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Orchestra Scope and Sequence
Orchestra III High School
Week 1Unit of Study: Shifting: Positions I-IIIFirst Grading Period
TEKS (Content)
1 A - Perform appropriate literature expressively.
2 A Exhibit accurate intonation & rhythm, fundamental skills and advanced techniques, using literature ranging from moderately difficult to difficult, while performing independently & in ensembles.
2 C - Perform expressively, from memory and notation, a varied repertoire of music representing styles from diverse cultures.
TEKS (Skills and Processes)
1 A - Perform appropriate literature expressively.
2 A Exhibit accurate intonation & rhythm, fundamental skills and advanced techniques, using literature ranging from moderately difficult to difficult, while performing independently & in ensembles.
2 C - Perform expressively, from memory and notation, a varied repertoire of music representing styles from diverse cultures.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Shifting
Advanced Technique for Strings (Gold Book), Pages 14-17
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips.
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler.
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
Concert Repertoire
Class Handbook
The teacher will use resources and Before, During, and After strategies to:
Demonstrate 3rd & higher positions
Discuss notation for 3rd and higher positions
Analyze shifting notation
Introduce All-region Audition music
Introduce, read & discuss Orchestra class handbook
So that the student will:
Remember note names in third position.
Analyze fingerings in 3rd position.
Discuss the relationship between 1st and 3rd Position.
Prepare for All-Region/ State auditions.
Understand the class rules, procedures & expectations.
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
A
Rigor
Relevance
1. How would you identify & count required rhythms
2. Can you identify how to produce accurate intonation?
3. Describe a shifting and what it is used for.
Play with proper posture and bowing mechanics
Play exercises to find correct pitches and rhythms
Perform instrumental warm-ups
Play correct rhythms and pitches
Produce characteristic tone
Read and write basic music notation
Begin learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate understanding of music performance and music notation by playing correct notes and rhythms
Students will perform with correct intonation..
Students start learning audition repertoire.
Students will return their signed Class Contract in a timely manner.
Before: Engage:
Have Students: Create a mental overview of the topics of study on the page.
During: Explore:
Have Students: Determine what is important
After: Summarize
Have Students: Complete a Graphic Organizer that shows the notes in position/notation/fingering.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
Orchestra III High School
Week 2Unit of Study: Three Octave Scale Major/Minor/Arpeggio(G Open)First Grading Period
TEKS (Content)
3 A - Sight-read major, minor, modal, and chromatic melodies.
TEKS (Skills and Processes)
3 A - Sight-read major, minor, modal, and chromatic melodies.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Arpeggio
Natural (pure) Minor
Harmonic minor
Melodic Minor
Advanced Technique for Strings (Gold Book)
Pages 2,6,11
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Examine scale fingerings
Facilitate scale/arpeggio principles
Clarify tonal criteria
so that the student will:
Recall three octave scales
Construct scales and arpeggios (1B,1C)
Judge key centers and tonalities (3A)
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
A
Rigor
Relevance
1. How would you identify & count required rhythms
2. Can you identify the rhythm/meter of the music?
3. Can you identify the key that the music is in?
Play with proper posture and bowing mechanics
Learn and play exercises to find correct pitches and rhythms
Perform instrumental warm-ups
Play correct rhythms and pitches
Play with characteristic tone
Read and write basic music notation
Continue learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate understanding of music performance and music notation by playing correct notes and rhythms
Students will perform with accurate intonation.
Student will demonstrate ability to perform assigned music.
Students continue to learn audition music.
Before: Engage:
Teacher: Set goals for student reading
During: Explore:
Have Students: Organize sequence of fingerings for each octave.
After: Summarize
Have Students: Recall the appropriate set of fingerings for the scale.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney-Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation
Orchestra III High School
Week 3Unit of Study: Dotted Rhythm and Bowing StudiesFirst Grading Period
TEKS (Content)
3 B - Read and write music that incorporates complex rhythmic patterns in simple, compound and asymmetric meters.
TEKS (Skills and Processes)
3 B - Read and write music that incorporates complex rhythmic patterns in simple, compound and asymmetric meters.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Dotted rhythms
Advanced Technique for Strings (Gold Book)
Page 38
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Demonstrate counting and writing dotted rhythms
Analyze rhythmic patterns
Reflect on compositional elements
so that the student will:
Interpret rhythmic notation
Organize & apply counting syllables
Generate a written rhythmic composition (3B)
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
C
Rigor
Relevance
1. How would you identify & count required rhythms
2. Can you write music that follows identified rules?
3. Describe the proper posture & positioning for the instrument you are playing.
Continue playing with proper posture and bowing mechanics
Learn and play exercises to find correct pitches and rhythms
Perform instrumental warm-ups
Play correct rhythms and pitches
Produce characteristic tone
Read and write basic & music notation
Continue learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate understanding proper instrument positioning and performance
Students will perform with accurate intonation.
Student will demonstrate ability to perform assigned music.
Students continue to prepare audition music.
Before: Engage:
Have Students: Make predictions about the text (chart) of rhythms
During: Explore:
Have Students: Ask questions about note values/durations, counting syllables and beat relationships.
After: Summarize
Have Students: Compare rhythmic values to beats
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
Orchestra III High School
Week 4Unit of Study: Musical Styles (Baroque Period) First Grading Period
TEKS (Content)
5 A - Classify by style and by historical period or culture representative examples of music, justify the classifications.
5 B - Identify and describe the effects of society, culture, and technology on music.
5 D - Define the relationships between the content, concepts, and the processes of the other fine arts, other subjects, and those of music.
3 C - Interpret music symbols and terms referring to dynamics, tempo, and articulation during solo and ensemble performances.
TEKS (Skills and Processes)
5 A - Classify by style and by historical period or culture representative examples of music, justify the classifications.
5 B - Identify and describe the effects of society, culture, and technology on music.
5 D - Define the relationships between the content, concepts, and the processes of the other fine arts, other subjects, and those of music.
3 C - Interpret music symbols and terms referring to dynamics, tempo, and articulation during solo and ensemble performances.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
walking notes
running notes
Baroque Period
Advanced Technique for Strings (Gold Book)
Page 40
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Demonstrate Baroque performance characteristics (5D)
Evaluate Baroque notation and ornamentation
Discuss methods of evaluation
so that the student will:
Recognize characteristics of Baroque music (5A)
Analyze & apply articulations
Interpret samples of Baroque music (3C)
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
C
Rigor
Relevance
1. How would you identify intervals between notes?
2. Can you identify major and minor scales
3. Describe differences and similarities in the music being performed.
Continue playing with proper posture and bowing mechanics
Learn and play exercises to find correct pitches and rhythms
Reproduce instrumental warm-ups
Play correct rhythms and pitches
Produce characteristic tone.
Read and write basic music notation
Continue learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate knowledge of music performance and music notation by playing correct notes and rhythms.
Students will perform with accurate intonation.
Students will identify Baroque performance characteristics.
Before: Engage:
Teacher: Write on board, "What makes Jazz jazzy?" Relate findings (Improvisation/ornamental notes) to Baroque music
During: Explore:
Have Students: Discuss Baroque musical characteristics
After: Summarize
Have Students: Recap the main points of Baroque music
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation
Orchestra III High School
Week 5Unit of Study: Three Octave Scale Major/Minor/Arpeggio (Ab-A "1st Finger")First Grading Period
TEKS (Content)
4 A - Improvise musical melodies
TEKS (Skills and Processes)
4 A - Improvise musical melodies
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Improvisation
Essential Technique for Strings (Gold Book)
Pages 2,6,11
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Examine scale fingerings
Facilitate scale/arpeggio principles
Clarify tonal criteria
so that the student will:
Recall three octave scales
Construct scales and arpeggios
Judge key centers and tonalities
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
C
Rigor
Relevance
1. How would you identify & count required rhythms?
2. Can you describe the meter of the music?
3. How would you describe asymmetric meter?
Play with proper posture and bowing mechanics
Play exercises to find correct pitches and rhythms
Perform instrumental warm-ups
Play correct rhythms and pitches
Produce characteristic tone
Read and write basic music notation
Continue learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate knowledge of music performance and music notation by playing correct notes and rhythms
Students will play with accurate intonation.
Before: Engage:
Have Students: Teacher: Set goals for student reading
During: Explore:
Have Students: Examine sequence of fingerings for each octave
After: Summarize
Have Students: Recall the appropriate set of fingerings for the scale.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
Orchestra III High School
Week 6Unit of Study: Baroque Repertoire First Grading Period
TEKS (Content)
1 C - Identify music forms of performance and listening repertoire.
2 B - Demonstrate comprehension of musical styles be seeking appropriate literature for performance.
TEKS (Skills and Processes)
1 C - Identify music forms of performance and listening repertoire.
2 B - Demonstrate comprehension of musical styles be seeking appropriate literature for performance.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
overture
concerto
Advanced Technique for Strings (Gold Book)
Pages 41-42
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Examine Baroque musical examples
Observes Baroque concepts and principles
Reflect upon sources of Baroque Literature
so that the student will:
Recognize Baroque musical Forms (1C)
Apply Baroque Period characteristics to music (1A)
Generate music performance recommendations(2C-D)
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
B
Rigor
Relevance
1. How would you identify the stylistic or historical background of the music you are playing?
2. Can you demonstrate the ability to read and analyze higher levels of rhythmic complexity?
3. Describe a series of complex rhythms.
Play with proper posture and bowing mechanics
Play exercises to find correct pitches and rhythms
Perform instrumental warm-ups
Play correct rhythms and pitches
Produce characteristic tone
Read and write basic music notation
Learning and playing basic & audition repertoire
Explanation
Instruction
Demonstration
Drill & Practice
Observation
Review & re-teach
Assessment
Students demonstrate musical understanding of music performance and music notation by playing correct notes and rhythms
Students will play with accurate intonation.
Students will play Baroque music with correct interpretation.
Before: Engage:
Teacher: Set goals for student reading (Teacher selected excerpt of Baroque ornamentation)
During: Explore:
Have Students: Describe notations and sounds of ornamentation
After: Summarize
Have Students: Recognize ornamental notation.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation
Orchestra III High School
Week 7Unit of Study: Repertoire for Shifting (Positions I-III) First Grading Period
TEKS (Content)
1 A - Perform appropriate literature expressively.
2 A - Exhibit accurate intonation and rhythm, fundamental skills, and advanced techniques, using literature ranging from moderately difficult to difficult, while performing moderately easy to moderately difficult literature.
2 C - Perform expressively, from memory and notation, a varied repertoire of music representing styles from diverse cultures.
TEKS (Skills and Processes)
1 A - Perform appropriate literature expressively.
2 A - Exhibit accurate intonation and rhythm, fundamental skills, and advanced techniques, using literature ranging from moderately difficult to difficult, while performing moderately easy to moderately difficult literature.
2 C - Perform expressively, from memory and notation, a varied repertoire of music representing styles from diverse cultures.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Advanced Technique for Strings (Gold Book)
Pages 18-21
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Show 3rd Position Notation
Discuss note names
Analyze shifting notation
so that the student will:
Recall fingerings in 3rd position
Analyze fingerings for upper positions
Discuss the relationship between 1st and 3rd Position
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
B
Rigor
Relevance
Can you demonstrate basic performance techniques?
Can you recall the requirements for sight-reading?
How do you read complex rhythms?
Learn concert repertoire by memory
Demonstrate fundamental performance techniques in rehearsal/ concert setting
Demonstrate performance etiquette in rehearsal/ concert setting
Evaluate rehearsals/ performance with basic criteria
Demonstrate appropriate audience etiquette.
Demonstrations
Compare & Contrast
Drill & Practice
Observation
Instruction
Review & re-teach
Assessment
Students demonstrate appropriate concert etiquette.
Students rate a recorded performance using performance criteria.
Before: Engage:
Have Students: Create a mental overview of the chosen piece of music
During: Explore:
Have Students: Determine what is important
After: Summarize
Have Students: Complete a Graphic Organizer that sequences important events in the music
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney- Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
Orchestra III High School
Week 8Unit of Study: Concert PerformanceFirst Grading Period
TEKS (Content)
2 D - Exhibit, describe and critique appropriate small-and large-ensemble performance techniques experienced and observed during formal and informal concerts.
6 A - Evaluate musical performances and compositions by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6 B - Exhibit informed concert etiquette during live performances in a variety of settings.
TEKS (Skills and Processes)
2 D - Exhibit, describe and critique appropriate small-and large-ensemble performance techniques experienced and observed during formal and informal concerts.
6 A - Evaluate musical performances and compositions by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6 B - Exhibit informed concert etiquette during live performances in a variety of settings.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Audition
Advanced Technique for Strings (Gold Book)
REVIEW
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Show conducting patterns and cues
Evaluate models of exemplary performances
Guides student discussions
so that the student will:
Respond musically
Actively listens to others perform
Develop exemplary standards
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
B
Rigor
Relevance
Can you leave out one criterion for performance and still have a musical performance? Why not?
Organize criteria for evaluating performances.
Why is it necessary to have appropriate audience etiquette?
Learn concert repertoire by memory
Demonstrate fundamental performance techniques in rehearsal/concert-setting
Demonstrate performance etiquette in rehearsal/ concert setting
Evaluate rehearsals/ performance with basic criteria
Demonstrate appropriate audience etiquette
Evaluate an audition of Region music.
Demonstrations
Compare & Contrast
Drill & Practice
Instruction
Observation
Review & re-teach
Audition
Assessment
Students demonstrate informed concert etiquette.
Students rate a recorded performance using appropriate criteria.
Before: Engage:
Have Students: Predict the characteristics found in a exemplary performance.
During: Explore:
Have Students: Draw comparisons between Good and Exemplary Performances, Describe important elements of a performance.
After: Summarize
Have Students: Write an evaluation of a performance.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney-Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
Orchestra III High School
Week 9Unit of Study: Concert PerformanceFirst Grading Period
TEKS (Content)
2 D - Exhibit, describe and critique appropriate small-and large-ensemble performance techniques experienced and observed during formal and informal concerts.
6 A - Evaluate musical performances and compositions by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6 B - Exhibit concert etiquette during live performances in a variety of settings.
TEKS (Skills and Processes)
2 D - Exhibit, describe and critique appropriate small-and large-ensemble performance techniques experienced and observed during formal and informal concerts.
6 A - Evaluate musical performances and compositions by comparing them to similar or exemplary models and offering constructive suggestions for improvement.
6 B - Exhibit concert etiquette during live performances in a variety of settings.
College Prep
Vocabulary
Resources
Instructional Guidelines
Word Wall
Advanced Technique for Strings (Gold Book) REVIEW
Fiddlers Philharmonic,
Fiddlers Philharmonic Encore, & Jazz Philharmonic, Andrew Dabczynksi & Bob Phillips
Introducing the Positions for Violin, Viola and Cello, Vol. 2
Harvey S. Whistler,
All-Region/ State Audition Music
Daily Warm-ups for Strings, Michael Allen
Metronome
Stereo sound system
The teacher will use resources and Before, During, and After strategies to:
Demonstrate conducting patterns and cues
Evaluate models of exemplary performances
Guides student discussions
so that the student will:
Respond musically
Actively listens to others perform
Develop exemplary standards
How to Teach
Key Questions
Student Behaviors
Getting the Big Ideas
Strategies
B
Rigor
Relevance
Can you demonstrate expression in the music for solo contest?
How do you apply basic performance techniques to a solo performance?
Why is it necessary to have appropriate concert group etiquette?
Learn concert repertoire by memory
Demonstrate fundamental performance techniques in rehearsal/ concert setting
Demonstrate performance etiquette in rehearsal/ concert setting
Evaluate rehearsals/ performance with basic criteria
Demonstrate appropriate audience etiquette
Evaluate an audition of Region music.
Demonstrations
Compare & Contrast
Drill & Practice
Observation
Instruction
Review & re-teach
Reflection
Assessment
Students demonstrate appropriate concert etiquette.
Students rate a recorded performance using performance criteria.
Students use a rubric to reflect on 1st 9 weeks performance.
Before: Engage:
Have Students: Predict the characteristics found in a exemplary performance.
During: Explore:
Have Students: Draw comparisons between Good and Exemplary Performances, Describe important elements of a performance.
After: Summarize
Have Students: Write an evaluation of a performance.
Technology Connection
Michael Hopkins String Pedagogy Notebook www.uvm.edu/~mhopkins
Mimi Zweig www.stringpedagogy.com
String Education Resources www.ed.uiuc.edu/courses/EdPsy387-Sp95/Rodney-Mueller/stringed/home.html
Smart Music http://www.smartmusic.com
Special Education
Written Notes- Terms with Definition
Provide Flash Cards with Terminology and notation.
SAISD 2007-08 8th Grade Band (First Grading Period Week 1)
Page 16 of 18