OT Articulation Guide - · PDF fileintegration in your Orchestral Tools template. Newly Recorded instruments, including a new Alto Flute

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Articulation Guide

Berlin Woodwinds Revive

www.orchestraltools.com

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© 2017 Orchestral Tools | Schwarzer & Mantik GmbHRev. 2 017-10-2 5

OT Articulation Guide

CONTENT

I About this Articulation Guide 2

II Introduction 3

III Recording and Concept 4

IV Berlin Series 5

1 Berlin Woodwinds ......................................................................................................... 6

Berlin Woodwinds Revive ........................................................................................ 7

Instruments ................................................................................................................................................. 9

Articulations ............................................................................................................................................. 11

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| About this Art iculat ion Guide |


I About this Articulation Guide

The number of Orchestral Tools is constantly growing and covers all instrumental families of the orchestra,

with some collections even branching out into non-orchestral instruments. This Articulation Guide describes

all contained articulations as well as their technical properties (velocity layers, Round Robins, and many

more).

This document is a special version of the Articulation Guide that only contains features applicable to thecollections listed below.You can download the full Articulation Guide that applies to all Orchestral Tools collections in our Helpdesk.

The following table lists all collections covered by this Articulation Guide with their current Capsule version

as well as the minimum Kontakt version.

Collection Name Collection Capsule KontaktBWW | Berlin Woodwinds - - -

- BWWR | Berlin Woodwinds Revive 3.0 2.5.4 Player 5.5.1+

ImportantThis Articulation Guide does not cover the general installation, usage and features of Orchestral Tools

collections. These topics are explained step by step in the respective User Guides and Installation Guides,

which you can find in your collection's Documentation folder. You can also find them in our Helpdesk.

http://helpdesk.orchestraltools.com/hd_articulation_guides.html

http://helpdesk.orchestraltools.com/hd_documentation.html

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| Introduct ion |


© 2017 Orchestral Tools | Schwarzer & Mantik GmbH

II Introduction

Welcome to the Orchestral Tools Articulation Guide!

Orchestral Tools provides high-quality sampled instruments for composers. Thanks to our Capsule Scripting

Framework developed in-house, all Orchestral Tools collections look and work in a very similar way.

Articulation names, labeling and all technical terms are identical in every collections, so you will find it easy

to find your way around.

This Articulation Guide describes all articulations as well as their technical features and is organized as

follows:

- The general Ser ies Overv iew shows you all available Orchestral Tools Series', which group our

collections into broader categories.

- Following this is the respective Ser ies Overv iew Page of one particular Series, which lists all available

collections by name and gives suggestions for expansions options.

- Each individual collection then has its own Col lect ion Overv iew page, which describes the general

content of the collection as well as its most important features at a glance.

- This is followed by the Inst ruments Section, which lists all instruments (or sections) contained in the

collection with a short description of tone, scope or other pertinent information.

- The Ar t iculat ions Section finally lists all articulations in detail along with all their properties.

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| Recording and Concept |


III Recording and Concept

We are happy to have found a sonic home for our collections at the Teldex Scoring Stage in Berlin.

The large recording stage at Teldex looks back on a long tradition of many well known and Grammy®

award winning recordings. Famous orchestras, like the Berlin Philharmonics and great film composers from

the USA and Europe trust and love the wide and clear acoustics of this room. One of the best sounding

scoring stages in Europe, this room together with a fantastic complement of legendary microphones catapults

our work to a new level of orchestral sampling.

The quality of a sampled collection begins with the recording. Every Orchestral Tools collection is recorded

at 96khz with state of the art equipment. The full editing and post-production process uses these 96khz

recordings without downsampling. We very rarely denoise our recordings and never treat them in any other

automated way. If tuning is needed, it is done by ear without resorting to tuning algorithms. Only at the very

end, right before the samples are mapped into their instruments, the content is converted to 48khz for best

use of resources.

Our goal is to provide a set of tools that easily adapts to any workflow and creates a coherent sonic

representation of the orchestra. The main way we achieved this is by recording every instrument in its

orchestral position. All collections come pre-panned and pre-mixed with their respective volumes

balanced. If there are multiple types of the same instrument, they are recorded in slightly different positions,

yet still in their general section area. The different snare drums in Berlin Percussion, for example, have been

recorded slightly spread over the general "snare drum area" within the percussion section. This allows you to

have a very wide and full sound when combining multiple instruments.

We deliberately choose to also record non-traditional instruments as belonging to a symphonic setup, like

electric guitars and a drumset in our Metropolis Ark Series. Modern media scoring introduces a host of new

instruments into the established orchestral lineup and we feel these instruments deserve the same care and

precision in fitting them into the symphonic sound as their traditional counterparts.

All collections feature a number of microphone positions commonly used in orchestral recording. The

position of these microphones is identical in every collection, which means that for example the Tree is much

nearer to the string section that it is to the percussion section (because the percussion section is situated at

the back of the orchestra). This enabled lively acoustics that come pre-mixed for the respective stage

position. The choice of mic positions also depends greatly on the instrument. Some instruments, especially in

the percussion section, benefit greatly from a M/S position to enable accurately positioning the sound

source.

Wherever possible, similar instruments use the same mapping scheme so it is usually possible to transfer

MIDI data from one instrument to another easily. This is especially important and useful for percussion.

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| Berlin Series |



IV Berlin Series

The Berlin Series is Orchestral Tools' ongoing journey to harnessing the sound of the Teldex Scoring stage

in an all-purpose orchestral sample collection.

Every major section of the orchestra is represented by one Main Collection, which contains all essentials

instruments and articulations and forms the backbone of any symphonic piece. These collections are

expanded and continued by special expansion collections, which add additional instruments or playing

techniques.

The following table lists all Berlin Series Collections currently released - underlined names jump to a

description of its content and unique features. You can download a version of this Articulation Guide that

applies to all released Collections on our Helpdesk.

When you load any Berlin Series patch inside Kontakt, the instrument slot will show an icon representing the

orchestral section as shown below.

Berlin Orchestra Inspire Berlin Orchestra Inspire

Berlin Woodwinds Berlin Brass Berlin Percussion Berlin Strings

Main Collection Main Collection Main Collection Main Collection

Additional Instruments Additional Instruments The Timpani Special Bows I

Soloists I Muted Brass Special Bows II

Soloists II Horn SFX First Chairs

SFX SFX

http://helpdesk.orchestraltools.com/

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| Berlin Series | Berlin Woodwinds


4.1 Berlin Woodwinds

Berlin Woodwinds unites a host of Germany's leading woodwind players providing Orchestral Tools'

critically-acclaimed vision of the orchestral woodwind section including extensive solo performances.

Berlin Woodwinds holds a special place in the Berlin Series. The collection that started our journey at the

Teldex Stage, BWW now comes with the full mic line-up known from the Berlin Series. Most instruments

have been newly recorded and, best of all, the whole original BWW with additional tweaks is included!

This gives you as a composer double the number of instruments for ultimate flexibility and possibilities for

doubling.

Berlin Woodwinds consists of two separate collections that are available together as one big collection:

Berlin Woodwinds Revive, containing all-new instruments, as well as Berlin Woodwinds Revive, featuring

the classic BWW.

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4.1.1 Berlin Woodwinds Revive

Berlin Woodwinds Revive is our vastly revamped and expanded take on orchestral woodwinds. Featuring

proven classic players as well as newly recorded musicians, the new face of BWW will be sure to

provide for all your woodwinds parts.

Some time has passed since we released our well-known Berlin Woodwinds in 2012.

At this time we didn't imagine it would become the nucleus of one of the biggest orchestral sampling

collections of all times - The Berlin Series. The idea of the Berlin Series came with the development of Berlin

Strings in 2013.

Now, 5 years after the release, Berlin Woodwinds has become an industry standard when it comes to

sampled woodwinds collections. To offer our customers the Berlin Series standard inside all the Berlin Series

Main Collections, we decided to give our most successful one, the Berlin Woodwinds, a huge upgrade.

With the Berlin Strings in 2013, we recorded and defined the microphone perspectives that are now

standard in our Berlin Series Collections: Close, AB, Tree, Surround (+ additional instrument-specific

perspectives). Our new Berlin Woodwinds Revive now includes the same mic positions. As a result, all our

Berlin Series Main Collections now consist of the same mic setup.

Adaptive LegatoLike in Berlin Strings and Berlin Brass, we implemented our fluid playable Adaptive Legato System in Berlin

Woodwinds Revive. To realize this concerted legato playing, we recorded different types of legato intervals

at different tempi. Depending on your playing speed, CAPSULE chooses the right legato transition

automatically.

Attack ControlWith the development of Berlin Strings in 2013, we learned how powerful and beneficial it can be to have

different styles of note attacks for sustain samples. With Berlin Woodwinds Revive we deliver, as in Berlin

Strings and in Berlin Brass, Soft, Immediate and Accented Attacks for almost all our newly recorded

woodwinds sustain articulations.

Accurate adjustment of dynamic and volumeIn Berlin Woodwinds Revive we did a detailed dynamic and volume fine adjustment to guarantee a perfect

merge with all our Berlin Series Collections. You now have a seamless and perfectly balanced woodwind

integration in your Orchestral Tools template.

Newly Recorded instruments, including a new Alto FluteLooking back on our first Main Collection recorded in the Telex Scoring Stage, we felt that some of our

original Berlin Woodwinds recordings were just beautiful sounding, while others could use a little update.

So we decided to do completely new recordings for seven instruments. In the process, we decided to go for

a round number by also recording an Alto Flute.

Because of their unrivaled beautiful tone, there were four instruments in the original Berlin Woodwinds that

we did not want to replace. We didn't believe that we can improve their sound, they are just perfect the

way they are. Of course we added our new set of mic positions to these 4 instruments from the original

Berlin Woodwinds as well, so the CAPSULE mic standard is also provided for the 4 original instruments from

2012.

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So, bottom line ...… Berlin Woodwinds Revive is the new Berlin Woodwinds - it is better sounding, offers more articulations,

more flexibility, contains a new Alto Flute and enhances the potential for blending because of new mic

perspectives.

Instrumentation and Recording

Berlin Woodwinds Revive contains eleven instruments, which are divided into

patches containing a single articulation as well as multi articulation patches.

You will find all of these patches inside the Instruments folder. The collection

contains the following instruments or sections, as they appear in your

instruments folder:

00. Piccolo Flute

01. Flute 1

02. Flute 2

03. Flute 3

04. Alto Flute

05. Oboe 1

06. Oboe 2

07. English Horn

08. Clarinet 1

09. Clarinet 2

10. Bassoon 1

11. Bassoon 2

This structure is identical for Single Articulation, Multi Articulation and Time Machine-enabled patches.

All instruments within a section are different instruments played by different musicians, not just additional

recording passes.

You have free choice between six microphone positions, Close I and II, ORTF, AB, Tree and Surround.

These microphone positions are switchable in the GUI and can be controlled via MIDI CC. Additionally, all

core articulations have been recorded with multiple velocity layers for realistic dynamics.

All samples have their natural panning.

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4.1.1.1 Instruments

The Woodwind instruments in Berlin Woodwinds Revive provide you with a broad set of essential

orchestral woodwind instruments.

This section briefly explains the individual instruments and points out usage scenarios and expansion

options.

Piccolo, Flutes and Alto Flute

Berlin Woodwinds Revive contains a Piccolo Flute as well as three individually sampled Concert Flutes

played by different musicians with a notably different tone.

The Piccolo Flute as well as Flutes 2 and 3 have full-range tempo-synced repetitions; Piccolo and Flutes 1

and 3 have Playable Runs.

The Alto Flute expands the orchestral woodwinds with new essential articulations including Playable Runs.

Oboes and English Horn

Two individual Oboes and an English Horn represent the high double reeds.

Oboe 1 and English Horn have Measured Trills recorded up to a fifth that adapt to your host tempo. All

have Playable Runs.

Clarinets

Two Clarinets with markedly different tone with Measured Trills up to a fifth for the Clarinet 1 and full

repetitions for Clarinet 2 comprise the Clarinets in BWWR.

Bassoons

Two Bassoons, sampled individually, form the low end.

Like most BWW instruments, the Bassoons also include Double and Triple Tongue patches.

N o t a b l e A r t i c u l a t i o n s :

Berlin Woodwinds features a number of unique articulations in addition to the regular staples. These

include:

- Staccato and Staccato Short - short notes with different length

- Portato in two lenghts

- Double and Triple-tonged patches, which use clever scripting to enable realistic multi-tongueing

- Regular Trills, tempo-synced Measured Trills, Sfz Trills and even single Trills

- Runs Transitions for realistic fast runs

- and tempo-synced 16th and triplet repetitions

Most articulations are also available as Time Machine patches, which allow you to adjust the sample

length dynamically.

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E x p a n s i o n O p t i o n s :

Berlin Woodwinds is expanded by Berlin Woodwinds - Additional Instruments, which adds Eb Clarinet,

Bass Clarinet and Contrabassoon recorded in situ at the Teldex Stage, fitting perfectly with BWW Main

Collection.

For exposed solo passages, Woodwind Soloists I and II feature special solo-style instruments played at the

Teldex Solo Booth. These two collections are recorded dry and come with a special Teldex IR for easy

placement and reverberation.

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4.1.1.2 Articulations

All Orchestral Tools collections focus on providing a versatile pallet of articulations to help you shape your

sound.

This section lists all articulations contained in Berlin Woodwinds Revive.

All Berlin Woodwinds Revive Patches have Close I and II, ORTF, AB, Tree and Surround. As such these

positions are not listed in the tables below.

Articulations Legend

Symbol Name Description

R Range The playable range of the instrument.

L Layers Lists the number and musical dynamics of velocity layers the

instrument uses.

T Transition Range The interval range of recorded legato transitions.

S Transition Styles If multiple legato styles are present, these are listed here by

name

V Vibrato Layers The number and type of vibrato layers

M Microphone Positions Any special mic positions that deviate from the collection

standard.

TM Time Machine Denotes a patch that uses TimeMachine for tempo-sync.

+ TimeMachine Patches

All patches marked with a "+" (plus sign) also exist as a TimeMachine patch. These patches allow you to

adjust the length of the sample to your liking. For more Information refer to the User Guide.

Piccolo Flute

Articulation Properties

01. Piccolo LegatoR: D4-C7 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Piccolo Sus Imm R: D4-C7 | L: 2 (p, ff) | V: Without, Romantic

03. Piccolo Sus Acc R: D4-C7 | L: 2 (p, ff) | V: Without, Romantic

04. Piccolo Staccatissimo R: D4-C7 | L: 2 (p, ff) | RR: 7

05. Piccolo Staccato R: D4-C7 | L: 2 (p, ff) | RR: 5

06. Piccolo Marcato Long R: D4-C7 | L: 2 (p, ff) | RR: 3

07. Piccolo Marcato Short R: D4-C7 | L: 2 (p, ff) | RR: 3

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08. Piccolo Repetitions 16th R: D4-C7 | L: 2 (p, ff) | TM

09. Piccolo Repetitions Triplets R: D4-C7 | L: 2 (p, ff) | TM

10. Piccolo TO Trills HT-WT R: D4-C7 | L: 2 (p, ff) | TM

11. Piccolo TO Trills Single R: D4-C7 | L: 2 (p, ff)

12. Piccolo TO Trills Sfz R: D4-C7 | L: 1 (ff)

13. Piccolo Playable Runs R: D4-C7 | L: 2 (p, ff) | RR: 5

Flute 1


01. Flute 1 LegatoR: C3-C6 | L: 3 (p, mf, ff) | 1st-8th | V: Without,

Romantic, Expressive

02. Flute 1 SustainsR: C3-C6 | L: 3 (p, mf, ff) | V: Without, Romantic,

Expressive

03. Flute 1 Staccatissimo R: C3-C6 | L: 3 (p, mf, f) | RR: 7

04. Flute 1 Staccato R: C3-C6 | L: 3 (p, mf, f) | RR: 7

05. Flute 1 Portato Long R: C3-C6 | L: 2 (mf, ff) | RR: 3

06. Flute 1 Portato Short R: C3-C6 | L: 2 (mf, ff) | RR: 3

07. Flute 1 Sforzando R: C3-C6 | L: 2 (f, ff) | RR: 2

08. Flute 1 Double Tongue R: C3-C6 | L: 2 (mp, f) | RR: 2

09. Flute 1 Double Tongue Measured R: C3-C6 | L: 2 (mp, f) | RR: 2 | TM

10. Flute 1 Triple Tongue R: C3-C6 | L: 2 (mp, f) | RR: 2

11. Flute 1 Triple Tongue Measured R: C3-C6 | L: 2 (mp, f) | RR: 2 | TM

12. Flute 1 TO Trills HT-4th R: C3-F5 | L: 2 (mp, ff)

13. Flute 1 TO Trills Measured HT-5th R: C3-F5 | L: 2 (mp, ff) | TM Up

14. Flute 1 TO Trills Single R: C3-C6 | L: 1 (f) | RR: 2

15. Flute 1 TO Trills Sfz R: C3-C6 | L: 1 (ff) | RR: 2

16. Flute 1 Playable Runs R: C3-C6 | L: 2 (mp, ff) | RR: 2

Flute 2


01. Flute 2 LegatoR: C3-C6 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Flute 2 Sus Imm R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

03. Flute 2 Sus Soft R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

04. Flute 2 Sus Acc R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

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05. Flute 2 Staccatissimo R: C3-C6 | L: 2 (p, ff) | RR: 7

06. Flute 2 Staccato R: C3-C6 | L: 2 (p, ff) | RR: 6

07. Flute 2 Marcato Long R: C3-C6 | L: 2 (p, ff) | RR: 3

08. Flute 2 Marcato Short R: C3-C6 | L: 2 (p, ff) | RR: 3

09. Flute 2 Portato Long R: C3-C6 | L: 2 (p, ff) | RR: 3

10. Flute 2 Portato Short R: C3-C6 | L: 2 (p, ff) | RR: 3

11. Flute 2 Repetitions 16th R: C3-C6 | L: 2 (p, ff) | TM

12. Flute 2 Repetitions Triplet R: C3-C6 | L: 2 (p, ff) | TM

13. Flute 2 TO Trills HT-4th R: C3-C6 | L: 2 (p, ff)

14. Flute 2 TO Trills Measured HT-5th R: C3-C6 | L: 1 (mf) | TM Up and Down

15. Flute 2 TO Trills Single R: C3-C6 | L: 2 (p, ff)

16. Flute 2 TO Trills Sfz R: C3-C6 | L: 1 (ff)

Flute 3


01. Flute 3 LegatoR: C3-C6 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Flute 3 Sus Imm R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

03. Flute 3 Sus Soft R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

04. Flute 3 Sus Acc R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic

05. Flute 3 Staccatissimo R: C3-C6 | L: 2 (p, ff) | RR: 7

06. Flute 3 Staccato R: C3-C6 | L: 2 (p, ff) | RR: 6

07. Flute 3 Marcato Long R: C3-C6 | L: 2 (p, ff) | RR: 2

08. Flute 3 Marcato Short R: C3-C6 | L: 2 (p, ff) | RR: 3

09. Flute 3 Portato Long R: C3-C6 | L: 2 (p, ff) | RR: 3

10. Flute 3 Portato Short R: C3-C6 | L: 2 (p, ff) | RR: 3

11. Flute 3 Repetitions 16th R: C3-C6 | L: 2 (p, ff) | TM

12. Flute 3 Repetitions Triplets R: C3-C6 | L: 2 (p, ff) | TM

13. Flute 3 TO Trills HT-4th R: C3-C6 | L: 2 (p, ff)

14. Flute 3 TO Trills Single R: C3-C6 | L: 2 (p, ff)

15. Flute 3 TO Trills Sfz R: C3-C6 | L: 1 (ff)

16. Flute 3 Playable Runs R: C3-C6 | L: 2 (p, ff) | RR: 2

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Alto Flute


01. Alto Flute LegatoR: G2-D5 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Alto Flute Sus Imm R: G2-D5 | L: 2 (p, ff) | V: Without, Romantic

03. Alto Flute Sus Soft R: G2-D5 | L: 2 (p, ff) | V: Without, Romantic

04. Alto Flute Staccatissimo R: G2-D5 | L: 2 (p, ff) | RR: 7

05. Alto Flute Portato Long R: G2-D5 | L: 2 (p, ff) | RR: 3

06. Alto Flute Portato Short R: G2-D5 | L: 2 (p, ff) | RR: 3

07. Alto Flute Playable Runs R: G2-D5 | L: 2 (p, ff) | RR: 3

Oboe 1


01. Oboe 1 LegatoR: A#2-F5 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Oboe 1 Sus Imm R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

03. Oboe 1 Sus Soft R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

04. Oboe 1 Sus Acc R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

05. Oboe 1 Staccatissimo R: A#2-F5 | L: 2 (p, ff) | RR: 7

06. Oboe 1 Staccato R: A#2-F5 | L: 2 (p, ff) | RR: 5

07. Oboe 1 Marcato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2

08. Oboe 1 Marcato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3

09. Oboe 1 Portato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2

10. Oboe 1 Portato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3

11. Oboe 1 Repetitions 16th R: A#2-F5 | L: 2 (mf, ff) | TM

12. Oboe 1 Repetitions Triplets R: A#2-F5 | L: 2 (mf, ff) | TM

13. Oboe 1 TO Trills HT-4th R: A#2-F5 | L: 2 (mf, ff)

14. Oboe 1 TO Trills Measured HT-5th R: A#2-F5 | L: 1 (mf) | TM Up and Down

15. Oboe 1 TO Trills Single R: A#2-F5 | L: 2 (p, ff)

16. Oboe 1 TO Trills Sfz R: A#2-F5 | L: 1 (ff)

17. Oboe 1 Playable Runs R: A#2-F5 | L: 2 (p, ff) | RR: 5

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Oboe 2


01. Oboe 2 LegatoR: A#2-F5 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. Oboe 2 Sus Imm R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

03. Oboe 2 Sus Soft R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

04. Oboe 2 Sus Acc R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic

05. Oboe 2 Staccatissimo R: A#2-F5 | L: 2 (p, ff) | RR: 7

06. Oboe 2 Staccato R: A#2-F5 | L: 2 (p, ff) | RR: 5

07. Oboe 2 Marcato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2

08. Oboe 2 Marcato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3

09. Oboe 2 Portato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2

10. Oboe 2 Portato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3

11. Oboe 2 Repetitions 16th R: A#2-F5 | L: 2 (p, ff) | TM

12. Oboe 2 Repetitions Triplets R: A#2-F5 | L: 2 (p, ff) | TM

13. Oboe 2 TO Trills HT-WT R: A#2-D#5 | L: 2 (p, ff)

14. Oboe 2 TO Trills Single R: A#2-E5 | L: 2 (p, ff)

15. Oboe 2 TO Trills Sfz R: A#2-E5 | L: 2 (p, ff)

16. Oboe 2 Playable Runs R: A#2-F5 | L: 2 (p, ff) | RR: 5

English Horn


01. English Horn LegatoR: F2-A#4 | L: 2 (p, ff) | 1st-8th | V: Without,

Romantic

02. English Horn Sus Imm R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic

03. English Horn Sus Soft R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic

04. English Horn Sus Acc R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic

05. English Horn Staccatissimo R: F2-A#4 | L: 2 (p, ff) | RR: 5

06. English Horn Staccato R: F2-A#4 | L: 2 (p, ff) | RR: 5

07. English Horn Marcato Long R: F2-A#4 | L: 2 (p, ff) | RR: 3

08. English Horn Marcato Short R: F2-A#4 | L: 2 (p, ff) | RR: 3

09. English Horn Portato Long R: F2-A#4 | L: 2 (p, ff) | RR: 3

10. English Horn Portato Short R: F2-A#4 | L: 2 (p, ff) | RR: 3

11. English Horn TO Trills HT-WT R: F2-A#4 | L: 2 (p, ff)

12. English Horn TO Trills Measured HT-5th R: F2-A#4 | L: 1 (mf) | TM Down

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13. English Horn TO Trills Single R: F2-A#4 | L: 2 (p, ff)

14. English Horn TO Trills Sfz R: F2-A4 | L: 1 (ff)

15. English Horn Playable Runs R: F2-A#4 | L: 2 (p, ff) | RR: 2

Clarinet 1


01. Clarinet 1 Legato R: D2-D5 | L: 3 (p, mf, ff) | 1st-8th

02. Clarinet 1 Sustains R: D2-D5 | L: 4 (p, mf, f, ff)

03. Clarinet 1 Staccatissimo R: D2-D5 | L: 2 (p, f) | RR: 4

04. Clarinet 1 Staccato R: D2-E5 | L: 3 (p, mf, ff) | RR: 7

05. Clarinet 1 Marcato Long R: D2-D5 | L: 2 (mp, ff) | RR: 4

06. Clarinet 1 Marcato Short R: D2-D5 | L: 3 (p, mf, ff) | RR: 4

07. Clarinet 1 Double Tongue R: D2-D5 | L: 2 (mp, f) | RR: 2

08. Clarinet 1 Double Tongue Measured R: D2-D5 | L: 2 (mp, f) | RR: 2 | TM

09. Clarinet 1 Triple Tongue R: D2-D5 | L: 2 (mp, f) | RR: 2

10. Clarinet 1 Triple Tongue Measured R: D2-D5 | L: 2 (p, f) | RR: 2 | TM

11. Clarinet 1 TO Trills HT-5th R: D2-A#4 | L: 2 (mp, ff)

12. Clarinet 1 TO Trills Measured HT-5th R: D2-A#4 | L: 2 (mp, ff) | TM Up

13. Clarinet 1 TO Trills Sfz R: D2-C5 | L: 2 (mp, ff) | RR: 2

14. Clarinet 1 TO Trills Single R: D2-C5 | L: 1 (ff) | RR: 2

15. Clarinet 1 Playable Runs R: D2-D5 | L: 2 (mp, ff) | RR: 2

Clarinet 2


01. Clarinet 2 Legato R: D2-F5 | L: 3 (p, mf, ff) | 1st-8th

02. Clarinet 2 Sus Imm R: D2-F5 | L: 3 (p, mf, ff)

03. Clarinet 2 Sus Soft R: D2-F5 | L: 3 (p, mf, ff)

04. Clarinet 2 Sus Acc R: D2-F5 | L: 2 (mf, ff)

05. Clarinet 2 Staccatissimo R: D2-F5 | L: 3 (p, mf, ff) | RR: 7

06. Clarinet 2 Staccato R: D2-F5 | L: 3 (p, mf, ff) | RR: 5

07. Clarinet 2 Marcato Long R: D2-F5 | L: 2 (mf, ff) | RR: 2

08. Clarinet 2 Marcato Short R: D2-F5 | L: 2 (mf, ff) | RR: 3

09. Clarinet 2 Portato Long R: D2-F5 | L: 3 (p, mf, ff) | RR: 2

10. Clarinet 2 Portato Short R: D2-F5 | L: 3 (p, mf, ff) | RR: 3

17




11. Clarinet 2 Repetitions 16th R: D2-F5 | L: 2 (p, ff) | TM

12. Clarinet 2 Repetitions Triplets R: D2-F5 | L: 2 (p, ff) | TM

13. Clarinet 2 TO Trills HT-4th R: D2-F5 | L: 2 (mf, ff)

14. Clarinet 2 TO Trills Single R: D2-F5 | L: 2 (p, ff)

15. Clarinet 2 TO Trills Sfz R: D2-F5 | L: 1 (ff)

16. Clarinet 2 Playable Runs R: D2-F5 | L: 3 (p, mf, ff) | RR: 5

Bassoon 1


01. Bassoon 1 LegatoR: A#0-A3 | L: 3 (p, mf, ff) | 1st-8th | V: Without,

Romantic

02. Bassoon 1 Sustains R: A#0-A3 | L: 3 (p, mf, ff) | V: Without, Romantic

03. Bassoon 1 Staccatissimo R: A#0-A3 | L: 3 (p, mf, ff) | RR: 9

04. Bassoon 1 Staccato R: A#0-A3 | L: 3 (p, mf, ff) | RR: 8

05. Bassoon 1 Portato Long R: A#0-A3 | L: 2 (mf, ff) | RR: 3

06. Bassoon 1 Portato Short R: A#0-A3 | L: 2 (mf, ff) | RR: 3

07. Bassoon 1 Sforzando R: A#0-A3 | L: 1 (fff) | RR: 2

08. Bassoon 1 Fortepiano R: A#0-A3 | L: 1 (ff)

09. Bassoon 1 Double Tongue R: A#0-A3 | L: 2 (mf, ff) | RR: 2

10. Bassoon 1 Double Tongue Measured R: A#0-A3 | L: 2 (mf, ff) | RR: 2 | TM

11. Bassoon 1 Triple Tongue R: A#0-A3 | L: 2 (mf, ff) | RR: 2

12. Bassoon 1 Triple Tongue Measured R: A#0-A3 | L: 2 (mf, ff) | RR: 2 | TM

13. Bassoon 1 TO Trills HT-WT R: A#0-A3 | L: 2 (mp, ff)

Bassoon 2


01. Bassoon 2 LegatoR: A#0-A3 | L: 3 (p, mf, ff) | 1st-8th | V: Without,

Romantic

02. Bassoon 2 Sustains R: A#0-A3 | L: 3 (p, mf, ff) | V: Without, Romantic

03. Bassoon 2 Staccatissimo R: A#0-A3 | L: 3 (p, mf, ff) | RR: 9

04. Bassoon 2 Staccato R: A#0-A3 | L: 3 (p, mf, ff) | RR: 8

05. Bassoon 2 Portato Long R: A#0-A3 | L: 2 (mf, ff) | RR: 3

06. Bassoon 2 Portato Short R: A#0-A3 | L: 2 (mf, ff) | RR: 3

07. Bassoon 2 Sforzando R: A#0-A3 | L: 1 (fff) | RR: 2

08. Bassoon 2 Double Tongue R: A#0-A3 | L: 2 (mp, ff) | RR: 2

18



09. Bassoon 2 Double Tongue Measured R: A#0-A3 | L: 2 (mp, ff) | RR: 2 | TM

10. Bassoon 2 Triple Tongue R: A#0-A3 | L: 2 (mp, ff) | RR: 2

11. Bassoon 2 Triple Tongue Measured R: A#0-A3 | L: 2 (mp, ff) | RR: 2 | TM

12. Bassoon 2 TO Trills HT-WT R: A#0-A3 | L: 2 (mp, ff)

Documents

OT Articulation Guide - · PDF fileintegration in your Orchestral Tools template. Newly Recorded instruments, including a new Alto Flute