp
brushes
&2 &2+ ) * $5BD
mf
& #
mf
smalltriangle$$$0 #
$$$0 #$$$0 #
pp
0+ ) *
#ord.
mf%3&' ## 3&/ * * $5
10''
ff
&& && && &&6 && && && && && &&6 && &&p
&&6 && & &
#ord.
mf%3&' ## 3&/ * * $5
ff
&& && && && && && &&6 && && && && &&p
&& && && &&
?pont.
mp pp
& &' &'* * $5
ff
& & & && && && && && && && && &&p
&& && && &&
4 * pizz
pp&+ ) * $5
ff
arco& # & # & # & # & *%
?
4 *pp
pizz&( ) * $5ff
arco
& # & # & #& # &
pp
&%
Nothing
21
153 !!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
!!
q = 50
q = 50
molto rit.
molto rit.
a tempo
a tempo
q = 50
q = 50
Fl. I
Fl. II
Fl. III
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Perc. I
Perc. II
Vln. I
Vln. II
Vla.
Vc.
Cb.
!
"
!
"
!
"
!
"
"#
pp
$#
3
$ $
%&
' ' ($)
p
$*
& &+ +*
pp
$,- % +
"$
+&
' ' ' ' + +*pp
$,)- % +
"# #
&' ' ( +
ppp%$
*) + +*
pp
$,. % +
" ' ' ' ' ( + +*pp
$, / $, / % +*pp
$,. % +
" ' ' ' ' ( + +* /pp$,) / $, % +*
pp
$,) . % +
" ' ' ' ' ( + +* + +*pp
$,- % +
" ' ' ' ' ( + +* + +*pp
$,- % +
0 ' ' ' ' ( + +* + +*ppp
SD
$,. % +
0 ' ' ' ' ( + +* + +*ppp
triangle
1,. % +
" $$2 $$ $$ $$ $$2 $$ $$ $$ $$ $$ $$ $$ppp
$$ $ + ( + +* + +*p
$$,))- % +
" $$ $$ $$ $$ $$) $$ $$) $$ $$)) $$ $$ $ $) $ppp
$ $ # $ $* + +*
p
$$,- % +
3 $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ppp
$$ $$ ( + +* + +* "p
$,&- % +
3p
$) $ $$) $$ $$)) $$ $$ $$ $$)) $$ $$4 $$ppp
$ $ $- % ( + +* + +* 5p
6$,- % +
5 ' ' ' ' ( + +* + +* III
p
6,- % +
Nothing
22
