OPEN DAY

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OPEN DAY

• Course overview and Q&A, with Head of Film Kingsley Marshall & Course Coordinator for TV Sarah Arnold

• Screening of Short Films/Interviews

• Campus tours, with current students

• Talk to Student Ambassadors for the inside story

• Make the most of today, try not to leave with unanswered questions

• Follow up with [email protected], if you do have questions

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THE WORK3

Trailers - http://vimeo.com/33529868 http://vimeo.com/6569874All our films - http://www.vimeo.com/filmatfalmouth/likes

Film magazine- http://www.rushesmagazine.com

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WHAT’S NEW?4

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OUR EDUCATIONAL PHILOSOPHY5

BA FILM

YEAR 1 YEAR 2 YEAR 3

TEACHING COACHING SUPPORTING

Theory 70% / 30% Practice Theory 60% / 40% Practice Theory 50% / 50% Practice

BA FILM BA TELEVISION

Theory 60% / 40% Practice Theory 40% / 60% Practice

BA TELEVISION

YEAR 1 YEAR 2 YEAR 3

TEACHING COACHING SUPPORTING

Theory 30% / 70% Practice Theory 40% / 60% Practice Theory 50% / 50% Practice

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HOW AM I TAUGHT? 6

• Screening & Lecture (whole cohort)• Seminars & Workshops (groups of 6-20)• Tutorials (1 to 1 & small groups 2-6)• Practical work (small crews, 4-6)

• Visiting Speaker Programme (Fortnightly)• International Exchange (relationships with

institutions in over 50 countries, including Australia, US, Canada)

• Erasmus Exchange (Mainland Europe)• Trips – to production facilities and festivals (optional)

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SPECIALIST STAFF7

• Course teams teach modules they have written, matching their academic specialisms and scholarly and practice research

• Supporting lecturers are working producers, editors, cinematographers, VFX/Post, screenwriters (features, shorts and TV), composers, sound designers, documentary, experimental and narrative feature and short form directors

• We use industry mentors with local, national & international companies

• Falmouth have an in-house production facility, delivering professional productions

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AWARD MAP FILM

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AWARD MAP TELEVISION

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NATIONAL STUDENT SURVEY 2013Specific return for BA Film, 2013

• Overall Satisfaction – 92% (92% 2012, 81% - 2011)

• Staff have made the subject interesting – 92%

• Staff are enthusiastic about what they are teaching – 94%

• I have received detailed feedback on my work – 91%

• Teaching on my Course – 93%

• Academic Support – 87%

• Learning Resources – 92%

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SCHOOL OF FILM & TELEVISION• 14 x 8m TV studio with three studio cameras, full gallery facility,

Chromatte grey screen, blue/green screen and full lighting rig

• Motion capture studio

• 117-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound, screening from BluRay

• Equipment store with range of Panasonic, JVC, GoPro and Canon DSLR Cameras (Blackmagic & Red from 2013), jibs, tracks & dollies

• 35 seat Digital Production Suite equipped with Final Draft (screenwriting), Movie Magic (Production Management & Budgeting), & visual and sound editing software, including Pro Tools, Final Cut Pro & X, AVID & Adobe Creative Suite

• Recording studios equipped with Pro Tools audio editing & foley traps

• 22,500-title DVD, BluRay & TV library + online streaming services

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VISITING SPEAKERS12

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VISITING SPEAKERS13

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VISITING SPEAKERS14

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VISITING SPEAKERS15

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VISITING SPEAKERS16

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VISITING SPEAKERS17

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HONORARY FELLOW18

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INTERACTIVE SPECTATORSHIPS19

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INTERNSHIP WARP20

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INTERNSHIP TWOFOUR21

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INTERNSHIP WARP

“When Mary Burke gave a lecture at the Uni, I made myself a goal that I would be employed by Warp. A couple of months later I got an internship through the Uni and helped on a TV pilot for them, before being offered a full-time job. The units on the course are all things that I go back to everyday at work, as well as learning to say yes to everything.”Lucille SutherlandBA (Hons) Film GraduateDevelopment Assistant, Warp

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INTERNSHIP WARP

“After Lucille’s internship in the summer 2010, which was part of the Falmouth/Warp internship programme, it was clear that she was an invaluable asset to our team both creatively and organisationally. Since then she has grown into the role as Development Assistant and PA to the MD of Warp Films, Robin Gutch. She rocks.”Mary BurkeProducer, Warp (Midnight Beast, For Those In Peril, Berberian Sound Studio, Submarine)

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PROFESSIONAL MENTORS24

Students recently on a 5.1 million Euro production from Norway’s Storm Films/Disney, Captain Sabertooth http://www.falmouth.ac.uk/content/student-crew-work-ps4m-feature-film

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PROFESSIONAL MENTORS25

Richard Klein

Head of Factual, ITV

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STUDY TRIPS26

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WHAT ARE WE LOOKING FOR?

• Ideas, and how you develop them

• Individualism

•Vision

•Open-mindedness

•Professionalism

•Cultural and critical awareness

•We do not require a portfolio, but you can include links in your personal statement

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YOUR INTERVIEW

•We can follow up with telephone interviews

•Why have you chosen to study this subject?

•What aspect of Film or TV at Falmouth really engages you?

•What are you looking forward to studying?

•What other opportunities interest you?

•What have been reading/watching/attending?

•What else have you been doing?

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WHAT HAPPENS NEXT?

• If you have applied through UCAS- we can interview today, or by telephone in the coming weeks

• Following interview, we will make some offers immediately through UCAS

• In some cases we will request additional portfolio, to be submitted online

• Our aim is to recruit by the January UCAS deadline

•We have 85 places on BA Film this year

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HOW CAN I PREPARE?30

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ANY QUESTIONS?

[email protected]

[email protected]

[email protected]

@FilmatFalmouth

@TVatFalmouth

www.falmouth.ac.uk/filmwww.falmouth.ac.uk/televisionwww.rushesmagazine.com

www.vimeo.com/filmatfalmouth/likes

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THE WORK32

Lapsed (Alessi Heitman-Rice, 2013)https://vimeo.com/76515739First year Experimental Work

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THE WORK33

Gustavo’s Corner (Helena Lewis, 2013)https://vimeo.com/69316102

Documentary Work

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THE WORK34

Last Friend on Earth (David Taylor, 2013)https://vimeo.com/67084670#at=0

Narrative Short Film

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WHY FALMOUTH?

“The theory side gave me an invaluable insight into the different contextual, theoretical and analytical approaches to film in both local and global contexts, while the practice side helped me to develop a number of post-production skills that have become essential in my current job.”Jack BridgerBA (Hons) Film Graduate(Footage Researcher, Journeyman Pictures)

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WHY FALMOUTH?

“I graduated with a first class degree, and worked as a production assistant on a number of MTV shows, camera woman, docu-drama editor, researcher and director's assistant on adverts and music promos. Film at Falmouth set me in good stead for a career in the media. When I graduated I had a good working knowledge of a number of cameras, editing software and design programs, all of which helped me get my first proper production jobs. The lecturers were also hugely supportive and pushed me to achieve my best.”Fern Beresford

BA (Hons) Film Graduate(Director, Coy Communications)

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Documents

OPEN DAY