Upload
christopher-mule
View
212
Download
0
Embed Size (px)
Citation preview
8/7/2019 Pages from Amandla Dec 2010_3
1/1
mandlaVolume 9 Issue 12 973-419-0073 / 973-731-1339 An African Community Newspaper December 15, 2010 - January 16, 2011
Founded October 2003
by Kofi Ayim
Bonwire comes to Staten Kente, the intricate multicolored apparelthat is exclusively associated with
Ghanas culture and symbolic pride ofmany Africans born outside Africa has
now come to Staten Island, New York to
stay. The interest in the first ever livekente weaving demonstration in a 2005
Cultural Diversity Program organized
by Wagner College of Staten Islandseemed to be dying out when Samuel
Owusu Sekyere a Ghanaian community
leader, chanced upon a family of kenteweavers - Nana Adu Bofour, Oti Kegya
and Kofi Marfo from the ancestral
home of indigenous kente, Bonwire, inthe Ashanti Region. The board member
of the Staten Island Immigrant Council
and Vice president of the Ghanaian As-sociation of Staten Island liaised on be-
half of his group with Chris J. Mule a
folklorist and Deputy Director of theCouncil of the Arts & Humanities for
Staten Island (COASI), and in collabo-ration with the Newhouse Center for
Contemporary Art, created the AK
WAABA Weaving Unity between Bon
wire and Staten Island exhibition. Theproblem of acquiring a traditional loom
was resolved when David Ricciardi anartist and carpenter with input from the
three weavers redesigned and con-
structed a collapsible and portable loomcomplete with rolling wheels. Given the
fact that indigenous looms are station-
Island...on wheels
ary, observers believe this innovation isprobably the first of its kind in the
world.
Strange Disease Killing Local
Industry in Ghana
Kofi Marfo (left) and Nana Adu Bofour weave kente in Staten Island like they used to do atBonwire
Wilted coconut trees, a common sight on Ghanas coastal belt
In an interview Chris Mule opined that
it is prudent for Staten Island to cele-
brate cultural diversity to meet theneeds and challenges of its growing
mixed heritage. He pointed out that it isimportant for homogenous cultures to
reconnect with their identity and also to
teach and share the history and culturewith one another, especially the younger
generation.
Making kente, like unique trades re-quires elaborate dexterity and long
hours of sitting. It takes between two to
four days to weave the most basic andsimple cloth. Complex ones with geo-
metrical patterns and designs could take
up to three months or more for a 10hour a day work. The strips of woven
cloths are sewn together into rectangu-
lar shapes. Authentic kente cloth is notmass manufactured. Every woven kente
cloth from strips of college graduation
to ceremonial gowns of academic pom-posity and flowing clerical gowns is
baptized with a name. The name, usu-ally proverbial, reflects socio economic
or religious tendencies in an environ-
ment. So the next time you see someonewearing kente, inquire of its name.
The AKWAABA Weaving Unity exhibit
runs from November 6 to April 3 2011at the spacious and sprawling Snug Har-
bor complex, Staten Island. All events
are free and open to the public Tuesdaythrough Sunday. For more information
contact Chris Mule at 718 447-3329 x
1006 or Sam Owusu Sekyere at 347409-7618.
nately, international funding andgrants have dried up.
The government of Ghana is nowexploiting innovative ways that
came out of research projects to re-
vive the industry. Hybrids of theVanuatu Tall and Pumilla Green
Dwarf as well as Vantum Tall and
Malayan Yellow Dwarf that havebeen known to be tolerant to the dis-
ease are being replanted on fertile
lands. Thus far, an area of about1,300 hectares has been replanted
and a total of 1006 hectares of exist-
ing coconut farms that belong tosome 367 farmers in 29 communities
were fertilized from 2000 to 2002.
Stakeholders hope government findsfunds for more research to alleviate
the plight of coconut growers as was
done during the period of the Akatecocoa disease. Until that happens the
destiny of a whole chunk of coconut
farmers would be at the mercy ofProvidence for survival.
Varieties of coconut (Sri Lanka Ceylon - types, Malayan Dwarf and
West African Tall) were introduced
in south-eastern Ghana as an estatecrop in the early 1920s.
Source: Ministry of Food & Agricul
ture, Ghana
y Kofi Ayim
or almost 80 years the local co-
onut industry in Ghana has beenlagued with a strange disease that
cientists have been unable to diag-ose. The once thriving
oconut/copra business from
0,000 hectares of cultivation in960 to 24,371.36 hectares in 2009 -
n the Volta, Western and Central
arts of Ghana is gradually beingecimated by a rare strain of virus
alled the Lethal Yellow Disease
(LYD) or locally Cape St. Paul Wiltisease (CSPWD).
irst detected at Woe near Cape St.
aul in the Volta Region in 1932,and spotted at Cape Three Points,
estern Region in 1964 and at
yensudu near Komenda, Centralegion in 1988, this malignant co-
onut cancer can be dormant for
ecades, and reappear with a suddenlinger on the coastal areas.profusion. It has the ability toIts vector (carrier) is undetermined
jump tens of kilometers to afflictand there is no known treatment yet.other healthy (coconut) trees. In aIt is however, not limited to Ghana,given area, the disease can affectand exists with marked differences
several trees, but leave others un-in other coconut growing areas ofscathed. For unknown reasons, LYDWest Africa and the Caribbean.has never been able to penetrate intoThe debilitating effect of the disease
the forest belts, choosing rather to blackens the tree and initially ren-
AfriMETROHonorsProminentAfricans atNew YorkGalaBy Pamela Appea
AfriMETRO, a nonprofit and profes-
sional networking association andew York Universitys Wagner Stu-
dents Alliance for Africa hosted a
Holiday Gala and Golden Jubilee
on December 8 at NYUs Kimmel
Center in the East Village, attended
by more than 125 participants. The
gala was a fundraiser for global liter-
acy; honoring several community
heroes that have devoted significant
time and energy to Africa and the
African Diaspora community includ-
ing essential causes such as literacy,
maternal health and human rights.
This year has been a particularly
exciting year for AfriMETRO, said
founder Folake K. Ayoola who the
day after the Golden Jubilee NYCevent was on route to Houston,
Texas for another professional gala
ders its palm and leaves profuselyyellow and then brown, forcing pre-
mature dropping of (coconut) pods
and branches in the process. In retro-spect, a hitherto blooming and pro-
ductive coconut tree would be
stripped off its nutrients and assumea form and shape of a typical electric
or telephone pole.
and event.
AfriMETROs work is important in
the community because we are one
of the very few organizations in the
tri-state area withAfrican profes-
sionals and friends of Africa fo-
cused on building a new positive
image of Africa and Africans. We do
this by organizing business, charita-
ble and professional networking
events that inform, educate, em-
power, and celebrate Africa and
Africans. Our history is grounded in
the spirit of collaboration and com-
munity, Ms. Ayoola said.Continued on page 9
The devastation of thissubsistence economy in af-
fected coastal areas of
Ghana has driven severalfamilies into poverty and
negatively influenced qual-ity of life. It is conserva-
tively estimated that loss
of income from the cashcrop hovers around
GH62,200 per year or
$43,034.6.The Government of Ghana
has employed several miti-
gating factors to stem thediabolical spread of the
disease. A joint France-
Ghana-Cote dIvoire proj-ect was initiated in 1981.
The research found out
that the viral disease at-tacks plasma in coconuts.
The World Bank and the
European Union in 1991and 1993 respectively funded the re-
search on the vector disease. Andagain in 1997 France partnered
Ghana in a 5-year intervention pro-
gram to revamp the industry. So farnone of the scientific projects was
able to nail how the disease is trans-
mitted from tree to tree. Unfortu-
Actor GbengaAkinnagbe (right)poses with anadmirer. The actorwas among a num-ber of celebritieswho were at theGala