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A 2012/2013. tanvi

Orszgos Kzpis olai Tanulmnyi Verseny

els fordul

ANGOL NYELV I-II. KATEGRIA

FELADATLAP S VLASZLAP

Mun aid: 180 perc

Elrhet pontszm: 100 pont

TMUTAT

A mun a meg ezdse eltt nyomtatott nagybetvel i ell tlteni az adato attartalmaz rszt s minden lnll lapon a versenyz nevt, osztlyt!

A feladato megoldshoz resz zn vl ms segdesz z nem hasznlhat! Avlaszlapon tollal ell dolgozni. A vlaszlapon javts nem fogadhat el. Azo ban ardse ben, ahol szava at ell berni, csa a t letes helyesrssal bert megoldsofogadhat el ( is s nagy ezdbet meg lnbztetse nem szmt).

A feladatlapot a sza tanr (sza tanri mun a zssg) rt eli zponti megoldsi ulcsalapjn. Tovbb ldhet az I. ategriban a legalbb 70 pontra rt elt, a II.ategriban a legalbb 75 pontra rt elt vlaszlapo .

A VERSENYZ ADATAI

A versenyz neve: ............................................................................................. oszt.: ..............

Kzpis olai tanulmnyait a 13. vfolyamon fejezi be: igen nem*

Kategria: I. ategria II. ategria* (*A megfelel alhzand!)

Az is ola neve: .......................

Az is ola cme: ............. irsz. .............................................


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.................... vros

.........................................................................utca..........hsz.

Megye: ........................................................................................................................................

A fel szt tanr(o ) neve: ......................................................................................................

................................................................................

.....................................................................

sszes pontszm:


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ORSZGOS KZPISKOLAI TANULMNYI VERSENY

ANGOL NYELV III. KATEGRIA 2012/2013

ELS /ISKOLAI/ FORDUL

(A feladatlap is olai pldny, amelyet nem ell be ldeni!)

Tesztrs idtartama: 180 perc

A feladato megoldshoz sztr nem hasznlhat.

Fontos!

A feladatlapon dolgozzon, csa a or rja be vlaszait a vlaszlapra, ha dntse vglegsa avlaszlapon jellt megoldso rt elhet ! A vlaszlapon tollal dolgozzon. A vlaszlapmfogadhat el. Azo ban a rdse ben, ahol szava at ell berni, csa a t letes helyesertmegoldso fogadhat el.

I. Read the article below about British police, and complete the text by writingONE word in each

space. Write the word next to the appropriate number on your answer sheet. Thereis oneexample (0) at the beginning.

Do we really want to arm our police?

Arguments over (0) whether the police should be routinely armed date to the creation of the capitalsfirst force (1)___ Robert Peel in 1829. Indeed, senior officers in the 19th cent

ury (2) ___ often carry aside-arm. But British policing too a different direction from that of Europe orAmerica by declining toissue weapons (3) ___ a routine basis, apart from in Northern Ireland.

The reason for this was set out in Peels principles of policing: he regarded thepolice (4) ___ the publicin uniform. Not for us the militarystyle Continental police of whom the general public wal (5)___fear and distrust. Our police, said Peel, are civilians, members of the public who


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are paid to give full-time attention to duties which are incumbent upon every citizen in the interestsof community welfareand existence.

This relationship explains (6) ___ we find the murder of police officers so especially shoc ing: they actas our proxies, required to place themselves in circumstances that, than fully,we can stay clear

(7) ____. This has led to a style of policing that emphasises containment, negotiation and the use offorce as a last resort. By and large, it has made this country a (8) ___ violentplace than those where thepolice are armed. On the other (9)___, it leaves our police more vulnerable (10)___ the corneredgangster, the ruthless drug-traffic er or the evil cop-hater who carry guns andare prepared to use them.

Yet the police themselves tend (11) ___ oppose the routine issue of weapons. Themurder of a policeofficer on duty is still a relatively rare event. Nonetheless, armed patrols arenow common at publicbuildings (12) ____ as the Palace of Westminster, or transport hubs li e Heathro

w Airport.This is the unavoidable response (13) ____ a society in which criminals more readily resort to weapons,and terrorism is an ever-present threat. But these officers are deployed as andwhen needed. (14) ___want a routinely armed force, not even those in the front line.

This country is unusual in (15) ____ ept an unarmed police force for so long. We have, at least,retained the relationship between the police and the public that Peel envisagednearly 200 years ago and(16) ____ many other countries envy.

http://www.telegraph.co.u /news/u news/law-and-order/9553111/Do-we-really-want-to-arm-our-police.html


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II. Read the review below about 11/22/63, Stephen Kings latest novel. Some of thelines containan unnecessary word, which does not fit into the sentence. If there is an unnecessary word, write itnext to the appropriate number on your answer sheet. If the line is correct, puta tic (.) next tothe appropriate number on your answer sheet. There are two examples (0, 00) at the beginning.

11/22/63

Stephen King has something for everybody. For highbrow critics such li e Harold(0)_such_

Bloom, he offers a punching bag. For the rest of us, King offers pure entertainment. (00)_ .__

The sales figures prove this. The cinematic adaptations needn't even to be named. (17)_____

Chances are youve had either nightmares about one or two or most of them. (18)_____

11/22/63 isnt a horror story, though part of it is set off in the same town in which (19)_____

his horror boo , It opens. 11/22/63 is about Ja e Epping, an English teacher who (20)_____

travels into the past to prevent from the Kennedy assassination. Its subject, and in (21)_____

certain important ways its main character, is time itself also. King goes easy on the (22)_____

time-travel details. If Ja e fails on his first try, so he may try again. Only a

fter a while (23)_____

does he realize things dont go entirely bac to the normal. He begins to notice odd (24)_____

coincidences he refers to them as the past harmonizing with itself that say about (25)_____

something is not quite right. There are echoes of words and situations; people in (26)_____

the past who resemble of people in the present. In what I suspect is characteristic (27)_____

King fashion,not quite right turns out to mean terrifying. Its strange to say that8)_____

while a modest stylist li e King is a national treasure, but he is. What ma es King (29)_____

great isnt his writing, but his ability to ma e the average person to wonder about (30)_____


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time, fate, and humanity. The past, in the boo tells us again and again, doesnt(31)_____

want to be changed, and will fight violently of any attempt to change it. Kings (32)_____

imagination may be more weirder than many of his contemporaries, but the themes(33)_____

were explored in 11/22/63 - nostalgia, regret, and wishful thin ing - belong toall of us. (34)_____

http://bnreview.barnesandnoble.com/t5/Reviews-Essays/11-22-63/ba-p/6293


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III. Read the text below about the Pre-Raphaelite painters. Use the words in brac ets to formwords that fit in the gaps. Write one word only in each gap. Write the word nextto theappropriate number on your answer sheet. There is one example (0) at the beginning.

Pre-Raphaelites revealed as cutting edge of art

Theres been a huge (0) revival (revive) of interest in the Pre-Raphaelite artists. It follows a broader

(35) ____ (reassess) of the Victorian heritage, which these days seems more safely historical and lessli e some stuffy cultural outburst that modern fashions for (36) ____ (clear) and simplicity have foughtso hard to banish. The reputation of the painters was certainly boosted by that

BBC Two seriesDesperate Romantics, which in 2010 turned the tale of this (37) ____ (revolution) band into a bodice-ripping romp.

Launching what one of its ey members, the designer William Morris, described asa really audaciousattempt to reject the prevailing pomposities of academic tastes in favour of thesimplicities of the early15th-century (pre-Raphael) and ardently supporting a truth to nature which they sought to achieve by aunique (38) ____ (insist) upon painting from direct observation, they pursued astyle that has embedded

itself in the collective (39) ____ (conscious) of the British.

For those already persuaded of the charms of the Pre-Raphaelite painters the latest Tate Britain showwill, on the most basic level, present a garden of (40) ____ (earth) delights. Here is Millais Opheliafloating towards her flower-strewn fate. Here is Ford Madox Browns evocation of mass (41) ____(emigrate) and Henry Walliss icon of neglected (42) ____ (literature) genius, Chatterton.

Loo at Millais Christ in the House of His Parents: a picture of a barefoot boy Jesus assisting his

carpenter father. And perhaps in its simple (43) ____ (sincere) it is also emotionally touching. But, in itsera, it catapulted the newlyformed (44) ____ (brother) into instant notoriety.

Charles Dic ens strode to the attac . He accused the artist of ma ing Mary loo li e a commonalcoholic so hideous in her (45) ____ (ugly) that she would stand out from the rest of the company as aMonster in the vilest cabaret in France, or the lowest gin shop in England. So heated grew the


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controversy that Queen Victoria ordered the painting be brought to Buc ingham Palace so that shecould judge for herself. I hope it will not have any bad effects on her mind, Millais (46) ___(dry)remar ed.

These artists had a (47) ____ (drama) original response to the world around them. They cut straightthrough the complicated tangles of contemporary (48) ____ (religion) controversies to present biblicalteachings with (49) ____(compassion) humanity.

www.thetimes.co.u /tto/arts/visualarts/article3535183.ece


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IV. Read the text below about freshers wee and decide which answer (AM) best fitseachnumbered gap. There are two extra answers that do not fit into any of the gaps.Write the letter ofyour choice next to the appropriate number on your answer sheet. There is one example (0) at thebeginning.

Lonely in freshers wee ?

Freshers wee is a double-edged (0) D . It's a wee -long holiday, complete with clubbing, activities,and probably the odd drin . There's just one catch you have no friends to shareit with. It'sunsurprising then, that in the (50) ____ of such relentless socialising, many first-years experienceloneliness.

There is a lot of (51) ____ about students having the best days of their lives, says Melanie Withers,director of psychological and counselling services at Sussex University.

But people don't recognise that loneliness and homesic ness are also common. It just isntac nowledged by the student body those who do admit to it can be seen as a bit lightweight.

A Royal College of Psychiatrists report, The Mental Health of Students in HigherEducation found thatas many as 60% of first-year students experience homesic ness. Additionally, onein fiveundergraduates raised (52) ____ about their anxiety and one in three reported feelings of sadness ordepression.

This was exactly the (53) ____ for Helen Wright who studied English and photography at the Universityof Sunderland.

It was the first time I had ever been homesic , and it really too me by (54) ____ because I genuinelywasnt expecting it. There was a difference between boarding school and university, the people at myuniversity were from very different bac grounds to myself and it was a bit of a(55) ____ shoc at first.I began to feel extremely nervous and paranoid and bro e down in (56) ____ several times, she says.

Withers says that despite the (57) ____ placed on drin ing during freshers wee ,its important thatnew students dont feel obliged to ta e part in activities that ma e them feel uncomfortable.

If its what you want, then you can go on as many pub crawls as you li e, but dont give in to pressureif you don't want to go.


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There's a conspiracy of silence. Anyone going into a strange environment is goingto feel a bit weird.My advice would be to share it with a (58) ____ fresher there is a fair (59) ____ theyll be feeling thesame.

http://www.guardian.co.u /education/2012/sep/19/lonely-in-freshers-wee

A. case B. concerns C. friendship D. sword E. tears

F. hype G. fellow H. surprise I. line J. emphasis

K. culture L. face M. chance


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V. Read the text about classical musicians and choose the best sentences (AK) from the list belowto fill each of the numbered gaps. There is one extra sentence that does not fitinto any of the gaps.Write the letter of your choice next to the appropriate number on your answer sheet. There is oneexample (0) at the beginning.

Encouraging new audiences for old music

Chained to electronics, we forget that for centuries individuals were expected to read, write and performfor one another, in the flesh. (0) C . Until the 17th century, secular music wasplayed solely withinone's home (hence: chamber music) (60) ____ Why play the piano for family and friends when thereare records, CDs and now-ubiquitous MP3s? Such advancements encourage old soulsto turn poeticabout bygone eras. (61) ____ How do they ma e a living when younger generations

are not only lessinterested in classical music but also less willing to pay for entertainment? Some classical musicians areadapting.

(62) ____ Thirty international chapters now host casual concerts in bars and coffee shops, which bothrelaxes the classical music experience and builds a new fan base. Joshua Feltman, the head of a chapterin New Yor , recently began hosting open-mic nights, where groups who share musical repertoires ta eturns on stage. (63) ____ Kimball Gallagher, a Juilliard-trained pianist, is using private concerts to

encourage a new generation of music fans. (64) ____ This was where he met an independent researchernamed Jacob Deegan, who often hosts concerts in his Houston home to bring peopletogether whileensuring that cultural traditions flourish. (65) ____ He felt a much stronger bond with the audience thanhe'd experienced on a stage, and the feeling was mutual. These concerts are morethan Schubertiades, orSchubert-inspired gatherings in private homes. Mr Gallagher and several friends,including DavidRosensweig, a consultant, now host a recurring event called Coc tails and Counterpoints to restore thistradition in New Yor . Although Mr Gallagher initially worried about attracting

young professionals toclassical music concerts, he discovered a winning formula in presenting a briefperformance of musicfollowed by open dialogue with featured musicians. (66) ____ The group consistsof approximately 25non-musicians and five musicians; everyone is as ed to contribute a bottle of wine and meaningfulquestions, nothing more. (67) ____ How do musicians earn their eep while cultivating new fans andexperiences? This question has, of course, plagued artists through the ages.


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Unless you are independently wealthy, someone has to pay for your services, says Stuart Isacoff,author of A Natural History of the Piano. (68) ____

Quite a few classical musicians have had to become real entrepreneurs in order to ensure they can relyon a mar et for their wor . Without flexibility and creativity, classical musicwill struggle to find theaudiences necessary to sustain itself.

http://www.economist.com/blogs/prospero/2012/03/classical-music

A. It began during his time at Rice University in Texas.

B. While groups such as Classical Revolution attempt to inject classical music into contemporaryconsumption habits, others revive age-old traditions.

C. Music enjoyed a particularly intimate history.

D. But these changes in tastes and style are acutely felt by classical musicians

.E. hich brings us to the pes y matter of economic sustainability.

F. In 2006 San Francisco-based musicians founded Classical Revolution to encourage chamber musicfor the people.

G. Though it caused him terrible pains and toil, Mozart accepted that he had to teach and wor withwealthy patrons to advance his career, he adds.

H. Venues changed over time, but 20th-century improvements in recording technolo

gy dramaticallychanged music traditions.

I. For Mr Gallagher, this transformed how he saw home performances.

J. However, the guitar only became popular in the 1950s.

K. He is delighted by the richness of these conversations and credits a specificratio.


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VI. Read the following humorous letter of complaint and put the verbs in brac ets into a formthat fits in the gap. Write the word or words next to the appropriate number onyour answersheet. There is one example (0) at the beginning.

Dear Customer Relations,

What good fortune that I happened (0) to stay (stay) in your hotel on Primrose Hill Road this wee .Normally, I would stay in Bloomsbury but for some un nown reason all central London hotels were fulland for a while I thought that I (69) _____(find) anywhere to stay at all. However, Lady Luc smiled onme and guided me to your revolving door. Little did I realise how fortunate I (70) _____ (be). I noticedat once the remar able interior design of the lobby, bar and restaurant areas. Ibet that one of the Boardof Directors wives has a real talent for combining eclectic pieces of furniture andremar able flowerywallcoverings (71) _____ (create) spaces of stunning originality. It was a littl

e unusual (72) ____ (as )to pay the L140.60 room rate in advance. Normally, a credit card authorisation would be ta en and thebill settled the following morning. Could it be that your guests were less inclined (73) ____ (pay) theirbill after they had seen their room? That was a little worrying. You can imaginehow relieved I wastherefore when, (74) ____ (arrive) at my bedroom, I found that the Directors wifehad used herconsiderable creative talents here too. More flowery wallpaper adorned every vertical surface (exceptfor the bits that were peeling off) and I thought that the purple flowers (75) _____ (be) a perfect match

for the dar green carpet. The peeling wallpaper theme was cleverly continued into the bathroom,where crac ed tiles and gaping holes in the walls provided some welcome relief to the otherwise boringflatness of the tiling. It was so good to see that your maintenance department (76) ____ (spoil) thingsby ma ing unnecessary repairs. However, despite this positive treasury of sensory delights, my absoluteclear favourite was getting noc ed out by the chandelier. How terribly thoughtfulof you (77) ____(hang) the extraordinarily heavy light fitting in such a way that the bul y, brass extremity lay soprecisely at eyebrow level. The resulting concussion was a considerable aid to a

restful nights sleep andI only needed to spend a few minutes counting the bedsprings stic ing into my bac before I (78) ____(dream) peacefully.

Finally, I must say that I really enjoyed the brea fast, coo ed fresh on Wednesday morning. Of course,by the time I actually ate it on Friday, it was perhaps a little past its absolute best. Please be goodenough to let me now when youre next putting your prices up so that I (79) _____


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(come) bac andexperience even more of your extraordinary good value.

Yours etc,

Anthony

http://www.dearcustomerrelations.com/best-ever-complaint-letters/brittania-hotels/


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VII. Read the text below about British pubs and decide which answer (A, B, C orD) best fits eachspace. Write the letter of your choice next to the appropriate number on your answer sheet. Thereis one example (0) at the beginning.

The great British pub do you miss it?

There are pubs all over the world, but what really (0) B a good British Pub? Itsyour local, its theplace where you wal in and everyone nows your name, cliche but true. The regulars have their ownseat, they will always sit there and heaven forbid that a newcomer (80) ___ walin and sit on old Billsseat. You cant sit there mate, Bill sits there, the barman would reply, the bar insilence waiting for thenewcomer to move. Newcomers are usually called mate although the (81) ___ is usedloosely untilthey prove themselves as a regular. There is always the resident bar prop too. The

one that the bar staffand management now and (82) ___ an eye on. Bert has had too much, call him a taxi, bar staff willsay. They not only now when you have had quite enough to drin , but they alsonow when you are in(83) ___ of one, too. They now when a man is trying to avoid the wife for whatever reason and alwaysprovide the alibi for him. No Mrs Jones, he is not here, they say loyally as Mr Jones is propping up thebar lovingly nursing his (84) ___ of bitter. It is the place where nervous youngmen will (85) ___ totheir girlfriends, which is met by cheers and drin s on the house from the landlord. Your local pub

sees many a birthday party, hen party, retirement party and plays a significantpart in all life stages ofvarious people. Whenever there is a big football match on TV such as the World Cup, you can bet yourlife the pub will turn into a nursery for men. There is no sound (86) ___ li e aheaving pub when a goalis scored. They may shout at the screen and wave their fist in the air for a missed (87) ___ , but theirlandlord nows them and doesnt fear the noise. A local pub is the place where when you wal past it,you hear laughing, clin ing of glasses and music and on hearing that, you have an urge to go insidebecause it really does, from the outside, seem that welcoming. Its the place that

some people use toeep (88) ___ if they live on their own. And no matter how busy it is, there isalways room for onemore mate to come in and (89) ___ time, become a regular. Yes, they can build pubs the way they doin the UK and put them in every country in the world. But there is really something quite magical aboutour pubs that I believe cannot be replicated. And I for one, when I move to Australia, will miss it dearly.(90) ___s to the Great British Pub.


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http://britishexpats.com/articles/u /the-great-british-pub/

0 A. ta es B. ma es C. gives D. does

80. A. may B. must C. could D. should

81. A. term B. sign C. mar D. address

82. A. hold B. put C. eep D. raise

83. A. miss B. wish C. short D. need

84. A. taste B. pint C. life D. night

85. A. profess B. pronounce C. propose D. proclaim

86. A. much B. quite C. if D. all

87. A. penalty B. match C. card D. substitute

88. A. society B. friend C. company D. fun

89. A. through B. on C. by D. in

90. A. That B. Here C. It D. There


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VIII. Read these short reviews about the opening ceremony of the London Olympics2012 and thequestions that follow. Then match the reviews (A, B, C and D) with the questions, according to thetext. Write the letter of your choice next to the appropriate number on your answer sheet. Thereis one example (0) at the beginning.

A

Details of the $42 million opening ceremony of the 30th Summer Olympics have been cloa ed insecrecy. But it was a no-brainer that Danny Boyle the genre-hopping director ofShallow Grave andTrainspotting was never going to settle for standard-issue pomp and pageantry. The ey note of anyOlympics opener is a celebratory one, but Boyle injected playful irreverence, unexpected humor andeven dar ness. From the puffy fa e clouds suspended over the arena, ac nowledgin

g the U.K.s infamyas lousy-weather capital of the planet, to the mischievous inclusion of the SexPistols doing God Savethe Queen in the filmed intro, whimsy played more of a part in the proceedings than solemn sense ofoccasion. On a side note: Whats with those tac y gold-trimmed white trac suits onthe Brit team?Theres been much tal about the collective gloom in Britain over the past year, with the economy in thetoilet, crippling austerity measures being imposed, a hac ing scandal exposing deep-rooted mediacorruption and a crisis of political faith. It was no doubt a well-considered choice to cut Britains

captains of government out of the picture. In his wild, wac y and often hilarious Games ic off, Boyleept his promise, delivering something unique that ac nowledged the nations people and its innovativecreative spirit. The directors stoc got a major boost when he won an Oscar for Slumdog Millionaire,but this audacious show should bump it even higher.

http://www.hollywoodreporter.com/review/olympic-games-opening-ceremony-london-danny-boyle-355545

B

Compared to the usually banal platitudes of global togetherness and national pride that goes on at anOlympics ceremony, this seemed breathta ingly politically charged. But this ceremony was also aboutBoyle the award-winning, popular filmma er and it was steeped in his signature moves: brea -nec


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speed montages, widescreen angles, fast zooms. More than anything it was a loveletter to British film,TV and music, from Mary Poppins to Harry Potter, Lionel Bart to Soul 2 Soul. Im not sure it allwor ed, though. Without pushing those traditional ceremonial buttons so cravenlyBoyle traded thevisceral punch of a Lady Gaga-style arena show for a more opaque experience. Thepacing veeredtowards either too slow or too fast I wanted to listen to so many of those greatsongs for longer and Ihave no idea what the rest of the world will ma e of shire horses or men in tophats and tails gatheredaround a tree spouting Sha espeare. Nonetheless, this opening ceremony was original, cool, intense andutterly compelling. More importantly underneath the old pun snarl, Boyle is a generous directorunafraid of sentimentality or unabashed joy, and he filled this ceremony with heart and soul. You couldsee it reflected in the passion of all those thousands of volunteers dancing anddrumming. Rather thanturning them into anonymous cogs in a ceremonial wheel, he gave them charactersor fantasticchoreography and in doing so made them all into star performers. It was the hardest directorial job in the

world but Boyle did us all proud.http://www.telegraph.co.u /sport/olympics/london-2012/9433039/London-2012-Opening-Ceremony-first-review.html

C

Olympic opening ceremonies tend to be orgies of nationalistic sentiment. The Bri

tish pageant, however,had to tread more carefully given the countrys imperial history and modern self-consciousness. Toomuch muscle-flexing in this post-colonial era wouldnt have advanced Britains 21stcentury image as adeluxe global mar etplace, welcoming to all who have the financial wherewithal to get pastsecurity. Certainly on a visual level it wasnt as awe-inspiring as Beijing, whereeven the weather wasept under state control. But what distinguished Isles of Wonder, as the opening ceremony was titled,was the way history was given human lineaments. A tale of the countrys journey from rural innocence


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to industrial guilt to digital giddiness was related in the manner of the worldsmost elaborate pop-upboo , yet the faces of the masses are what left the deepest impression. Aristotle in the Poetics informsus that spectacle and song are the least important elements of good tragedy. ForOlympic openingceremonies, however, they ta e priority over his all-important plot. Narrative just has a hard timegetting heard above the din, and its too bad the social media romantic saga of Boyle's productionwasnt ditched.

http://articles.latimes.com/2012/jul/28/entertainment/la-et-cm-0728-opening-ceremony-reviewOlympic openingceremony

D

If the goal of an Opening Ceremony is to get you tal ing about the Olympics, con

sider London's asuccess. Granted, strange seems to be the Opening Ceremony stoc in trade these days, as eachorganizer tries to out-do, and out-shoc , the last. But even when you apply the1992 Albertville opener-as-Cirque du Soleil standard, London's show, designed by Oscar-winning Slumdog Millionaire directorDanny Boyle with its grassy noll and light-board hospital beds was boisterously, Britishly odd. Itwas delightful at times, to be sure. But just as often, it was trying so hard tocreate magic and impartmeaning that it became impenetrable. Perhaps the lesson is that you cannot tellthe story of a people and

culture on a stadium field, no matter how many high-tech enhancements and volunteer dancers you haveat your disposal. A scattershot collection of lights, songs and music, London'sceremony lac ed theawe-inspiring, heavily rehearsed, synchronized mass madness of Beijing. On the plus side, if it seldommade you marvel, it also never forced you to consider the amount of state-organized repression requiredto get that many people to drum as one.

http://www.usatoday.com/life/television/reviews/story/2012-07-28/Olympic-Opening-Ceremony/56551368/1

Which reviewer.


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2012/2013

ORSZGOS KZPISKOLAI TANULMNYI VERSENY

ANGOL NYELV I-II. KATEGRIA

ELS /ISKOLAI/ FORDUL

VLASZLAP

A feladato megoldshoz resz zn vl ms segdesz z nem hasznlhat! A vlaszlapA vlaszlapon javts nem fogadhat el.

Azo ban a rdse ben, ahol szava at ell berni, csa a t letes helyesrssal bert fogadhat el.

A feladatlapot a sza tanr (sza tanri mun a zssg) rt eli zponti javtsi tmuta

A feladatlapo be ldsne ponthatra: I. ategria: 70 pont vagy annl tbb

II. ategria: 75 pont vagy annl tbb

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sszpontszm: __________________ Javt tanr alrsa: ______________________


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