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청계천, 1930 1 1930 청계천, 모던의 산책을 시작하다 쌀쌀한 천변바람에도 볕이 잘 드는 청계천 빨래터로부터 소설가 박태원의 산책이 시작된다. 그의 산책은 양쪽 천변을 넘나들며, 보고 듣고 생각하는 다분히 일상적인 도시의 배회이다. 그러나 그의 눈에 비친 천변풍경은 동네 이발소, 오색등이 화려한 카페, 현기증 나는 승강기가 있는 백화점, 거리의 적막을 깨는 자전거와 인력거 등 근대도시 요소들로 환기 되어 있다. 또한 제멋대로 지절대는 아낙네와 천진한 아이들, 청계천 다리 밑의 깍정이 (거지) 들과 맑고 깨끗하다 는 이름과는 달리 구정물이었던 청계천 등 당시의 현실을 숨김없이 반영하고 있다. 박태원의 산책은 일상을 넘어 도시의 산책이 되고, 시대 를 넘어 모던의 산책이 되었다. 이제 우리, 그와 함께 ‘ 1930 청계천, 모던의 산책’에 동행해 보기로 한다. 천변풍경 Novel “Streamside Scenes” 신수유물, 1947 박태원 Novelist Park Tae-won (1909~1986) e Cheong- gyecheon in the 1930s, and a Stroll into the Mod- ern Era e stroll of novelist Park Tae-won, that starts from the sunny washing-place in the chilly streamside wind, is quite a ‘routine wander in a city’ to see, listen and think while walking along the banks of a waterway. However, the streamside scenes were turned into elements of the modern city in his eyes, and he vividly reflected the real situation of the stream, which was filled with dirty water betraying its name which means the ‘clear and clean stream’. e stroll of Park Tae-won represents the ‘stroll through a city’ that breaks away from routine ones, and the ‘stroll towards a modern era’ that envisions beyond that period. Now let us accompany him along “the Cheonggyecheon in the 1930s, and a stroll into the modern era.” Park Tae-won 1909~ 1986 A modernist novelist who lived on the banks of the Cheonggyecheon stream(7 Daokjeong), in Da-dong of Jung-gu District, Seoul․ In his works, ‘One Day in the Life of Novelist Gubo’(1934) and ‘Streamside Scenes’(1936~1937), he depicted scenes of rapidly modernizing Gyeongseong(now Seoul) and the areas surrounding the stream. 박태원 朴泰遠 1909~ 1986 서울특별시 중구 다동 茶洞 청계천변 (다옥정茶屋町 7번지) 에서 살다간 모더니스트 소설가 대표작 「소설가 구보씨의 일일」 ( 1934) , 「천변풍경 川邊風景 (1936~1937) 등의 작품에서 근대도시 경성 京城 과 청계천변의 모습을 담아 우리 에게 ‘모던의 산책’을 가능하게 해 준 시대의 안내자 Opening the Exhibition Ever since the Cheonggyecheon stream appeared in historical records as being located in the central area of Hanyang, the capital of the Joseon Dynasty(1392-1910), it has remained flowing for many centuries although undergoing a variety of changes. is exhibition is designed to shed light on the Cheonggyecheon, particularly as it suffered in the 1930s, when the entire city transformed into a modern metropolis. e capital was the contact point between the old and new civilizations, although it was also constrained by modernization and colonization. We hope that this exhibition will enable visitors to view the stream from diverse perspectives. It may also bestow fresh significance upon this stream in the minds of its viewers. 전시를 열며 청계천 淸溪川 은 조선시대 수도 한양 漢陽 의 중심이 되면서부터 우리 기억 속에 본격적으로 등장했습니다. 이후 청계천은 명당 明堂水 와 하수 下水 에 대한 논쟁 등 오랜 세월동안 많은 변화를 겪으며 흘러왔습니다. ‘청계천, 1930 ’은 서구의 문물이 들어와 근대도시로 변모하는 1930 년대 청계천에 주목했습니다. 당시 청계천의 거리와 사람들은 새로운 문명의 홍수 속에 취하고 번민하는 이중적이고도 중첩된 모습을 지니고 있었습니다. 청계천은 신구문명 新舊文明 의 접점 接點 으로서, 또 근대와 식민지 植民地 라는 현실의 경계 속에서 앓아 야 했습니다. 이러한 관점에서 청계천을 바라보는 다양한 시각의 을 마련하고자 합니다. 이번 전시회를 통해 여러분께 청계천이 새로운 의미로 다가가는 기회가 되었으면 합니다.

전시를 열며 - cgcm.go.kr²계천 1930 브로슈어 내지.pdf · 청계천淸溪川은 조선시대 ... 근대유흥 문화의 출현, 다방과 카페 일제강점기 근대도시의

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  • , 1930 1

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    Novel Streamside Scenes

    , 1947

    Novelist Park Tae-won

    (1909~1986)

    The Cheong-gyecheon in the 1930s, and a Stroll into the Mod-ern Era

    The stroll of novelist Park Tae-won, that starts from the sunny washing-place in the chilly streamside wind, is quite a routine wander in a city to see, listen and think while walking along the banks of a waterway. However, the streamside scenes were turned into elements of the modern city in his eyes, and he vividly ref lected the real situation of the stream, which was filled with dirty water betraying its name which means the clear and clean stream.The stroll of Park Tae-won represents the stroll through a city that breaks away from routine ones, and the stroll towards a modern era that envisions beyond that period. Now let us accompany him along the Cheonggyecheon in the 1930s, and a stroll into the modern era.

    Park Tae-won 1909~1986A modernist novelist who lived on the banks of the Cheonggyecheon stream(7 Daokjeong), in Da-dong of Jung-gu District, Seoul In his works, One Day in the Life of Novelist Gubo(1934) and Streamside Scenes(1936~1937), he depicted scenes of rapidly modernizing Gyeongseong(now Seoul) and the areas surrounding the stream.

    1909~1986 ( 7) (1934), (1936~1937)

    Opening the Exhibition

    Ever since the Cheonggyecheon stream appeared in historical records as being located in the central area of Hanyang, the capital of the Joseon Dynasty(1392-1910), it has remained f lowing for many centuries although undergoing a variety of changes.

    This exhibition is designed to shed light on the Cheonggyecheon, particularly as it suffered in the 1930s, when the entire city transformed into a modern metropolis. The capital was the contact point between the old and new civilizations, although it was also constrained by modernization and colonization.

    We hope that this exhibition will enable visitors to view the stream from diverse perspectives. It may also bestow fresh significance upon this stream in the minds of its viewers.

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  • , 19302013

    Map of Greater

    Gyeongseong (Seoul)

    13639, 1936

    Ginseng Coffee

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    Morinaga Milk Plate

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    Cigarette of Macaw

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    Western Clothing

    Advertisement Flyer

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    Westernstyle Man's Coat

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    Modern culture, which was introduced in the 1930s, changed the city and daily life of people by arousing winds of change. So-called modern girls and modern boys strode down streets wearing fashionable clothes, and stores lined along high streets were filled with Western goods. The Cheonggyecheon itself experienced the rapidly modernizing civilization of those days.

    A New Wind Blows over the Cheonggye-cheon

    During the Japanese Colonial period, street networks were reorganized from an east-west axis to a north-south axis, to connect with the southern town where many Japanese people lived; wealth and strength became settled around Hwanggeumjeong (now Eu lji ro) and Bonjeong (now Chungmuro). In addition, the city was expanded as the Joseon Urban Planning Ordinance, the first act on modern urban planning, was implemented in 1934. This rearrangement of the city changed the composition of citizens by arranging the southern town for the Japanese to live while making Koreans to reside in the northern town, bordering the Cheonggyecheon. And this change served as a momentum for bringing the threatening dwelling-problems of the poor urban citizens up to the surface.

    Expansion of the city and changes in street net-works

    Western civilization became highly popular during the period of Japanese colonial rule. High-rise buildings constructed with bricks and concrete changed the skyline of the modern city, and people became accustomed to Western clothes and cosmetics as well as Western foods and beverages such as coffee, beer and chocolate. These new cultural structures and products that stimulated the five senses turned the streamside into an area that was affluent with experiences of them.

    Influx of new civilization

  • , 19302013

    Honmachi(Chungmuro) Street

    15600,

    Cafe Marubiru

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    Voucher for Tea Room

    Geumgangsan

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    Brunswick Gramophone

    2283, 1930

    Gyeongseong Post Office

    15600,

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    There exists light and shadow even in this new-world era filled with rich modern experiences. Bordering the Cheonggyecheon, Japanese people lived south of it and Koreans lived in areas north of it. Streets in the southern town f lourished with modern buildings and facilities, while the northern town was seen as an old-fashioned and backward area that admired or envied the fancy and bustling southern town. This stream was a geographical border that divided the city into southern and northern towns as well as a boundary line that discriminated peoples, spaces and cultures.

    The Cheon-ggyecheon Flows between Light and Shadow.

    The southern town where Japanese lived became the center of commercial and financial activities, in which new shops, department stores and colonial f inancial institutions were located, and streets were expanded and newly built. This area was reformed into a modern entertainment, culture and arts zone based on coffee shops and cafes that came into being starting in the 1920s. The southern town established itself as a symbol of modern society because the colonial power, financial capital, commerce, culture and arts were congregated there.

    The southern town, heart of bustling city

    The entertainment culture of modern cities in the Japanese colonial period is represented by teahouses and cafes, which first appeared in the 1920s in the southern town. They were most prevalent in the 1930s, and they then expanded into the northern town. Teahouses served as cozy spaces for passing time in relaxation with refined sensibility by providing coffee or tea, leisure spaces and diversified cultural activities. In contrast, cafes provided superficial but stimulating erotic pleasures as the advance-guard of the new entertainment culture by selling liquor and smiles.

    Advent of modern en-tertainment culture: tea rooms and cafes

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  • , 19302013

    View of a Korean Village

    15598,

    Huts at Slum Area

    16961, 1930

    View of a Korean Village

    15598,

    1929.11.25

    Cheonggyecheon stream area is like

    Garbage Bin

    Maeil Shinbo Nov.25, 1929

    !

    1935.3.9

    Gyeongseong, a City of Disease!

    Filthy Sewerage is the Cause

    Dong-A Ilbo March 9, 1935

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    Unlike the f lourishing southern town, the northern areas of Gyeongseong remained lagging behind. Construction and expansion of streets was very limited, and the Cheonggyecheon tributaries were dredged and cleaned mainly in the southern neighborhoods. In addition, the stream was further polluted by domestic waste waters discharged by poor people who settled around the stream, and the area became a hotbed of infectious diseases and crimes such as murder and robbery.

    The northern town, an area of gloomy reality and backwardness

    The filthy sanitary conditions of the Cheonggyecheon emerged as a social issue. The main stream was not dredged until the late 1910s under the Japanese colonial rule because the city government took only lukewarm actions on the pretext of shortage of budget, since roads around the stream were mainly used by Korean citizens. Moreover, the water in the stream got dirtier due to indiscreetly discharged domestic sewage and human wastes, becoming a hotbed of infectious diseases.

    Takgyecheon, a dirty stream

    Newspapers f requent ly reported cr imes and accidents occurring in the areas around the stream in those days. The stream was stained with various crimes and accidents, such as falling accidents due to narrow roads, assaults in cafes around the stream, deserted bodies and murders. These crimes and accidents ref lect a dark side of the modern entertainment culture and the difficult life of urban poor people against the backdrop of backwardness in the northern town caused by the indifference and evasion of the Japanese colonial regime.

    An extremely dangerous Cheonggye-cheon stained with crimes and accidents

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    133-814 530 ( 527-4)Tel 02-2286-3410 Fax 02-2286-3414 www.cgcm.go.kr

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    This stream showed varied aspects in the course of the rapid modernization of the 1930s. It served as a continuing stage and boundary of space and time with duplicated frameworks of new and old culture, modernity and pre-modernity, and racial conflicts caused by discrimination between Koreans and Japanese.

    The stream was a discriminative boundary line that divided spaces and people beyond the geographical borders that differentiated the northern town from the southern town, due to contrast of the constituents in these two towns and the intentional discrimination policy of Imperial Japan attempting to justify its colonial rule in the course of changes mandated by its modernization policies.

    The Cheong-gyecheon as a Space with Two Fa-cades.

    Census Report by Vocation

    15520, 1934

    Japanese and Korean women

    Walking On The Street

    13670, 1927