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Articulation Guide

Berlin Brass - Muted Brass

www.orchestraltools.com

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© 2017 Orchestral Tools | Schwarzer & Mantik GmbHRev. 2 017-10-2 5

OT Articulation Guide

CONTENT

I About this Articulation Guide 2

II Introduction 3

III Recording and Concept 4

IV Berlin Series 5

1 Berlin Brass - Muted Brass ............................................................................................. 6

Instruments .............................................................................................................. 8

Articulations ......................................................................................................... 10

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| About this Art iculat ion Guide |


I About this Articulation Guide

The number of Orchestral Tools is constantly growing and covers all instrumental families of the orchestra,

with some collections even branching out into non-orchestral instruments. This Articulation Guide describes

all contained articulations as well as their technical properties (velocity layers, Round Robins, and many

more).

This document is a special version of the Articulation Guide that only contains features applicable to thecollections listed below.You can download the full Articulation Guide that applies to all Orchestral Tools collections in our Helpdesk.

The following table lists all collections covered by this Articulation Guide with their current Capsule version

as well as the minimum Kontakt version.

Collection Name Collection Capsule KontaktBBR B | Berlin Brass - Muted Brass 1.0 2.5.3 Full 5.5.1+

ImportantThis Articulation Guide does not cover the general installation, usage and features of Orchestral Tools

collections. These topics are explained step by step in the respective User Guides and Installation Guides,

which you can find in your collection's Documentation folder. You can also find them in our Helpdesk.

http://helpdesk.orchestraltools.com/hd_articulation_guides.html

http://helpdesk.orchestraltools.com/hd_documentation.html

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| Introduct ion |


© 2017 Orchestral Tools | Schwarzer & Mantik GmbH

II Introduction

Welcome to the Orchestral Tools Articulation Guide!

Orchestral Tools provides high-quality sampled instruments for composers. Thanks to our Capsule Scripting

Framework developed in-house, all Orchestral Tools collections look and work in a very similar way.

Articulation names, labeling and all technical terms are identical in every collections, so you will find it easy

to find your way around.

This Articulation Guide describes all articulations as well as their technical features and is organized as

follows:

- The general Ser ies Overv iew shows you all available Orchestral Tools Series', which group our

collections into broader categories.

- Following this is the respective Ser ies Overv iew Page of one particular Series, which lists all available

collections by name and gives suggestions for expansions options.

- Each individual collection then has its own Col lect ion Overv iew page, which describes the general

content of the collection as well as its most important features at a glance.

- This is followed by the Inst ruments Section, which lists all instruments (or sections) contained in the

collection with a short description of tone, scope or other pertinent information.

- The Ar t iculat ions Section finally lists all articulations in detail along with all their properties.

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| Recording and Concept |


III Recording and Concept

We are happy to have found a sonic home for our collections at the Teldex Scoring Stage in Berlin.

The large recording stage at Teldex looks back on a long tradition of many well known and Grammy®

award winning recordings. Famous orchestras, like the Berlin Philharmonics and great film composers from

the USA and Europe trust and love the wide and clear acoustics of this room. One of the best sounding

scoring stages in Europe, this room together with a fantastic complement of legendary microphones catapults

our work to a new level of orchestral sampling.

The quality of a sampled collection begins with the recording. Every Orchestral Tools collection is recorded

at 96khz with state of the art equipment. The full editing and post-production process uses these 96khz

recordings without downsampling. We very rarely denoise our recordings and never treat them in any other

automated way. If tuning is needed, it is done by ear without resorting to tuning algorithms. Only at the very

end, right before the samples are mapped into their instruments, the content is converted to 48khz for best

use of resources.

Our goal is to provide a set of tools that easily adapts to any workflow and creates a coherent sonic

representation of the orchestra. The main way we achieved this is by recording every instrument in its

orchestral position. All collections come pre-panned and pre-mixed with their respective volumes

balanced. If there are multiple types of the same instrument, they are recorded in slightly different positions,

yet still in their general section area. The different snare drums in Berlin Percussion, for example, have been

recorded slightly spread over the general "snare drum area" within the percussion section. This allows you to

have a very wide and full sound when combining multiple instruments.

We deliberately choose to also record non-traditional instruments as belonging to a symphonic setup, like

electric guitars and a drumset in our Metropolis Ark Series. Modern media scoring introduces a host of new

instruments into the established orchestral lineup and we feel these instruments deserve the same care and

precision in fitting them into the symphonic sound as their traditional counterparts.

All collections feature a number of microphone positions commonly used in orchestral recording. The

position of these microphones is identical in every collection, which means that for example the Tree is much

nearer to the string section that it is to the percussion section (because the percussion section is situated at

the back of the orchestra). This enabled lively acoustics that come pre-mixed for the respective stage

position. The choice of mic positions also depends greatly on the instrument. Some instruments, especially in

the percussion section, benefit greatly from a M/S position to enable accurately positioning the sound

source.

Wherever possible, similar instruments use the same mapping scheme so it is usually possible to transfer

MIDI data from one instrument to another easily. This is especially important and useful for percussion.

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| Berlin Series |



IV Berlin Series

The Berlin Series is Orchestral Tools' ongoing journey to harnessing the sound of the Teldex Scoring stage

in an all-purpose orchestral sample collection.

Every major section of the orchestra is represented by one Main Collection, which contains all essentials

instruments and articulations and forms the backbone of any symphonic piece. These collections are

expanded and continued by special expansion collections, which add additional instruments or playing

techniques.

The following table lists all Berlin Series Collections currently released - underlined names jump to a

description of its content and unique features. You can download a version of this Articulation Guide that

applies to all released Collections on our Helpdesk.

When you load any Berlin Series patch inside Kontakt, the instrument slot will show an icon representing the

orchestral section as shown below.

Berlin Orchestra Inspire Berlin Orchestra Inspire

Berlin Woodwinds Berlin Brass Berlin Percussion Berlin Strings

Main Collection Main Collection Main Collection Main Collection

Additional Instruments Additional Instruments The Timpani Special Bows I

Soloists I Muted Brass Special Bows II

Soloists II Horn SFX First Chairs

SFX SFX

http://helpdesk.orchestraltools.com/

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| Berlin Series | Berlin Brass - Muted Brass


4.1 Berlin Brass - Muted Brass

Berlin Brass - Muted Brass vastly extends the Berlin Brass line-up with a selection of different mutes for all

core BBR instrument types. As always, we made sure to sample everything in-depth and provide sonorities

fitting to BBR Main Collection. Featuring two stopped horns, horn ensemble, all other brass instruments

have been recorded with three different mute types across their whole articulation range.

With this third complement to Berlin Brass we enrich the Berlin Series with a new and extraordinary flavour.

The Muted Brass Collection is an extremely detailed set delivering seven outstanding solo instruments and

two ensembles:

Extraordinary flavoursUse the individually recorded mutes to provide remarkable sonorities to your creations.

Like all Berlin Series Instruments, Muted Brass is highly versatile and adaptable.

The specific sound of the different mutes lets you achieve a real vintage vibe as well as a modern, classical

tone.

A perfect blendThe same uncompromising technical set up, the same seating positions of the professional Berlin orchestral

musicians, and of course the sound of the perfectly balanced Teldex Scoring Stage guarantee a flawless

blending with the Berlin Brass Main Collection.

Combined with Berlin Brass Main or on its own – with Muted Brass, the biggest orchestral muted brass

collection ever recorded, we deliver a new tool to create unique additions to your work.

Instrumentation and Recording

Berlin Brass - Muted Brass contains nine instruments or instrumental sections, which are divided into patches

containing a single articulation as well as multi articulation patches. You will find all of these patches inside

the Instruments folder. The collection contains the following instruments or sections, as they appear in your

instruments folder:

19. Horn 1 Stopped

20. Horn 2 Stopped

21. Horn Ensemble Stopped

22. Trumpet 1 Muted

23. Trumpet 2 Muted

24. Trumpet Ensemble Muted

25. Trombone 1 Muted

26. Trombone 2 Muted

27. Bass Trombone Muted

All Trumpets and Trombones contain Stem Half, Stem In and Straight Mutes.

Note that the instrument numbering continues the sequence from the Berlin

Brass Main Collection and Berlin Brass - Additional Instruments.

This structure is identical for Single Articulation, Multi Articulation and Time

Machine-enabled patches.

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All instruments within a section are different instruments played by different musicians, not just additional

recording passes.

You have free choice between six microphone positions, Close I and II, ORTF, AB, Tree and Surround.

These microphone positions are switchable in the GUI and can be controlled via MIDI CC. Additionally, all

core articulations have been recorded with multiple velocity layers for realistic dynamics.

All samples have their natural panning.

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4.1.1 Instruments

Berlin Brass - Muted Brass expands your brass section with nine muted instruments and sections.

This section briefly explains the individual instruments and points out usage scenarios and expansion

options.

A b o u t t h e M i c r o p h o n e P o s i t i o n s :

The Tree, AB and Surround positions as in all OT Collections are placed in fixed positions and are never

moved. Their sound is identical to their counterparts in all other OT Collections.

The ORTF is always centered in front of the respective section, identically to the placement in Berlin Brass.

This provides a balanced position, not quite dry, but also not as wet as the other positions. Furthermore,

this way it is possible to "move around" the section on the stage.

Close I and II are different stereo pairs focused on the respective section, differing sound between the two

positions.

Horn 1, Horn 2 and Horn Ensemble

Berlin Brass - Muted Brass features two solo stopped French Horns with essential articulations plus a 4 Horn

Ensemble, fitting to the ensemble in BBR

Trumpet 1, Trumpet 2 and Trumpet Ensemble

Two solo trumpets with Straight Mute and a Harmon Mute with both Stem Half and Stem In positions as well

as a 3 Trumpet Ensemble (again like in BBR) bring plenty of muted options.

Trombone 1 and Trombone 2

All three mute types have also been recorded for two individual Tenor Trombones.

Bass Trombone

The Bass trombone, again with all three mute types, round up the bottom end.

N o t a b l e A r t i c u l a t i o n s :

Berlin Brass - Muted Brass features a number of unique articulations in addition to the regular staples.

These include:

- Tempo-synced 16th and Triplets repetitions

- Several dynamics, including crescendi and fortepiano

- full legato for all Horns and Trumpets

Most articulations are also available as Time Machine patches, which allow you to adjust the sample

length dynamically.

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E x p a n s i o n O p t i o n s :

Berlin Brass - Muted Brass is the natural muted expansion for the brass staples from Berlin Brass, and and

its Additional Instruments expansion. If you can't get enough of French Horns, the Berlin Brass - French

Horn SFX adds four additional French Horns recorded both separately and individually with a host of highly

controllable effects.

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4.1.2 Articulations

All Orchestral Tools collections focus on providing a versatile pallet of articulations to help you shape your

sound.

This section lists all articulations contained in Berlin Strings - Special Bows II.

All Berlin Strings - Special Bows II Patches have Close I and II, ORTF, Tree, AB and Surround microphone

positions. As such these positions are not listed in the tables below.

Articulations Legend

Symbol Name Description

R Range The playable range of the instrument.

L Layers Lists the number and musical dynamics of velocity layers the

instrument uses.

T Transition Range The interval range of recorded legato transitions.

S Transition Styles If multiple legato styles are present, these are listed here by

name

V Vibrato Layers The number and type of vibrato layers

M Microphone Positions Any special mic positions that deviate from the collection

standard.

TM Time Machine Denotes a patch that uses TimeMachine for tempo-sync.

+ TimeMachine Patches

All patches marked with a "+" (plus sign) also exist as a TimeMachine patch. These patches allow you to

adjust the length of the sample to your liking. For more Information refer to the User Guide.

About Instrument Ranges:

The ranges given below are recorded note ranges. You can stretch or limit the playable range for every

articulation within the UI.

Horn 1 Stopped

Articulation Properties

01. Horn 1 Stopped Legato R: F1-D4 | L: 2 (mp, ff) | T: 1st-8th

02. Horn 1 Stopped Sus Imm R: F1-D4 | L: 2 (mp, ff)

03. Horn 1 Stopped Sus Soft R: F1-D4 | L: 2 (mp, ff)

04. Horn 1 Stopped Staccatissimo R: F1-D4 | L: 2 (mp, ff) | RR: 6 | +

05. Horn 1 Stopped Marcato Short R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

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06. Horn 1 Stopped Marcato Long R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

07. Horn 1 Stopped Repetitions 16th R: F1-D4 | L: 2 (mp, ff)

08. Horn 1 Stopped Repetitions Triplets R: F1-D4 | L: 2 (mp, ff)

09. Horn 1 Stopped Crescendo Short R: F1-D4 | L: 1 (ff) | +

10. Horn 1 Stopped Crescendo Long R: F1-D4 | L: 1 (ff) | +

11. Horn 1 Stopped Fortepiano R: F1-D4 | L: 1 (ff) | +

Horn 2 Stopped


01. Horn 2 Stopped Legato R: F1-D4 | L: 2 (mp, ff) | T: 1st-8th

02. Horn 2 Stopped Sus Imm R: F1-D4 | L: 2 (mp, ff)

03. Horn 2 Stopped Sus Soft R: F1-D4 | L: 2 (mp, ff)

04. Horn 2 Stopped Staccatissimo R: F1-D4 | L: 2 (mp, ff) | RR: 6 | +

05. Horn 2 Stopped Marcato Short R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

06. Horn 2 Stopped Marcato Long R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

07. Horn 2 Stopped Repetitions 16th R: A#1-D4 | L: 2 (mp, ff)

08. Horn 2 Stopped Repetitions Triplets R: A#1-D4 | L: 2 (mp, ff)

09. Horn 2 Stopped Crescendo Short R: F1-D4 | L: 1 (ff) | +

10. Horn 2 Stopped Crescendo Long R: F1-D4 | L: 1 (ff) | +

11. Horn 2 Stopped Fortepiano R: F1-D4 | L: 1 (ff) | +

Horn Ensemble Stopped


01. Horn Ensemble Stopped Legato R: F1-D4 | L: 2 (mp, ff) | T: 1st-8th

02. Horn Ensemble Stopped Sus Imm R: F1-D4 | L: 2 (mp, ff)

03. Horn Ensemble Stopped Sus Soft R: F1-D4 | L: 2 (mp, ff)

04. Horn Ensemble Stopped Staccatissimo R: F1-D4 | L: 2 (mp, ff) | RR: 6 | +

05. Horn Ensemble Stopped Marcato Short R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

06. Horn Ensemble Stopped Marcato Long R: F1-D4 | L: 2 (mp, ff) | RR: 2 | +

07. Horn Ensemble Stopped Crescendo Short R: F1-D4 | L: 1 (mp) | +

08. Horn Ensemble Stopped Crescendo Long R: F1-D4 | L: 1 (mp) | +

09. Horn Ensemble Stopped Fortepiano R: F1-D4 | L: 1 (mp) | +

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Trumpet 1 Muted

Trumpet 1 Straight Mute


01. Trumpet 1 Straight Muted Legato R: G2-C5 | L: 2 (mp, ff) | T: 1st-8th

02. Trumpet 1 Straight Muted Sus Imm R: G2-C5 | L: 2 (mp, ff)

03. Trumpet 1 Straight Muted Sus Soft R: G2-C5 | L: 2 (mp, ff)

04. Trumpet 1 Straight Mute Staccatissimo R: G2-C5 | L: 2 (mp, ff) | RR: 6 | +

05. Trumpet 1 Straight Mute Marcato Short R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

06. Trumpet 1 Straight Mute Marcato Long R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

07. Trumpet 1 Straight Mute Repetitions 16th R: G2-C5 | L: 2 (mp, ff)

08. Trumpet 1 Straight Mute Repetitions Triplets R: G2-C5 | L: 2 (mp, ff)

09. Trumpet 1 Straight Mute Crescendo Short R: G2-C5 | L: 1 (f) | +

10. Trumpet 1 Straight Mute Crescendo Long R: G2-C5 | L: 1 (f) | +

11. Trumpet 1 Straight Mute Fortepiano R: G2-C5 | L: 1 (f) | +

Trumpet 1 Harmon Stem Half


01. Trumpet 1 Harmon Stem Half Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet 1 Harmon Stem Half Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet 1 Harmon Stem Half Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet 1 Harmon Stem Half Staccatissimo R: G2-C5 | L: 1 (f) | RR: 6 | +

05. Trumpet 1 Harmon Stem Half Marcato Short R: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet 1 Harmon Stem Half Marcato Long R: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet 1 Harmon Stem Half Repetitions 16th R: G2-C5 | L: 1 (f)

08. Trumpet 1 Harmon Stem Half Repetitions Triplet R: G2-C5 | L: 1 (f)

09. Trumpet 1 Harmon Stem Half Crescendo Short R: G2-C5 | L: 1 (f) | +

10. Trumpet 1 Harmon Stem Half Crescendo Long R: G2-C5 | L: 1 (f) | +

11. Trumpet 1 Harmon Stem Half Fortepiano R: G2-C5 | L: 1 (f) | +

Trumpet 1 Harmon Stem In


01. Trumpet 1 Harmon Stem In Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet 1 Harmon Stem In Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet 1 Harmon Stem In Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet 1 Harmon Stem In Staccatissimo R: G2-C5 | L: 1 (f) | RR: 6 | +

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05. Trumpet 1 Harmon Stem In Marcato Short R: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet 1 Harmon Stem In Marcato Long R: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet 1 Harmon Stem In Repetitions 16th R: G2-C5 | L: 1 (f)

08. Trumpet 1 Harmon Stem In Repetitions Triplets R: G2-C5 | L: 1 (f)

09. Trumpet 1 Harmon Stem In Crescendo Short R: G2-C5 | L: 1 (f) | +

10. Trumpet 1 Harmon Stem In Crescendo Long R: G2-C5 | L: 1 (f) | +

11. Trumpet 1 Harmon Stem In Fortepiano R: G2-C5 | L: 1 (f) | +

Trumpet 2 Muted

Trumpet 2 Straight Mute


01. Trumpet 2 Straight Mute Legato R: G2-C5 | L: 2 (mp, ff) | T: 1st-8th

02. Trumpet 2 Straight Mute Sus Imm R: G2-C5 | L: 2 (mp, ff)

03. Trumpet 2 Straight Mute Sus Soft R: G2-C5 | L: 2 (mp, ff)

04. Trumpet 2 Straight Mute Staccatissimo R: G2-C5 | L: 2 (mp, ff) | RR: 6 | +

05. Trumpet 2 Straight Mute Marcato Short R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

06. Trumpet 2 Straight Mute Marcato Long R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

07. Trumpet 2 Straight Mute Repetitions 16th R: G2-C5 | L: 2 (mp, ff)

08. Trumpet 2 Straight Mute Repetitions Triplets R: G2-C5 | L: 2 (mp, ff)

09. Trumpet 2 Straight Mute Crescendo Short R: G2-C5 | L: 1 (ff) | +

10. Trumpet 2 Straight Mute Crescendo Long R: G2-C5 | L: 1 (ff) | +

11. Trumpet 2 Straight Mute Fortepiano R: G2-C5 | L: 1 (ff) | +

Trumpet 2 Harmon Stem Half


01. Trumpet 2 Harmon Stem Half Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet 2 Harmon Stem Half Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet 2 Harmon Stem Half Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet 2 Harmon Stem Half Staccatissimo R: G2-C5 | L: 1 (f) | RR: 6 | +

05. Trumpet 2 Harmon Stem Half Marcato Short R: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet 2 Harmon Stem Half Marcato Long R: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet 2 Harmon Stem Half Repetitions 16th R: G2-C5 | L: 1 (f)

08. Trumpet 2 Harmon Stem Half Repetitions Triplets R: G2-C5 | L: 1 (f)

09. Trumpet 2 Harmon Stem Half Crescendo Short R: G2-C5 | L: 1 (ff) | +

10. Trumpet 2 Harmon Stem Half Crescendo Long R: G2-C5 | L: 1 (ff) | +

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11. Trumpet 2 Harmon Stem Half Fortepiano R: G2-C5 | L: 1 (ff) | +

Trumpet 2 Harmon Stem In


01. Trumpet 2 Harmon Stem In Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet 2 Harmon Stem In Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet 2 Harmon Stem In Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet 2 Harmon Stem In Staccatissimo R: G2-C5 | L: 1 (f) | RR: 6 | +

05. Trumpet 2 Harmon Stem In Marcato Short R: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet 2 Harmon Stem In Marcato Long R: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet 2 Harmon Stem In Repetitions 16th R: G2-C5 | L: 1 (f)

08. Trumpet 2 Harmon Stem In Repetitions triplets R: G2-C5 | L: 1 (f)

09. Trumpet 2 Harmon Stem In Crescendo Short R: G2-C5 | L: 1 (ff) | +

10. Trumpet 2 Harmon Stem In Crescendo Long R: G2-C5 | L: 1 (ff) | +

11. Trumpet 2 Harmon Stem In Fortepiano R: G2-C5 | L: 1 (ff) | +

Trumpet Ensemble Muted

Trumpet Ensemble Straight Mute


01. Trumpet Ensemble Straight Mute Legato R: G2-C5 | L: 2 (mp, ff) | T: 1st-8th

02. Trumpet Ensemble Straight Mute Sus Imm R: G2-C5 | L: 2 (mp, ff)

03. Trumpet Ensemble Straight Mute Sus Soft R: G2-C5 | L: 2 (mp, ff)

04. Trumpet Ensemble Straight Mute Staccatissimo R: G2-C5 | L: 2 (mf, ff) | RR: 6 | +

05. Trumpet Ensemble Straight Mute Marcato Short R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

06. Trumpet Ensemble Straight Mute Marcato Long R: G2-C5 | L: 2 (mp, ff) | RR: 2 | +

07. Trumpet Ensemble Straight Mute Repetitions

16thR: G2-C5 | L: 2 (mp, ff)

08. Trumpet Ensemble Straight Mute Repetitions

TripletsR: G2-C5 | L: 2 (mp, ff)

09. Trumpet Ensemble Straight Mute Crescendo

ShortR: G2-C5 | L: 1 (f) | +

10. Trumpet Ensemble Straight Mute Crescendo

LongR: G2-C5 | L: 1 (f) | +

11. Trumpet Ensemble Straight Mute Fortepiano R: G2-C5 | L: 1 (f) | +

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Trumpet Ensemble Harmon Stem Half


01. Trumpet Ensemble Harmon Stem Half Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet Ensemble Harmon Stem Half Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet Ensemble Harmon Stem Half Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet Ensemble Harmon Stem Half

StaccatissimoR: G2-C5 | L: 1 (f) | RR: 6 | +

05. Trumpet Ensemble Harmon Stem Half Marcato

ShortR: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet Ensemble Harmon Stem Half Marcato

LongR: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet Ensemble Harmon Stem Half Repetitions

16thR: G2-C5 | L: 1 (f)

08. Trumpet Ensemble Harmon Stem Half Repetitions

TripletsR: G2-C5 | L: 1 (f)


Crescendo LongR: G2-C5 | L: 1 (f) | +


Crescendo ShortR: G2-C5 | L: 1 (f) | +

11. Trumpet Ensemble Harmon Stem Half Fortepiano R: G2-C5 | L: 1 (f) | +

Trumpet Ensemble Harmon Stem In


01. Trumpet Ensemble Harmon Stem In Legato R: G2-C5 | L: 1 (f) | T: 1st-8th

02. Trumpet Ensemble Harmon Stem In Sus Imm R: G2-C5 | L: 1 (f)

03. Trumpet Ensemble Harmon Stem In Sus Soft R: G2-C5 | L: 1 (f)

04. Trumpet Ensemble Harmon Stem In Staccatissimo R: G2-C5 | L: 1 (f) | RR: 6 | +

05. Trumpet Ensemble Harmon Stem In Marcato

ShortR: G2-C5 | L: 1 (f) | RR: 2 | +

06. Trumpet Ensemble Harmon Stem In Marcato

LongR: G2-C5 | L: 1 (f) | RR: 2 | +

07. Trumpet Ensemble Harmon Stem In Repetitions

16thR: G2-C5 | L: 1 (f)

08. Trumpet Ensemble Harmon Stem In Repetitions

TripletsR: G2-C5 | L: 1 (f)

09. Trumpet Ensemble Harmon Stem In Crescendo

ShortR: G2-C5 | L: 1 (f) | +

10. Trumpet Ensemble Harmon Stem In Crescendo

LongR: G2-C5 | L: 1 (f) | +

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11. Trumpet Ensemble Harmon Stem In Fortepiano R: G2-C5 | L: 1 (f) | +

Trombone 1 Muted

Trombone 1 Straight Mute


01. Trombone 1 Straight Mute Sus Imm R: F1-A#3 | L: 2 (mp, ff)

02. Trombone 1 Straight Mute Sus Soft R: F1-A#3 | L: 2 (mp, ff)

03. Trombone 1 Straight Mute Staccatissimo R: F1-A#3 | L: 2 (mp, ff) | RR: 6 | +

04. Trombone 1 Straight Mute Marcato Short R: F1-A#3 | L: 2 (mp, ff) | RR: 2 | +

05. Trombone 1 Straight Mute Marcato Long R: F1-A#3 | L: 2 (mp, ff) | RR: 2 | +

06. Trombone 1 Straight Mute Repetitions 16th R: F1-A#3 | L: 2 (mp, ff)

07. Trombone 1 Straight Mute Repetitions Triplet R: F1-A#3 | L: 2 (mp, ff)

08. Trombone 1 Straight Mute Crescendo Short R: F1-A#3 | L: 1 (f) | +

09. Trombone 1 Straight Mute Crescendo Long R: F1-A#3 | L: 1 (f) | +

10. Trombone 1 Straight Mute Fortepiano R: F1-A#3 | L: 1 (ff) | +

Trombone 1 Harmon Stem Half


01. Trombone 1 Harmon Stem Half Sus Imm R: F1-A#3 | L: 1 (f)

02. Trombone 1 Harmon Stem Half Sus Soft R: F1-A#3 | L: 1 (f)

03. Trombone 1 Harmon Stem Half Staccatissimo R: F1-A#3 | L: 1 (f) | RR: 6 | +

04. Trombone 1 Harmon Stem Half Marcato Short R: F1-A#3 | L: 1 (f) | RR: 2 | +

05. Trombone 1 Harmon Stem Half Marcato Long R: F1-A#3 | L: 1 (f) | RR: 2 | +

06. Trombone 1 Harmon Stem Half Repetitions 16th R: F1-A#3 | L: 1 (f)

07. Trombone 1 Harmon Stem Half Repetitions

TripletsR: F1-A#3 | L: 1 (f)

08. Trombone 1 Harmon Stem Half Crescendo Short R: F1-A#3 | L: 1 (ff) | +

09. Trombone 1 Harmon Stem Half Crescendo Long R: F1-A#3 | L: 1 (ff) | +

10. Trombone 1 Harmon Stem Half Fortepiano R: F1-A#3 | L: 1 (ff) | +

Trombone 1 Harmon Stem In


01. Trombone 1 Harmon Stem In Sus Imm R: F1-A#3 | L: 1 (ff)

02. Trombone 1 Harmon Stem In Sus Soft R: F1-A#3 | L: 1 (ff)

03. Trombone 1 Harmon Stem In Staccatissimo R: F1-A#3 | L: 1 (f) | RR: 6 | +

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04. Trombone 1 Harmon Stem In Marcato Short R: F1-A#3 | L: 1 (f) | RR: 2 | +

05. Trombone 1 Harmon Stem In Marcato Long R: F1-A#3 | L: 1 (f) | RR: 2 | +

06. Trombone 1 Harmon Stem In Repetitions 16th R: F1-A#3 | L: 1 (f)

07. Trombone 1 Harmon Stem In Repetitions Triplets R: F1-A#3 | L: 1 (f)

08. Trombone 1 Harmon Stem In Crescendo Short R: F1-A#3 | L: 1 (f) | +

09. Trombone 1 Harmon Stem In Crescendo Long R: F1-A#3 | L: 1 (f) | +

10. Trombone 1 Harmon Stem In Fortepiano R: F1-A#3 | L: 1 (f) | +

Trombone 2 Muted

Trombone 2 Straight Mute


01. Trombone 2 Straight Mute Sus Imm R: F1-A#3 | L: 2 (mp, ff)

02. Trombone 2 Straight Mute Sus Soft R: F1-A#3 | L: 2 (mp, ff)

03. Trombone 2 Straight Mute Staccatissimo R: F1-A#3 | L: 2 (mp, ff) | RR: 6 | +

04. Trombone 2 Straight Mute Marcato Short R: F1-A#3 | L: 2 (mp, ff) | RR: 2 | +

05. Trombone 2 Straight Mute Marcato Long R: F1-A#3 | L: 2 (mp, ff) | RR: 2 | +

06. Trombone 2 Straight Mute Repetitions 16th R: F1-A#3 | L: 2 (mp, ff)

07. Trombone 2 Straight Mute Repetitions Triplets R: F1-A#3 | L: 2 (mp, ff)

08. Trombone 2 Straight Mute Crescendo Short R: F1-A#3 | L: 1 (ff) | +

09. Trombone 2 Straight Mute Crescendo Long R: F1-A#3 | L: 1 (ff) | +

10. Trombone 2 Straight Mute Fortepiano R: F1-A#3 | L: 1 (ff) | +

Trombone 2 Harmon Stem Half


01. Trombone 2 Harmon Stem Half Sus Imm R: F1-A#3 | L: 1 (f)

02. Trombone 2 Harmon Stem Half Sus Soft R: F1-A#3 | L: 1 (f)

03. Trombone 2 Harmon Stem Half Staccatissimo R: F1-A#3 | L: 1 (f) | RR: 6 | +

04. Trombone 2 Harmon Stem Half Marcato Short R: F1-A#3 | L: 1 (f) | RR: 2 | +

05. Trombone 2 Harmon Stem Half Marcato Long R: F1-A#3 | L: 1 (f) | RR: 2 | +

06. Trombone 2 Harmon Stem Half Repetitions 16th R: F1-A#3 | L: 1 (ff)

07. Trombone 2 Harmon Stem Half Repetitions

TripletsR: F1-A#3 | L: 1 (ff)

08. Trombone 2 Harmon Stem Half Crescendo Short R: F1-A#3 | L: 1 (ff) | +

09. Trombone 2 Harmon Stem Half Crescendo Long R: F1-A#3 | L: 1 (ff) | +

10. Trombone 2 Harmon Stem Half Fortepiano R: F1-A#3 | L: 1 (ff) | +

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Trombone 2 Harmon Stem In


01. Trombone 2 Harmon Stem In Sus Imm R: F1-A#3 | L: 1 (f)

02. Trombone 2 Harmon Stem In Sus Soft R: F1-A#3 | L: 1 (f)

03. Trombone 2 Harmon Stem In Staccatissimo R: F1-A#3 | L: 1 (f) | RR: 6 | +

04. Trombone 2 Harmon Stem In Marcato Short R: F1-A#3 | L: 1 (f) | RR: 2 | +

05. Trombone 2 Harmon Stem In Marcato Long R: F1-A#3 | L: 1 (f) | RR: 2 | +

06. Trombone 2 Harmon Stem In Crescendo Short R: F1-A#3 | L: 1 (ff) | +

07. Trombone 2 Harmon Stem In Crescendo Long R: F1-A#3 | L: 1 (ff) | +

08. Trombone 2 Harmon Stem In Fortepiano R: F1-A#3 | L: 1 (ff) | +

Bass Trombone Muted

Bass Trombone Harmon Straight Mute


01. Bass Trombone Straight Mute Sus Imm R: F0-F3 | L: 2 (mp, ff)

02. Bass Trombone Straight Mute Sus Soft R: F0-F3 | L: 2 (mp, ff)

03. Bass Trombone Straight Mute Staccatissimo R: F0-F3 | L: 2 (mp, ff) | RR: 6 | +

04. Bass Trombone Straight Mute Marcato Short R: F0-F3 | L: 2 (mp, ff) | RR: 2 | +

05. Bass Trombone Straight Mute Marcato Long R: F0-F3 | L: 2 (mp, ff) | RR: 2 | +

06. Bass Trombone Straight Mute Repetitions 16th R: A#0-F3 | L: 2 (mp, ff)

07. Bass Trombone Straight Mute Repetitions Triplets R: A#0-F3 | L: 2 (mp, ff)

08. Bass Trombone Straight Mute Crescendo Short R: F0-F3 | L: 1 (ff) | +

09. Bass Trombone Straight Mute Crescendo Long R: F0-F3 | L: 1 (ff) | +

10. Bass Trombone Straight Mute Fortepiano R: F0-F3 | L: 1 (ff) | +

Bass Trombone Harmon Stem Half


01. Bass Trombone Harmon Stem Half Sus Imm R: F0-A#2 | L: 1 (ff)

02. Bass Trombone Harmon Stem Half Sus Soft R: F0-A#2 | L: 1 (ff)

03. Bass Trombone Harmon Stem Half Staccatissimo R: F0-A#2 | L: 1 (ff) | RR: 6 | +

04. Bass Trombone Harmon Stem Half Marcato

ShortR: F0-A#2 | L: 1 (ff) | RR: 2 | +

05. Bass Trombone Harmon Stem Half Marcato

LongR: F0-A#2 | L: 1 (ff) | RR: 2 | +

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06. Bass Trombone Harmon Stem Half Crescendo

ShortR: G0-A#2 | L: 1 (ff) | +

07. Bass Trombone Harmon Stem Half Crescendo

LongR: G0-A#2 | L: 1 (ff) | +

08. Bass Trombone Harmon Stem Half Fortepiano R: F0-A#2 | L: 1 (ff) | +

Bass Trombone Harmon Stem In


01. Bass Trombone Harmon Stem In Sus Imm R: F0-F3 | L: 1 (ff)

02. Bass Trombone Harmon Stem In Sus Soft R: F0-F3 | L: 1 (ff)

03. Bass Trombone Harmon Stem In Staccatissimo R: F0-F3 | L: 1 (ff) | RR: 6 | +

04. Bass Trombone Harmon Stem In Marcato Short R: F0-F3 | L: 1 (ff) | RR: 2 | +

05. Bass Trombone Harmon Stem In Marcato Long R: F0-F3 | L: 1 (ff) | RR: 2 | +

06. Bass Trombone Harmon Stem In Repetitions 16th R: A#0-F3 | L: 1 (ff)

07. Bass Trombone Harmon Stem In Repetitions

TripletsR: A#0-F3 | L: 1 (ff)

08. Bass Trombone Harmon Stem In Crescendo

ShortR: G0-F3 | L: 1 (ff) | +

09. Bass Trombone Harmon Stem In Crescendo

LongR: G0-F3 | L: 1 (ff) | +

10. Bass Trombone Harmon Stem In Fortepiano R: F0-F3 | L: 1 (ff) | +

Documents

OT Articulation Guide - orchestraltools.comorchestraltools.com/downloads/articulation_guides/Articulation... · Berlin Brass - Muted Brass vastly extends the Berlin Brass line-up